Quotes about edge
page 7

Brian Greene photo

“Physicists are more like avant-garde composers, willing to bend traditional rules and brush the edge of acceptability in the search for solutions.”

The Elegant Universe : Superstrings, Hidden Dimensions, and the Quest for the Ultimate Theory (1999), p. 271
Context: Physicists are more like avant-garde composers, willing to bend traditional rules and brush the edge of acceptability in the search for solutions. Mathematicians are more like classical composers, typically working within a much tighter framework, reluctant to go to the next step until all previous ones have been established with due rigor. Each approach has its advantages as well as drawbacks; each provides a unique outlet for creative discovery. Like modern and classical music, it’s not that one approach is right and the other wrong – the methods one chooses to use are largely a matter of taste and training.

Jiddu Krishnamurti photo

“There is no “how to drop it”, because that is only another form of continuity. To drop opinion, belief, attachment, greed, or envy is to die — to die every day, every moment. If there is the coming to an end of all ambition from moment to moment, then you will know the extraordinary state of being nothing, of coming to the abyss of an eternal movement, as it were, and dropping over the edge — which is death.”

Jiddu Krishnamurti (1895–1986) Indian spiritual philosopher

Vol. XI, p. 242
Posthumous publications, The Collected Works
Context: When death comes, it does not ask your permission; it comes and takes you; it destroys you on the spot. In the same way, can you totally drop hate, envy, pride of possession, attachment to beliefs, to opinions, to ideas, to a particular way of thinking? Can you drop all that in an instant? There is no “how to drop it”, because that is only another form of continuity. To drop opinion, belief, attachment, greed, or envy is to die — to die every day, every moment. If there is the coming to an end of all ambition from moment to moment, then you will know the extraordinary state of being nothing, of coming to the abyss of an eternal movement, as it were, and dropping over the edge — which is death. I want to know all about death, because death may be reality; it may be what we call God — that most extraordinary something that lives and moves and yet has no beginning and no end.

Ernest Hemingway photo

“I started out very quiet and I beat Mr. Turgenev. Then I trained hard and I beat Mr. de Maupassant. I’ve fought two draws with Mr. Stendhal, and I think I had an edge in the last one.”

Ernest Hemingway (1899–1961) American author and journalist

Source: quoted in Lillian Ross's profile of Hemingway, which first appeared in the The New Yorker (13 May 1950). The profile was later published as a short book titled Portrait of Hemingway (1961). Variant:
I started out very quiet and I beat Turgenev. Then I trained hard and I beat de Maupassant. I've fought two draws with Stendhal, and I think I had an edge in the last one. But nobody's going to get me in any ring with Tolstoy unless I'm crazy or I keep getting better.
Context: I started out very quiet and I beat Mr. Turgenev. Then I trained hard and I beat Mr. de Maupassant. I’ve fought two draws with Mr. Stendhal, and I think I had an edge in the last one. But nobody’s going to get me in any ring with Mr. Tolstoy unless I’m crazy or I keep getting better.

Oliver Wendell Holmes photo

“I should be especially unwilling to tell a child that it could not recover; if the theologians think it necessary, let them take the responsibility. God leads it by the hand to the edge of the precipice in happy unconsciousness, and I would not open its eyes to what he wisely conceals.”

Oliver Wendell Holmes (1809–1894) Poet, essayist, physician

Valedictory Address to medical graduates at Harvard University (10 March 1858), published in The Boston Medical and Surgical Journal Vol. LVIII, No. 8 (25 March 1858), p. 158; this has also been paraphrased "Beware how you take away hope from another human being".
Context: You can never be too cautious in your prognosis, in the view of the great uncertainty of the course of any disease not long watched, and the many unexpected turns it may take.
I think I am not the first to utter the following caution : —
Beware how you take away hope from any human being. Nothing is clearer than that the merciful Creator intends to blind most people as they pass down into the dark valley. Without very good reasons, temporal or spiritual, we should not interfere with his kind arrangements. It is the height of cruelty and the extreme of impertinence to tell your patient he must die, except you are sure that he wishes to know it, or that there is some particular cause for his knowing it. I should be especially unwilling to tell a child that it could not recover; if the theologians think it necessary, let them take the responsibility. God leads it by the hand to the edge of the precipice in happy unconsciousness, and I would not open its eyes to what he wisely conceals.

