Quotes about ginger

A collection of quotes on the topic of ginger, doing, going, time.

Quotes about ginger

“Ginger: Oh, jeez. Well, uh… maybe you should talk to someone.Cynthia: I thought I was.”

Alison Bechdel book Dykes to Watch Out For

#452, "Absolute Value" (2004), collected in Invasion of the DTWOF (2005).
Dykes to Watch Out For

“Ginger Rogers did everything Fred Astaire did, except backwards and in high heels.”

Ginger Rogers (1911–1995) American actress and dancer

The line originated in a 1982 Frank and Ernest cartoon ( image http://www.reelclassics.com/Actresses/Ginger/ginger-article2.htm) by Bob Thaves as "Sure he was great, but don't forget that Ginger Rogers did everything he did, ...backwards and in high heels." On the internet and in many publications the line is incorrectly attributed to Faith Whittlesey (see [List of Websites That Have Attributed Thaves' Line to Whittlesey, http://www.google.com/search?hl=en&rls=en-us&num=100&newwindow=1&q=%22Faith+Whittlesey%22+%22Ginger+Rogers%22+-incorrect+-incorrectly+-%22Bob+Thaves%22+-%22Ann+Richards%22&aq=f&oq=&aqi=, 2009-07-25, Google]) or Rogers herself. Ann Richards popularized the line by using it in a speech but she credits Linda Ellerbee with giving her the line, and Ellerbee credits an anonymous passenger on an airplane with giving her the line (see [Keyes, Ralph (2006), The Quote Verifier: Who Said What, Where, and When, St. Martin's Griffin, 77, 0312340044]). The official Ginger Rogers website http://www.gingerrogers.com/about/quotes.html attributes the line to Thaves. About

“After all, Ginger Rogers did everything that Fred Astaire did. She just did it backwards and in high heels.”

Ann Richards (1933–2006) American politician

Earlier use in Frank and Ernest (c. 1982), by Bob Thaves, as the characters observe a billboard for a "Fred Astaire Film Festival: "Sure he was great, but don't forget that Ginger Rogers did everything that he did… backwards and in high heels."
Quoted in
Misattributed
Context: If you give us the chance, we can perform. After all, Ginger Rogers did everything that Fred Astaire did. She just did it backwards and in high heels** Keynote address, 1988 Democratic National Convention

For women

“Was that Will?" she said finally.
Henry arched one ginger eyebrow. "Perhaps he's been kidnapped and replaced by an automaton," he suggested. "It seems possible…"
For once Charlotte could only find herself in agreement.”

Cassandra Clare book Clockwork Prince

Source: Clockwork Prince

“Believe me, Ginger was great. She contributed her full fifty percent in making them such a great team. She could follow Fred as if one brain was thinking. She blended with his every step and mood immaculately. He was able to do dances on screen that would have been impossible to risk if he hadn't had a partner like Ginger - as skillful as she was attractive.”

Ginger Rogers (1911–1995) American actress and dancer

Edward Everett Horton to Dick Richards. Ginger - Salute to a Star, p. 162.
About

Mood, Thinking, Dance

“Ginger was brilliantly effective. She made everything work for her. Actually she made things very fine for both of us and she deserves most of the credit for our success.”

Ginger Rogers (1911–1995) American actress and dancer

Fred Astaire to Raymond Rohauser, Film Curator of the New York Gallery of Modern Art, at the San Francisco Film Festival, in 1966.
About

Success

“Now, many of us in the Labour Party are conservationists - and we all love the red squirrel. But there is one ginger rodent which we never want to see again - Danny Alexander.”

Harriet Harman (1950) British politician

At the Scottish Labour Conference http://www.bbc.co.uk/news/uk-scotland-scotland-politics-11658228, 30 October, 2010. Harman later apologised for the comment.

Love

“It was on tiny wheels with a mount for the camera that put the lens about two feet above the ground. On it rode the camera operator and the assistant who changed the focus and that's all. Fred always wanted to keep the camera in as tight as possible, and they used to shoot with a 40 millimetre lens, which doesn't give you too much leeway. So every time Fred and Ginger moved toward us, the camera had to go back, and every time they went back, the camera went in. The head grip who was in charge of pushing this thing was a joy to watch. He would maintain a consistent distance, and when they were in the midst of a hectic dance that's quite a stunt.”

