Quotes about rainbow
page 2

Judy Garland photo

“I wanted to believe, and I tried my damnedest to believe, in the rainbow I tried to get over, and I couldn't! … So what? Lots of people can't!”

Judy Garland (1922–1969) actress, singer and vaudevillian from the United States

As quoted in Judy (1974) by Gerold Frank, p. 566

Bernice King photo
Aldous Huxley photo
Lauren Faust photo
Letitia Elizabeth Landon photo

“Love, passionate young Love, how sweet it is
To have the bosom made a Paradise
By thee—life lighted by thy rainbow smile!”

Letitia Elizabeth Landon (1802–1838) English poet and novelist

A Village Tale. from The London Literary Gazette: 6th December 1823 Poetic Sketches. Fourth Series. Sketch IV.
The Vow of the Peacock (1835)

Anthony Burgess photo
Sadhguru photo
Cat Stevens photo

“Her clothes are made of rainbows
And twenty thousand tears
Shine through the spaces
Of her golden ochre hair”

Cat Stevens (1948) British singer-songwriter

Angelsea
Song lyrics, Catch Bull at Four (1972)

Nicholas Roerich photo
Amit Ray photo

“Life throws challenges and every challenge comes with rainbows and lights to conquer it.”

Amit Ray (1960) Indian author

World Peace: The Voice of a Mountain Bird (2014) https://books.google.co.uk/books?id=KkYtBgAAQBAJ,

Lionel Richie photo

“Thanks for the times
That you've given me.
The memories are all in my mind.
And now that we've come
To the end of our rainbow,
There's something
I must say out loud.
You're once, twice
Three times a lady.”

Lionel Richie (1949) American singer-songwriter, musician, record producer and actor

Three Times a Lady (1978).
Song lyrics, With the Commodores

Mike McCormack photo

“You always think that if you're going to spend seven years on a book, it should be Gravity's Rainbow or Ulysses or something, but mine is just a 200-page book that took a long time.”

Mike McCormack (1965) Irish novelist and writer

McKeon, Belinda. Metaphysics gets a Mayo accent http://www.irishtimes.com/culture/metaphysics-gets-a-mayo-accent-1.441635, The Irish Times (13 May 2005)

Tony Blair photo

“So, of course, the visions are painted in the colours of the rainbow, and the reality is sketched in duller tones of black and white and grey. But I ask you to accept one thing. Hand on heart, I did what I thought was right. I may have been wrong. That is your call. But believe one thing, if nothing else. I did what I thought was right for our country.”

Tony Blair (1953) former Prime Minister of the United Kingdom

" Full text of Tony Blair's resignation speech http://www.timesonline.co.uk/tol/news/politics/the_blair_years/article1772414.ece", Times Online, 10 May 2007.
Announcing his impending resignation, Trimdon Labour Club, 10 May 2007.
2000s

George Steiner photo
John Keats photo
G. K. Chesterton photo

“And when it rains on your parade, look up rather than down. Without the rain, there would be no rainbow.”

G. K. Chesterton (1874–1936) English mystery novelist and Christian apologist

A popular internet misattribution.[citation needed] A number of variants of the "rain on your parade" theme appear, with different sources
Misattributed

Tom Clancy photo
Robert E. Howard photo
Ken Ham photo
Harry Chapin photo
Joan Miró photo
Larry the Cable Guy photo

“Had a buddy of mine caught a rainbow trout, and threw it back. He said he didn't want a gay fish.”

Larry the Cable Guy (1963) American stand-up comedian, actor, country music artist, voice artist

Morning Constitutions (2007)

“God loves an idle rainbow, Not less than labouring seas.”

Ralph Hodgson (1871–1962) British writer

"A Wood Song"
Poems (1917)

Letitia Elizabeth Landon photo
Han-shan photo
Ken Ham photo
Kenneth Gärdestad photo

“I, I've got no fear of flyin' high
'Cause high above the rainbow, my sun's gonna shine
And nothing can happen as long as you're mine
So I'll make my landing alive”

Kenneth Gärdestad (1948–2018) Swedish song lyricist, architect and lecturer

English version of "Satellit" (non-album song representing Sweden in the Eurovision Song Contest 1979), lyrics written by Kenneth
Song lyrics, With Ted Gärdestad, Satellite (1979)

Evelyn Waugh photo

“My dream is to fly. Oh, my rainbow it is too high.”

Ruslana Koršunova (1987–2008) fashion model

"Model's Web rants pined for love" in Daily News (29 June 2009)

Letitia Elizabeth Landon photo
Paul Simon photo
Langston Hughes photo

“For poems are like rainbows; they escape you quickly.”

Langston Hughes (1902–1967) American writer and social activist

The Big Sea (1940)

Letitia Elizabeth Landon photo
Stevie Wonder photo
Iain Banks photo
Letitia Elizabeth Landon photo
Thomas Gainsborough photo
David Thomas (born 1813) photo

“It is a thorny rose, which draws red blooddrops from thine heart—
The delicate bright ribbon of the rainbow, o’er thee hung.”

Zabel Sibil Asadour (1863–1934) Armenian writer

Tears http://armenianhouse.org/blackwell/armenian-poems/zabel-assatour.html

Jim Henson photo
Jonathan Safran Foer photo
Letitia Elizabeth Landon photo
Macy Gray photo

“I saw a rainbow earlier today
Lately those rainbows be comin' round like everyday
Deep in the struggle I have found the beauty of me
God is watchin' and the Devil finally let me be
Here in this moment to myself”

Macy Gray (1967) American singer-songwriter and actress

"A Moment to Myself" (co-written with Jeremy Ruzumna, Miles Tackett. Mark Morales, and Damon Wimbley)
On How Life Is (1999)

Hoyt Axton photo

“I'm a high night flier and a rainbow rider
And a straight-shooting son of a gun.”

Hoyt Axton (1938–1999) American country singer

Joy to the World
Joy To The World (1971)

Giorgio de Chirico photo

“Painting is the magic art, the fire set alight on the windows of the rich dwelling, as on those of the humble hovel, from the last rays of the setting sun, it is the long mark, the humid mark, the fluent and still mark that the dying wave etches on the hot sand, it is the darting of the immortal lizard on the rock burnt by the midday heat, it is the rainbow of conciliation, on sad May afternoons, after the storm has passed, down there, making a dark backdrop to the almond trees in flower, to the gardens with their washed colours, to the ploughmen's huts, smiling and tranquil, it is the livid cloud chased by the vehement blowing of Aeolus enraged, it is the nebulous disk of the fleeting moon behind the ripped-open funereal curtain of a disturbed sky in the deep of night, it is the blood of the bull stabbed in the arena, of the warrior fallen in the heat of battle, of Adonis' immaculate thigh wounded by the obstinate boar's curved tusk, it is the sail swollen with the winds of distant seas, it is the centuries-old tree browned in the autumn..”