François-René de Chateaubriand photo

“I behold the light of a dawn whose sunrise I shall never see. It only remains for me to sit down at the edge of my grave; then I shall descend boldly, crucifix in hand, into eternity.”

Book XLII: Ch. 18: A summary of the changes which have occurred around the globe in my lifetime
Mémoires d'outre-tombe (1848 – 1850)
Context: New storms will arise; one can believe in calamities to come which will surpass the afflictions we have been overwhelmed by in the past; already, men are thinking of bandaging their old wounds to return to the battlefield. However, I do not expect an imminent outbreak of war: nations and kings are equally weary; unforeseen catastrophe will not yet fall on France: what follows me will only be the effect of general transformation. No doubt there will be painful moments: the face of the world cannot change without suffering. But, once again, there will be no separate revolutions; simply the great revolution approaching its end. The scenes of tomorrow no longer concern me; they call for other artists: your turn, gentlemen!
As I write these last words, my window, which looks west over the gardens of the Foreign Mission, is open: it is six in the morning; I can see the pale and swollen moon; it is sinking over the spire of the Invalides, scarcely touched by the first golden glow from the East; one might say that the old world was ending, and the new beginning. I behold the light of a dawn whose sunrise I shall never see. It only remains for me to sit down at the edge of my grave; then I shall descend boldly, crucifix in hand, into eternity.

Richard Wright photo
Carl Sagan photo

“I worry that, especially as the Millennium edges nearer, pseudo-science and superstition will seem year by year more tempting, the siren song of unreason more sonorous and attractive.”

Carl Sagan (1934–1996) American astrophysicist, cosmologist, author and science educator

Source: The Demon-Haunted World : Science as a Candle in the Dark (1995), Ch. 2 : Science and Hope
Context: I worry that, especially as the Millennium edges nearer, pseudo-science and superstition will seem year by year more tempting, the siren song of unreason more sonorous and attractive. Where have we heard it before? Whenever our ethnic or national prejudices are aroused, in times of scarcity, during challenges to national self-esteem or nerve, when we agonize about our diminished cosmic place and purpose, or when fanaticism is bubbling up around us-then, habits of thought familiar from ages past reach for the controls. The candle flame gutters. Its little pool of light trembles. Darkness gathers. The demons begin to stir.

“Sharpen up the edges of ideas for the students in fields other than your own.”

Edwin H. Land (1909–1991) American scientist and inventor

Generation of Greatness (1957)
Context: I think we must say this to each department: "Sharpen up the edges of ideas for the students in fields other than your own. They will not have years in which to find out what you meant, years during which they might achieve a sense of rich insight into your domain. But they are intelligent, they are earnest in their own department; they will profit all their lives from one year of brilliant teaching."

Bill Murray photo

“I think The Razor's Edge is a pretty good movie. But at the time, it was just as reviled as any other comedian doing a serious thing now.”

Bill Murray (1950) American actor and comedian

Rolling Stone Issue 903 (22 August 2002)
Context: I think The Razor's Edge is a pretty good movie. But at the time, it was just as reviled as any other comedian doing a serious thing now. Like The Majestic [with Jim Carrey], movies where comedians go straight, people don't like them.
It angers people, like you're taking something away from them. That's the response I got. I thought, "Well, aren't we all bigger than that?" I wasn't shocked by it, but I thought that the professional critics would be able to say, "OK, we shouldn't rule this out, because the guy normally does other stuff."
Unless it's really despicable, then you have to just jump with both feet on the neck.

Douglas Adams photo

“Sir Isaac Newton, renowned inventor of the milled-edge coin and the catflap!”

