Quotes about olive
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Lycurgus photo
Gerald Durrell photo
John Oliver photo
Theodore L. Cuyler photo
Agatha Christie photo
Peter Singer photo
Stella Vine photo
John Oliver photo
Muhammad photo
Daniel Handler photo

“Hullo! What's this? What are these funny brown-and-olive landscapes doing in an impressionist exhibition? Brown! I ask you? Isn't it absurd for a man to go on using brown and call himself an impressionist painter?”

Frank Rutter (1876–1937) British art critic

Rutter, Frank. Art in My Time, p. 111. Rich & Cowan, London, 1933.
Rutter satirising the reaction of fans of impressionist art on seeing Cézanne's work in London in 1905.

Peter Hitchens photo
Richard Ford photo
John Aubrey photo
Jacob Bronowski photo
Marcus Aurelius photo
Thomas Szasz photo
George Fox photo
Boris Johnson photo

“My chances of being PM are about as good as the chances of finding Elvis on Mars, or my being reincarnated as an olive.”

Boris Johnson (1964) British politician, historian and journalist

"You ask the questions", The Independent, 17 June 2004, p. 7.
Asked "Admit it: you want to become prime minister, don't you?" by Amanda Findlay of Bolton.
2000s, 2004

Hassan Rouhani photo

“Today, this festering Zionist tumor has opened once again & has turned the land of olives into destruction and blood and littered the land with the body parts of Palestinian children”

Hassan Rouhani (1948) 7th President of Islamic Republic of Iran

"Iran Headlines: Khamenei’s Grandchildren, Additional Protocol, and Summer Tourism" http://www.brookings.edu/blogs/iran-at-saban/posts/headlines-2014/07/29-khamenei-grandchildren-rare-public-appearance, Brookings (July 19, 2014)

Robert Hunter (author) photo

“Jesus, after leaving the Temple, went to the Mount of Olives, and there explained the meaning of his words by a picture of the Day of Judgment.”

Robert Hunter (author) (1874–1942) American sociologist, author, golf course architect

Source: Why We Fail as Christians (1919), p. 93-94
Context: Simple, direct, and clear as they [these words] are, Jesus later in the day undertook to make them more vivid.... that no one should doubt them or lack in fully understanding them, Jesus, after leaving the Temple, went to the Mount of Olives, and there explained the meaning of his words by a picture of the Day of Judgment.... He says that when the Son of Man shall come in his glory to the judgment seat, all the nations shall be gathered before him, "and he shall separate them one from another, as a shepherd divideth his sheep from the goats: And he shall set the sheep on his right hand, but the goats on the left. Then shall the King say unto them on his right hand, Come, ye blessed of my Father, inherit the kingdom prepared for you from the foundation of the world: For I was an hungred, and ye gave me meat: I was thirsty, and ye gave me drink: I was a stranger, and ye took me in: Naked, and ye clothed me: I was sick, and ye visited me: I was in prison, and ye came unto me." …And Jesus answers them "Verily I say unto you, Inasmuch as ye have done it unto one of the least of these my brethren, ye have done it unto me" …Surely it is worthy of note that Jesus does not indicate that the sheep will be questioned as to their sect or creed.... Moreover, the sheep are not even spoken of as the faithful or as the believers; they are simply those who love their fellow-men and therefore they are unconsciously righteous. Turning to the goats, he does not ask them either as to their faith, but as they had not fed the hungry, nor given drink to the thirsty, nor taken any stranger in, they are condemned to "everlasting fire."

David Hume photo

“The richest genius, like the most fertile soil, when uncultivated, shoots up into the rankest weeds; and instead of vines and olives for the pleasure and use of man, produces, to its slothful owner, the most abundant crop of poisons.”

Part I, Essay 16: The Stoic
Essays, Moral, Political, and Literary (1741-2; 1748)
Context: If nature has been frugal in her gifts and endowments, there is the more need of art to supply her defects. If she has been generous and liberal, know that she still expects industry and application on our part, and revenges herself in proportion to our negligent ingratitude. The richest genius, like the most fertile soil, when uncultivated, shoots up into the rankest weeds; and instead of vines and olives for the pleasure and use of man, produces, to its slothful owner, the most abundant crop of poisons.