Giorgio de Chirico (1888–1978) Italian artist

Quote from the first lines in De Cirico's essay 'Painting', 1938; from http://www.fondazionedechirico.org/wp-content/uploads/211_Painting_1938_Metaphysical_Art.pdf 'Painting', 1938 - G. de Chirico, presentation to the catalogue of his solo exhibition Mostra personale del pittore Giorgio de Chirico, Galleria Rotta, Genoa, May 1938], p. 211
1920s and later

Bonnie Koppell photo
Mary Wollstonecraft Shelley photo
Aldo Leopold photo

“Sometimes in June, when I see unearned dividends of dew hung on every lupine, I have doubts about the real poverty of the sands. On solvent farmlands lupines do not even grow, much less collect a daily rainbow of jewels.”

“Wisconsin: The Sand Counties”, p. 102.
A Sand County Almanac, 1949, "Wisconsin: Marshland Elegy," "Wisconsin: The Sand Counties" "Wisconsin: On a Monument to the Pigeon," and "Wisconsin: Flambeau"

Frank Wilczek photo
Vin Scully photo
William Henry Davies photo

“It was the Rainbow gave thee birth,
And left thee all her lovely hues.”

William Henry Davies (1871–1940) British poet

The Kingfisher

Letitia Elizabeth Landon photo

“Alas, the strange varieties or life!
We live 'mid perils and pleasures, like
Characters 'graven on the sand, or hues
Colouring the rainbow. Wild as a sick fancy
And changeful as a maiden, is this dream,
This brief dream on earth - - -”

Letitia Elizabeth Landon (1802–1838) English poet and novelist

(7th September 1822) Poetical Sketches. Third series - Sketch the First. The Mine
14th September 1822) Poetical Sketches. Third series - Sketch the Second. Gladesmuir see The Improvisatrice (1824
21st September 1822) Poetical Sketches. Third series - Sketch the Third. The Minstrel of Portugal see The Improvisatrice (1824
28th September 1822) Poetical Sketches. Third series - Sketch the Fourth. The Castilian Nuptuals see The Vow of the Peacock (1835
5th October 1822) Poetical Sketches. Third series - Sketch the Fifth. The Lover's Rock see The Vow of the Peacock (1835
12th October 1822) Poetical Sketches. Third series - Sketch the Sixth. The Basque girl and Henri Quatre see The Improvisatrice (1824
The London Literary Gazette, 1821-1822

“If I love you—
I never behave like a climbing trumpet vine
Using your high branches to show myself off;
If I love you—
I never mimic infatuated little birds
Repeating monotonous songs into the shadows,
Nor do I look at all like a wellspring
Sending out its cooling consolation all year round,
Or just another perilous crag
Augmenting your height, setting off your prestige.
Nor like the sunlight
Or even spring rain.
No, these are not enough.
I would be a kapok tree by your side
Standing with you—
both of us shaped like trees.
Our roots hold hands underground,
Our leaves touch in the clouds.
As a gust of wind passes by
We salute each other
And not a soul
Understands our language.
You have your bronze boughs and iron trunk
Like knives and swords,
Also like halberds;
I have my red flowers
Like heavy sighs,
Also like heroic torches.
We share cold waves, storms and thunderbolts;
Together we savor fog, haze and rainbows.
We seem to always live apart,
But actually depend upon each other forever.
This has to be called extraordinary love.
Faith resides in it:
Love—
I love not only your sublime body
But the space you occupy,
The land beneath your feet.”

Shu Ting (1952) Chinese writer

"To the Oak Tree" [ 致橡树 https://www.youtube.com/watch?v=APZjf9K6KX0, Zhi xiangshu] (27 March 1977), in The Red Azalea: Chinese Poetry Since the Cultural Revolution, ed. Edward Morin, trans. Fang Dai and Dennis Ding (University of Hawaii Press, 1990), ISBN 978-0824813208, pp. 102–103.

Brian Clevinger photo
James Weldon Johnson photo

“And God smiled again,
And the rainbow appeared,
And curled itself around his shoulder.”

James Weldon Johnson (1871–1938) writer and activist

The Creation, st. 7.
God's Trombones: Seven Negro Sermons in Verse (1927)

George William Russell photo
Taliesin photo

“Am I not with hosts making a din?
I would not cease, between two hosts, without gore.
Am I not he that is called Gorlassar?
My belt was a rainbow to my foe.”

Taliesin (534–599) Welsh bard

Book of Taliesin (c. 1275?), The Death-song of Uther Pendragon

Adolphe Quetelet photo

“To him… who had examined the laws of light merely in a drop of water, the brilliant phenomenon of the rainbow would be totally unintelligible.”

Adolphe Quetelet (1796–1874) Belgian astronomer, mathematician, statistician and sociologist

Introductory
A Treatise on Man and the Development of His Faculties (1842)

Pope Pius X photo

“Truly we are passing through disastrous times, when we may well make our own the lamentation of the Prophet: "There is no truth, and there is no mercy, and there is no knowledge of God in the land" (Hosea 4:1). Yet in the midst of this tide of evil, the Virgin Most Merciful rises before our eyes like a rainbow, as the arbiter of peace between God and man.”

Pope Pius X (1835–1914) Catholic Pope and saint

Statement prior to World War I, quoted in Biographical profile at Living Water Community http://livingwatercommunity.com/saiints/st%20Pius%20X.htm, and partially in A Treasury of Saints : 100 Saints : Their Lives and Times (2002) by Malcolm Day, and St. Mary's Catholic Church, Dubai http://www.saintmarysdubai.com/stoftheday.asp?id=184

Jane Roberts photo
Desmond Tutu photo
Letitia Elizabeth Landon photo
Gordon B. Hinckley photo
Kim Stanley Robinson photo
Vanna Bonta photo

“If you were the sky, I would unfurl myself in you, as a rainbow of colors yet unseen. I would become oceans of stars in your night.”

Vanna Bonta (1958–2014) Italian-American writer, poet, inventor, actress, voice artist (1958-2014)

"Love Beyond Time"
Rewards of Passion (Sheer Poetry) (1981)

Letitia Elizabeth Landon photo
Henry David Thoreau photo

“You might as well think to go in pursuit of the rainbow, and embrace it on the next hill, as to embrace the whole of poetry even in thought.”

