Quotes about digit
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Dave Barry photo

“What, exactly, is the Internet? Basically it is a global network exchanging digitized data in such a way that any computer, anywhere, that is equipped with a device called a "modem" can make a noise like a duck choking on a kazoo.”

Dave Barry (1947) American writer

Column for August 22, 1999 http://docs.newsbank.com/openurl?ctx_ver=z39.88-2004&rft_id=info:sid/iw.newsbank.com:AWNB:WPIW&rft_val_format=info:ofi/fmt:kev:mtx:ctx&rft_dat=0EB2C3CA5DAE0B10&svc_dat=InfoWeb:aggregated5&req_dat=25BDDD9B91CF4278985B1339326C0BAB
Columns and articles

George Carlin photo
Jay Leiderman photo

“Not only has Anonymous redefined what it means to be an advocate, Anonymous has reinvigorated advocacy in this country and has sent it flying off to the digital revolution.”

Jay Leiderman (1971) lawyer

As mentioned in the mint press http://www.mintpressnews.com/anonymous-revolutionized-revolt/200200/

Nigel Lawson photo

“Economically and politically, Britain can get along with double digit unemployment.”

Nigel Lawson (1932) British Conservative politician and journalist

Interview with George F. Will (December 1984), quoted in William Keegan, Mr Lawson's Gamble (London: Hodder & Stoughton, 1989), p. 140.

Johannes Grenzfurthner photo
Aron Ra photo

“The original 1954 Japanese film, Gojira was iconic, and only made a couple mistakes of any significance. (1)They killed him in the end, and we saw his body turned to skeleton. Not the best way to begin 60 years worth of sequels. (2) Godzilla was depicted as a dinosaur, and was associated with living trilobites. Even if there was some sort of ‘realm that time forgot’ out in the Pacific somewhere, Trilobites were already extinct before the first dinosaurs, and Godzilla was clearly no dinosaur. The conceptual artists reportedly referenced illustrations of dinosaurs, but that’s not what they rendered. All bi-pedal dinosaurs [Therapods] were digigrade, walking on their toes, like birds, and usually only three or four digits. Godzilla was plantigrade and pentadactyle, (having five digits and walking on the whole foot) just like lizards. It even looks like a lizard, apart from the fact that no reptile has an actual nose or external ears. In a sense, what Toho pictures created was actually an oriental dragon. These tend to mix reptilian and mammalian traits. Amusingly in 1954, Toho made a giant lizard and called it a dinosaur. In 1998, Tristar re-designed Godzilla as a dinosaur, but called it a lizard. Of course that wasn’t the only thing Tristar did wrong. They tried to ruin the monster completely. They took away the only thing that worked in decades of sequels, the look of the monster itself. Then they took away everything that made Godzilla appealing to Kaiju fans, then they tied it down and shot it. Such disrespect. If you’re going to make a movie that already has a fan-base, and they are the ones who will decide whether your film will pay off, respect those fans and the story they’re paying to see.”

Aron Ra (1962) Aron Ra is an atheist activist and the host of the Ra-Men Podcast

Patheos, Weighing in on Godzilla http://www.patheos.com/blogs/reasonadvocates/2014/06/08/weighing-in-on-godzilla/ (June 8, 2014)

Adrianne Wadewitz photo

“We brought in an innovative group of young digital humanists led by Adrianne Wadewitz.”

Adrianne Wadewitz (1977–2014) academic and Wikipedian

Runge, Laura L. (Fall 2013). "Aphra Behn Online : The Case for Early Modern Open-Access Publishing" http://scholarcommons.usf.edu/cgi/viewcontent.cgi?article=1172&context=eng_facpub. Journal for Early Modern Cultural Studies (University of Pennsylvania Press) 13 (4): 104. Retrieved April 25, 2014.
About

