Quotes about neon

A collection of quotes on the topic of neon, light, lighting, likeness.

Quotes about neon

“Real intimacy is a sacred experience. It never exposes its secret trust and belonging to the voyeuristic eye of a neon culture. Real intimacy is of the soul, and the soul is reserved.”

John O'Donohue (1956–2008) Irish writer, priest and philosopher

Source: Anam Cara: A Book of Celtic Wisdom

Secret, Soul

“That's the van? It looks like a rotting banana."
This was undeniable - Eric had painted the van a neon shade of yellow, and it was blotched with dings and rust like splotches of decay.”

Cassandra Clare book City of Bones

Source: City of Bones

Painting

“Everyone always noticed Ashley. She was like a flashing neon sign for anyone with an ounce of testosterone.”

Nicholas Sparks book The Last Song

Source: The Last Song

“The Heart is a lonely hunter with only one desire! To find some lasting comfort in the arms of anothers fire… driven by a desperate hunger to the arms of a neon light, the heart is a lonely hunter when there's no sign of love in sight!”

Carson McCullers book The Heart Is a Lonely Hunter

Source: The Heart is a Lonely Hunter

Love, Hunger, Light, Heart

“All that was missing was a neon sign that read EVIL AND CONFLICTED ABOUT IT with a flashing arrow pointing at his head.”

Ilona Andrews American husband-and-wife novelist duo

Source: Magic Breaks

Evil, Reading

“The world, although well-lighted with fluorescents and incandescent bulbs and neon, is still full of odd dark corners and unsettling nooks and crannies.”

Stephen King book Firestarter

Source: Firestarter

World, Light

“You caught mum chasing dad with a knife
You ran away to escape from the fights
Now you're lost in a maze of neon light
And she's worried, he's worried, she's worried, oh…”

Colin Moulding (1955) English bassist, songwriter and vocalist

"Runaways"
English Settlement (1982)

Light, Fight

“To understand this radiation [ cosmic microwave background ], it is easier to begin thinking about the radiation from a very hot gas like that inside a neon light. The same neon… is, at room temperature, utterly transparent… The character of matter in general changes abruptly when it gets heated above 3,000 degrees or so. Below this temperature, matter is electrically neutral… At high temperatures in a neon light, the electrically charged pieces of atoms become unstuck. Frequent and violent collisions break down neutral atoms into electrons and unbalanced nuclei. Matter in this state is called plasma, and it radiates much of its collision energy in the form of light. …a gas of neutral atoms (like air) is virtually transparent. The free [charged] nuclei and electrons of plasma, by contrast, couple to light's electromagnetic fields and absorb it very efficiently. …You …see light only from the borderline layer of neon between opaque plasma and transparent neutral atoms.”

Frank Wilczek (1951) physicist

Longing for the Harmonies: Themes and Variations from Modern Physics (1987)

Understanding, Thinking, Light, Change

“The film has written and spoken dialogue in twenty-five languages-English, French, Japanese, Mandarin, Cantonese, Vietnamese, Latin, Hebrew, necrotic Egyptian … and it has written calligraphic text on paper, wood, and flesh, on flat and curved surfaces, vertically and horizontally, on both living and dead flesh, in neon, on screens, in projection, as sub-title, inter-title, and sur-title, as High Art and low art, as advertisement and banker's check and registration plate, on photograph, on blackboard, as letter correspondence, as photocopy facsimile, and spoken, chanted, and sung, with and without music … a mocking challenge. You want text? Cinema wants text? Cinema pretends to eschew text? Then we can give you text to mock that smug suggestion that cinema thinks it is pictures.”

Peter Greenaway (1942) British film director

"105 Years of Illustrated Text" in the Zoetrope All-Story, Vol. 5 No. 1.
105 Years of Illustrated Text

Art, Music, Thinking, Dead

“Carlo looked as at the world of fallen man on the endless suburbs that passed for a city, an eatery in the likeness of a Sphinx (enter between its forepaws), another, for jumbo malts so thick you can't suck 'em through a straw, in the form of an elephant crouched as at the bidding of its mahout, gimcrack temples of various faiths, attap roofs of nutburger stands with Corinthian columns, loans loans loans, stores crammed with cutprice radios, a doughnuttery, homes like Swiss chalets, like Bavarian castles, miniature Blenheims, Strawberry Hills, Taj Mahals, a bank in the form of a tiny ocean liner, dusty trees on the boulevards (datepalm, orange, oleander), bars with neon bottles endlessly pouring, colleges for stuntmen, beauticians, morticians, degrees in drummajoretteship.”