Henry David Thoreau (1817–1862) 1817-1862 American poet, essayist, naturalist, and abolitionist

January 26, 1840
Journals (1838-1859)
Context: Poetry — No definition of poetry is adequate unless it be poetry itself. The most accurate analysis by the rarest wisdom is yet insufficient, and the poet will instantly prove it false by setting aside its requisitions. It is indeed all that we do not know. The poet does not need to see how meadows are something else than earth, grass, and water, but how they are thus much. He does not need discover that potato blows are as beautiful as violets, as the farmer thinks, but only how good potato blows are. The poem is drawn out from under the feet of the poet, his whole weight has rested on this ground. It has a logic more severe than the logician's. You might as well think to go in pursuit of the rainbow, and embrace it on the next hill, as to embrace the whole of poetry even in thought.

“You gotta rock that rainbow while you still got your youth!
Oh! Ain't it the solid truth?”

Yip Harburg (1896–1981) American song lyricist

"Ain't It the Truth" originally written for Cabin in the Sky (1943), but pulled from the show, and later included in Jamaica (1957) - Lena Horne version http://www.youtube.com/watch?v=EMSyXuvNpeM
Context: Life is short, short, brother!
Ain't it the truth?
And there is no other
Ain't it the truth?
You gotta rock that rainbow while you still got your youth!
Oh! Ain't it the solid truth?

“Somewhere over the rainbow
Bluebirds fly.
Birds fly over the rainbow,
Why then, oh why can't I?”

Yip Harburg (1896–1981) American song lyricist

'"Over the Rainbow" in The Wizard of Oz (1939).
Context: Some day I'll wish upon a star
And wake up where the clouds are far behind me
Where troubles melt like lemondrops
Away above the chimney tops,
That's where you'll find me.
Somewhere over the rainbow
Bluebirds fly.
Birds fly over the rainbow,
Why then, oh why can't I?

Paul Williams (songwriter) photo

“Someday we'll find it, the rainbow connection,
The lovers, the dreamers and me.”

Paul Williams (songwriter) (1940) American composer, singer, songwriter and actor

"Rainbow Connection" (1979) (co-written with Kenneth Ascher) - The Muppet Movie opening http://www.youtube.com/watch?v=jSFLZ-MzIhM - The Muppet Show performance http://www.youtube.com/watch?v=lRvhRhWWE44 by ‪Debbie Harry & Kermit the Frog‬ - Video performance http://www.youtube.com/watch?v=deebKNI-dTE by Willie Nelson.
Context: Why are there so many songs about rainbows
And what's on the other side?
Rainbows are visions, but only illusions,
And rainbows have nothing to hide.
So we've been told and some choose to believe it
I know they're wrong, wait and see.
Someday we'll find it, the rainbow connection,
The lovers, the dreamers and me.

Percy Bysshe Shelley photo

“When the lamp is shattered
The light in the dust lies dead —
When the cloud is scattered,
The rainbow's glory is shed.”

Percy Bysshe Shelley (1792–1822) English Romantic poet

When the Lamp is Shattered http://www.readprint.com/work-1382/Percy-Bysshe-Shelley (1822), st. 1
Context: When the lamp is shattered
The light in the dust lies dead —
When the cloud is scattered,
The rainbow's glory is shed.
When the lute is broken,
Sweet tones are remembered not;
When the lips have spoken,
Loved accents are soon forgot.

Ogden Nash photo

“My heart leaps up when I behold
A rainbow in the sky;
Contrariwise, my blood runs cold
When little boys go by.”

Ogden Nash (1902–1971) American poet

Many Long Years Ago (1945), Song To Be Sung by the Father of Infant Female Children
Context: My heart leaps up when I behold
A rainbow in the sky;
Contrariwise, my blood runs cold
When little boys go by.
For little boys as little boys,
No special hate I carry,
But now and then they grow to men,
And when they do, they marry.
No matter how they tarry,
Eventually they marry.
And, swine among the pearls,
They marry little girls.

Terence McKenna photo

“We cannot expect to cross the rainbow bridge through a good act of contrition; that will not be sufficient.
We have to understand.”

Terence McKenna (1946–2000) American ethnobotanist

"New Maps of Hyperspace" (1989); originally published in Magical Blend magazine, also in The Archaic Revival: Speculations on Psychedelic Mushrooms, the Amazon, Virtual Reality, UFOs, Evolution, Shamanism, the Rebirth of the Goddess, and the End of History (1992) http://www.erowid.org/culture/characters/mckenna_terence/mckenna_terence_maps_hyperspace.shtml
Variant: We cannot expect to cross the rainbow bridge through a good act of contrition; that will not be sufficient. We have to understand.
Context: There is a spiritual obligation, there is a task to be done. It is not, however, something as simple as following a set of somebody else's rules. The noetic enterprise is a primary obligation toward being. Our salvation is linked to it. Not everyone has to read alchemical texts or study superconducting biomolecules to make the transition. Most people make it naively by thinking clearly about the present at hand, but we intellectuals are trapped in a world of too much information. Innocence is gone for us. We cannot expect to cross the rainbow bridge through a good act of contrition; that will not be sufficient.
We have to understand. Whitehead said, "Understanding is the apperception of pattern as such"; to fear death is to misunderstand life. Cognitive activity is the defining act of humanness. Language, thought, analysis, art, dance, poetry, mythmaking: these are the things that point the way toward the realm of the eschaton. We humans may be released into a realm of pure self-engineering. The imagination is everything. This was Blake's perception. This is where we came from. This is where we are going. And it is only to be approached through cognitive activity.

Harper Lee photo

“The one place where a man ought to get a square deal is in a courtroom, be he any color of the rainbow, but people have a way of carrying their resentments right into a jury box.”

Pt. 2, ch. 23
Atticus Finch
To Kill a Mockingbird (1962)
Context: The one place where a man ought to get a square deal is in a courtroom, be he any color of the rainbow, but people have a way of carrying their resentments right into a jury box. As you grow older, you’ll see white men cheat black men every day of your life, but let me tell you something and don’t you forget it — whenever a white man does that to a black man, no matter who he is, how rich he is, or how fine a family he comes from, that white man is trash.

Ken Wilber photo

“The color blue is no less beautiful because it exists along side the other colors of a rainbow, and "blueness" itself depends upon the existence of the other colors, for if there were no color but blue, we would never be able to see it.”

Ken Wilber (1949) American writer and public speaker

The Spectrum of Consciousness (1993), Prologue, p. 6
Context: An argument can be legitimately sustained only if the participants are speaking about the same level. Argumentation would — for the most part — be replaced with something akin to Niels Bohr's principle of complementarity. Information from and about the different vibratory levels of bands of consciousness — although superficially as different as X-Rays and radio waves — would be integrated and synthesized into one spectrum, one rainbow. … Each band or level, being a particular manifestation of the spectrum, is what it is only by virtue of the other bands. The color blue is no less beautiful because it exists along side the other colors of a rainbow, and "blueness" itself depends upon the existence of the other colors, for if there were no color but blue, we would never be able to see it. In this type of synthesis, no approach, be it Eastern or Western, has anything to lose — rather, they all gain a universal context.

