Quotes about transcript

A collection of quotes on the topic of transcript, likeness, other, world.

Quotes about transcript

“Knowledge is not something which exists and grows in the abstract. It is a function of human organisms and of social organization. Knowledge, that is to say, is always what somebody knows: the most perfect transcript of knowledge in writing is not knowledge if nobody knows it. Knowledge however grows by the receipt of meaningful information - that is, by the intake of messages by a knower which are capable of reorganising his knowledge.”

Kenneth E. Boulding (1910–1993) British-American economist

Source: 1950s, General Systems Theory - The Skeleton of Science, 1956, p. 197

Knowledge, Perfection

“In infancy I was afraid of the dark, which I peopled with all sorts of things; but my grandfather cured me of that by daring me to walk through certain dark parts of the house when I was 3 or 4 years old. After that, dark places held a certain fascination for me. But it is in dreams that I have known the real clutch of stark, hideous, maddening, paralysing fear. My infant nightmares were classics, & in them there is not an abyss of agonising cosmic horror that I have not explored. I don't have such dreams now—but the memory of them will never leave me. It is undoubtedly from them that the darkest & most gruesome side of my fictional imagination is derived. At the ages of 3, 4, 5, 6, 7, & 8 I have been whirled through formless abysses of infinite night and adumbrated horrors as black & as seethingly sinister as any of our friend Fafhrd's [a nickname Lovecraft used for Fritz Leiber] "splatter-stencil" triumphs. That's why I appreciate such triumphs so keenly, I have seen these things! Many a time I have awaked in shrieks of panic, & have fought desperately to keep from sinking back into sleep & its unutterable horrors. At the age of six my dreams became peopled with a race of lean, faceless, rubbery, winged things to which I applied the home-made name of night-gaunts. Night after night they would appear in exactly the same form—& the terror they brought was beyond any verbal description. Long decades later I embodied them in one of my Fungi from Yuggoth pseudo-sonnets, which you may have read. Well—after I was 8 all these things abated, perhaps because of the scientific habit of mind which I was acquiring (or trying to acquire). I ceased to believe in religion or any other form of the supernatural, & the new logic gradually reached my subconscious imagination. Still, occasional nightmares brought recurrent touches of the ancient fear—& as late as 1919 I had some that I could use in fiction without much change. The Statement of Randolph Carter is a literal dream transcript. Now, in the sere & yellow leaf (I shall be 47 in August), I seem to be rather deserted by stark horror. I have nightmares only 2 or 3 times a year, & of these none even approaches those of my youth in soul-shattering, phobic monstrousness. It is fully a decade & more since I have known fear in its most stupefying & hideous form. And yet, so strong is the impress of the past, I shall never cease to be fascinated by fear as a subject for aesthetic treatment. Along with the element of cosmic mystery & outsideness, it will always interest me more than anything else. It is, in a way, amusing that one of my chief interests should be an emotion whose poignant extremes I have never known in waking life!”

H.P. Lovecraft (1890–1937) American author

Letter to Harry O. Fischer (late February 1937), in Selected Letters V, 1934-1937 edited by August Derleth and Donald Wandrei, pp. 416-417
Non-Fiction, Letters

Life, People, Youth, Age

“My aim in painting has always been the most exact transcription possible of my most intimate impressions of nature.”

Edward Hopper (1882–1967) prominent American realist painter and printmaker

1911 - 1940, Notes on Painting - Edward Hopper (1933)

Nature, Painting

“If the question [about if there were only one composer in the world I could play] is purely ‘original’ works, no transcriptions, then Beethoven.”

Valentina Lisitsa (1973) Ukrainian-American classical pianist

pianistmagazine.com https://www.pianistmagazine.com/News-and-Features/161/Exclusive_interview_with_pianist_Valentina_Lisitsa/.