Dirk Gently's Holistic Detective Agency (1987)
Context: "Sir Isaac Newton, renowned inventor of the milled-edge coin and the catflap!"
"The what?" said Richard.
"The catflap! A device of the utmost cunning, perspicuity and invention. It is a door within a door, you see, a..."
"Yes," said Richard, "there was also the small matter of gravity."
"Gravity," said Dirk with a slightly dismissive shrug, "yes, there was that as well, I suppose. Though that, of course, was merely a discovery. It was there to be discovered." …
"You see?" he said dropping his cigarette butt, "They even keep it on at weekends. Someone was bound to notice sooner or later. But the catflap … ah, there is a very different matter. Invention, pure creative invention. It is a door within a door, you see."

Robert G. Ingersoll photo

“Poor people feel out of place in such magnificent buildings. They drop into the nearest seat; like poor relations, they sit on the extreme edge of the chair. At the table of Christ they are below the salt. They are constantly humiliated.”

Robert G. Ingersoll (1833–1899) Union United States Army officer

"The Brooklyn Divines." Brooklyn Union (Brooklyn, NY), 1883.
Context: Another thing is the magnificence of the churches. The church depends absolutely upon the rich. Poor people feel out of place in such magnificent buildings. They drop into the nearest seat; like poor relations, they sit on the extreme edge of the chair. At the table of Christ they are below the salt. They are constantly humiliated. When subscriptions are asked for they feel ashamed to have their mite compared with the thousands given by the millionaire. The pennies feel ashamed to mingle with the silver in the contribution plate. The result is that most of them avoid the church. It costs too much to worship God in public. Good clothes are necessary, fashionably cut.

Walter Cronkite photo

“To say that we are closer to victory today is to believe, in the face of the evidence, the optimists who have been wrong in the past. To suggest we are on the edge of defeat is to yield to unreasonable pessimism. To say that we are mired in stalemate seems the only realistic, yet unsatisfactory, conclusion.”

Walter Cronkite (1916–2009) American broadcast journalist

On the Tet Offensive (1968)
Context: To say that we are closer to victory today is to believe, in the face of the evidence, the optimists who have been wrong in the past. To suggest we are on the edge of defeat is to yield to unreasonable pessimism. To say that we are mired in stalemate seems the only realistic, yet unsatisfactory, conclusion. On the off chance that military and political analysts are right, in the next few months we must test the enemy's intentions, in case this is indeed his last big gasp before negotiations. But it is increasingly clear to this reporter that the only rational way out then will be to negotiate, not as victors, but as an honorable people who lived up to their pledge to defend democracy, and did the best they could. This is Walter Cronkite; good night.

Silvio Berlusconi photo

“On Edge of abyss.”

Silvio Berlusconi (1936) Italian politician

On Italy, as reported in "Italy on 'edge of abyss', says Silvio Berlusconi, offering a hand" in The Guardian (9 December 2012) http://www.guardian.co.uk/world/2012/dec/09/italy-edge-abyss-silvio-berlusconi
2012

“I believe that we are soft creatures in a world with some very hard edges. It's remarkable that we survive at all, much less do high deeds or write great music.”

Brian McNaughton (1935–2004) US author

"An Interview with World Fantasy Award Finalist Brian Mcnaughton" by Jeff VanderMeer, in The Ministry of Whimsy (1998) http://www.epberglund.com/RGttCM/nightscapes/NS11/ns11nf1.htm
Context: I believe that we are soft creatures in a world with some very hard edges. It's remarkable that we survive at all, much less do high deeds or write great music. I think … tension … is a condition of our existence, and I do my best to depict it.

Kate Bush photo

“On top of the world,
Looking over the edge,
You could see them coming.”

Kate Bush (1958) British recording artist; singer, songwriter, musician and record producer

Song lyrics, Hounds of Love (1985)
Context: On top of the world,
Looking over the edge,
You could see them coming.
You looked too small
In their big, black car,
To be a threat to the men in power.

Jim Steinman photo

“Let me show you how to drive me crazy,
Let me show you how to make me feel so good,
Let me show you how to take me to the edge of the stars and back again.”

Jim Steinman (1947) American musician

"Faster Than The Speed Of Night" from the Bonnie Tyler album Faster Than The Speed of Night (1983)
Context: Let me show you how to drive me crazy,
Let me show you how to make me feel so good,
Let me show you how to take me to the edge of the stars and back again.
You've gotta show me how to drive you crazy,
You've gotta show me all the things you wanna happen to you,
We've gotta tell each other everything, we always wanted someone to do.