Paul Williams (songwriter) photo

“Why are there so many songs about rainbows
And what's on the other side?”

Paul Williams (songwriter) (1940) American composer, singer, songwriter and actor

"Rainbow Connection" (1979) (co-written with Kenneth Ascher) - The Muppet Movie opening http://www.youtube.com/watch?v=jSFLZ-MzIhM - The Muppet Show performance http://www.youtube.com/watch?v=lRvhRhWWE44 by ‪Debbie Harry & Kermit the Frog‬ - Video performance http://www.youtube.com/watch?v=deebKNI-dTE by Willie Nelson.
Context: Why are there so many songs about rainbows
And what's on the other side?
Rainbows are visions, but only illusions,
And rainbows have nothing to hide.
So we've been told and some choose to believe it
I know they're wrong, wait and see.
Someday we'll find it, the rainbow connection,
The lovers, the dreamers and me.

John Vance Cheney photo

“The soul would have no rainbow
Had the eyes no tears.”

John Vance Cheney (1848–1922) American writer

The Century Vol. 44, Issue 4 (August 1892)
Tears (1892)
Context: Not in the time of pleasure
Hope doth set her bow;
But in the sky of sorrow,
Over the vale of woe. Through gloom and shadow look we
On beyond the years!
The soul would have no rainbow
Had the eyes no tears.

Philip José Farmer photo

“Beauty in this Iron Age must turn
From fluid living rainbow shapes to torn
And sootened fragments, ashes in an urn”

Philip José Farmer (1918–2009) American science fiction writer

"Beauty in This Iron Age" in Starlanes #11 (Fall 1953); re-published in Pearls From Peoria (2006)
Context: Beauty in this Iron Age must turn
From fluid living rainbow shapes to torn
And sootened fragments, ashes in an urn
On whose gray surface runes are traced by a Norn
Who hopes to wake the Future to arise
In Phoenix-fashion, and to shine with rays
To blast the sight of modern men whose dyes
Of selfishness and lust have stained our days...

Sinclair Lewis photo

“What is Love—the divine Love of which the—the great singer teaches us in Proverbs? It is the rainbow that comes after the dark cloud. It is the morning star and it is also the evening star, those being, as you all so well know, the brightest stars we know. It shines upon the cradle of the little one and when life has, alas, departed, to come no more, you find it still around the quiet tomb. What is it inspires all great men—be they preachers or patriots or great business men? What is it, my brethren, but Love? Ah, it fills the world with melody, with such sacred melodies as we have just indulged in together, for what is music? What, my friends, is music? Ah, what indeed is music but the voice of Love!"”

Elmer Gantry, paraphrasing the eloquence of the "atheist" Robert G. Ingersoll in his sermon.
Elmer Gantry (1927)
Context: His text was from Proverbs: "Hatred stirreth up strifes: but love covereth all sins."
He seized the sides of the pulpit with his powerful hands, glared at the congregation, decided to look benevolent after all, and exploded: "In the hustle and bustle of daily life I wonder how many of us stop to think that in all that is highest and best we are ruled not by even our most up-and-coming efforts but by Love? What is Love—the divine Love of which the—the great singer teaches us in Proverbs? It is the rainbow that comes after the dark cloud. It is the morning star and it is also the evening star, those being, as you all so well know, the brightest stars we know. It shines upon the cradle of the little one and when life has, alas, departed, to come no more, you find it still around the quiet tomb. What is it inspires all great men—be they preachers or patriots or great business men? What is it, my brethren, but Love? Ah, it fills the world with melody, with such sacred melodies as we have just indulged in together, for what is music? What, my friends, is music? Ah, what indeed is music but the voice of Love!"

Voltairine de Cleyre photo
Herman Melville photo

“I do not oscillate in Emerson's rainbow, but prefer rather to hang myself in mine own halter than swing in any other man's swing. Yet I think Emerson is more than a brilliant fellow.”

Herman Melville (1818–1891) American novelist, short story writer, essayist, and poet

Letter to Evert Augustus Duyckinck (3 March 1849); published in The Letters of Herman Melville (1960) edited by Merrell R. Davis and William H. Gilman, p. 78; a portion of this is sometimes modernized in two ways:
Context: I do not oscillate in Emerson's rainbow, but prefer rather to hang myself in mine own halter than swing in any other man's swing. Yet I think Emerson is more than a brilliant fellow. Be his stuff begged, borrowed, or stolen, or of his own domestic manufacture he is an uncommon man. Swear he is a humbug — then is he no common humbug. Lay it down that had not Sir Thomas Browne lived, Emerson would not have mystified — I will answer, that had not Old Zack's father begot him, old Zack would never have been the hero of Palo Alto. The truth is that we are all sons, grandsons, or nephews or great-nephews of those who go before us. No one is his own sire. — I was very agreeably disappointed in Mr Emerson. I had heard of him as full of transcendentalisms, myths & oracular gibberish; I had only glanced at a book of his once in Putnam's store — that was all I knew of him, till I heard him lecture. — To my surprise, I found him quite intelligible, tho' to say truth, they told me that that night he was unusually plain. — Now, there is a something about every man elevated above mediocrity, which is, for the most part, instinctuly perceptible. This I see in Mr Emerson. And, frankly, for the sake of the argument, let us call him a fool; — then had I rather be a fool than a wise man. —I love all men who dive. Any fish can swim near the surface, but it takes a great whale to go down stairs five miles or more; & if he don't attain the bottom, why, all the lead in Galena can't fashion the plumet that will. I'm not talking of Mr Emerson now — but of the whole corps of thought-divers, that have been diving & coming up again with bloodshot eyes since the world began.
I could readily see in Emerson, notwithstanding his merit, a gaping flaw. It was, the insinuation, that had he lived in those days when the world was made, he might have offered some valuable suggestions. These men are all cracked right across the brow. And never will the pullers-down be able to cope with the builders-up. And this pulling down is easy enough — a keg of powder blew up Block's Monument — but the man who applied the match, could not, alone, build such a pile to save his soul from the shark-maw of the Devil. But enough of this Plato who talks thro' his nose.

“North American Indians were among those who thought of the rainbow as the Pathway of Souls, an interpretation found in many other places.”