Fred Astaire (1899–1987) American dancer, singer, actor, choreographer and television presenter

H.C. Potter describing the "The Astaire dolly", as quoted in Croce, Arlene. The Fred Astaire and Ginger Rogers Book, W.H. Allen, London, 1974. p. 127. ISBN 0491001592.

Change, Time, Joy, Dance

“Ginger: [hauling Clarice up stairs in a wheelchair]: This ivory tower needs some ramps!
Clarice: What are you saying, Ginger?! Build ramps and anyone could get up!! The whole school would be overrun by black commie dykes in wheelchairs! Really, now!”

Alison Bechdel book Dykes to Watch Out For

#31, "Groves of Academe" (1988), collected in New, Improved! DTWOF (1990).
Dykes to Watch Out For

School

“Ginger: Get off it, Mo. If I can't ogle, I don't want to be part of your revolution.”

Alison Bechdel book Dykes to Watch Out For

#96, "Dancing in the Streets" (1990), collected in DTWOF: The Sequel (1992).
Dykes to Watch Out For

Parting

“Ahmadabad is one of the largest towns in India, and there is a considerable trade in silken stuffs, gold and silver tapestries, and others mixed with silk; saltpetre, sugar, ginger, both candied and plain, tamarinds, mirabolans, and indigo cakes, which are made at three leagues from Ahmadabad, at a large town called Suarkei. There was formerly a pagoda in this place, which the Musalinans seized and converted into a mosque. Before entering it you traverse three great courts paved with marble, and surrounded by galleries, but you are not allowed to place foot in the third without removing your shoes. The exterior of the mosque is ornamented with mosaic, the greater part of which consists of agates of different colours, obtained from the mountains of Cambay, only two days’ journey thence.”

Shantidas Jhaveri (1580–1659) Indian jewellery and bullion trader during Mughal era

Description of the temple built by Shantidas Jhaveri. Travels In India Vol.-i by Tavernier Jean-baptiste https://archive.org/stream/in.ernet.dli.2015.2546/2015.2546.Travels-In-India-Vol-i_djvu.txt Cited in Harsh Narain, The Ayodhya Temple Mosque Dispute: Focus on Muslim Sources, Appendix VI

Shoe, Mountain, Parting

“Cynthia: Of all the times to come out to your family, I had to do it right before the last presidential debate. Damn that John Kerry!
Ginger: Cynthia, I'm sorry your parents are having a meltdown, but it's hardly John Kerry's fault.
Cynthia: When he called Mary Cheney a lesbian, I felt like I had been drop-kicked.
Ginger: Well, Mary Cheney is a lesbian, and you're a political football.”

Alison Bechdel book Dykes to Watch Out For

#452, "Absolute Value" (2004), collected in Invasion of the DTWOF (2005).
Dykes to Watch Out For

Family, Parent, Time, Football

“What's all this talk about me being teamed with Ginger Rogers? I will not have it Leland--I did not go into pictures to be teamed with her or anyone else, and if that is the program in mind for me I will not stand for it. I don't mind making another picture with her but as for this teams idea, it's out.”

Fred Astaire (1899–1987) American dancer, singer, actor, choreographer and television presenter

Fred Astaire in a letter to his agent Leland Hayward dated February 9, 1934. He went on to make a further nine musical films with Rogers. (M).

Idea

“She introduces me to a nurse as the Best Friend. The impersonal article is more intimate. It tells me that they are intimate, the nurse and my friend. 'I was telling her we used to drink Canada Dry ginger ale and pretend were were in Canada' 'That's how dumb we were,' I say. 'You could be sisters,' the nurse says. So how come, I'll bet they are wondering, it took me so long to get to such a glorious place? But do they ask? They do not ask. Two months, and how long is the drive? The best I can explain it is this - I have a friend who worked one summer in a mortuary. He used to tell me stories. The one that really got to me was not the gritiest, but it's the one that did. A man wrecked his car on 101 going south. He did not lose consciousness. But his arm was taken down to the bone - and when he looked at it - it scared him to death. I mean, he died. So I hadn't dared to look any closer. But now I'm doing it - and hoping that I will live through it.”

Amy Hempel (1951) Short story writer

Reasons to Live (1985)

Death, Hope, Cars, Drink

“As Gloria Steinem said about Ginger Rogers: She was doing everything Fred Astaire was doing, just doing it backwards in high heels. Well, Southern women are doing and enduring what other women have to do and endure, but (at least until recently) they had to do it in heels and hats and white gloves and makeup and a sweet smile, with maybe a glass of bourbon and a cigarette to get them through the magnolia part of being a steel magnolia.”