Anthony Burgess (1917–1993) English writer

Fiction, Earthly Powers (1980)

World, Faith, Home, Tree

“And why do soldiers wear uniforms? It certainly is not to protect the soldier. As a matter of fact, a soldier’s uniform is actually a big flashing neon arrow pointing to some kid that says to the enemy, SHOOT ME!”

Bill Whittle (1959) author, director, screenwriter, editor

SANCTUARY (part 1) https://web.archive.org/web/20050521031500/http://ejectejecteject.com/archives/000125.html (18 May 2005) <br class="br">2000s

“Night, when tangos play on the nurse's radio and rat poison sings its own hot song behind the cellar door. Night, when the long snake feeds, when the black sedan cruises the pleasure districts, when neon flickers "Free at Last" in a dozen lost languages, and shapes left over from childhood move furtively behind the moon-dizzy boughs of the fir.”

Tom Robbins Half Asleep in Frog Pajamas

Half Asleep in Frog Pajamas (1994)

Pleasure, Singing, Childhood, Night

“Los Angeles is the home of self-expression, but the artists are middle-class and middling-minded; no passions will calcify here for years in the gloom to be revealed a decade later as the tessellations of hard and fertile work. … In this land of the pretty-pretty, the virility is in the barbarisms, the vulgarities, it is in the huge billboards, the screamers of the neon lighting, the shouting farm-utensil colors of the gas stations and monster drugstores, it is in the swing of the sports cars, hot rods, convertibles.”

Norman Mailer (1923–2007) American novelist, journalist, essayist, playwright, film maker, actor and political candidate

Superman Comes to the Supermarket (1960)

Angels, Cars, Color, Home

“Sacrifice and neon lights slave ships don't wait. Love many, trust few, and don't be late”

Tom Morello (1964) American guitarist and singer-songwriter

One Man Revolution.
Lyrics

Love, Light, Waiting

“These buildings are just right for the excesses of post-modernism -- decorative, frivolous -- serving to obviously excite and attract -- every feature using the architectural vocabulary freely without too much regard for serious function -- open glass atriums and shining metals and expensive and artificial marbles, zany letterings and excess neon.”

Peter Greenaway (1942) British film director

8 1/2 Women

“Pollock.... left us [c. 1958] at the point where we must be preoccupied with and even dazzled by the space and objects of our everyday life, either our bodies, clothes, rooms, or, if need be, the vastness of Forty-Second Street [New York].... Objects of every sorts are materials for the new art, paints, chairs, food, electric and neon-lights, smoke, water, old socks, a dog, movies, a thousand other things which will be discovered by the present generation of artists.... All will become materials for this new concrete art.”

Allan Kaprow (1927–2006) American artist

In his essay 'The legacy of Jackson Pollock', published in 'ARTnews', Fall of 1958; as quoted by Christina Bryan Rosenberger, in 'Drawing the Line: The Early Work of Agnes Martin', Univ. of California Press, July 2016, p 121
this essay of 1958 became more or less an art-manifesto for the generation American artists after Abstract Expressionism

Life, Food, Dogs, Art

“Life in Anaheim, California, was a commercial for itself, endlessly replayed. Nothing changed; it just spread out farther and farther in the form of neon ooze. What there was always more of had been congealed into permanence long ago, as if the automatic factory that cranked out these objects had jammed in the on position.”

Philip K. Dick book A Scanner Darkly

Source: A Scanner Darkly (1977), Chapter 2 (p. 31)

Life, Change

“Publicity is usually explained and justified as a competitive medium which ultimately benefits the public (the consumer) and the most efficient manufacturers - and thus the national economy. It is closely related to certain ideas about freedom: freedom of choice for the purchaser: freedom of enterprise for the manufacturer. The great hoardings and the publicity neons of the cities of capitalism are the immediate visible sign of "The Free World." For many in Eastern Europe such images in the West sum up what they in the East lack. Publicity, it is thought, offers a free choice.”

John Berger book Ways of Seeing

Source: Ways of Seeing (1972), p. 130

World, Idea, Freedom

“Simulators set up the required system of interdependences, usually between electrical potentials or voltages as variables, by means of valve-amplifiers and electrical networks. Since the voltage across a capacitance is proportional to the integral of a current, that across an inductance to the first derivative of a current, and that across a resistor to the current itself, it is possible to arrange a network of electrical elements, with amplifiers and feeds-back where necessary, so that a given linear differential equation is caused to relate an ’output’ voltage to an ’input’ voltage. Thus a given linear system of interdependences can be simulated, either directly or in any convenient transformation. If non-linear relationships are required there is no universally applicable simple device, but there do exist a great variety of non-linear elements with non-linear characteristics that are known and to some extent; adjustable. These include non-linear resistors… and the characteristic curves of thermionic valves, of rectifiers and discharge vessels and of magnetic materials. Limits may be set by the use of neon tubes that become conducting when a certain voltage is exceeded, or by relays, and so on”

