Quotes about sunbeam

A collection of quotes on the topic of sunbeam, likeness, life, day.

Quotes about sunbeam

Carl Sagan photo

“Consider again that dot. That's here. That's home. That's us. On it everyone you love, everyone you know, everyone you ever heard of, every human being who ever was, lived out their lives. The aggregate of our joy and suffering, thousands of confident religions, ideologies, and economic doctrines, every hunter and forager, every hero and coward, every creator and destroyer of civilization, every king and peasant, every young couple in love, every mother and father, hopeful child, inventor and explorer, every teacher of morals, every corrupt politician, every "superstar", every "supreme leader", every saint and sinner in the history of our species lived there — on a mote of dust suspended in a sunbeam.
The Earth is a very small stage in a vast cosmic arena. Think of the rivers of blood spilled by all those generals and emperors so that, in glory and triumph, they could become the momentary masters of a fraction of a dot. Think of the endless cruelties visited by the inhabitants of one corner of this pixel on the scarcely distinguishable inhabitants of some other corner, how frequent their misunderstandings, how eager they are to kill one another, how fervent their hatreds.
Our posturings, our imagined self-importance, the delusion that we have some privileged position in the Universe, are challenged by this point of pale light. Our planet is a lonely speck in the great enveloping cosmic dark. In our obscurity, in all this vastness, there is no hint that help will come from elsewhere to save us from ourselves.
The Earth is the only world known so far to harbor life. There is nowhere else, at least in the near future, to which our species could migrate. Visit, yes. Settle, not yet. Like it or not, for the moment the Earth is where we make our stand.
It has been said that astronomy is a humbling and character-building experience. There is perhaps no better demonstration of the folly of human conceits than this distant image of our tiny world. To me, it underscores our responsibility to deal more kindly with one another, and to preserve and cherish the pale blue dot, the only home we've ever known.”

Source: Pale Blue Dot: A Vision of the Human Future in Space (1994), p. 8, Supplemental image at randi.org http://www.randi.org/images/122801-BlueDot.jpg

Francis of Assisi photo

“A single sunbeam is enough to drive away many shadows.”

Francis of Assisi (1182–1226) Catholic saint and founder of the Franciscan Order
Roald Dahl photo
Roald Dahl photo
Alexander Hamilton photo
Rabindranath Tagore photo

“In the world's audience hall, the simple blade of grass sits on the same carpet with the sunbeams, and the stars of midnight.”

Rabindranath Tagore (1861–1941) Bengali polymath

74
The Gardener http://www.spiritualbee.com/love-poems-by-tagore/ (1915)

Marianne Williamson photo
Pablo Neruda photo

“I hunger for your sleek laugh and your hands the color of a furious harvest. I want to eat the sunbeams flaring in your beauty.”

Pablo Neruda (1904–1973) Chilean poet

Variant: I hunger for your sleek laugh,
your hands the color of a savage harvest,
hunger for the pale stones of your fingernails,
I want to eat your skin like a whole almond.
Source: The Poetry of Pablo Neruda

Henry David Thoreau photo

“The keeping of bees is like the direction of sunbeams.”

Henry David Thoreau (1817–1862) 1817-1862 American poet, essayist, naturalist, and abolitionist
Washington Irving photo
E.E. Cummings photo
Robin S. Sharma photo
Kim Harrison photo
Horatius Bonar photo
John Muir photo

“[Concerning the Sugar Pine] The wood is deliciously fragrant, and fine in grain and texture; it is of a rich cream-yellow, as if formed of condensed sunbeams.”

John Muir (1838–1914) Scottish-born American naturalist and author

Source: 1890s, The Mountains of California (1894), chapter 8: The Forests <!-- Terry Gifford, EWDB, page 360 -->

John Fante photo
John Milton photo

“Truth is as impossible to be soiled by any outward touch as the sunbeam.”

John Milton (1608–1674) English epic poet

The Doctrine and Discipline of Divorce (1643), Introduction. Compare: "The sun, which passeth through pollutions and itself remains as pure as before", Francis Bacon, Advancement of Learning, Book ii (1605)

David Thomas (born 1813) photo
Jonathan Swift photo
Oliver Cowdery photo
Ralph Waldo Emerson photo
Dafydd ap Gwilym photo

“O sea-bird, beautiful upon the tides,
White as the moon is when the night abides,
Or snow untouched, whose dustless splendour glows
Bright as a sunbeam and whose white wing throws
A glove of challenge on the salt sea-flood.”

Dafydd ap Gwilym (1320–1380) Welsh poet

Yr wylan deg ar lanw dioer
Unlliw ag eiry neu wenlloer,
Dilwch yw dy degwch di,
Darn fel haul, dyrnfol, heli.
"Yr Wylan" (To the Sea-gull), line 1; translation from Robert Gurney (ed. and trans.) Bardic Heritage (London: Chatto & Windus, 1969) p. 130.

Thomas Guthrie photo

“A spider lowered itself, fathom by fathom, on a perilous length of thread and was suddenly transfixed in the path of a sunbeam and, for an instant, was a thing of radiant gold.”

Mervyn Peake (1911–1968) English writer, artist, poet and illustrator

Source: Gormenghast (1950), Chapter 4, section 1 (p. 408)

Carl Sagan photo

“A tiny blue dot set in a sunbeam. Here it is. That's where we live. That's home. We humans are one species and this is our world. It is our responsibility to cherish it. Of all the worlds in our solar system, the only one so far as we know, graced by life.”