Michael Malone (1942) American screenwriter, novelist

January Magazine (January 2002).

Women, Smile, Parting

“Mo: Ginger, how can you think about sex at a time like this? Madmen are about to destroy the earth!
Ginger: Can you think of a better time? I don't know about you, girl, but I want to have a G-spot orgasm before Armageddon hits.”

Alison Bechdel book Dykes to Watch Out For

#92, "Crisis Management" (1990), collected in DTWOF: The Sequel (1992).
Dykes to Watch Out For

Sex, Girl, Thinking, Time

“E's all 'ot sand an' ginger when alive
An' 'e's generally shammin' when 'e's dead.”

Rudyard Kipling book Barrack-Room Ballads

Fuzzy-Wuzzy.
Barrack-Room Ballads (1892, 1896)

Dead

“Mo: Clarice, you've gotta reconcile your feelings about leaving the neighborhood. It's not Ginger you're attracted to, it's what she represents. The co-op, the park, the block festival, the community!
Clarice: Oh, so it's really the community's inner thighs I want to drizzle with maple crème anglaise, which I then slowly lap up while straddling the tantalizing tongue of the co-op.”

Alison Bechdel book Dykes to Watch Out For

#297, "Stray Voltage" (1998), collected in Split-Level DTWOF (1998).
Dykes to Watch Out For

Feeling, Communication

“I once saw some magician bloke turn a carton of orange juice into orange juice, beer, milk, coke and ginger ale. That makes him five times better than Jesus or something.”

Ben Croshaw (1983) English video game journalist

Why it Would Kick Arse to be Jesus
Fully Ramblomatic, Essays

Beer, Time

“But that was only a small part of the reason why I quit. The main reason was the disturbing new player-base. The game got bigger with every new expansion that was released, and as it got bigger, it brought in a vast amount of new players. I noticed that more and more “normal” people who had active and pleasurable social lives were starting to play the game, as the new changes catered to such a crowd. WoW no longer became a sanctuary where I could hide from the evils of the world, because the evils of the world had now followed me there. I saw people bragging online about their sexual experiences with girls… and they used the term “virgin” as an insult to people who were more immersed in the game than them. The insult stung, because it was true. Us virgins did tend to get more immersed in such things, because our real lives were lacking. I couldn’t stand to play WoW knowing that my enemies, the people I hate and envy so much for having sexual lives, were now playing the same game as me. There was no point anymore. My best friend Bradley, betrayed me by leaving me and going to some ginger named William. One day, I will get my revenge. I realized what a terrible mistake I made to turn my back on the world again. The world is brutal, and I need to fight for my place in it. My life was at a crucial turning point, and I couldn’t waste any more precious time.”

Elliot Rodger (1991–2014) American spree killer

My Twisted World (2014), Thoughts at 19, Quitting World of Warcraft

Life, Hate, People, Pleasure

“When a lady chooses to change her mind, a gentleman would consider it no more than her privilege, and not badger her about it. (The Land of Green Ginger, 1937)”

Noel Langley (1911–1980) South African writer

Quote from: 1001 quotations to inspire you before you die; Quintessence Editions Ltd., 2016, ISBN 978-1-84403-895-4

Change

“Lois: Hey, Ginger! Are you masturbating in there or what? I wanna show you something!
Ginger: [in the tub] If I'm masturbating, will you leave me alone?
Lois: No! Check it out. How do I look?
Ginger: Like a white girl in a black bra.”

Alison Bechdel book Dykes to Watch Out For

#117, "Anticipation" (1991), collected in DTWOF: The Sequel (1992).
Dykes to Watch Out For

Girl

“Ginger: I can't do this, Lois! I can't go out with a woman who has a child! I'm too young, I tell you! I haven't sown my oats yet!
Lois: I think your oats are impacted.”

Alison Bechdel book Dykes to Watch Out For

#370, "Not-for-Profit Motive" (2001), collected in Dykes and Sundry Other Carbon-Based Life Forms TWOF (2003).
Dykes to Watch Out For

Thinking

Ginger Rogers (1911–1995) American actress and dancer

Fred Astaire in a letter to his agent Leland Hayward dated February 9, 1934. He went on to make a further nine musical films with Rogers.
About

Idea

“Nose, nose, jolly red nose,
And who gave thee that jolly red nose?
Nutmegs and ginger, cinammon and cloves;
And they gave me this jolly red nose.”

