“Counting is the religion of this generation it is its hope and its salvation.”
Source: Everybody’s Autobiography (1937), Ch. 3
Gertrude Stein was an American novelist, poet, playwright, and art collector. Born in the Allegheny West neighborhood of Pittsburgh and raised in Oakland, California, Stein moved to Paris in 1903, and made France her home for the remainder of her life. She hosted a Paris salon, where the leading figures of modernism in literature and art, such as Pablo Picasso, Ernest Hemingway, F. Scott Fitzgerald, Sinclair Lewis, Ezra Pound, Sherwood Anderson and Henri Matisse, would meet.In 1933, Stein published a quasi-memoir of her Paris years, The Autobiography of Alice B. Toklas, written in the voice of Alice B. Toklas, her life partner. The book became a literary bestseller and vaulted Stein from the relative obscurity of the cult-literature scene into the limelight of mainstream attention. Two quotes from her works have become widely known: "Rose is a rose is a rose is a rose," and "there is no there there", with the latter often taken to be a reference to her childhood home of Oakland.
Her books include Q.E.D. , about a lesbian romantic affair involving several of Stein's friends, Fernhurst, a fictional story about a love triangle, Three Lives , and The Making of Americans . In Tender Buttons , Stein commented on lesbian sexuality.Her activities during World War II have been the subject of analysis and commentary. As a Jew living in Nazi-occupied France, Stein may have only been able to sustain her lifestyle as an art collector, and indeed to ensure her physical safety, through the protection of the powerful Vichy government official and Nazi collaborator Bernard Faÿ. After the war ended, Stein expressed admiration for another Nazi collaborator, Vichy leader Marshal Pétain.
Wikipedia
“Counting is the religion of this generation it is its hope and its salvation.”
Source: Everybody’s Autobiography (1937), Ch. 3
“I've been rich and I've been poor. It's better to be rich.”
As quoted in Red Rabbit : A novel (2002) by Tom Clancy, p. 153
The Making of Americans (1925)
“Is it worse to be scared than to be bored, that is the question.”
Wars I Have Seen (1945)
Wars I Have Seen (1945)
How to Write (1931), Ch. 4: A Grammarian [Dover, 1975, ISBN 0-486-23144-5] p. 109
Source: Everybody’s Autobiography (1937), Ch. 3
The Making of Americans (1925)
Source: Everybody’s Autobiography (1937), Ch. 2
“I like a view but I like to sit with my back turned to it.”
The Autobiography of Alice B. Toklas (1933)
“Do you know because I tell you so, or do you know, do you know.”
Libretto for the opera The Mother Of Us All by Virgil Thomson (1947), from Last Operas and Plays (1949)
Wars I Have Seen (1945)
Quoted by Frederic Prokosch in Voices: A Memoir (1983)
Source: Paris France (1940), p. 107
The Making of Americans (1925)
Statement about World War II (written in 1943), p. 77
Wars I Have Seen (1945)
Stein's comment about homosexuality and homophobia, from a conversation with Samuel Steward recounted in Dear Sammy: Letters from Gertrude Stein and Alice B. Toklas (1977)
Source: Everybody’s Autobiography (1937), Ch.3
“Ladies there is no neutral position for us to assume.”
Libretto for the opera The Mother Of Us All by Virgil Thomson (1947), from Last Operas and Plays (1949)
Source: Everybody’s Autobiography (1937), Ch. 3
"The Capital and Capitals of the United States of America," New York Herald Tribune (9 March 1935)
How Writing Is Written: Previously Uncollected Writings, vol.II (1974)
Source: Everybody’s Autobiography (1937), Ch. 4
“Nothing could bother me more than the way a thing goes dead once it has been said.”
What Are Masterpieces and Why Are There So Few of Them (1936)
"The Situation in American Writing," Partisan Review (Summer 1939)
How Writing Is Written: Previously Uncollected Writings, vol.II (1974)
Source: Everybody’s Autobiography (1937), Ch. 5
What Are Masterpieces and Why Are There So Few of Them (1936)
“Let me recite what history teaches. History teaches.”
If I Told Him: A Completed Portrait of Picasso (1923). First published in Vanity Fair.
Source: Everybody’s Autobiography (1937), Ch. 4
Four Saints in Three Acts (1927)
Operas and Plays (1932)
Wars I Have Seen (1945)
Picasso (1938)
Off we all went to see Germany. In: LIFE Magazine, Vol. 19, No. 6, August 6, 1945, S.56, ISSN 0024-3019. google books https://books.google.at/books?id=0EkEAAAAMBAJ&pg=PA54&lpg=PA54&dq=%22gertrude+stein%22+%22off+we+all+went%22&source=bl&ots=xOi2_KGtgA&sig=rCjhy5aEb48I1LiWrDQNNVtw37c&hl=de&sa=X&ved=2ahUKEwij1sqZr7_cAhUFdcAKHQQhB_sQ6AEwAHoECAAQAQ#v=onepage&q=%22gertrude%20stein%22%20%22off%20we%20all%20went%22&f=false
"Form and Intelligibility," from The Radcliffe Manuscripts (1949); written in 1895 as an undergraduate at Radcliffe College
“I rarely believe anything, because at the time of believing I am not really there to believe.”
Source: Everybody’s Autobiography (1937), Ch. 3
"Answer to Eugene Jolas," Transition (March 1932)
How Writing Is Written: Previously Uncollected Writings, vol.II (1974)
Source: Everybody’s Autobiography (1937), Ch. 3
Before the Flowers of Friendship Faded Friendship Faded (1931)
Wars I Have Seen (1945)
Source: Paris France (1940), p. 56
“The nineteenth century believed in science but the twentieth century does not.”
Wars I Have Seen (1945)
"Poetry and Grammar"
Lectures in America (1935)
Source: Everybody’s Autobiography (1937), Ch. 4
What Are Masterpieces and Why Are There So Few of Them (1936)
What Are Masterpieces and Why Are There So Few of Them (1936), Afterword of a later edition
"Poetry and Grammar"
Lectures in America (1935)