World, Question

“It is widely supposed that the naked human body is in itself an object upon which the eye dwells with pleasure and which we are glad to see depicted. But anyone who has frequented art schools and seen the shapeless, pitiful model that the students are industriously drawing will know this is an illusion. The body is not one of those objects which can be made into art by direct transcription — like a tiger or a snowy landscape. Often in looking at the natural and animal world we joyfully identify ourselves with what we see and from this happy union create a work of art. This is the process students of aesthetics call empathy, and it is at the opposite pole of creative activity to the state of mind that has produced the nude. A mass of naked figures does not move us to empathy, but to disillusion and dismay.”

Kenneth Clark (1903–1983) Art historian, broadcaster and museum director

Source: The Nude: A Study in Ideal Form (1951), Ch. 1: The Naked and the Nude

Pleasure, World, School, Art

“I will raise up prophets to make conflicting pronouncements that inevitably will be garbled in transcription, resulting in mutually exclusive definitions of orthodoxy from which the open-minded will flee in dismay.”

Sheri S. Tepper (1929–2016) American fiction writer

The small god in Ch. 44 : the visitor
The Visitor (2002)

“It may be, however, sufficient to say, that wherever the church has had power it has been a crime for any man to speak his honest thought. No church has ever been willing that any opponent should give a transcript of his mind. Every church in power has appealed to brute force, to the sword, for the purpose of sustaining its creed. Not one has had the courage to occupy the open field. The church has not been satisfied with calling Infidels and unbelievers blasphemers. Each church has accused nearly every other church of being a blasphemer. Every pioneer has been branded as a criminal. The Catholics called Martin Luther a blasphemer, and Martin Luther called Copernicus a blasphemer. Pious ignorance always regards intelligence as a kind of blasphemy. Some of the greatest men of the world, some of the best, have been put to death for the crime of blasphemy, that is to say, for the crime of endeavoring to benefit their fellow-men.”

Robert G. Ingersoll (1833–1899) Union United States Army officer

The trial of Charles B. Reynolds for blasphemy (1887)

Death, Men, World, Intelligence

“The transcript lay there, waiting for him as he hung up the telephone. Waiting for him to open it again. Trent Interview. Subject: Dorrant. Jason Dorrant. Poor kid, but at least he was young, free, not caught and fixed in time, as if frozen in ambers. Like so many others. Like me. You are what you do, Lottie had said. But now I don't do anything.”

Robert Cormier book The Rag and Bone Shop

Source: The Rag and Bone Shop (2000), p. 149

Time, Waiting

“(transcripts from Council of Ministers meeting 13 noiembrie 1941) I. Antonescu: „I'd like you to remove all Jews from Odesa immediately, because the resistence at Sevastopol makes us think that we can expect a landing at Odesa. I thought Sevastopol will fall earlier. Yet today, because the Russian fleet has the possibility to use Sevastopol, it can make us an unpleasent surpirse.””

Ion Antonescu (1882–1946) prime minister and conducător of Romania during World War II

Thinking

“I've come to see through the course of my life that people understand what I've tried to do, however inadequately I do it. I've just found people have come to understand me and be glad that I tried to do what I tried to do. And I do feel very inadequate about it, but I feel I must try... I think that any citizen can understand that you must raise your voice and do the best you can to speak out. [http://transcripts.cnn.com/TRANSCRIPTS/0506/18/lkl.01.html] CNN Larry King Live”

Vanessa Redgrave (1937) English actress

June 18, 2005

Life, People, Feeling, Understanding

“Jacob and Monod not only outlined a theory of gene regulation, they also discovered the first regulators of gene transcription. These regulators come in two forms—repressors, genes that encode the regulatory proteins that shut genes off, and as later work showed, activators, genes that encode the regulatory proteins that turn genes on.”