Arnold Tustin (1899–1994) British engineer

Source: The Mechanism of Economic Systems (1953), p. 128; As cited in: Prices Revalued as Information: Circuit Elements, online document 2013

Universe

“I was sitting in my suite one night after the show, and I looked out at the [Las Vegas] Strip and saw the huge neon billboard with my name on it, spelled out in those giant letters they use. Then I looked across the street at Caesars Palace and saw Frank Sinatra's name, in the same giant letters. And I said to myself, 'Face it, Anne; you're in the business.”

Anne Murray (1945) Canadian singer

On her popularity in Las Vegas, as quoted in "Anne Murray: Facing the Big Time Her Own Way", Section "Her Own Way", by George Anthony, Billboard, Oct 20, 1979

Business, Night

“When that feeling of meaninglessness sets in,
Go blowing my mind on God:
The light in the dark, with the neon arms,
The meek He seeks, the beast He calms,
The head of the good soul department.”

Kate Bush (1958) British recording artist; singer, songwriter, musician and record producer

Song lyrics, Lionheart (1978)

God, Feeling, Soul, Light

“I wanted adventures. I wanted to go up the Nung river to the heart of darkness in Cambodia. I wanted to ride out into a desert on camelback, sand and dunes in every direction, eat whole roasted lamb with my fingers. I wanted to kick snow off my boots in a Mafiya nightclub in Russia. I wanted to play with automatic weapons in Phnom Penh, recapture the past in a small oyster village in France, step into a seedy neon-lit pulqueria in rural Mexico. I wanted to run roadblocks in the middle of the night, blowing past angry militia with a handful of hurled Marlboro packs, experience fear, excitement, wonder. I wanted kicks – the kind of melodramatic thrills and chills I’d yearned for since childhood, the kind of adventure I’d found as a little boy in the pages of my Tintin comic books. I wanted to see the world – and I wanted the world to be just like the movies.”

Anthony Bourdain book A Cook's Tour

A Cook's Tour (2001)

Books, World, Fear, Boy

“You know, it's a sad day when your child looks at you and asks: "Daddy, is this organic?" "Organic? I grew up on Angel Delight! We didn't have anything in the house if it wasn't neon!"”

Dylan Moran (1971) Irish actor and comedian

Monster (2004)

Sadness, Angels, Housing

“Night comes down and finds you alone
In a space and time of your own,
Lost in dreams in a world full of shadows.Down the street the neon light shines,
Offering refuge and hope to the blind,
Who stumble in with no thought of tomorrow.Yes I get lonely when the sun gets low,
And I end up looking for some winner goal.
Yes I should know better but I can't say no.”

Gerry Rafferty (1947–2011) Scottish singer and songwriter

Night Owl.
Song lyrics, Night Owl (1979)

World, Dreams, Hope, Light

“Now as ever, he was startled by the wild exuberance of the twentieth century. All these lights! Colored neon and glaring filaments, powered, he had learned, but mechanical dams spanning rivers hundreds of miles away. And most of this—astonishingly—in the name of advertising.”

Robert Charles Wilson book A Bridge of Years

Source: A Bridge of Years (1991), Chapter 9 (p. 148)

Color, Light, Learning

“When we were first playing, even though it was derivative, playing music was the best, there was nothing better. And then by the second album (Freak Show) we were like, playing music makes me angry, and by the third album (Neon Ballroom) I was like, I need to play music cos life sucks. And now all of a sudden there's this really youthful enthusiasm in the band, everyone around us, there's this real positivity and everyone's vibing off the music.”

Daniel Johns (1979) Australian musician

Kerrang! magazine, April 2002
Interviews

Life, Youth, Music

“In 1942 when I was in New York, I was struck by the neon advertisements flashing all over Broadway. You are there, you talk to someone, and all of a sudden he turns blue. Then the colour fades - another one comes and turns him red or yellow. The colour – the colour of neon advertising is free; it exists in space. I wanted to do the same in my canvases.”

Fernand Léger (1881–1955) French painter

Quote from Legér and America, exhibition catalogue Fernand Léger, Buffalo 1982, p. 52
Quotes of Fernand Leger, 1980's

“Morpheus' gifts used to come to me in bottles, Beam and black Jack Daniel's, straight up with a frosted schooner of Jax on the side, while the rain poor down in the neon glow outside the window of an all-night bar not far from the Huey Long Bridge. In a half hour I could kick open a furnace door and fling into the flames all the snakes and squeaking bats that lived inside me. Except the next morning they would writhe with new life in the ashes and come back home, stinking and hungry.”