Richard Dawkins photo
Charles Stross photo
A. Wayne Wymore photo

“After earning the PhD degree and acquiring some relatively extensive experience in digital computers… It was time to leave the University. The result of an extensive search for the right job was a family move to Arlington Heights, Illinois, where it was a short commute to the Research Laboratories of the Pure Oil Company at Crystal Lake. I was given the title of Mathematical and Computer Consultant. The Labs were set in a beautiful campus, the professional personnel were eager to learn what I had to teach and to include me in many interesting projects where my knowledge and skills could be put to good use. I was encouraged to initiate my own program of research. I went to work with enthusiasm.
The corporate headquarters of Pure Oil were located in down town Chicago. Pure Oil had been trying to install an IBM 705 computer system for all their accounting needs including calculation of all data necessary for the management of exploration, drilling, refining and distribution of oil products and even royalties to shareholders in oil wells. Typical for those early days, the programming team was in deep difficulties and needed help; they lacked adequate resources and suitable training. The Executive Vice President of Pure Oil, when he heard that there was a computer expert already on the payroll at the Crystal Lake lab, ended our family blissful dream and I was reassigned to the down town office.”

A. Wayne Wymore (1927–2011) American mathematician

Systems Movement: Autobiographical Retrospectives (2004)

Edward Fredkin photo
Heather Brooke photo

“The survival of journalism in the digital age rests on its unique selling point: serving this public interest. Fail or forget to do that, and it has no future.”

Heather Brooke (1970) American journalist

Press Gazette http://www.pressgazette.co.uk/wire/8235 - "Harold Evans, Guido Fawkes, Heather Brookes and Bild on journalism and the public interest", 27 September 2011.
Attributed, In the Media

Marc Maron photo
Heather Brooke photo
KT Tunstall photo

“I went down to London with the idea that I was going to do vocals over this crazy, crazy trip-hop digital beat. Within two or three months, I heard Hunky Dory by David Bowie and that changed me in one way, and I realized what I actually wanted was to have an E Street Band — individuals, not session musicians.”

KT Tunstall (1975) Scottish singer-songwriter and guitarist

Barnes & Noble Interview with David Sprague (February 2006) http://web.archive.org/web/20070506185456/http://music.barnesandnoble.com/features/interview.asp?NID=1011932&z=y.

Herbert A. Simon photo
Bruce Schneier photo

“Digital files cannot be made uncopyable, any more than water can be made not wet.”

Bruce Schneier (1963) American computer scientist

The Futility of Digital Copy Prevention, Schneier, Bruce, 2001-05-15, Cryptogram newsletter, 2006-09-08 http://www.schneier.com/crypto-gram-0105.html#3,
Digital Rights Management

Manuel Castells photo

“The fundamental digital divide is no measured by the number of connections to the Internet, but by the consequences of both connection and lack of connection.”

Manuel Castells (1942) Spanish sociologist (b.1942)

Source: The Internet Galaxy - Reflections on the Internet, Business, and Society (2001), Chapter 9, The Digital Divide in a Global Perspective, p. 269

Raheem Kassam photo
Lee Kuan Yew photo

“At the end of the day, we are so many digits in the machine. The point is – are these digits stronger than the competitors' digits?”

Lee Kuan Yew (1923–2015) First Prime Minister of Singapore

MM Lee Kuan Yew on Singapore workers, History of Singapore, 2005
2000s

Neal Stephenson photo
Kevin Kelly photo

“Communication – which in the end is what the digital technology and media are all about – is not just a sector of the economy. Communication IS the economy.”

Kevin Kelly (1952) American author and editor

Out of Control: The New Biology of Machines, Social Systems and the Economic World (1995), New Rules for the New Economy: 10 Radical Strategies for a Connected World (1999)

“In April of 1959, ten of this country's leading scholars forgathered on the campus of Purdue University to discuss the nature of information and the nature of decision… What interests do these men have in common?… To answer these questions it is necessary to view the changing aspect of the scientific approach to epistemology, and the striking progress which has been wrought in the very recent past. The decade from 1940 to 1950 witnessed the operation of the first stored- program digital computer. The concept of information was quantified, and mathematical theories were developed for communication (Shannon) and decision (Wald). Known mathematical techniques were applied to new and important fields, as the techniques of complex- variable theory to the analysis of feedback systems and the techniques of matrix theory to the analysis of systems under multiple linear constraints. The word "cybernetics" was coined, and with it came the realization of the many analogies between control and communication in men and in automata. New terms like "operations research" and "system engineering" were introduced; despite their occasional use by charlatans, they have signified enormous progress in the solution of exceedingly complex problems, through the application of quantitative ness and objectivity.”