Eric R. Kandel (1929) American neuropsychiatrist

In Search of Memory (2006)

“Anybody visiting the Middle East in the last decade has had the experience: meeting the hoarse and aggressive person who first denies that Osama Bin Laden was responsible for the destruction of the World Trade Center and then proceeds to describe the attack as a justified vengeance for decades of American imperialism… professor Noam Chomsky decides to leave that central question open. We have no more reason to credit Osama Bin Laden's claim of responsibility, he states, than we would have to believe Chomsky's own claim to have won the Boston Marathon… Nothing serious," as Chomsky puts it, "has been provided since.".. So is one to assume that he [Chomsky] has pored through the completed findings of the 9/11 Commission? Viewed any of the videos in which the 9/11 hijackers are seen in the company of Bin Laden and Ayman al-Zawahiri? Read the transcripts of the trial of Zacarias Moussaoui, the so-called "20th hijacker"? Followed the journalistic investigations of Lawrence Wright, Peter Bergen, or John Burns, to name only some of the more salient? Acquainted himself with the proceedings of associated and ancillary investigations into the bombing of the USS Cole or indeed the first attempt to bring down the Twin Towers in the 1990s?”

Christopher Hitchens (1949–2011) British American author and journalist

2010s, 2011

World, Question, Reading, Personality

“must we not say that it is part of the deep sickness of our culture that ever since Descartes, we have been seduced by the idea of a kind of knowledge which could not be doubted, in which we would be absolutely secure from personal risk? And has not this seduction taken two forms which, even if they disclaim all relationship with each other, are really twin brothers? One is biblical fundamentalism which supposes that adherence to the text of the Bible frees me from the risk of error and therefore gives me a security which does not depend on my own discernment of the truth. The other is a type of scientism which supposes that science is simply a transcript of reality, of the "facts" which simply have to be accepted and call for no personal decision on my part, a kind of knowledge which is "objective" and free from all the bias of subjectivity.”

Lesslie Newbigin (1909–1998) Christian missionary

The Gospel in a Pluralist Society. Eerdmans, 1989 (reprinted 2002),48-49.

Truth, Error, Idea, Knowledge

“"Dumb as hell" - Richard Nixon described Thompson as not able "to interrogate unfriendly witnesses and would be outsmarted by the committee's Democratic counsel." (see: The transcripts of the Nixon tapes published in "Abuse of Power: The New Watergate Tapes".)”

Fred Thompson (1942–2015) American politician and actor

About

Hell

“Now, when individuals read the entire transcript of the [March] 21st [1973] meeting, or hear the entire tape, where we discussed all these options, they may reach different interpretations, but I know what I meant, and I know also what I did.”

Richard Nixon (1913–1994) 37th President of the United States of America

News Conference (6 March 1974) http://www.presidency.ucsb.edu/ws/?pid=4377 <br class="br">1970s

Reading

“But I would like to think for a moment about a man who in the morning teaches his students that a false attribution of a Watteau drawing or an inaccurate transcription of a fourteenth-century epigraph is a sin against the spirit and in the afternoon or evening transmits to the agents of Soviet intelligence classified, perhaps vital information given to him in sworn trust by his countrymen and intimate colleagues. What are the sources of such scission? How does the spirit mask itself?”

George Steiner (1929–2020) American writer

"The Cleric of Treason," The New Yorker (1980-12-08).
George Steiner: A Reader (1984)

Intelligence, Thinking, Drawing, Falseness

“Pissarro wants to achieve delicacy by means of adjustments of nearly like tones; he keeps from juxtaposing two distant tones and does without the vibrant note which such contrast gives, but strives on the contrary to diminish the distance between two tints by introducing into each one of them intermediate elements which he calls 'passage'. But the neo-impressionist technique is based precisely on this type of contrast, for which he feels no need, and on the violent purity of tints which hurts his eye. He has kept of divisionism only the technique, the little dot, whose raison d'etre is exactly that it enables the transcription of this contrast and the conservation of this purity. So it is easy to understand why he [Pissarro] gave up this means, insufficient as it is by itself.”