Carl B. Boyer (1906–1976) American mathematician

Source: The Rainbow: From Myth to Mathematics (1959), p. 27
Context: In ancient classical literature the rainbow sometimes was deified as Iris; at other times it was regarded merely as the route traversed by the messenger of Hera. The conception of the rainbow as a pathway or bridge has been widespread. For some it has been the best of all bridges, built out of three colors; for others the phrase "building on the rainbow" has meant a bootless enterprise. North American Indians were among those who thought of the rainbow as the Pathway of Souls, an interpretation found in many other places. Among the Japanese the rainbow is identified as the "Floating Bridge of Heaven"; and Hawaiian and Polynesian myths allude to the bow as the path to the upper world. In the Austrian Alps the souls of the righteous are said to ascend the bow to heaven; and in New Zealand the dead chieftains are believed to pass along it to reach their new home. In parts of France the rainbow is called the pont du St. Esprit, and in many places it is the bridge of St. Bernard or of St. Martin or of St. Peter. Basque pilgrims knew it as the 'puente de Roma'. Sometimes it is called instead the Croy de St. Denis (or of St. Leonard or of St. Bernard or of St. Martin). In Italy the name arcu de Santa Marina is relatively familiar. Associations of the rainbow and the milky way are frequent. The Arabic name for the milky way is equivalent to Gate of Heaven, and in Russia the analogous role was played by the rainbow. Elsewhere also the bow has been called the Gate of Paradise; and by some the rainbow has been thought to be a ray of light which falls on the earth when Peter opens the heavenly gate. In parts of France the rainbow is known as the porte de St. Jacques, while the milky way is called chemin de St. Jacques. In Swabia and Bavaria saints pass by the rainbow from heaven to earth; while in Polynesia this is the route of the gods themselves.
In Eddic literature the bow served as a link between the gods and man — the Bifrost bridge, guarded by Heimdel, over which the gods passed daily. At the time of the Gotterdamerung the sons of Muspell will cross the bridge and then demolish it. Sometimes also in the Eddas the rainbow is interpreted as a necklace worn by Freyja, the "necklace of the Brisings," alluded to in Beowulf; again it is the bow of Thor from which he shoots arrows at evil spirits. Among the Finns it has been an arc which hurls arrows of fire, in Mozambique it is the arm of a conquering god. In the Japanese Ko-Ji-Ki (or Records of Ancient Matters), compiled presumably in 712, the creation of the island of Onogoro is related to the rainbow. Deities, standing upon the "floating bridge of heaven," thrust down a jeweled spear into the brine and stirred with it. When the spear was withdrawn, the brine that dripped down from the end was piled up in the form of the island. In myth and legend the rainbow has been regarded variously as a harbinger of misfortune and as a sign of good luck. Some have held it to be a bad sign if the feet of the bow rest on water, whereas a rainbow arching from dry land to dry land is a good augury. Dreambooks held that when one dreams of seeing a rainbow, he will give or receive a gift according as the bow is seen in the west or the east. The Crown-prince Frederick August took it as a good omen when, upon his receiving the kingdom form Napoleon in 1806, a rainbow appeared; but others interpreted it as boding ill, a view confirmed by the war and destruction of Saxony which ensued. By many, a rainbow appearing at the birth of a child is taken to be a favorable sign; but in Slavonic accounts a glance from the fay who sits at the foot of the rainbow, combing herself, brings death.

Nathalia Crane photo

“Wore it in a churchyard,
All arrayed with care;
And a painted rainbow
Shone above her there.”

Nathalia Crane (1913–1998) American writer

"The Vestal"
The Janitor's Boy And Other Poems (1924)
Context: p>Finally she faltered;
Saw at last, forsooth,
Every gaudy color
Is a bit of truth.
Then the gates were opened;
Miracles were seen;
That instructed damsel
Donned a gown of green;Wore it in a churchyard,
All arrayed with care;
And a painted rainbow
Shone above her there.</p

“Associations of the rainbow and the milky way are frequent.”

Carl B. Boyer (1906–1976) American mathematician

Source: The Rainbow: From Myth to Mathematics (1959), p. 27
Context: In ancient classical literature the rainbow sometimes was deified as Iris; at other times it was regarded merely as the route traversed by the messenger of Hera. The conception of the rainbow as a pathway or bridge has been widespread. For some it has been the best of all bridges, built out of three colors; for others the phrase "building on the rainbow" has meant a bootless enterprise. North American Indians were among those who thought of the rainbow as the Pathway of Souls, an interpretation found in many other places. Among the Japanese the rainbow is identified as the "Floating Bridge of Heaven"; and Hawaiian and Polynesian myths allude to the bow as the path to the upper world. In the Austrian Alps the souls of the righteous are said to ascend the bow to heaven; and in New Zealand the dead chieftains are believed to pass along it to reach their new home. In parts of France the rainbow is called the pont du St. Esprit, and in many places it is the bridge of St. Bernard or of St. Martin or of St. Peter. Basque pilgrims knew it as the 'puente de Roma'. Sometimes it is called instead the Croy de St. Denis (or of St. Leonard or of St. Bernard or of St. Martin). In Italy the name arcu de Santa Marina is relatively familiar. Associations of the rainbow and the milky way are frequent. The Arabic name for the milky way is equivalent to Gate of Heaven, and in Russia the analogous role was played by the rainbow. Elsewhere also the bow has been called the Gate of Paradise; and by some the rainbow has been thought to be a ray of light which falls on the earth when Peter opens the heavenly gate. In parts of France the rainbow is known as the porte de St. Jacques, while the milky way is called chemin de St. Jacques. In Swabia and Bavaria saints pass by the rainbow from heaven to earth; while in Polynesia this is the route of the gods themselves.
In Eddic literature the bow served as a link between the gods and man — the Bifrost bridge, guarded by Heimdel, over which the gods passed daily. At the time of the Gotterdamerung the sons of Muspell will cross the bridge and then demolish it. Sometimes also in the Eddas the rainbow is interpreted as a necklace worn by Freyja, the "necklace of the Brisings," alluded to in Beowulf; again it is the bow of Thor from which he shoots arrows at evil spirits. Among the Finns it has been an arc which hurls arrows of fire, in Mozambique it is the arm of a conquering god. In the Japanese Ko-Ji-Ki (or Records of Ancient Matters), compiled presumably in 712, the creation of the island of Onogoro is related to the rainbow. Deities, standing upon the "floating bridge of heaven," thrust down a jeweled spear into the brine and stirred with it. When the spear was withdrawn, the brine that dripped down from the end was piled up in the form of the island. In myth and legend the rainbow has been regarded variously as a harbinger of misfortune and as a sign of good luck. Some have held it to be a bad sign if the feet of the bow rest on water, whereas a rainbow arching from dry land to dry land is a good augury. Dreambooks held that when one dreams of seeing a rainbow, he will give or receive a gift according as the bow is seen in the west or the east. The Crown-prince Frederick August took it as a good omen when, upon his receiving the kingdom form Napoleon in 1806, a rainbow appeared; but others interpreted it as boding ill, a view confirmed by the war and destruction of Saxony which ensued. By many, a rainbow appearing at the birth of a child is taken to be a favorable sign; but in Slavonic accounts a glance from the fay who sits at the foot of the rainbow, combing herself, brings death.