Alan Watts photo

“It's like you took a bottle of ink and you threw it at a wall. Smash! And all that ink spread. And in the middle, it's dense, isn't it? And as it gets out on the edge, the little droplets get finer and finer and make more complicated patterns, see? So in the same way, there was a big bang at the beginning of things and it spread. And you and I, sitting here in this room, as complicated human beings, are way, way out on the fringe of that bang. We are the complicated little patterns on the end of it. Very interesting. But so we define ourselves as being only that. If you think that you are only inside your skin, you define yourself as one very complicated little curlique, way out on the edge of that explosion. Way out in space, and way out in time. Billions of years ago, you were a big bang, but now you're a complicated human being. And then we cut ourselves off, and don't feel that we're still the big bang. But you are. Depends how you define yourself. You are actually—if this is the way things started, if there was a big bang in the beginning— you're not something that's a result of the big bang. You're not something that is a sort of puppet on the end of the process. You are still the process. You are the big bang, the original force of the universe, coming on as whoever you are. When I meet you, I see not just what you define yourself as—Mr so-and- so, Ms so-and-so, Mrs so-and-so—I see every one of you as the primordial energy of the universe coming on at me in this particular way. I know I'm that, too. But we've learned to define ourselves as separate from it.”

Alan Watts (1915–1973) British philosopher, writer and speaker

The Nature of Consciousness http://www.erowid.org/culture/characters/watts_alan/watts_alan_article1.shtml; also published as What Is Reality? (1989)

Alex Haley photo

“It's sort of like Stardust — the relationship between grandparents and children. The lack of this for many children has to have a negative impact on society. The edges of these children are a little sharper for the lack of it.”

Alex Haley (1921–1992) African American biographer, screenwriter, and novelist

TIME interview (1977)
Context: Just look at the scores of thousands of housing tracts in this country, where only parents and children live. Think of the impact on these children who will grow up without close proximity to grandparents. There are certain things that a grandmammy or a granddaddy can do for a child that no one else can. It's sort of like Stardust — the relationship between grandparents and children. The lack of this for many children has to have a negative impact on society. The edges of these children are a little sharper for the lack of it. … I tell young people to go to the oldest members of their family and get as much oral history as possible. Many grandparents carry three or four generations of history in their heads but don't talk about it because they have been ignored. And when the young person starts doing this, the old are warmed to the cockles of their souls and will tell a grandchild everything they can muster.

Leo Tolstoy photo

“It is as if a man, who was given a blade so marvelously keen that it would sever anything, should use its edge for driving in nails.”

Leo Tolstoy (1828–1910) Russian writer

Source: Patriotism and Christianity http://en.wikisource.org/wiki/Patriotism_and_Christianity (1896), Ch. 17
Context: One free man will say with truth what he thinks and feels amongst thousands of men who by their acts and words attest exactly the opposite. It would seem that he who sincerely expressed his thought must remain alone, whereas it generally happens that every one else, or the majority at least, have been thinking and feeling the same things but without expressing them.
And that which yesterday was the novel opinion of one man, to-day becomes the general opinion of the majority.
And as soon as this opinion is established, immediately by imperceptible degrees, but beyond power of frustration, the conduct of mankind begins to alter.
Whereas at present, every man, even, if free, asks himself, "What can I do alone against all this ocean of evil and deceit which overwhelms us? Why should I express my opinion? Why indeed possess one? It is better not to reflect on these misty and involved questions. Perhaps these contradictions are an inevitable condition of our existence. And why should I struggle alone with all the evil in the world? Is it not better to go with the stream which carries me along? If anything can be done, it must be done not alone but in company with others."
And leaving the most powerful of weapons — thought and its expression — which move the world, each man employs the weapon of social activity, not noticing that every social activity is based on the very foundations against which he is bound to fight, and that upon entering the social activity which exists in our world every man is obliged, if only in part, to deviate from the truth and to make concessions which destroy the force of the powerful weapon which should assist him in the struggle. It is as if a man, who was given a blade so marvelously keen that it would sever anything, should use its edge for driving in nails.
We all complain of the senseless order of life, which is at variance with our being, and yet we refuse to use the unique and powerful weapon within our hands — the consciousness of truth and its expression; but on the contrary, under the pretext of struggling with evil, we destroy the weapon, and sacrifice it to the exigencies of an imaginary conflict'.