Robert E. Machol (1917–1998) American systems engineer

Source: Information and Decision Processes (1960), p. vii

John Palfrey photo
Al Gore photo
Marcel Duchamp photo
Gilberto Gil photo

“[on the "tropicalization" of intellectual property laws] To make the digital world join in the samba…”

Gilberto Gil (1942) Brazilian singer, guitarist, songwriter and politician

[Dibbell, Julian, 2004, November, We Pledge Allegiance to the Penguin, Wired, 12, 11, http://www.wired.com/wired/archive/12.11/linux.html, 2008-03-16]

Don Tapscott photo

“Industrial capitalism brought representative democracy, but with a weak public mandate and inert citizenry. The digital age offers a new democracy based on public deliberation and active citizenship.”

Don Tapscott (1947) Canadian businessman

Don Tapscott, in Don Tapscott: Transforming capitalism won’t happen without leadership http://www.thestar.com/business/2013/05/17/don_tapscott_capitalism_20.html, 17 May 2013

Bill Engvall photo
Immortal Technique photo

“Using numerology to count the people I sent to heaven produces more digits than twenty-two divided by seven.”

Immortal Technique (1978) American rapper and activist

Dance With The Devil - Hidden Track feat. Diabolic
Albums, Revolutionary Vol. 1 (2001)

Mukesh Ambani photo

“Broadband and digital services will no longer be a luxury item - a scarce commodity - to be rationed amongst the privileged few”

Mukesh Ambani (1957) Indian business magnate

In Ambani bets on 4G broadband in India, but risks abound, 23 June 2013, 17 December 2013, CNBC http://www.cnbc.com/id/100837027,

Frank Wilczek photo
Charles Stross photo
Peter Greenaway photo
Newton Lee photo

“Not only that “every dog has its day”, but also that “every dog has its data” in the digital information age.”

Newton Lee American computer scientist

Facebook Nation: Total Information Awareness (2nd Edition), 2014

John Palfrey photo

“He had come there dissatisfied with his work, even though his multi-kinetic work was admired and winning him professional recognition. However, at that moment, other ideas were gestating and he wanted to add what he called a "fifth dimension" to his art - that of artificial intelligence. […] : [At the colony, ] he was able to turn his thoughts inward, hoping to discover the new methods and direction that would more deeply satisfy his creative needs. It was at this point, while watching the motions and patterns of sun on leaves in the New Hampshire woods one morning, that Tsai finally achieved the revelatory breakthrough that changed his art and liberated his creative energies. As he put it, he wanted to create "natural movements in dynamic equilibrium, with intelligence," and he found his solution in an unlikely combination of natural phenomenon, the precedent of Gabo's singular (and unrepeated) kinetic sculpture, and the new resource of contemporary analog and digital technology. Speaking of this moment of revelation, Tsai said that he had quite deliberately turned himself into "a sort of plant": facing his chair into the sunshine in the morning, he turned his body in stages throughout the day, mulling over ways of make an "art that presented the observer with natural movements in dynamic equilibrium, and art that could convey the awe I felt while watching sunbeams shimmer through forest leaves." But a work that would "shimmer" simply did not do enough either for the artist or viewer, Tsai concluded. It must also respond in some way to the observer; it would have to work on a new feedback principle and actually engage the observer directly. In short, a cybernetic sculpture was required. To create such radically participatory works, he understood, would require that he draw on his engineering skills rather than suppress them, as he had been trying to do in his period of oil painting.”

Sam Hunter (1923–2014) American art historian

Source: The Cybernetic Sculpture of Tsai Wen-Ying, 1989, p. 67

“We’ve digitized the revelations — does our rehearsed recitation go any deeper than our throats?”

Dawud Wharnsby (1972) Canadian musician

"Why Are The Drums So Silent"
Sunshine, Dust and The Messenger (2002)
Context: We’ve digitized the revelations — does our rehearsed recitation go any deeper than our throats? Our calls to prayer they seem to rise up to the skies, conferences and lectures, seminars for you and I. The words that blow away with the nasheed that make us cry, yet why are the drums so silent?