“Look, look, look to the rainbow
Follow it over the hill and stream
Look, look, look to the rainbow
Follow the fellow who follows a dream.”

Yip Harburg (1896–1981) American song lyricist

"Look to the Rainbow", in Finian's Rainbow (1946) - Petula Clark version http://www.youtube.com/watch?v=ZGLbbg_E6Sg
Context: On the day I was born,
Said my father, said he
I've an elegant legacy waiting for ye.
Tis a rhyme for your lips
And a song for your heart
To sing it whenever the world falls apart. Look, look, look to the rainbow
Follow it over the hill and stream
Look, look, look to the rainbow
Follow the fellow who follows a dream.

“By many, a rainbow appearing at the birth of a child is taken to be a favorable sign; but in Slavonic accounts a glance from the fay who sits at the foot of the rainbow, combing herself, brings death.”

Carl B. Boyer (1906–1976) American mathematician

Source: The Rainbow: From Myth to Mathematics (1959), p. 27
Context: In ancient classical literature the rainbow sometimes was deified as Iris; at other times it was regarded merely as the route traversed by the messenger of Hera. The conception of the rainbow as a pathway or bridge has been widespread. For some it has been the best of all bridges, built out of three colors; for others the phrase "building on the rainbow" has meant a bootless enterprise. North American Indians were among those who thought of the rainbow as the Pathway of Souls, an interpretation found in many other places. Among the Japanese the rainbow is identified as the "Floating Bridge of Heaven"; and Hawaiian and Polynesian myths allude to the bow as the path to the upper world. In the Austrian Alps the souls of the righteous are said to ascend the bow to heaven; and in New Zealand the dead chieftains are believed to pass along it to reach their new home. In parts of France the rainbow is called the pont du St. Esprit, and in many places it is the bridge of St. Bernard or of St. Martin or of St. Peter. Basque pilgrims knew it as the 'puente de Roma'. Sometimes it is called instead the Croy de St. Denis (or of St. Leonard or of St. Bernard or of St. Martin). In Italy the name arcu de Santa Marina is relatively familiar. Associations of the rainbow and the milky way are frequent. The Arabic name for the milky way is equivalent to Gate of Heaven, and in Russia the analogous role was played by the rainbow. Elsewhere also the bow has been called the Gate of Paradise; and by some the rainbow has been thought to be a ray of light which falls on the earth when Peter opens the heavenly gate. In parts of France the rainbow is known as the porte de St. Jacques, while the milky way is called chemin de St. Jacques. In Swabia and Bavaria saints pass by the rainbow from heaven to earth; while in Polynesia this is the route of the gods themselves.
In Eddic literature the bow served as a link between the gods and man — the Bifrost bridge, guarded by Heimdel, over which the gods passed daily. At the time of the Gotterdamerung the sons of Muspell will cross the bridge and then demolish it. Sometimes also in the Eddas the rainbow is interpreted as a necklace worn by Freyja, the "necklace of the Brisings," alluded to in Beowulf; again it is the bow of Thor from which he shoots arrows at evil spirits. Among the Finns it has been an arc which hurls arrows of fire, in Mozambique it is the arm of a conquering god. In the Japanese Ko-Ji-Ki (or Records of Ancient Matters), compiled presumably in 712, the creation of the island of Onogoro is related to the rainbow. Deities, standing upon the "floating bridge of heaven," thrust down a jeweled spear into the brine and stirred with it. When the spear was withdrawn, the brine that dripped down from the end was piled up in the form of the island. In myth and legend the rainbow has been regarded variously as a harbinger of misfortune and as a sign of good luck. Some have held it to be a bad sign if the feet of the bow rest on water, whereas a rainbow arching from dry land to dry land is a good augury. Dreambooks held that when one dreams of seeing a rainbow, he will give or receive a gift according as the bow is seen in the west or the east. The Crown-prince Frederick August took it as a good omen when, upon his receiving the kingdom form Napoleon in 1806, a rainbow appeared; but others interpreted it as boding ill, a view confirmed by the war and destruction of Saxony which ensued. By many, a rainbow appearing at the birth of a child is taken to be a favorable sign; but in Slavonic accounts a glance from the fay who sits at the foot of the rainbow, combing herself, brings death.

“In Swabia and Bavaria saints pass by the rainbow from heaven to earth; while in Polynesia this is the route of the gods themselves.”

Carl B. Boyer (1906–1976) American mathematician

Source: The Rainbow: From Myth to Mathematics (1959), p. 27
Context: In ancient classical literature the rainbow sometimes was deified as Iris; at other times it was regarded merely as the route traversed by the messenger of Hera. The conception of the rainbow as a pathway or bridge has been widespread. For some it has been the best of all bridges, built out of three colors; for others the phrase "building on the rainbow" has meant a bootless enterprise. North American Indians were among those who thought of the rainbow as the Pathway of Souls, an interpretation found in many other places. Among the Japanese the rainbow is identified as the "Floating Bridge of Heaven"; and Hawaiian and Polynesian myths allude to the bow as the path to the upper world. In the Austrian Alps the souls of the righteous are said to ascend the bow to heaven; and in New Zealand the dead chieftains are believed to pass along it to reach their new home. In parts of France the rainbow is called the pont du St. Esprit, and in many places it is the bridge of St. Bernard or of St. Martin or of St. Peter. Basque pilgrims knew it as the 'puente de Roma'. Sometimes it is called instead the Croy de St. Denis (or of St. Leonard or of St. Bernard or of St. Martin). In Italy the name arcu de Santa Marina is relatively familiar. Associations of the rainbow and the milky way are frequent. The Arabic name for the milky way is equivalent to Gate of Heaven, and in Russia the analogous role was played by the rainbow. Elsewhere also the bow has been called the Gate of Paradise; and by some the rainbow has been thought to be a ray of light which falls on the earth when Peter opens the heavenly gate. In parts of France the rainbow is known as the porte de St. Jacques, while the milky way is called chemin de St. Jacques. In Swabia and Bavaria saints pass by the rainbow from heaven to earth; while in Polynesia this is the route of the gods themselves.
In Eddic literature the bow served as a link between the gods and man — the Bifrost bridge, guarded by Heimdel, over which the gods passed daily. At the time of the Gotterdamerung the sons of Muspell will cross the bridge and then demolish it. Sometimes also in the Eddas the rainbow is interpreted as a necklace worn by Freyja, the "necklace of the Brisings," alluded to in Beowulf; again it is the bow of Thor from which he shoots arrows at evil spirits. Among the Finns it has been an arc which hurls arrows of fire, in Mozambique it is the arm of a conquering god. In the Japanese Ko-Ji-Ki (or Records of Ancient Matters), compiled presumably in 712, the creation of the island of Onogoro is related to the rainbow. Deities, standing upon the "floating bridge of heaven," thrust down a jeweled spear into the brine and stirred with it. When the spear was withdrawn, the brine that dripped down from the end was piled up in the form of the island. In myth and legend the rainbow has been regarded variously as a harbinger of misfortune and as a sign of good luck. Some have held it to be a bad sign if the feet of the bow rest on water, whereas a rainbow arching from dry land to dry land is a good augury. Dreambooks held that when one dreams of seeing a rainbow, he will give or receive a gift according as the bow is seen in the west or the east. The Crown-prince Frederick August took it as a good omen when, upon his receiving the kingdom form Napoleon in 1806, a rainbow appeared; but others interpreted it as boding ill, a view confirmed by the war and destruction of Saxony which ensued. By many, a rainbow appearing at the birth of a child is taken to be a favorable sign; but in Slavonic accounts a glance from the fay who sits at the foot of the rainbow, combing herself, brings death.