Paul Signac (1863–1935) French painter

As quoted by John Rewald, in Camille Pissarro - Letters to His Son Lucien ed. John Rewald, with assistance of Lucien Pissarro; from the unpublished French letters; transl. Lionel Abel; Pantheon Books Inc. New York, second edition, 1943, pp. 135
Signac, in his book De Delacroix au Neo-impressionnisme, tried to explain in this way Camille Pissarro's desertion from Neo-Impressionism around 1890
From Delacroix to Neo-Impressionism, 1899

Feeling, Understanding, Distant, Hurt

“It seems to me that the comprehension and enjoyment of the reader, as opposed to the viewer, is best served in printing this version rather than a slavish definitive transcription. Besides, what film is truly definitive? By the time you see the film it may very well be sub-titled, re-edited, shortened, even censored, and every film is viewed at the discretion of the projectionist, the cinema manager, the architect of the cinema, the comfort of your seat and the attention of your neighbour.”

Peter Greenaway (1942) British film director

From the Author's Note to the published script.
A Zed and Two Noughts

Time

“The preface to the French edition of that work contains the following passage: "To me the French edition of my work is not a mere translation, but a transcription of ideas into a language in which it should have been written in the first place… I proudly acknowledge… my master. His words are among the most brilliant recollections of my youth; his piercing wisdom and potent prose have inspired my efforts of a riper age. To the memory of Henri Poincaré, the intellectual giant who was the first to recognize the role which the idiosyncrasies of the race play in the evolution of scientific ideas, I dedicate this book.”

Tobias Dantzig (1884–1956) American mathematician

Preface
Henri Poincaré, Critic of Crisis: Reflections on His Universe of Discourse (1954)

Wisdom, Books, Youth, Age

“Writing seems to rob me of my being: it is a second hand mode of communication, a pallid, mechanical transcript of speech, and so always at one remove from my consciousness.”

Terry Eagleton (1943) British writer, academic and educator

Source: 1980s, Literary Theory: An Introduction (1983), Chapter 4, p. 113 (See also: Julian Jaynes)

Communication

“The reader will understand that I despise these "yellows"; they are utterly without honor, they are vulgar and cruel; and yet, in spite of all their vices, I count them less dangerous to society than the so-called "respectable" papers, which pretend to all the virtues, and set the smug and pious tone for good society — papers like the "New York Tribune" and the "Boston Evening Transcript" and the "Baltimore Sun," which are read by rich old gentlemen and maiden aunts, and can hardly ever be forced to admit to their columns any new or vital event or opinion. These are "kept" papers, in the strictest sense of the term, and do not have to hustle on the street for money. They serve the pocketbooks of the whole propertied class — which is the meaning of the term "respectability" in the bourgeois world. On the other hand the "yellow" journals, serving their own pocketbooks exclusively, will often print attacks on vested wealth, provided the attacks are startling and sensational, and provided the vested wealth in question is not a heavy advertiser.”

Upton Sinclair book The Brass Check

The Brass Check (1919)

Money, World, Understanding, Question

“Let him make this challenge: "I'll release my tax returns when Barack Obama releases his college transcripts and the copy of his admission records to show whether he got any loans as a foreign student. When he releases that, talk to me about my tax returns."”

Mike Huckabee (1955) Arkansas politician

2012-01-20
The O'Reilly Factor
Fox News
TV, quoted in * 2012-01-20
Matt Gertz
Huckabee Wants To Know If Obama Got College Loans "As A Foreign Student"
Media Matters for America
http://mediamatters.org/blog/201201200016
2011-05-27
regarding criticism of presidential candidate Mitt Romney for refusing to release his tax returns

