Quotes about pop
page 4
Source: Water Street (2006), Chapters 21-29, p. 135-136

“I'm drinking lots of rum and popping pinks and greys.”
Letter to his wife (1967) as quoted in L. Ron Hubbard: Messiah or Madman? (1989) by Bent Corydon and L. Ron Hubbard, Jr (Ronald DeWolfe).

All Party Parliamentary report into TEQs, p. 22 http://www.teqs.net/report/APPGOPO_TEQs.pdf
(1986) n.p.
Structures are no longer valid', in "Ein Gespräch..."

2010-12-2
The Glenn Beck Program
Premiere Radio Network
http://www.glennbeck.com/content/articles/article/196/48783/
2010s, 2010

Quoted in The Beatles — After the Break-up : In Their Own Words (1991) by David Bennahum, p. 54

12
Essays, Can Poetry Matter? (1991), Poetry as Enchantment (2015)

Sita Ram Goel: The Story of Islamic Imperialism in India

Oh, look, you got a little balloon now.
Reality...What a Concept (1979)

Gordon Ball (1977), Journals: Early Fifties Early Sixties, Grove Press NY
Journals: Early Fifties Early Sixties

Introduction of Pop Internationalism (1996)
Pop Internationalism (1996)

The World's Last Night (1952)
Context: Christian Apocalyptic offers us no such hope. It does not even foretell, (which would be more tolerable to our habits of thought) a gradual decay. It foretells a sudden, violent end imposed from without; an extinguisher popped onto the candle, a brick flung at the gramophone, a curtain rung down on the play — "Halt!"

"Classical and Baroque Sex in Everyday Life" (1979), Beginning To See the Light: Pieces of a Decade (1981)
Context: There are two kinds of sex, classical and baroque. Classical sex is romantic, profound, serious, emotional, moral, mysterious, spontaneous, abandoned, focused on a particular person, and stereotypically feminine. Baroque sex is pop, playful, funny, experimental, conscious, deliberate, amoral, anonymous, focused on sensation for sensation's sake, and stereotypically masculine. The classical mentality taken to an extreme is sentimental and finally puritanical; the baroque mentality taken to an extreme is pornographic and finally obscene. Ideally, a sexual relation ought to create a satisfying tension between the two modes (a baroque idea, particularly if the tension is ironic) or else blend them so well that the distinction disappears (a classical aspiration).
Source: PsyberMagick (1995), p. 65
Context: New Age-ism
I could Love it: —
If dolphins had as much intelligence as cats,
And stopped trying to rescue sinking pieces of wood.
If crystals actually did something useful,
Other than grease the wheels of commerce.
If the Goddess had made animals taste less good,
So I didn't want to eat them.
If astrology could tell me anything,
Other than the trite and obvious.
If whales could do something more impressive,
Than merely occupy a lot of space.
If corn circles came from enlightened aliens,
Rather than Wiltshire pranksters on cider.
If channellers could speak in hieroglyphics,
Instead of pop-psychological twaddle.
If sharing, caring, non-sexist men,
Could do anything useful in a crisis.
Beating the drums of hope and faith (2004)
Context: Start small, put down the book you’re reading and sit with your grandmother to learn her language and find out about her life’s struggles and her history, before she passes on and your history is lost; put down the TV remote control and stop letting pop culture define who you are and go for a walk through your hometown’s historical landmarks. Find your identity by actually looking for the things in life that appeal to you or stir emotion in you. If you just let your government, your local imam, even your local pop singer or nasheed singer, define what you should be, you will never be more than that. Look in the mirror and ask yourself, ‘Who do I WANT to be?’ Start there.

Grip interview (1997)
Context: The most important of my achievements, if you want to call them that, was that I successfully introduced mystical ideas into pop culture, which was my obsession and my compulsion when I was 16 years old. So, behind all of this fame and fortune, there was a seeker, on a spiritual path — a young man who wanted to discover and share with others an alternative way of looking at the world. I wanted to save our culture from the stupidity and the bigotry and the ignorance that threatened it. And there was the Buddhist way, and the Celtic way.

David D. Porter, Incidents and Anecdotes of the Civil War https://ia802604.us.archive.org/9/items/incidentsanecdot00port/incidentsanecdot00port.pdf (1885), p. 274.
Context: It looked queer to me to see boxes labeled 'His Excellency, Jefferson Davis, President of the Confederate States of America'. The packages so labeled contained Bass ale or Cognac brandy, which cost 'His Excellency' less than we Yankees had to pay for it. Think of the President drinking imported liquors while his soldiers were living on pop-corn and water!

