Quotes about jot

A collection of quotes on the topic of jot, down, life, doing.

Quotes about jot

Bertrand Russell photo
G. I. Gurdjieff photo

“The power of changing oneself lies not in the mind, but in the body and the feelings. Unfortunately, however, our body and our feelings are so constituted that they don’t care a jot about anything so long as they are happy.”

G. I. Gurdjieff (1866–1949) influential spiritual teacher, Armenian philosopher, composer and writer

All and Everything: Views from the Real World (1973)
Context: The power of changing oneself lies not in the mind, but in the body and the feelings. Unfortunately, however, our body and our feelings are so constituted that they don’t care a jot about anything so long as they are happy. They live for the moment and their memory is short. The mind alone lives for tomorrow. Each has its own merits. The merit of the mind is that it looks ahead. But it is only the other two that can "do."

Haruki Murakami photo
Richard Cobden photo
Cormac McCarthy photo
Lupe Fiasco photo
Henri Matisse photo
Helen Garner photo

“Her handwriting in these pencilled jottings, made forty-five years ago, is exactly as it is today: this makes me suspect, when I am not with her, that she is a closet intellectual.”

Helen Garner (1942) Australian author

In the title story Postcards from Surfers.
Garner describing her mother.
Postcards from Surfers (1985)

Tom Lehrer photo

“Andrew Wiles gently smiles,
Does his thing, and voila!
Q. E. D., we agree,
And we all shout hurrah!
As he confirms what Fermat
Jotted down in that margin,
Which could've used some enlargin.”

Tom Lehrer (1928) American singer-songwriter and mathematician

That's Mathematics (verse added in 1993 to celebrate the achievement of Andrew Wiles)

Henri Matisse photo
Joan Miró photo

“How did I think up my drawings and my ideas for painting? Well I'd come home to my Paris studio in Rue Blomet at night, I'd go to bed, and sometimes I hadn't any supper. I saw things, and I jotted them down in a notebook. I saw shapes on the ceiling..”

Joan Miró (1893–1983) Catalan painter, sculptor, and ceramicist

from: Miro, on English Wikipedia
Miró's quote on 'automatic painting and drawing', explaining the start of his work 'Harlequin's Carnival' he made in Paris, strongly admired then by Surrealists like André Breton
1915 - 1940

Emma Orczy photo
Patrick Pearse photo

“And let us make no mistake as to what Tone sought to do, what it remains to us to do. We need to restate our programme: Tone has stated it for us:
"To break the connection with England, the never-failing source of all our political evils, and to assert the independence of my country—these were my objects. To unite the whole people of Ireland, to abolish the memory of all past dissentions, and to substitute the common name of Irishmen in place of the denominations of Protestant, Catholic and Dissenter—these were my means."
I find here implicit all the philosophy of Irish nationalism, all the teaching of the Gaelic League and the later prophets. Ireland one and Ireland free—is not this the definition of Ireland a Nation? To that definition and to that programme we declare our adhesion anew; pledging ourselves as Tone pledged himself—and in this sacred place, by this graveside, let us not pledge ourselves unless we mean to keep our pledge—we pledge ourselves to follow in the steps of Tone, never to rest either by day or night until his work be accomplished, deeming it the proudest of all privileges to fight for freedom, to fight not in despondency but in great joy hoping for the victory in our day, but fighting on whether victory seem near or far, never lowering our ideal, never bartering one jot or tittle of our birthright, holding faith to the memory and the inspiration of Tone, and accounting ourselves base as long as we endure the evil thing against which he testified with his blood.”

Patrick Pearse (1879–1916) Irish revolutionary, shot by the British Army in 1916

Address delivered at the Grave of Wolfe Tone in Bodenstown Churchyard, Co. Kildare, 22 June 1913

Roger Lea MacBride photo
Rab Butler photo

“What struck me at the League was the prestige in which our Government and our Prime Minister are held. What has struck hon. Members who have listened to this Debate is the fact that public opinion in the dictator countries has conceived a profound admiration for our Prime Minister and our country. Our country, therefore, is the country which is in a priceless position for securing the future of peace…It seems to me that we have two choices either to settle our differences with Germany by consultation, or to face the inevitability of a clash between the two systems of democracy and dictatorship. In considering this, I must emphatically give my opinion as one of the younger generation. War settles nothing, and I see no alternative to the policy upon which the Prime Minister has so courageously set himself—the construction of peace, with the aid which I have described. There is no other country which can achieve this, and I ask hon. and right hon. Gentlemen opposite sincerely to believe that in our efforts to understand, to consult with and, if possible, to get friendship with Germany, we do not abandon by one jot or tittle the democratic beliefs which are the very core of our whole being and system. In conclusion, I must gratify the right hon. Gentleman the Member for Wakefield by quoting Shakespeare. The right hon. Gentleman will remember the little poem "Under the Greenwood Tree"—"Here shall he see" "No enemy," "But winter and rough weather."”