Lawrence Lessig photo

“Overregulation stifles creativity. It smothers innovation. It gives dinosaurs a veto over the future. It wastes the extraordinary opportunity for a democratic creativity that digital technology enables.”

Free Culture (2004)
Context: Overregulation stifles creativity. It smothers innovation. It gives dinosaurs a veto over the future. It wastes the extraordinary opportunity for a democratic creativity that digital technology enables.
In addition to these important harms, there is one more that was important to our forebears, but seems forgotten today. Overregulation corrupts citizens and weakens the rule of law.
The war that is being waged today is a war of prohibition. As with every war of prohibition, it is targeted against the behavior of a very large number of citizens. According to The New York Times, 43 million Americans downloaded music in May 2002. According to the RIAA, the behavior of those 43 million Americans is a felony. We thus have a set of rules that transform 20 percent of America into criminals.

Hunter S. Thompson photo

“These horrifying digital snapshots of the American dream in action on foreign soil are worse than anything even I could have expected.”

Hunter S. Thompson (1937–2005) American journalist and author

"Let's Go to the Olympics!" (18 May 2004) http://sports.espn.go.com/espn/page2/story?page=thompson/040518
2000s
Context: These horrifying digital snapshots of the American dream in action on foreign soil are worse than anything even I could have expected. I have been in this business a long time and I have seen many staggering things, but this one is over the line. Now I am really ashamed to carry an American passport.

John Von Neumann photo

“Any one who considers arithmetical methods of producing random digits is, of course, in a state of sin.”

John Von Neumann (1903–1957) Hungarian-American mathematician and polymath

On mistaking pseudorandom number generators for being truly "random" — this quote is often erroneously interpreted to mean that von Neumann was against the use of pseudorandom numbers, when in reality he was cautioning about misunderstanding their true nature while advocating their use. From "Various techniques used in connection with random digits" by John von Neumann in Monte Carlo Method (1951) edited by A.S. Householder, G.E. Forsythe, and H.H. Germond <!-- National Bureau of Standards Applied Mathematics Series, 12 (Washington, D.C.: U.S. Government Printing Office, 1951): 36-38. -->
Context: Any one who considers arithmetical methods of producing random digits is, of course, in a state of sin. For, as has been pointed out several times, there is no such thing as a random number — there are only methods to produce random numbers, and a strict arithmetic procedure of course is not such a method.

Aaron Swartz photo

“Information is power. But like all power, there are those who want to keep it for themselves. The world’s entire scientific and cultural heritage, published over centuries in books and journals, is increasingly being digitized and locked up by a handful of private corporations.”

Aaron Swartz (1986–2013) computer programmer and internet-political activist

Guerilla Open Access Manifesto (July 2008) http://archive.org/details/GuerillaOpenAccessManifesto.
Context: Information is power. But like all power, there are those who want to keep it for themselves. The world’s entire scientific and cultural heritage, published over centuries in books and journals, is increasingly being digitized and locked up by a handful of private corporations. Want to read the papers featuring the most famous results of the sciences? You’ll need to send enormous amounts to publishers like Reed Elsevier.
There are those struggling to change this. The Open Access Movement has fought valiantly to ensure that scientists do not sign their copyrights away but instead ensure their work is published on the Internet, under terms that allow anyone to access it.

Vivek Agnihotri photo
Alexandria Ocasio-Cortez photo

“A few more ways to gain traction: - Support a Federal Jobs Guarantee, - Bailout Student Debt, - Legalize Marijuana & Explore Reparations, Baby Bonds. Here’s our Student Loan Cancellation Digital Town Hall…”

Alexandria Ocasio-Cortez (1989) American politician

Twitter post, https://twitter.com/AOC/status/1080310857161232384 (1 January 2019)
Twitter Quotes (2019), January 2019

Gerrit Blaauw photo
Lou Reed photo
Chuck Palahniuk photo
Andy Ngo photo
Brigitte Lin photo

“Now we are living in the digital age. I feel very lucky and appreciative that young people now have the opportunity of coming to know the kind of films we shot in the past.”