Francis Beaumont The Knight of the Burning Pestle

The Knight of the Burning Pestle (c. 1607; published 1613), Act I, scene 4.

“The major difference between Astaire and Kelly is a difference, not of talent or technique, but of levels of sophistication. On the face of it, Kelly looks the more sophisticated. Where Kelly has ideas, Astaire has dance steps. Where Kelly has smartly tailored, dramatically apt Comden and Green scripts, Astaire in the Thirties made do with formulas derived from nineteenth-century French Farce. But the Kelly film is no longer a dance film. It's a story film with dances, as distinguished from a dance film with a story. When Fred and Ginger go into their dance, you see it as a distinct formal entity, even if it's been elaborately built up to in the script. In a Kelly film, the plot action and the musical set pieces preserve a smooth community of high spirits, so that the pressure in a dance number will often seem too low, the dance itself plebeian or folksy in order to "match up" with the rest of the picture.”

Fred Astaire (1899–1987) American dancer, singer, actor, choreographer and television presenter

Arlene Croce, in Croce, Arlene. The Fred Astaire and Ginger Rogers Book, W.H. Allen, London, 1974. p. 7. ISBN 0491001592.

Music, Communication, Idea, Dance

“Roger: Um, I would add probably a little bit of salt, and I like anything that has ginger in it, so I would put a little ginger into Warped Tour and it would be PERFECT”

Roger Manganelli (1973) American musician

Perfection

“Lois: Oh, you guys have enough to worry about with your careers and all. You don't need to hear about my problems.
Ginger: Are you kidding? I'd much rather hear about your problems than work on my dissertation.
Lois: Thank you, Ginger. Considering you'd rather fellate Bill Clinton than work on your dissertation, that's very generous.”

Alison Bechdel book Dykes to Watch Out For

#250, "Ph. D. & Sympathy" (1996), collected in Hot, Throbbing DTWOF (1997).
Dykes to Watch Out For

Guy, Problem

“But I find, because of modern painting, that things which couldn't be seen in terms of painting, things you couldn't paint.... it is not that you paint them, bit is the connection. I imagine that Cézanne, when he painted a ginger pot with apples, must have been very grotesque in his day, because a still life was something set up of beautiful things. It may be very difficult, for instance, to put a Rheingold bottled beer on the table and a couple of glasses and a package of Lucky Strike [cigarets]. I mean, you know, there are certain things you cannot paintat a particular time, and it takes a certain attitude how to see those things, in terms of art.”

Willem de Kooning (1904–1997) Dutch painter

In an interview (March 1960) with David Sylvester, edited for broadcasting by the BBC first published in 'Location', Spring 1963; as quoted in Interviews with American Artists, by David Sylvester; Chatto & Windus, London 2001, p. 54
1960's

Life, Beauty, Art, Imagination

“Hansel and Gretel discovered the ginger bread house about 45 minutes after they discovered the mushrooms.”

George Carlin (1937–2008) American stand-up comedian

Toledo Window Box (1974)

Housing

“Sure he (Fred Astaire) was great, but don't forget that Ginger Rogers did everything he did, backwards… and in high heels.”

Bob Thaves (1924–2006) cartoonist

A May 3, 1982 Frank and Ernest cartoon. Elizabeth Knowles, " Backwards and in high heels http://books.google.com/books?id=jxFQqDLav6wC&pg=PT25&dq=%22backwards%22+%22high+heels%22+%22ginger+rogers%22&hl=en&sa=X&ei=wPs_U-qZC9PNsQS90YLYBQ&ved=0CDgQ6AEwAA#v=onepage&q=%22backwards%22%20%22high%20heels%22%20%22ginger%20rogers%22&f=false", What They Didn't Say: A Book of Misquotations (Oxford Press: 2006) " Quotes About Ginger Rogers http://www.gingerrogers.com/about/quotes.html", Ginger Rogers: The Official Site Often incorrectly attributed to Faith Whittlesey, Ann Richards (who used it in a 1988 speech), or to Ginger Rogers herself Alternative version: Ginger Rogers did everything Fred Astaire did, except backwards and in high heels. Source: http://www.frankandernest.com/

Forgetting

“Samia: I'm all the trouble you need. Do you know why I invited you here?
Ginger: For the Brussels sprouts tartare?
Samia: For the long, discreet tablecloths.”

Alison Bechdel book Dykes to Watch Out For

#432, "Entertaining a Fantasy" (2004), collected in Invasion of the DTWOF (2005).
Dykes to Watch Out For