Rab Butler (1902–1982) British politician

We have the winter before us, and we have a great deal of political rough weather, but in that rough weather, do not let us forget the joint idea of peace which animates us all.
Speech on the Munich Agreement http://hansard.millbanksystems.com/commons/1938/oct/05/policy-of-his-majestys-government (5 October 1938).

Alexander Mackenzie photo
John Milton photo

“Yet I argue not
Against Heav'n's hand or will, nor bate one jot
Of heart or hope; but still bear up, and steer
Right onward.”

John Milton (1608–1674) English epic poet

To Cyriack Skinner, upon His Blindness (c. 1655)

Aron Ra photo
H. G. Wells photo
William Penn photo

“As I well: I wish they had told me so before, since the expecting of a release put a stop to some business; thou mayst tell my father, who I know will ask thee, these words: that my prison shall be my grave before I will budge a jot; for I owe my conscience to no mortal man; I have no need to fear, God will make amends for all; they are mistaken in me; I value not their threats and resolutions, for they shall know I can weary out their malice and peevishness, and in me shall they all behold a resolution above fear; […]”

William Penn (1644–1718) English real estate entrepreneur, philosopher, early Quaker and founder of the Province of Pennsylvania

Refusing to recant his ideas, after being imprisoned in the Tower of London for expressing his ideas on religious freedoms (1668 or 1669), as quoted in William Penn, America's First Great Champion for Liberty and Peace http://www.quaker.org/wmpenn.html by Jim Powell.

John Banville photo
Auguste Rodin photo
Yoshida Kenkō photo
Lucretius photo

“By protracting life, we do not deduct one jot from the duration of death.”
Nec prorsum vitam ducendo demimus hilum tempore de mortis nec delibare valemus.

Lucretius (-94–-55 BC) Roman poet and philosopher

Book III, lines 1087–1088 (tr. Rouse)
De Rerum Natura (On the Nature of Things)

Richard Dawkins photo

“No matter how much knowledge and wisdom you acquire during your life, not one jot will be passed on to your children by genetic means. Each new generation starts from scratch.”

Source: The Selfish Gene (1976, 1989), Ch. 3. Immortal Coils
Context: Genes do indirectly control the manufacture of bodies, and the influence is strictly one way: acquired characteristics are not inherited. No matter how much knowledge and wisdom you acquire during your life, not one jot will be passed on to your children by genetic means. Each new generation starts from scratch.

William Osler photo

“Nothing in life is more wonderful than faith — the one great moving force which we can neither weigh in the balance nor test in the crucible. Intangible as the ether, ineluctable as gravitation, the radium of the moral and mental spheres, mysterious, indefinable, known only by its effects, faith pours out an unfailing stream of energy while abating nor jot nor tittle of its potency.”

William Osler (1849–1919) Canadian pathologist, physician, educator, bibliophile, historian, author, cofounder of Johns Hopkins Hospi…

The Faith that Heals (1910)
Context: Nothing in life is more wonderful than faith — the one great moving force which we can neither weigh in the balance nor test in the crucible. Intangible as the ether, ineluctable as gravitation, the radium of the moral and mental spheres, mysterious, indefinable, known only by its effects, faith pours out an unfailing stream of energy while abating nor jot nor tittle of its potency. Well indeed did St. Paul break out into the well-known glorious panegyric, but even this scarcely does justice to the Hertha of the psychical world, distributing force as from a great storage battery without money and without price to the children of men.
Three of its relations concern us here. The most active manifestations are in the countless affiliations which man in his evolution has worked out with the unseen, with the invisible powers, whether of light or of darkness, to which from time immemorial he has erected altars and shrines. To each one of the religions, past or present, faith has been the Jacob's ladder. Creeds pass, an inexhaustible supply of faith remains, with which man proceeds to rebuild temples, churches, chapels and shrines.

“He had this nasty habit of pulling out a little notebook in the middle of a conversation and jotting down, as he said, “story ideas.” Later on, after I’d transferred to S.F. State and taken his writing course, he asked me if I wanted to read his first draft of Wake Up, Stupid! I kept it for a week and returned it to him at the next short story seminar. I only read the first paragraph. After that, I was no longer afraid of the intellectuals. I knew I could tell a better story.”

Source: Autobiography of a Brown Buffalo (1972), p. 100.
Context: Since I was about ten years younger than this crew of alcoholics, I just listened and filled their cups with cheap wine. After they’d had enough, I’d tell them of my escapades in Riverbank and in Panama where I’d worked with the Southern Baptist Convention and Jesus Christ to save the black souls of niggers, spics and Indians. I used to keep my eye on Harris when I told my stories. He had this nasty habit of pulling out a little notebook in the middle of a conversation and jotting down, as he said, “story ideas.” Later on, after I’d transferred to S. F. State and taken his writing course, he asked me if I wanted to read his first draft of Wake Up, Stupid! I kept it for a week and returned it to him at the next short story seminar. I only read the first paragraph. After that, I was no longer afraid of the intellectuals. I knew I could tell a better story.

David Sedaris photo
Edgar Guest photo