Philip Pullman photo

“This edge," said Giacomo Paradisi, touching the steel with the handle of a spoon, "will cut through any material in the world. Look.”

And he pressed the silver spoon against the blade. Will, holding the knife, felt only the slightest resistance as the tip of the spoon's handle fell to the table, cut clean off.
"The other edge," the old man went on, "is more subtle still. With it you can cut an opening out of this world altogether. Try it now. Do as I say — you are the bearer. You have to know. No one can teach you but me, and I have not much time left. Stand up and listen."
Source: His Dark Materials, The Subtle Knife (1997), Ch. 8 : The Tower of the Angels

Richard Wright photo
Alan Watts photo
H.L. Mencken photo

“But the razor edge of ridicule is turned by the tough hide of truth.”

H.L. Mencken (1880–1956) American journalist and writer

"On Truth" in Damn! A Book of Calumny (1918), p. 53
1910s
Context: The final test of truth is ridicule. Very few dogmas have ever faced it and survived. Huxley laughed the devils out of the Gadarene swine. Not the laws of the United States but the mother-in-law joke brought the Mormons to surrender. Not the horror of it but the absurdity of it killed the doctrine of infant damnation. But the razor edge of ridicule is turned by the tough hide of truth. How loudly the barber-surgeons laughed at Huxley—and how vainly! What clown ever brought down the house like Galileo? Or Columbus? Or Darwin?... They are laughing at Nietzsche yet...

“Ah, what balance is needed at
the edges of such an abyss.”

R.S. Thomas (1913–2000) Welsh poet

"Threshold", p. 110
Between Here and Now (1981)
Context: Ah, what balance is needed at
the edges of such an abyss.
I am left alone on the surface
of a turning planet. What to do but, like Michelangelo’s
Adam, put my hand
out into unknown space,
hoping for the reciprocating touch?

Eugene J. Martin photo
Julius Caesar photo
Madhu Kishwar photo

“Once again IITians & those engaged in cutting edge scientific research are in forefront of challenging & correcting distorted narratives on Indic faiths floated by Wikipedia.”

Madhu Kishwar (1959) Indian activist and writer

Madhu Kishwar on Twitter on 13 Jan 2019 https://twitter.com/madhukishwar/status/1084396568290250753

George Monbiot photo

“Climate breakdown could be rapid and unpredictable. We can no longer tinker around the edges and hope minor changes will avert collapse.”

George Monbiot (1963) English writer and political activist

The Earth is in a death spiral. It will take radical action to save us, 2018

H.L. Mencken photo
Chris Martin photo

“When I first met Lucian he wasn’t that famous. He was notorious, but he did not have a big international reputation or anything. He was a genuinely Dostoevskian character it seemed to me, living much more on the edge. And then later he became more a national treasure and was quite seduced by that.”

Celia Paul (1959) British artist

On her lover (artist) Lucian Freud in “Celia Paul on life after Lucian Freud: ‘I had to make this story my own’” https://www.theguardian.com/artanddesign/2019/oct/27/celia-paul-self-portrait-memoir-interview-lucian-freud in The Guardian (2019 Oct 27)

Toni Morrison photo
Lucinda Williams photo

“I think what informs my songwriting is my empathy with that. Maybe that’s what bothers people. It scares them to go to the edge of the well and look in. But it’s what they like also. And wouldn’t you rather feel the pain than not feel anything?”