Carl Sagan (1934–1996) American astrophysicist, cosmologist, author and science educator

58 min 56 sec
Cosmos: A Personal Voyage (1990 Update), Traveller's Tales [Episode 6]

Joan Maragall photo
George Eliot photo
Cass Elliot photo

“Sweet dreams till sunbeams find you
Sweet dreams that leave all worries behind you
But in your dreams whatever they be
Dream a little dream of me.”

Cass Elliot (1941–1974) American singer

"Dream a Little Dream of Me" (1931), was one of Cass Elliot's biggest hits but the lyrics by Gus Kahn were written many years before her definitive rendition; the music by Fabian Andre & Wilbur Schwandt. More information on how she came to record it is provided at NPR: "Dream a Little Dream of Me" ranked as one of the 100 most important American musical works of the 20th century http://www.npr.org/programs/specials/vote/100list.html#D.
Misattributed

John Dyer photo
Matthew Arnold photo
Edwin Percy Whipple photo
John Muir photo

“The rugged old Norsemen spoke of death as Heimgang — home-going. So the snow-flowers go home when they melt and flow to the sea, and the rock-ferns, after unrolling their fronds to the light and beautifying the rocks, roll them up close again in the autumn and blend with the soil. Myriads of rejoicing living creatures, daily, hourly, perhaps every moment sink into death’s arms, dust to dust, spirit to spirit — waited on, watched over, noticed only by their Maker, each arriving at its own heaven-dealt destiny. All the merry dwellers of the trees and streams, and the myriad swarms of the air, called into life by the sunbeam of a summer morning, go home through death, wings folded perhaps in the last red rays of sunset of the day they were first tried. Trees towering in the sky, braving storms of centuries, flowers turning faces to the light for a single day or hour, having enjoyed their share of life’s feast — all alike pass on and away under the law of death and love. Yet all are our brothers and they enjoy life as we do, share heaven’s blessings with us, die and are buried in hallowed ground, come with us out of eternity and return into eternity. 'Our little lives are rounded with a sleep.”

John Muir (1838–1914) Scottish-born American naturalist and author

pages 439-440
("Trees towering … into eternity" are the next-to-last lines of the documentary film " John Muir in the New World http://www.pbs.org/wnet/americanmasters/episodes/john-muir-in-the-new-world/watch-the-full-documentary-film/1823/" (American Masters), produced, directed, and written by Catherine Tatge.)
John of the Mountains, 1938

Letitia Elizabeth Landon photo
Letitia Elizabeth Landon photo
John Muir photo
Sadegh Hedayat photo
John Milton photo

“The gay motes that people the sunbeams.”

John Milton (1608–1674) English epic poet

Source: Il Penseroso (1631), Line 8

Robert Southey photo

“If you would be pungent, be brief; for it is with words as with sunbeams—the more they are condensed, the deeper they burn.”

Robert Southey (1774–1843) British poet

Quoted in A Dictionary of Thoughts: Being a Cyclopedia of Laconic Quotations from the Best Authors of the World, Both Ancient and Modern, ed. Tryon Edwards, F. B. Dickerson Company (1908), p. 52

John Muir photo
Sarah Helen Whitman photo
Letitia Elizabeth Landon photo

“He had come there dissatisfied with his work, even though his multi-kinetic work was admired and winning him professional recognition. However, at that moment, other ideas were gestating and he wanted to add what he called a "fifth dimension" to his art - that of artificial intelligence. […] : [At the colony, ] he was able to turn his thoughts inward, hoping to discover the new methods and direction that would more deeply satisfy his creative needs. It was at this point, while watching the motions and patterns of sun on leaves in the New Hampshire woods one morning, that Tsai finally achieved the revelatory breakthrough that changed his art and liberated his creative energies. As he put it, he wanted to create "natural movements in dynamic equilibrium, with intelligence," and he found his solution in an unlikely combination of natural phenomenon, the precedent of Gabo's singular (and unrepeated) kinetic sculpture, and the new resource of contemporary analog and digital technology. Speaking of this moment of revelation, Tsai said that he had quite deliberately turned himself into "a sort of plant": facing his chair into the sunshine in the morning, he turned his body in stages throughout the day, mulling over ways of make an "art that presented the observer with natural movements in dynamic equilibrium, and art that could convey the awe I felt while watching sunbeams shimmer through forest leaves." But a work that would "shimmer" simply did not do enough either for the artist or viewer, Tsai concluded. It must also respond in some way to the observer; it would have to work on a new feedback principle and actually engage the observer directly. In short, a cybernetic sculpture was required. To create such radically participatory works, he understood, would require that he draw on his engineering skills rather than suppress them, as he had been trying to do in his period of oil painting.”

Sam Hunter (1923–2014) American art historian

Source: The Cybernetic Sculpture of Tsai Wen-Ying, 1989, p. 67

George Eliot photo
Matthew Arnold photo

“And thou, who didst the stars and sunbeams know,
Self-school'd, self-scann'd, self-honour'd, self-secure,
Didst tread on earth unguess'd at.”

Matthew Arnold (1822–1888) English poet and cultural critic who worked as an inspector of schools

Better so! </p><p> All pains the immortal spirit must endure,
All weakness which impairs, all griefs which bow,
Find their sole speech in that victorious brow.</p>
"Shakespeare" (1849)

E.E. Cummings photo

“no sunbeam ever lies”

Source: 1 x 1 (1944), XXX