The Nuts of Knowledge (1903)
Context: Where the ring of twilight gleams
Round the sanctuary wrought,
Whispers haunt me — in my dreams
We are one yet know it not.
Some for beauty follow long
Flying traces; some there be
Seek thee only for a song:
I to lose myself in thee.
Quotes about haunt
page 4
Source: Morals and Dogma of the Ancient and Accepted Scottish Rite of Freemasonry (1871), Ch. XXII : Grand Master Architect, p. 191
Context: Life is no negative, or superficial or worldly existence. Our steps are evermore haunted with thoughts, far beyond their own range, which some have regarded as the reminiscences of a preesistent state. So it is with us all, in the beaten and worn track of this worldly pilgrimage. There is more here, than the world we live in. It is not all of life to live. An unseen and infinite presence is here; a sense of something greater than we possess; a seeking, through all the void wastes of life, for a good beyond it; a crying out of the heart for interpretation; a memory of the dead, touching continually some vibrating thread in this great tissue of mystery.
Fragments of Markham's notes
The Nemesis of Faith (1849)
Context: Finally rises philosophy, which, after a few monstrous efforts from Calvin to Leibnitz to reconcile contradictions and form a theodice, comes out boldly in Spinozism to declare the impossibility of the existence of a power antagonistic to God; and defining the perfection of man's nature, as the condition under which it has fullest action and freest enjoyment of all its powers, sets this as a moral ideal hefore us, toward which we shall train our moral efforts as the artist trains his artistic efforts towards his ideal. The success is various, as the faculties and conditions which God has given are various; but the spectre which haunted the conscience is gone. Our failures are errors, not crimes — nature's discipline with which God teaches us; and as little violations of His law, or rendering us guilty in His eyes, as the artist's early blunders, or even ultimate and entire failures, are laying store of guilt on him.
As appears on plaque in the entrance to the Alexander Graham Bell Museum http://www.pc.gc.ca/lhn-nhs/ns/grahambell/index_e.asp in Baddeck, Nova Scotia, Canada.
“Am I that imagine this angel less-satisfied?
Are the wings his, the lapis-haunted air?”
Notes Toward a Supreme Fiction (1942), It Must Give Pleasure
Context: What am I to believe? If the angel in his cloud,
Serenely gazing at the violent abyss,
Plucks on his strings to pluck abysmal glory, Leaps downward through evening’s revelations, and
On his spredden wings, needs nothing but deep space,
Forgets the gold centre, the golden destiny,Grows warm in the motionless motion of his flight,
Am I that imagine this angel less-satisfied?
Are the wings his, the lapis-haunted air?
"Miss Jewett"
Not Under Forty (1936)
Context: One might say that every fine story must leave in the mind of the sensitive reader an intangible residuum of pleasure; a cadence, a quality of voice that is exclusively the writer's own, individual, unique. A quality which one can remember without the volume at hand, can experience over and over again in the mind but can never absolutely define, as one can experience in memory a melody, or the summer perfume of a garden... It is a common fallacy that a writer, if he is talented enough, can achieve this poignant quality by improving upon his subject-matter, by using his "imagination" upon it and twisting it to suit his purpose. The truth is that by such a process (which is not imaginative at all!) he can at best produce only a brilliant sham, which, like a badly built and pretentious house, looks poor and shabby after a few years. If he achieves anything noble, anything enduring, it must be by giving himself absolutely to his material. And this gift of sympathy is his great gift; is the fine thing in him that alone can make his work fine.
The artist spends a lifetime in pursuing the things that haunt him, in having his mind "teased" by them, in trying to get these conceptions down on paper exactly as they are to him and not in conventional poses supposed to reveal their character; trying this method and that, as a painter tries different lightings and different attitudes with his subject to catch the one that presents it more suggestively than any other. And at the end of a lifetime he emerges with much that is more or less happy experimenting, and comparatively little that is the very flower of himself and his genius.
“All my old friends aren't so friendly
And all my old haunts are now haunting me.”
"Laughing with a Mouth of Blood"
Actor (2009)
Context: I traded my plot of land for a plane to anywhere
Oh where did you go.
And I can't see the future but I know it's watching me.