Vitruvius photo

“In the thickness there should be set a very close succession of ties made of charred olive wood, binding the two faces of the wall together like pins, to give it lasting endurance.”

Source: De architectura (The Ten Books On Architecture) (~ 15BC), Book I, Chapter V, Sec. 3
Context: The thickness of the wall should, in my opinion, be such that armed men meeting on top of it may pass one another without interference. In the thickness there should be set a very close succession of ties made of charred olive wood, binding the two faces of the wall together like pins, to give it lasting endurance. For that is a material which neither decay, nor the weather, nor time can harm, but even though buried in the earth or set in the water it keeps sound and useful forever. And so not only city walls but substructures in general and all walls that require a thickness like that of a city wall, will be long in falling to decay if tied in this manner.

“Under the olive trees, from the ground
Grows this flower, which is a wound.”

Stephen Spender (1909–1995) English poet and man of letters

"The Coward"
The Still Centre (1939)
Context: Under the olive trees, from the ground
Grows this flower, which is a wound.
It is easier to ignore
Than the heroes' sunset fire
Of death plunged in their willed desire
Raging with flags on the world's shore.

Alfred, Lord Tennyson photo

“O Love! what hours were thine and mine,
In lands of palm and southern pine;
In lands of palm, of orange-blossom,
Of olive, aloe, and maize and vine!”

Alfred, Lord Tennyson (1809–1892) British poet laureate

The Daisy, Stanza 1; reported in Bartlett's Familiar Quotations, 10th ed. (1919)

“Consider. One bullet in ten thousand kills a man.
Ask. Was so much expenditure justified
On the death of one so young and so silly
Lying under the olive tree, O world, O death?”

Stephen Spender (1909–1995) English poet and man of letters

"Ultima Ratio Regum"
The Still Centre (1939)
Context: Consider his life which was valueless
In terms of employment, hotel ledgers, news files.
Consider. One bullet in ten thousand kills a man.
Ask. Was so much expenditure justified
On the death of one so young and so silly
Lying under the olive tree, O world, O death?

Rodney Dangerfield photo
Federico García Lorca photo
Denis Healey photo

“The trouble about Europe is what I call the Olive Line, the line below which people grow olives. North of the Olive Line people pay their taxes and spend public money very cautiously. South of it they fail to pay their taxes at all, but spend a lot of public money.”

Denis Healey (1917–2015) British Labour Party politician and Life peer

Interview https://www.channel4.com/news/by/michael-crick/blogs/healey-case-for-leaving-europe-stronger-than-staying with Michael Crick (9 May 2013)
2010s

Zulfikar Ali Bhutto photo
Martin Buber photo

“As the oil is in the olive, so is the teshuvah, repentance, hidden within sin.”

Martin Buber (1878–1965) German Jewish Existentialist philosopher and theologian

Source: For The Sake of Heaven (1945), p. 44

David Rakoff photo
Bill Bryson photo

“Making models was reputed to be hugely enjoyable… But when you got the kit home and opened the box the contents turned out to be of a uniform leaden gray or olive green, consisting of perhaps sixty thousand tiny parts, some no larger than a proton, all attached in some organic, inseparable way to plastic stalks like swizzle sticks. The tubes of glue by contrast were the size of large pastry tubes. No matter how gently you depressed them they would blurp out a pint or so of a clear viscous goo whose one instinct was to attach itself to some foreign object—a human finger, the living-room drapes, the fur of a passing animal—and become an infinitely long string. Any attempt to break the string resulted in the creation of more strings. Within moments you would be attached to hundreds of sagging strands, all connected to something that had nothing to do with model airplanes or World War II. The only thing the glue wouldn’t stick to, interestingly, was a piece of plastic model; then it just became a slippery lubricant that allowed any two pieces of model to glide endlessly over each other, never drying. The upshot was that after about forty minutes of intensive but troubled endeavor you and your immediate surroundings were covered in a glistening spiderweb of glue at the heart of which was a gray fuselage with one wing on upside down and a pilot accidentally but irremediably attached by his flying cap to the cockpit ceiling. Happily by this point you were so high on the glue that you didn’t give a shit about the pilot, the model, or anything else.”

Source: The Life And Times of the Thunderbolt Kid (2006), p. 81

Ernest Hemingway photo
Ibn Hazm photo
Stephen Vincent Benét photo