James Lee Burke (1936) Novelist, short story writer

A Morning for Flamingos (1990)

Life, Home, Night

“Wickham is not an upwardly mobile community. It's dingy and gray as only a mill town can be. The streets are the color of a shoe bottom, and the only way to tell the difference between the bars and the homes is to look for the neon signs in the windows. The roads and sidewalks are uneven, the tar cracked and pale. Many of the people, especially the workers as they trudge home from the mills in the dying light, have the look of those who've long ago gotten used to the fact that no one remembers them. It's a place where the people are grateful for the seasons, because at least they confirm that time is actually moving on.”

Dennis Lehane book A Drink Before the War

Source: A Drink Before the War (1994), Ch. 8.

People, Color, Shoe, Way

“Bend color names which should be made of neon or copper tubing. Place an object on a surface – trace the object – then bend the object – leaving some part of it attached.”

Jasper Johns (1930) American artist

Book A (sketchbook), p 43, c 1963-64: as quoted in Jasper Johns, Writings, sketchbook Notes, Interviews, ed. Kirk Varnedoe, Moma New York, 1996, p. 54
1960s

Color, Parting

“I'm amazed by how compliant people are in this country. They go into service stations - 'cathedrals of despair', as I call them - where baseball-capped ghouls of the night lord it over their congealed bean kingdoms, their fried-bread twilights, their neon demi-mondes, tempting you to enter to become them, undead. "Ooh, beans on toast, £18.95, very reasonable. Oh no, I'm not going to complain. They probably pump them up from London in special tubes." God, £18.95? If that was the price, for my money, each bean would have to be carried over in a heron's beak and laid on an orchid and then placed on a very rare train set and carried all the way to my table on the train set and then pinged off by a tiny little rare vole and it rolls onto a beautiful silk leaf and I eat it with a Fabergé egg. Then you'd get your money's worth.
Ch. 16, 26:40”

Bill Bailey (1965) English comedian, musician, actor, TV and radio presenter and author

Bewilderness (DVD, 2001)

Money, God, People, Beauty

“And the people bowed and prayed
To the neon god they made”

Paul Simon (1941) American musician, songwriter and producer

The Sound of Silence
Song lyrics, Wednesday Morning, 3 A.M. (1964)
Context: And the people bowed and prayed
To the neon god they made
And the sign flashed out its warning
In the words that it was forming
And the sign said "The words of the prophets
Are written on the subway walls
And tenement halls
And whispered in the sound of silence"

God, People

“(On being prepped for a gig supported by the bank, UBS) She told me not to mention Nazi Gold, and of course if you tell a comedian not to do something, they'll immediately go and do it. So I went out on stage on a giant, neon Swastika, and sang "Gold, gold/always believe in your soul/you're indestructible-like the Third Reich!""”

Bill Bailey (1965) English comedian, musician, actor, TV and radio presenter and author

Tinselworm (2008)

Soul, Support

“So we pour it in a Pernod bottle and start for New Orleans past iridescent lakes and orange gas flares, and swamps and garbage heaps, alligators crawling around in broken bottles and tin cans, neon arabesques of motels, marooned pimps scream obscenities at passing cars from islands of rubbish …”

William S. Burroughs book Naked Lunch

Opening Chapter
Naked Lunch (1959)
Context: Shooting PG is a terrible hassle, you have to burn out the alcohol first, then freeze out the camphor and draw this brown liquid off with a dropper—have to shoot it in the vein or you get an abscess, and usually end up with an abscess no matter where you shoot it. Best deal is to drink it with goof balls … So we pour it in a Pernod bottle and start for New Orleans past iridescent lakes and orange gas flares, and swamps and garbage heaps, alligators crawling around in broken bottles and tin cans, neon arabesques of motels, marooned pimps scream obscenities at passing cars from islands of rubbish … New Orleans is a dead museum. We walk around Exchange Place breathing PG and find The Man right away. It’s a small place and the fuzz always knows who is pushing so he figures what the hell does it matter and sells to anybody. We stock up on H and backtrack for Mexico. Back through Lake Charles and the dead slot-machine country, south end of Texas, nigger-killing sheriffs look us over and check the car papers. Something falls off you when you cross the border into Mexico, and suddenly the landscape hits you straight with nothing between you and it, desert and mountains and vultures; little wheeling specks and others so close you can hear wings cut the air (a dry husking sound), and when they spot something they pour out of the blue sky, that shattering bloody blue sky of Mexico, down in a black funnel … Drove all night, came at dawn to a warm misty place, barking dogs and the sound of running water.

Cars, Past