All my old friends aren't so friendly
And all my old haunts are now haunting me.
Epilogue
The Flower of Old Japan and Other Poems (1907), The Flower of Old Japan
Context: p>We have come by curious ways
To the Light that holds the days;
We have sought in haunts of fear
For that all-enfolding sphere:
And lo! it was not far, but near.We have found, O foolish-fond,
The shore that has no shore beyond.Deep in every heart it lies
With its untranscended skies;
For what heaven should bend above
Hearts that own the heaven of love?</p
"Watch It Crash" from "Somewhere in the Between" (2007) http://risc.perix.co.uk/lyrics/sm/sitb/05/
On what motivated her to write the play El Grito in “INTERVIEW WITH MIGDALIA CRUZ, PLAYWRIGHT” https://collaboraction.typepad.com/collaboraction/2009/07/interview-with-migdalia-cruz-playwright.html in Collaboraction
"Human Nature a Product of the Jungle", p. 246
The Universal Kinship (1906), The Ethical Kinship
Twitter, https://twitter.com/AOC/status/1145801283191955464 (1 July 2019)
Twitter Quotes (2019), July 2019
Source: The Lights in the Sky Are Stars (1953), Chapter 4 “2000” (p. 242)
Chap. 1 : Master Your Emotional Self
The Laws of Human Nature (2018)
As reprinted in Ayn Rand, The Virtue of Selfishness (1964; 2014 ebook), ISBN 978-1-101-13722-2, p. 44 https://books.google.com/books?id=d1GqjIhRejMC&pg=PT44.
"Mental Health versus Mysticism and Self-Sacrifice" (1963)
1941, Weird Tales, Vol. 36, p. 105
Haunted Hour
On the appearance of ghosts in Sick in “'THIS BOOK KEPT ME ALIVE': A CONVERSATION WITH POROCHISTA KHAKPOUR” https://psmag.com/social-justice/this-book-kept-me-alive-a-conversation-with-porochista-khakpour in Pacific Standard (2018 Jun 5)
In a letter written from Markree Castle, Sligo to his wife dated July 4th 1860. Charles Kingsley: His Letters and Memoirs https://archive.org/details/charleskingsleyh00kingiala/page/308 (1877)
The Scent of Water (1963), Chapter 13.2
Ours didn’t run to bloody horror. Ours ran to weirdness. We began to interpret dreams. Remember, Joe and I were wholesome characters. We weren’t guys that were bent on the weird and the bizarre. We were the kind of guys who wouldn’t offend our mother, who wouldn’t offend anyone in your family, and certainly not the reader. So we knew that we had to depart from adventure and that there were other ways to go and we came up with the “Strange World of Your Dreams”.
Context: page 4 http://www.tcj.com/jack-kirby-interview/4/ 1990, Gary Groth interview
Aldous Huxley, The Devils of London Chatto & Windus, London, (1951) p. 274
On how her miserable childhood may have inadvertently affected her writing in “The incredible life of Isabel Allende” https://www.telegraph.co.uk/culture/books/authorinterviews/10589928/The-incredible-life-of-Isabel-Allende.html in The Telegraph (2014 Jan 28)
On whether writers have the responsibility to write about contemporary issues in “‘I can’t think of a happier story’: Shobha Rao talks GIRLS BURN BRIGHTER” https://www.booklistreader.com/2018/03/06/books-and-authors/i-cant-think-of-a-happier-story-shobha-rao-talks-girls-burn-brighter/ in Booklist Reader (2018 Mar 6)
Source: "Yan Geling" in South China Morning Post https://www.scmp.com/article/476179/yan-geling (31 October 2004)
“Life seems like a haunted wood, where we tremble and crouch and cry.”
Source: Soliloquies in Song (1882), "A Woman's Apology", stanza XI; p. 26
"The Bay of Dublin", line 1; p. 124.
Songs, Poems, & Verses (1894)
Source: 2010s, Nomad: A Personal Journey Through the Clash of Civilizations (2010), Chapter 11, “School and Sexuality” (p. 154)
Source: H.H. LAUGHLIN: American Scientist. American Progressive. Nazi Collaborator.