“Somewhere over the rainbow,
Way up high
There's a land that I heard of
Once in a lullaby.”

Yip Harburg (1896–1981) American song lyricist

"Over the Rainbow" in The Wizard of Oz (1939) - Judy Garland version https://www.youtube.com/watch?v=PSZxmZmBfnU
Context: Somewhere over the rainbow,
Way up high
There's a land that I heard of
Once in a lullaby.
Somewhere over the rainbow
Skies are blue
And the dreams that you dare to dream
Really do come true.

P. D. Ouspensky photo

“An unexpected vision appeared to me. A circle not unlike a wreath woven from rainbow and lightnings, whirled from heaven to earth with a stupendous, velocity, blinding me by its brilliance.”

P. D. Ouspensky (1878–1947) Russian esotericist

Card XXI : The World http://www.sacred-texts.com/tarot/sot/sot05.htm
The Symbolism of the Tarot (1913)
Context: An unexpected vision appeared to me. A circle not unlike a wreath woven from rainbow and lightnings, whirled from heaven to earth with a stupendous, velocity, blinding me by its brilliance. And amidst this light and fire I heard music and soft singing, thunderclaps and the roar of a tempest, the rumble of falling mountains and earthquakes.
The circle whirled with a terrifying noise, touching the sun and the earth, and, in the centre of it I saw the naked, dancing figure of a beautiful young woman, enveloped by a light, transparent scarf, in her hand she held a magic wand.
Presently the four apocalyptical beasts began to appear on the edges of the circle; one with the face of a lion, another with the face of a man, the third, of an eagle and the fourth, of a bull.

M. C. Escher photo

“I do indeed believe that there is a certain contrast between, say, people in scientific professions and people working in the arts. Often there is even mutual suspicion and irritation, and in some cases one group greatly undervalues the other. Fortunately there is no one who actually has only feeling or only thinking properties. They intermingle like the colors of the rainbow and cannot be sharply divided.”

M. C. Escher (1898–1972) Dutch graphic artist

1950's, On Being a Graphic Artist', 1953
Context: I do indeed believe that there is a certain contrast between, say, people in scientific professions and people working in the arts. Often there is even mutual suspicion and irritation, and in some cases one group greatly undervalues the other. Fortunately there is no one who actually has only feeling or only thinking properties. They intermingle like the colors of the rainbow and cannot be sharply divided. Perhaps there is even a transitional group, like the green between the yellow and the blue of the rainbow. This transitional group does not have a particular preference for thinking or feeling, but believes that one cannot do without either the one or the other. At any rate, it is unprejudiced enough to wish for a better understanding between the two parties... It is clear that feeling and understanding are not necessarily opposites but that they complement each other.

“In myth and legend the rainbow has been regarded variously as a harbinger of misfortune and as a sign of good luck.”

Carl B. Boyer (1906–1976) American mathematician

Source: The Rainbow: From Myth to Mathematics (1959), p. 27
Context: In ancient classical literature the rainbow sometimes was deified as Iris; at other times it was regarded merely as the route traversed by the messenger of Hera. The conception of the rainbow as a pathway or bridge has been widespread. For some it has been the best of all bridges, built out of three colors; for others the phrase "building on the rainbow" has meant a bootless enterprise. North American Indians were among those who thought of the rainbow as the Pathway of Souls, an interpretation found in many other places. Among the Japanese the rainbow is identified as the "Floating Bridge of Heaven"; and Hawaiian and Polynesian myths allude to the bow as the path to the upper world. In the Austrian Alps the souls of the righteous are said to ascend the bow to heaven; and in New Zealand the dead chieftains are believed to pass along it to reach their new home. In parts of France the rainbow is called the pont du St. Esprit, and in many places it is the bridge of St. Bernard or of St. Martin or of St. Peter. Basque pilgrims knew it as the 'puente de Roma'. Sometimes it is called instead the Croy de St. Denis (or of St. Leonard or of St. Bernard or of St. Martin). In Italy the name arcu de Santa Marina is relatively familiar. Associations of the rainbow and the milky way are frequent. The Arabic name for the milky way is equivalent to Gate of Heaven, and in Russia the analogous role was played by the rainbow. Elsewhere also the bow has been called the Gate of Paradise; and by some the rainbow has been thought to be a ray of light which falls on the earth when Peter opens the heavenly gate. In parts of France the rainbow is known as the porte de St. Jacques, while the milky way is called chemin de St. Jacques. In Swabia and Bavaria saints pass by the rainbow from heaven to earth; while in Polynesia this is the route of the gods themselves.
In Eddic literature the bow served as a link between the gods and man — the Bifrost bridge, guarded by Heimdel, over which the gods passed daily. At the time of the Gotterdamerung the sons of Muspell will cross the bridge and then demolish it. Sometimes also in the Eddas the rainbow is interpreted as a necklace worn by Freyja, the "necklace of the Brisings," alluded to in Beowulf; again it is the bow of Thor from which he shoots arrows at evil spirits. Among the Finns it has been an arc which hurls arrows of fire, in Mozambique it is the arm of a conquering god. In the Japanese Ko-Ji-Ki (or Records of Ancient Matters), compiled presumably in 712, the creation of the island of Onogoro is related to the rainbow. Deities, standing upon the "floating bridge of heaven," thrust down a jeweled spear into the brine and stirred with it. When the spear was withdrawn, the brine that dripped down from the end was piled up in the form of the island. In myth and legend the rainbow has been regarded variously as a harbinger of misfortune and as a sign of good luck. Some have held it to be a bad sign if the feet of the bow rest on water, whereas a rainbow arching from dry land to dry land is a good augury. Dreambooks held that when one dreams of seeing a rainbow, he will give or receive a gift according as the bow is seen in the west or the east. The Crown-prince Frederick August took it as a good omen when, upon his receiving the kingdom form Napoleon in 1806, a rainbow appeared; but others interpreted it as boding ill, a view confirmed by the war and destruction of Saxony which ensued. By many, a rainbow appearing at the birth of a child is taken to be a favorable sign; but in Slavonic accounts a glance from the fay who sits at the foot of the rainbow, combing herself, brings death.