Lucinda Williams (1953) American rock, folk, blues, and country music singer, songwriter and musician

On how suicide, sadness and melancholia informs Williams’ songwriting in “Lucinda Williams interview: 'I’ve earned the right to say what I like’” https://www.telegraph.co.uk/culture/music/worldfolkandjazz/10074160/Lucinda-Williams-interview-Ive-earned-the-right-to-say-what-I-like.html in The Telegraph (2013 May 25)

Elizabeth Hand photo
Bernard Cornwell photo
Cory Doctorow photo

“Look, whatever else happiness is, it’s also some kind of chemical reaction. Your body making and experiencing a cocktail of hormones and other molecules in response to stimulus. Brain reward. A thing that feels good when you do it. We’ve had millions of years of evolution that gave a reproductive edge to people who experienced pleasure when something pro-survival happened. Those individuals did more of whatever made them happy, and if what they were doing more of gave them more and hardier offspring, then they passed this on.”
“Yes,” I said. “Sure. At some level, that’s true of all our emotions, I guess.”

Cory Doctorow (1971) Canadian-British blogger, journalist, and science fiction author

“I don’t know about that,” she said. “I’m just talking about happiness. The thing is, doing stuff is pro-survival—seeking food, seeking mates protecting children, thinking up better ways to hide from predators...Sitting still and doing nothing is almost never pro-survival, because the rest of the world is running around, coming up with strategies to outbreed you, to outcompete you for food and territory...If you stay still, they’ll race past you.”
Source: Short fiction, The Man Who Sold The Moon (2014), p. 130

Henry Adams photo
Alastair Reynolds photo
Alice Meynell photo
Stephen Vincent Benét photo
Pema Chödron photo

“Meditation helps you to meet your edge; it’s where you actually come up against it and you start to lose it.”

Pema Chödron (1936) American philosopher

How to Meditate: A Practical Guide to Making Friends with Your Mind (2008)

Bret Weinstein photo

“[T]he boundaries of the evolutionary environment do not stop at the market's edge.”

Bret Weinstein (1969) biologist, professor, public intellectual

The Personal Responsibility Vortex (April 16, 2012)

Frithjof Schuon photo
Joan Didion photo
Henry Kissinger photo

“We are the ones who have been operating against our public opinion, against our bureaucracy, at the very edge of legality.”

Henry Kissinger (1923–2023) United States Secretary of State

Kissinger to Nixon, quoted in Bass, G. J. (2014). The Blood telegram: Nixon, Kissinger, and a forgotten genocide.
Source: FRUS: Documents on South Asia, 1969–1972, vol. E-7 (online at http://history.state.gov/historicaldocuments/frus1969-76ve07), White House tapes, Oval Office 637-3, 12 December 1971, 8:45–9:42 a.m. Hereafter cited as FRUS, vol. E-7. quoted in Bass, G. J. (2014). The Blood telegram: Nixon, Kissinger, and a forgotten genocide.

Katherine Maher photo

“It’s never exactly a good time to step away -- transitions always have some rough edges -- but it’s always best to do so when the organization is strong, and before you’ve overstayed your welcome. The movement is in a good, strong place. Our communities are growing, our readership is too”

Katherine Maher (1983) chief executive officer and executive director of the Wikimedia Foundation

Source: " Thanks for all the fish! / Stepping down April 15 https://lists.wikimedia.org/hyperkitty/list/wikimedia-l@lists.wikimedia.org/message/BXPWQ63CWPKMLWGA7KZRTGIMZTAVMUYW/" (February 4, 2021)

Eminem photo

“I'da flipped every mattress, every rock and desert cactus.
Owned a collection of maps and followed my kids to the edge of the atlas. If someone ever moved 'em from me.”

Eminem (1972) American rapper and actor

"Headlights"
2010s, The Marshall Mathers LP 2 (2013)

Stevie Nicks photo
Pema Chödron photo

“In fact, anyone who stands on the edge of the unknown, fully in the present without reference point, experiences groundlessness.”

Pema Chödron (1936) American philosopher

When Things Fall Apart: Heart Advice for Difficult Times (1997)

Emil M. Cioran photo
Sophrony (Sakharov) photo

“Stand on the edge of the abyss and when you feel that it is beyond your strength, break off and have a cup of tea.”

Sophrony (Sakharov) (1896–1993) Russian monk, theologian and writer

In conversation with Archimandrite Ephraim of Vatopedi, 20 September 1992
Others
Source: [PEMPTOUSIA: A Conversation with Elder Sophrony, 12 July 2015, https://pemptousia.com/2015/07/a-conversation-with-the-elder-sophrony/, 11 July 2021]