“To approach Bach, one has to realize that 100 years after Bach’s death, Bach and his music totally had been forgotten. Even while he was still alive, Bach himself believed in the polyphonic power and the resulting symmetric architectures of well-proportioned music. But this had been an artificial truth - even for him. Other composers, including his sons, already composed in another style, where they found other ideals and brought them to new solutions. The spirit of the time already had changed while Bach was still alive. A hundred years later, it was Mendelssohn who about 1850 discovered Bach anew with the performance of the St. Matthew Passion. Now a new renaissance began, and the world learned to know the greatness of Bach. To become acquainted with Bach, many transcriptions were done. But the endeavors in rediscovering Bach had been - stylistically - in a wrong direction. Among these were the orchestral transcriptions of Leopold Stokowski, and the organ interpretations of the multitalented Albert Schweitzer, who, one has to confess, had a decisive effect on the rediscovery of Bach. All performances had gone in the wrong direction: much too romantic, with a false knowledge of historic style, the wrong sound, the wrong rubato, and so on. The necessity of artists like Rosalyn Tureck and Glenn Gould - again 100 years later - has been understandable: The radicalism of Glenn Gould pointed out the real clarity and the internal explosions of the power-filled polyphony in the best way. This extreme style, called by many of his critics refrigerator interpretations, however really had been necessary to demonstrate the right strength to bring out the architecture in the right manner, which had been lost so much before. I’m convinced that the style Glenn Gould played has been the right answer. But there has been another giant: it was no less than Helmut Walcha who, also beginning in the 1950, started his legendary interpretations for the DG-Archive productions of the complete organ-work cycle on historic organs (Silbermann, Arp Schnitger). Also very classical in strength of speed and architectural proportions, he pointed out the polyphonic structures in an enlightened but moreover especially humanistic way, in a much more smooth and elegant way than Glenn Gould on the piano. Some years later it was Virgil Fox who acquainted the U. S. with tours of the complete Bach cycle, which certainly was effective in its own way, but much more modern than Walcha. The ranges of Bach interpretations had become wide, and there were the defenders of the historical style and those of the much more modern romantic style. Also the performances of the orchestral and cantata Bach had become extreme: on one side, for example, Karl Richter, who used a big and rich-toned orchestra; on the other side Helmut Rilling, whose Bach was much more historically oriented.”

Burkard Schliessmann classical pianist

Talkings on Bach

Death, Truth, World, Music

“Time is a corrosive fluid, dissolving motivation, destroying novelty, and leaching the joy from life. But forgetting is a fraught process, one that is prone to transcription errors and personality flaws. Delete the wrong pattern, and you can end up becoming someone else. Memories exhibit dependencies, and their management is one of the highest medical art forms.”

Charles Stross book Glasshouse

Source: Glasshouse (2006), Chapter 2, “Experiment” (p. 22)

Life, Art, Error, Motivation

“[In Mr. Zachman's view] the architect's drawings [represent] a transcription of the owner's perceptual requirements.”

John Zachman (1934) American computer scientist

In the 1987 article Zachman states: The architect’s drawings are a transcription of the owner’s perceptual requirements.
Source: A Framework for Information Systems Architecture, 1987, p. 278 cited in: David C. Hay (2003) Requirements Analysis: From Business Views to Architecture. p. 5

Drawing

“Were there no mysteries in the Bible, we should doubt its being the transcript of the Eternal Mind. The "mystery of godliness" adapts it to our ruined race. Those mysteries of the Bible are like the mountains of the world; they give grandeur to the landscape and fertility to the soil.”

Joseph Dare (reverend) (1831–1880) Australian clergyman

Source: Dictionary of Burning Words of Brilliant Writers (1895), P. 422.

World, Mountain

“(1) If a convicted man has the money to pay the docket fee and for a transcript of the proceedings at his trial, the upper federal court, by at least reading the transcript, will ascertain whether or not there was reversible error at the trial, or whether or not there was such a lack of evidence that the defendant is entitled to a new trial or a dismissal of the indictment.
(2) If, however, the defendant is so destitute that he cannot pay the docket fee, and if the trial judge has signed a certificate of 'bad faith,' then although a reading of the transcript shows clear reversible errors, the federal appellate court is powerless to hear the appeal and thus to rectify the errors; and even if the defendant has money enough to pay the docket fee but not enough for a transcript, the upper court usually has no way of determining whether there were such errors, must therefore assume there were none, and must accordingly refuse to consider his appeal. As a consequence, a poor man erroneously convicted-- e. g., where there was insufficient proof of his guilt--must go to prison and stay there. In such a situation-- i. e., where the upper court, if it had the transcript before it, would surely reverse for insufficiency of the evidence or on some other ground, but cannot do so solely because the defendant cannot pay for a transcript-- the result is this: He is punished because he is guilty of the crime of being poor”

Jerome Frank (1889–1957) American jurist

more or less on the principle, openly avowed in Erewhon only, that one who suffers misfortunes deserves criminal punishment
United States v. Johnson, 238 F.2d 565, 568 (1956) (dissenting).