“The conception of the rainbow as a pathway or bridge has been widespread.”

Carl B. Boyer (1906–1976) American mathematician

Source: The Rainbow: From Myth to Mathematics (1959), p. 27
Context: In ancient classical literature the rainbow sometimes was deified as Iris; at other times it was regarded merely as the route traversed by the messenger of Hera. The conception of the rainbow as a pathway or bridge has been widespread. For some it has been the best of all bridges, built out of three colors; for others the phrase "building on the rainbow" has meant a bootless enterprise. North American Indians were among those who thought of the rainbow as the Pathway of Souls, an interpretation found in many other places. Among the Japanese the rainbow is identified as the "Floating Bridge of Heaven"; and Hawaiian and Polynesian myths allude to the bow as the path to the upper world. In the Austrian Alps the souls of the righteous are said to ascend the bow to heaven; and in New Zealand the dead chieftains are believed to pass along it to reach their new home. In parts of France the rainbow is called the pont du St. Esprit, and in many places it is the bridge of St. Bernard or of St. Martin or of St. Peter. Basque pilgrims knew it as the 'puente de Roma'. Sometimes it is called instead the Croy de St. Denis (or of St. Leonard or of St. Bernard or of St. Martin). In Italy the name arcu de Santa Marina is relatively familiar. Associations of the rainbow and the milky way are frequent. The Arabic name for the milky way is equivalent to Gate of Heaven, and in Russia the analogous role was played by the rainbow. Elsewhere also the bow has been called the Gate of Paradise; and by some the rainbow has been thought to be a ray of light which falls on the earth when Peter opens the heavenly gate. In parts of France the rainbow is known as the porte de St. Jacques, while the milky way is called chemin de St. Jacques. In Swabia and Bavaria saints pass by the rainbow from heaven to earth; while in Polynesia this is the route of the gods themselves.
In Eddic literature the bow served as a link between the gods and man — the Bifrost bridge, guarded by Heimdel, over which the gods passed daily. At the time of the Gotterdamerung the sons of Muspell will cross the bridge and then demolish it. Sometimes also in the Eddas the rainbow is interpreted as a necklace worn by Freyja, the "necklace of the Brisings," alluded to in Beowulf; again it is the bow of Thor from which he shoots arrows at evil spirits. Among the Finns it has been an arc which hurls arrows of fire, in Mozambique it is the arm of a conquering god. In the Japanese Ko-Ji-Ki (or Records of Ancient Matters), compiled presumably in 712, the creation of the island of Onogoro is related to the rainbow. Deities, standing upon the "floating bridge of heaven," thrust down a jeweled spear into the brine and stirred with it. When the spear was withdrawn, the brine that dripped down from the end was piled up in the form of the island. In myth and legend the rainbow has been regarded variously as a harbinger of misfortune and as a sign of good luck. Some have held it to be a bad sign if the feet of the bow rest on water, whereas a rainbow arching from dry land to dry land is a good augury. Dreambooks held that when one dreams of seeing a rainbow, he will give or receive a gift according as the bow is seen in the west or the east. The Crown-prince Frederick August took it as a good omen when, upon his receiving the kingdom form Napoleon in 1806, a rainbow appeared; but others interpreted it as boding ill, a view confirmed by the war and destruction of Saxony which ensued. By many, a rainbow appearing at the birth of a child is taken to be a favorable sign; but in Slavonic accounts a glance from the fay who sits at the foot of the rainbow, combing herself, brings death.

Jiddu Krishnamurti photo

“What brings understanding is love. When your heart is full, then you will listen to the teacher, to the beggar, to the laughter of children, to the rainbow, and to the sorrow of man. Under every stone and leaf, that which is eternal exists.”

Jiddu Krishnamurti (1895–1986) Indian spiritual philosopher

"Ninth Talk in Bombay, (14 March 1948) http://www.jkrishnamurti.com/krishnamurti-teachings/view-text.php?tid=270&chid=4600&w=%22What+brings+understanding+is+love%22, J.Krishnamurti Online, JKO Serial No. BO48Q1, published in The Collected Works, Vol. IV, p. 200
1940s
Context: What brings understanding is love. When your heart is full, then you will listen to the teacher, to the beggar, to the laughter of children, to the rainbow, and to the sorrow of man. Under every stone and leaf, that which is eternal exists. But we do not know how to look for it. Our minds and hearts are filled with other things than understanding of "what is". Love and mercy, kindliness and generosity do not cause enmity. When you love, you are very near truth. For, love makes for sensitivity, for vulnerability. That which is sensitive is capable of renewal. Then truth will come into being. It cannot come if your mind and heart are burdened, heavy with ignorance and animosity.

E.M. Forster photo

“She might yet be able to help him to the building of the rainbow bridge that should connect the prose in us with the passion. Without it we are meaningless fragments, half monks, half beasts, unconnected arches that have never joined into a man.”

Source: Howards End (1910), Ch. 22
Context: She might yet be able to help him to the building of the rainbow bridge that should connect the prose in us with the passion. Without it we are meaningless fragments, half monks, half beasts, unconnected arches that have never joined into a man. With it love is born, and alights on the highest curve, glowing against the grey, sober against the fire. Happy the man who sees from either aspect the glory of these outspread wings. The roads of his soul lie clear, and he and his friends shall find easy-going.

Pete Seeger photo

“And because I love you
I'll give it one more try
To show my rainbow race
It's too soon to die.”

Pete Seeger (1919–2014) American folk singer

"My Rainbow Race" (1967)
Context: One blue sky above us
One ocean lapping all our shore
One earth so green and round
Who could ask for more
And because I love you
I'll give it one more try
To show my rainbow race
It's too soon to die.

Mike Scott photo

“I pictured a rainbow
you held it in your hands
I had flashes
but you saw the plan”

Mike Scott (1958) songwriter, musician

"The Whole of the Moon" · Video at YouTube https://www.youtube.com/watch?v=8TON3PORRDQ <!-- Lower res link Video at Youtube http://www.youtube.com/watch?v=AsNTmjlf1vI -->
This Is the Sea (1985)
Context: I pictured a rainbow
you held it in your hands
I had flashes
but you saw the plan
I wandered out in the world for years
you just stayed in your room
I saw the crescent
You saw the whole of the moon.

Jesse Jackson photo