Donald Robert Perry Marquis was a humorist, journalist, and author. He was variously a novelist, poet, newspaper columnist, and playwright. He is remembered best for creating the characters Archy and Mehitabel, supposed authors of humorous verse. During his lifetime he was equally famous for creating another fictitious character, "the Old Soak," who was the subject of two books, a hit Broadway play , a silent movie and a talkie . Wikipedia
“it wont be long now It won't be long
till earth is barren as the moon
and sapless as a mumbled bone”
archy and mehitabel (1927), what the ants are saying
archy and mehitabel (1927), what the ants are saying
Source: Hermione and Her Little Group of Serious Thinkers
“A demagogue is a person with whom we disagree as to which gang should mismanage the country.”
As quoted in O Rare Don Marquis, a Biography, by Edward Anthony (1962), Ch. 11
The Almost Perfect State (1921)
Context: Between the years of ninety-two and a hundred and two, however, we shall be the ribald, useless, drunken, outcast person we have always wished to be. We shall have a long white beard and long white hair; we shall not walk at all, but recline in a wheel chair and bellow for alcoholic beverages; in the winter we shall sit before the fire with our feet in a bucket of hot water, a decanter of corn whiskey near at hand, and write ribald songs against organized society; strapped to one arm of our chair will be a forty-five calibre revolver, and we shall shoot out the lights when we want to go to sleep, instead of turning them off; when we want air we shall throw a silver candlestick through the front window and be damned to it; we shall address public meetings (to which we have been invited because of our wisdom) in a vein of jocund malice. We shall … but we don’t wish to make any one envious of the good time that is coming to us … We look forward to a disreputable, vigorous, unhonoured, and disorderly old age.
The Almost Perfect State (1921)
Context: We shall know that the Almost Perfect State is here when the kind of old age each person wants is possible to him. Of course, all of you may not want the kind we want... some of you may prefer prunes and morality to the bitter end.
The Almost Perfect State (1921)
Context: Of middle age the best that can be said is that a middle aged person has likely learned how to have a little fun in spite of his troubles.
It is to old age that we look for reimbursement, the most of us. And most of us look in vain. For the most of us have been wrenched and racked, in one way or another, until old age is the most trying time of all.
In the Almost Perfect State every person shall have at least ten years before he dies of easy, carefree, happy living... things will be so arranged economically that this will be possible for each individual.
As quoted in The Volta Review (1934), p. 574 http://books.google.de/books?id=qWE4AQAAIAAJ&q=hate, Clifton Fadiman: The American Treasury 1455-1955 (New York 1955) p. 997 http://books.google.de/books?id=PEQ4AAAAIAAJ&q=really+make+them and Hugh Rawson, Margaret Miner: The Oxford Dictionary of American Quotations (2006) p. 431 #5 http://books.google.de/books?id=whg05Z4Nwo0C&pg=PA431&dq=mehitabel from archy and mehitabel (1927)
Variant: If you make people think they're thinking, they'll love you; but if you really make them think, they'll hate you.
mehitabel and her kittens http://donmarquis.com/reading-room/kittens/
archy and mehitabel (1927)
the robin and the worm
archy and mehitabel (1927), what the ants are saying
“it is a cheering thought to think
that god is on the side of the best digestion”
the big bad wolf
archy does his part (1935)
The Almost Perfect State (1921)
Context: Infancy is not what it is cracked up to be. The child seems happy all the time to the adult, because the adult knows that the child is untouched by the real problems of life; if the adult were similarly untouched he is sure that he would be happy. But children, not knowing that they are having an easy time, have a good many hard times. Growing and learning and obeying the rules of their elders, or fighting against them, are not easy things to do.
The Almost Perfect State (1921)
Context: No matter how nearly perfect an Almost Perfect State may be, it is not nearly enough perfect unless the individuals who compose it can, somewhere between death and birth, have a perfectly corking time for a few years. The most wonderful governmental system in the world does not attract us, as a system; we are after a system that scarcely knows it is a system; the great thing is to have the largest number of individuals as happy as may be, for a little while at least, some time before they die.
“The wise and subtle deities permit nothing worthy to be lost.”
The Almost Perfect State (1921)
Context: The wise and subtle deities permit nothing worthy to be lost. It was with no thought of beauty that the builders labored; no conscious thought; they were masters or slaves in the bitter wars of commerce, and they never saw as a whole what they were making; no one of them did. But each one had had his dream. And the baffled dreams and the broken visions and the ruined hopes and the secret desires of each one labored with him as he labored; the things that were lost and beaten and trampled down went into the stone and steel and gave it soul: the aspiration denied and the hope abandoned and the vision defeated were the things that lived, and not the apparent purpose for which each one of all the millions sweat and toiled or cheated; the hidden things, the silent things, the winged things, so weak they are easily killed, the unacknowledged things, the rejected beauty, the strangled appreciation, the inchoate art, the submerged spirit — these groped and found each other and gathered themselves together and worked themselves into the tiles and mortar of the edifice and made a town that is a worthy fellow of the sunrise and the sea winds.
Humanity triumphs over its details.
