"The Syntax of Sorcery: An Interview with Tom Robbins" (2012) http://realitysandwich.com/150587/syntax_sorcery_interview_tom_robbins/ in Reality Sandwich.
Context: Forty-odd years ago, there was a countercultural moment, a brief, shining moment, as it were, when the eyes of a generation glimpsed the Eden beneath the veil. However fleeting was this paradise, or however harsh has been its repression, its light nonetheless inspired a rowdy cohort of artists to carry its torch into the future. Tom Robbins is one of these unruly pioneers, and his frequently bestselling novels are so saturated in an uncontainable joie de vivre that they have remained virtually required reading throughout the years and decades since their initial publication.
Quotes about glimpse
page 3
Source: Dreaming the Dark: Magic, Sex and Politics (1982), Ch. 6 : Building Community : Processes for Groups, p. 92
Context: We are all longing to go home to some place we have never been — a place half-remembered and half-envisioned we can only catch glimpses of from time to time. Community. Somewhere, there are people to whom we can speak with passion without having the words catch in our throats. Somewhere a circle of hands will open to receive us, eyes will light up as we enter, voices will celebrate with us whenever we come into our own power. Community means strength that joins our strength to do the work that needs to be done. Arms to hold us when we falter. A circle of healing. A circle of friends. Someplace where we can be free.

Transhumanism (1957)
Context: The first thing that the human species has to do to prepare itself for the cosmic office to which it finds itself appointed is to explore human nature, to find out what are the possibilities open to it (including, of course, its limitations, whether inherent or imposed by the facts of external nature)... The great men of the past have given us glimpses of what is possible in the way of personality, of intellectual understanding, of spiritual achievement, of artistic creation. But these are scarcely more than Pisgah glimpses. We need to explore and map the whole realm of human possibility, as the realm of physical geography has been explored and mapped. How to create new possibilities for ordinary living? What can be done to bring out the latent capacities of the ordinary man and woman for understanding and enjoyment; to teach people the techniques of achieving spiritual experience (after all, one can acquire the technique of dancing or tennis, so why not of mystical ecstasy or spiritual peace?); to develop native talent and intelligence in the growing child, Instead of frustrating or distorting them?

"Auctorial Induction"
The Certain Hour (1916)
Context: I have made at worst some neat, precise and joyous little tales which prevaricate tenderly about the universe and veil the pettiness of human nature with screens of verbal jewelwork. It is not the actual world they tell about, but a vastly superior place where the Dream is realized and everything which in youth we knew was possible comes true. It is a world we have all glimpsed, just once, and have not ever entered, and have not ever forgotten. So people like my little tales.... Do they induce delusions? Oh, well, you must give people what they want, and literature is a vast bazaar where customers come to purchase everything except mirrors.

Part Troll (2004)

Source: Tristes Tropiques (1955), Chapter 4 : The Quest for Power, p. 43
Context: While I complain of being able to glimpse no more than the shadow of the past, I may be insensitive to reality as it is taking shape at this very moment, since I have not reached the stage of development at which I would be capable of perceiving it. A few hundred years hence, in this same place, another traveller, as despairing as myself, will mourn the disappearance of what I might have seen, but failed to see.

“Appearances are a glimpse of the unseen.”
Anaxagoras, frg. B 21a
Misattributed

Stephen Hero (1944)
Context: Imagine my glimpses at that clock as the gropings of a spiritual eye which seeks to adjust its vision to an exact focus. The moment the focus is reached the object is epiphanised. It is just in this epiphany that I find the third, the supreme quality of beauty. … No esthetic theory, pursued Stephen relentlessly, is of any value which investigates with the aid of the lantern of tradition. What we symbolise in black the Chinaman may symbolise in yellow: each has his own tradition. Greek beauty laughs at Coptic beauty and the American Indian derides them both. It is almost impossible to reconcile all tradition whereas it is by no means impossible to find the justification of every form of beauty which has ever been adored on the earth by an examination into the mechanism of esthetic apprehension whether it be dressed in red, white, yellow or black. We have no reason for thinking that the Chinaman has a different system of digestion from that which we have though our diets are quite dissimilar. The apprehensive faculty must be scrutinised in action.

कला र जीवन (Art and Life)
Art and Life
Context: Even Truth is of many types, like – Imaginative Truth, Practical Truth and Philosophical Truth. That which is in three times, that is called Truth and God itself is the first and the last truth. But in practical life, truth takes many forms and as the practical truth I understand the sensible world's hard comprehensible truth. The one attained by the research of intellect, I call philosophical truth and imaginative that which illustrates through the subtle pictures of the mind. To say the stone is hard is practical truth, saying that adding up one and one the result will be two and through the existence of creation there is truth I call philosophical truth; and saying things like seeing Sarasvati talked with her, I understand as being the imaginative truth. For me, practicality is limited; philosophy, intellect is blind; I enjoy imaginative truth the most and through it find the glimpses of God

Poems (1869), A Strip of Blue (1870)
Context: Here sit I, as a little child;
The threshold of God's door
Is that clear band of chrysoprase;
Now the vast temple floor,
The blinding glory of the dome
I bow my head before.
Thy universe, O God, is home,
In height or depth, to me;
Yet here upon thy footstool green
Content am I to be;
Glad when is oped unto my need
Some sea-like glimpse of Thee.

Quoted from Gewali, Salil (2013). Great Minds on India. New Delhi: Penguin Random House.
Black God's Kiss (1934); p. 15
Short fiction, Jirel of Joiry (1969)

Source: Better-World Philosophy: A Sociological Synthesis (1899), Individual Culture, pp. 274–275

Quami Awaz, Urdu Daily,in: p. 347.
About Zakir Hussain, Quest for Truth (1999)

A.R. Kidwai in:"Prime Minister of India Acting".
'Search for the Real in the Visual Arts', p. 43
Search for the Real and Other Essays (1948)

John Cale about Reed's death http://www.rollingstone.com/music/news/john-cale-mourns-lou-reed-20131028

Source: Reading Architectural History (2002), Ch. 2 : The authority of the author : Biography and the reconstruction of the canon

We called one’s life style a vital lie, and now we can understand better why we said it was vital: it is a necessary and basic dishonesty about oneself and one’s whole situation. This revelation is what the Freudian revolution in thought really ends up in and is the basic reason that we still strain against Freud We don’t want to admit that we arerevelation is what the Freudian revolution in thought really ends up in and is the basic reason that we still strain against Freud. We don’t want to admit that we are fundamentally dishonest about reality, that we do not really control our own lives. We don’t want to admit that we do not stand alone, that we always rely on something that transcends us, some system of ideas and powers in which we are embedded and which support us. This power is not always obvious. It need not be overtly a god or openly a stronger person, but it can be the power of an all-absorbing activity, a passion, a dedication to a game, a way of life, that like a comfortable web keeps a person buoyed up and ignorant of himself, of the fact that he does not rest on his own center. All of us are driven to be supported in a self-forgetful way, ignorant of what energies we really draw on, of the kind of lie we have fashioned in order to live securely and serenely. Augustine was a master analyst of this, as were Kierkegaard, Scheler, and Tillich in our day. They saw that man could strut and boast all he wanted, but that he really drew his “courage to be” from a god, a string of sexual conquests, a Big Brother, a flag, the proletariat, and the fetish of money and the size of a bank balance.
Human Character as a Vital Lie
The Denial of Death (1973)
Journeys Out of the Body (1971), Chapter 8. Because the Bible Tells Me So