John Williams, quoted in Jones, Alan and Kantonen, Jussi (1999). Saturday Night Forever: The Story of Disco, p.74. Chicago, Illinois: A Cappella Books. ISBN 1556524110.
See: Disco.
Edie describing a low point in her relationship with Bob Neuwirth
Edie : American Girl (1982)
Context: It was really sad - Bobby's and my affair. The only true, passionate, and lasting love scene, and I practically ended up in the psychopathic ward. I had really learned about sex from him, making love, loving, giving. It just completely blew my mind - it drove me a little insane. I was like a sex slave to this man. I could make love for forty-eight hours, forty-eight hours, without getting tired. But the minute he left me alone, I felt so empty and lost that I would start popping pills. He had more or less quit using drugs... When I first knew him, a friend of his used to come up with him to my apartment and they'd do a number in the bathroom. This guy eventually died of a heroin overdose, and Bobby left drugs alone after that. But if I wasn't practically in the act of lovemaking, I would be thinking of how to get hold of drugs. I really loved this man.... What happened was that Bobby said, "Let's go to a party. They're making an underground movie," and he said that I, the Warhol heiress, queen, star, socialite, blah, should be there. Bobby really wanted to go. I had a bad scene with him. I pulled out a knife and I wasn't going to let him out the door until he made love to me. I always get really dreadful. But we finally went. I went through it all. I was furious - this after about two years of our continuing relationship. Finally I said, "Now I'm going to leave this party. I'm fed up." He said that was all right: he'd met all the people he wanted to meet, and he'd watched the film begin shot. So we got into my limousine and he said, "Where would you like to eat?" I thought I was going to explode. Where would I like to eat? I screeched at him, "Why the hell can't you make up your own mind where we're going to eat? Why do I have to make all the decisions?" I was just livid, out of hand. I got madder and madder as we drove along, and just as we drove by the Chelsea Hotel I did something. I've never done anything to hurt anyone, and yet I was so furious that I pressed the button and rolled down the window screen - the glass plate between the front and back seats - and I told the chauffeur that the man in the back was molesting me; he was a junkie! I was so horrified by what I'd said, so flipped out by that, that I jumped out of the car into the path of the oncoming traffic, certain that my head would be crushed. All that happened was the I got bruised, badly bruised, but no broken bones. I mean, I was conscious, not destroyed at all. But I'd done such a terrible thing! I couldn't reconcile that. I had been about to explode. The hotel people came out, and they and Bobby carried me in. I had to pretend I was unconscious because I couldn't comprehend the fact that I had tried to get him busted, to hurt him seriously. He was the only person I had ever gotten violent about. I take out whatever violence comes into my system much more heavily on myself than on anyone else. But that was a pretty tight squeeze. I really craved making love to him.
On his role in the film We the Animals in “After ‘Looking’ and ‘We the Animals,’ Raul Castillo Is Ready to Be a Movie Star” https://www.indiewire.com/2019/01/raul-castillo-interview-we-the-animals-looking-1202029967/ in IndieWire (2019 Jan 2)

On choice being reconciled with culture in her works in “Interview: A Conversation with Nnedi Okorafor” http://weirdfictionreview.com/2017/02/interview-conversation-nnedi-okorafor/ in Weird Fiction Review (2017 Feb 20)
Personal life

Engagement interview (November 2017)

Mike Papantonio in "Republicans & Democrats Agree, Loan Sharks Need To Be Regulated", The Ring of Fire, https://trofire.com/2019/06/02/republicans-democrats-agree-loan-sharks-need-to-be-regulated/ (2 June 2019)

Gavin Friday, [July 16, 2012, http://www.independent.ie/lifestyle/everybody-loves-rufus-3168433.html, everybody loves rufus]

Heather Phares of allmusic http://www.allmusic.com/cg/amg.dll?p=amg&sql=10:kzdgyl5nxp9b
King Kong
Official Mix tapes, Da Drought 3 (2007)

73rd Communique of the CPSUZoeD https://www.derstandard.at/jetzt/livebericht/2000116238563/
Quotes as Nikita P. Chrusov

“I often use the same harmonies as pop music because the complexity of what I do is elsewhere.”

Interview with American Salsa http://www.americasalsa.com/usa/interviews/carolina_la_o.html (May 2009)

Quoted in Grant Smithies, "Close encounter with Robert Smith" https://www.stuff.co.nz/sunday-star-times/features/profiles/earlier-profiles-26519/51564/The-Cures-Robert-Smith, Sunday Star-Times (July 29, 2007)

Simple Plan: The 13th Floor Interview https://www.13thfloor.co.nz/simple-plan-the-13th-floor-interview/ (February 7, 2018)

On how Asian-Americans might circumvent the feeling of being underrepresented in mainstream culture in in “'God, I was disgusting!' – Ali Wong on why women's bodies are the last taboo” https://www.theguardian.com/stage/2019/oct/17/god-i-was-disgusting-ali-wong-on-why-womens-bodies-are-the-last-taboo in The Guardian (2019 Oct 17)

“Pop culture is our greatest way to liberation.”
September 29, 2019. Massinissa Akandouch's's Twitter account, pinned Tweet. https://twitter.com/MAS8IN/status/1178285515210215424

Source: On the career fugue that led him to create the album New Green Clear Blue in “Dan Hartman Manages to Turn a Career Valley into Peak” https://news.google.com/newspapers?nid=943&dat=19890307&id=gGkLAAAAIBAJ&sjid=OlMDAAAAIBAJ&pg=6768,567004&hl=en in Mohave Daily Miner (1989 Mar 7)

Source: [239, The Queer Encyclopedia of Music, Dance, and Musical Theater, Claude Summers, Cleis Press Start, 1 November 2004, 9781573448758] In interviews etc., Sexuality

Source: — Chetan Bhagat (@chetan_bhagat) 2021 at Twitter https://twitter.com/chetan_bhagat/status/1390166518223233025

Spoken intro to "What a Wonderful World" (1970 version)