The Almost Perfect State (1921)
Context: The best good that you can possibly achieve is not good enough if you have to strain yourself all the time to reach it. A thing is only worth doing, and doing again and again, if you can do it rather easily, and get some joy out of it.
Do the best you can, without straining yourself too much and too continuously, and leave the rest to God. If you strain yourself too much you'll have to ask God to patch you up. And for all you know, patching you up may take time that it was planned to use some other way.
BUT... overstrain yourself now and then. For this reason: The things you create easily and joyously will not continue to come easily and joyously unless you yourself are getting bigger all the time. And when you overstrain yourself you are assisting in the creation of a new self — if you get what we mean.
The Almost Perfect State (1921)
Context: The best good that you can possibly achieve is not good enough if you have to strain yourself all the time to reach it. A thing is only worth doing, and doing again and again, if you can do it rather easily, and get some joy out of it.
Do the best you can, without straining yourself too much and too continuously, and leave the rest to God. If you strain yourself too much you'll have to ask God to patch you up. And for all you know, patching you up may take time that it was planned to use some other way.
BUT... overstrain yourself now and then. For this reason: The things you create easily and joyously will not continue to come easily and joyously unless you yourself are getting bigger all the time. And when you overstrain yourself you are assisting in the creation of a new self — if you get what we mean.
The Almost Perfect State (1921)
Context: The individual aspiration is always defeated of its perfect fruition and expression, but it is never lost; it passes into the conglomerate being of the race.
The way to encourage yourself about the human race is to look at it first from a distance; look at the lights on the high spots.
“Humanity triumphs over its details.”
The Almost Perfect State (1921)
Context: The wise and subtle deities permit nothing worthy to be lost. It was with no thought of beauty that the builders labored; no conscious thought; they were masters or slaves in the bitter wars of commerce, and they never saw as a whole what they were making; no one of them did. But each one had had his dream. And the baffled dreams and the broken visions and the ruined hopes and the secret desires of each one labored with him as he labored; the things that were lost and beaten and trampled down went into the stone and steel and gave it soul: the aspiration denied and the hope abandoned and the vision defeated were the things that lived, and not the apparent purpose for which each one of all the millions sweat and toiled or cheated; the hidden things, the silent things, the winged things, so weak they are easily killed, the unacknowledged things, the rejected beauty, the strangled appreciation, the inchoate art, the submerged spirit — these groped and found each other and gathered themselves together and worked themselves into the tiles and mortar of the edifice and made a town that is a worthy fellow of the sunrise and the sea winds.
Humanity triumphs over its details.
“Personally we look forward to an old age of dissipation and indolence and unreverend disrepute.”
The Almost Perfect State (1921)
Context: Personally we look forward to an old age of dissipation and indolence and unreverend disrepute. In fifty years we shall be ninety-two years old. We intend to work rather hard during those fifty years and accumulate enough to live on without working any more for the next ten years, for we have determined to die at the age of one hundred and two.
The Almost Perfect State (1921)
Context: We have always been compelled, and we shall be compelled for many years to come, to be prudent, cautious, staid, sober, conservative, industrious, respectful of established institutions, a model citizen. We have not liked it, but we have been unable to escape it. Our mind, our logical faculties, our observation, inform us that the conservatives have the right side of the argument in all human affairs. But the people whom we really prefer as associates, though we do not approve their ideas, are the rebels, the radicals, the wastrels, the vicious, the poets, the Bolshevists, the idealists, the nuts, the Lucifers, the agreeable good-for-nothings, the sentimentalists, the prophets, the freaks. We have never dared to know any of them, far less become intimate with them.
“Infancy is not what it is cracked up to be.”
The Almost Perfect State (1921)
Context: Infancy is not what it is cracked up to be. The child seems happy all the time to the adult, because the adult knows that the child is untouched by the real problems of life; if the adult were similarly untouched he is sure that he would be happy. But children, not knowing that they are having an easy time, have a good many hard times. Growing and learning and obeying the rules of their elders, or fighting against them, are not easy things to do.
“procrastination is the
art of keeping
up with yesterday”
certain maxims of archy
archy and mehitabel (1927)
“there is always
a comforting thought
in time of trouble when
it is not our trouble”
comforting thoughts
archy does his part (1935)
“an optimist is a guy
that has never had
much experience”
certain maxims of archy
archy and mehitabel (1927)
warty bliggens, the toad
archy's life of mehitabel, random thoughts by archy (1933)
the robin and the worm
“each generation wastes a little more
of the future with greed and lust for riches”
archy and mehitabel (1927), what the ants are saying
“dance mehitabel dance
caper and shake a leg
what little blood is left
will fizz like wine in a keg”
mehitabel dances with boreas
archy and mehitabel (1927)
archy and mehitabel (1927), what the ants are saying
a roach of the taverns
archy and mehitabel (1927)
the song of mehitabel
archy and mehitabel (1927)
“dear boss i relay this information
without any fear that humanity
will take warning and reform”
archy and mehitabel (1927), what the ants are saying
the robin and the worm
“what man calls civilization
always results in deserts”
archy and mehitabel (1927), what the ants are saying
The Almost Perfect State (1921)