Brigitte Lin (1954) Taiwanese actress

As quoted in "Brigitte Lin, a timeless national treasure" in Taipei Times (15 May 2018) https://www.taipeitimes.com/News/feat/archives/2018/05/15/2003693091

Rima Das photo

“No one can teach you how to compose a shot. You are only guided by an instinct. It has to come from within. I learned cinema by working on my films. The best thing was that I bought my own camera, and since I was working on the digital medium, I had the freedom to experiment, shoot more.”

Rima Das (1982) Indian Assamese film maker

SilverScreenIndia Article - Making A Zero Budget Movie: The Tale Of Assamese Filmmaker Rima Das’s ‘Village Rockstars’ - 20 November 2017 https://silverscreenindia.com/movies/features/interviews/making-a-zero-budget-movie-the-tale-of-assamese-filmmaker-rima-dass-village-rockstars/ - Archive https://web.archive.org/web/20210728183808/https://silverscreenindia.com/movies/features/interviews/making-a-zero-budget-movie-the-tale-of-assamese-filmmaker-rima-dass-village-rockstars/

Matt Ridley photo
Jeff "Swampy" Marsh photo

“There was something wonderful about being able to look up and see what that physical representation was going to look like. It is one of the things that I miss, now that we’re in a much more digital age.”

Jeff "Swampy" Marsh (1960) American television director, writer, producer, storyboard artist and actor

Source: ‘Phineas and Ferb’ Creators Discuss ‘Candace Against the Universe’ — and the Possibility of More Sequels https://decider.com/2020/08/28/dan-povenmire-jeff-marsh-phineas-and-ferb-ending/ (August 28, 2020)

Pierre Dartout photo

“As of today, a digital identity for Monégasque people and Monaco's residents is becoming a reality. It is allowing for new and safe ways to meet the needs of everyone living in the Principality.”

Pierre Dartout (1954) French official

Source: Pierre Dartout (2021) cited in: " Monaco creates a digital identity for everyone in the Principality https://www.monaco-tribune.com/en/2021/06/monaco-creates-a-digitial-identity-for-everyone-in-the-principality/" in Science Alert, 30 June 2021.

Ulisses Correia e Silva photo

“We seek greater integration of markets, trade, connectivity, private investments and tourism. Cape Verde wishes to position itself as an air and digital hub in Africa and integrate regional value chains in trade and industry.”

Ulisses Correia e Silva (1962) Cape Verdean politician

Source: Ulisses Correia e Silva (2021) cited in " Cape Verde Prime Minister presents first resident Nigerian ambassador to ECOWAS Commission https://www.vanguardngr.com/2021/11/cape-verde-prime-minister-presents-first-resident-nigerian-ambassador-to-ecowas-commission/" on Vanguard, 21 November 2021.

Bob van Luijt photo

“If it can be said, it can be built using digital technology.”

Bob van Luijt (1985) Dutch entrepreneur

Source: TEDx talk: "Digital technology through the lens of language" https://www.ted.com/talks/bob_van_luijt_digital_technology_through_the_lens_of_language (15 November 2021)

Jay Samit photo

“The digital world is the future”

Andrew Lokenauth (1987) Personal finance expert, writer and public speaker

Source: https://www.forbes.com/sites/robertfarrington/2021/12/25/why-big-brands-are-spending-millions-on-nfts/

This quote waiting for review.

“Robert Pistillo he Is an musician artist, creator digital, influencer actor and youtuber athlete, green eyes and 1.84 cm tall, he has long been a huge success in the world of social media, fashion and fitness. He managed to have over 1 million followers on Instagram alone to give an example. Ever since he was a teenager, he has had a strong passion for establishing himself and achieving success.”

Source: Robert Pistillo he Is an musician artist, creator digital, influencer actor and youtuber athlete, green eyes and 1.84 cm tall, he has long been a huge success in the world of social media, fashion and fitness. He managed to have over 1 million followers on Instagram alone to give an example. Ever since he was a teenager, he has had a strong passion for establishing himself and achieving success.