Money, Faith, Way, Error

“Of course that's Bud and Laurindo. I liked Laurindo very much, and I love some of the tunes he does. In fact, I've been doing some piano transcriptions of some guitar things of his, and we recently recorded a tune of his. This particular thing again—how are you going to equate it? As jazz? As Brazilioan music or what? I wiould much rather hear Laurindo in his native habitat. I know he and Bud have been associated this way before, yet I don't feel that a real good rapport goes on between them. The constant mixing—half-jazz, half-Brazillian—I don't think it's good. You lose certain features of the one when you try to come out with the other. Let's give that three stars.”

Clare Fischer (1928–2012) American keyboardist, composer, arranger, and bandleader

Reviewing "Tocata" https://www.youtube.com/watch?v=a940h3-1NV0 from Brazilliance; as quoted in "Clare Fischer: Blindfold Test" http://www.mediafire.com/view/fix6ane8h54gx/Clare_Fischer#rjvay58eo774rhe

Love, Music, Way, Feeling

“This is not genuine scholarship! Real research is a coming-to-grips with phenomena. This, as a transcription of the ocean’s infinitely various text, is a fraud, an egregious counterfeit, which patly reduces the Primary Sea’s endlessness to a cozy finitude, such as it pleased this puny entity to regard it, for he must have had but a feeble stomach for enterprise of a dark or difficult kind.”

Michael Shea book Nifft the Lean

Part 3, Chapter 11 (p. 168)
Nifft the Lean (1982)

Fraud, Sea

“A novel, or indeed any work of art, is not intended to be a literal transcription from Nature.”

James Branch Cabell (1879–1958) American author

Writing on Charles Dickens, in "In Defence of an Obsolete Author" in William and Mary College Monthly (November 1897), VII, p. 3-4
Context: A novel, or indeed any work of art, is not intended to be a literal transcription from Nature. … Life is a series of false values. There it is always the little things that are greatest. Art attempts to remedy this. It may be defined as an expurgated edition of Nature.

Art, Nature

“For poetry was all written before time was, and whenever we are so finely organized that we can penetrate into that region where the air is music, we hear those primal warblings, and attempt to write them down, but we lose ever and anon a word, or a verse, and substitute something of our own, and thus miswrite the poem. The men of more delicate ear write down these cadences more faithfully, and these transcripts, though imperfect, become the songs of the nations. For nature is as truly beautiful as it is good, or as it is reasonable, and must as much appear, as it must be done, or be known. Words and deeds are quite indifferent modes of the divine energy. Words are also actions, and actions are a kind of words.”

Ralph Waldo Emerson Music

1840s, Essays: Second Series (1844), The Poet

Time, Indifference, Beauty, Nature

“But as of right now and yesterday, anybody that needs a test — That's the important thing. And the tests are all perfect. Like, the letter was perfect. The transcription was perfect. Right? This was not as perfect as that but pretty good.”

Donald J. Trump (1946) 45th President of the United States of America

Comparing coronavirus tests to his Ukraine phone call that led to his impeachment
during tour of Center for Disease Control and Prevention in Atlanta, , quoted in * 2020-03-06
Trump Says Coronavirus Testing Is as ‘Perfect’ as His Ukraine Call
Chas Danner
New York
https://nymag.com/intelligencer/2020/03/trump-coronavirus-testing-as-perfect-as-ukraine-call.html
2020s, 2020, March

Perfection

“A novel, or indeed any work of art, is not intended to be a literal transcription from Nature. ... Life is a series of false values. There it is always the little things that are greatest. Art attempts to remedy this. It may be defined as an expurgated edition of Nature.”

James Branch Cabell (1879–1958) American author

Writing on Charles Dickens, in "In Defence of an Obsolete Author" in William and Mary College Monthly (November 1897), VII, p. 3-4

Art, Nature, Falseness, Life