Quotes about calibre (24 quotes) | Quotes of famous people

“Well it's a risk to do a movie of this calibre on a subject matter and a point in history people are not very familiar with. It's a tough subject to sell - so salary-wise you have to make sacrifices to make a certain film happen. I would have been an idiot to pass up the opportunity to work with Mr Scorsese.”

Leonardo DiCaprio (1974) American actor and film producer

http://www.popmonk.com/actors/leonardo-dicaprio/quotes-leonardo-dicaprio.htm

People , History

“Oh, dear me, how unspeakably funny and owlishly idiotic and grotesque was that "plagiarism" farce! As if there was much of anything in any human utterance, oral or written, except plagiarism! The kernel, the soul — let us go further and say the substance, the bulk, the actual and valuable material of all human utterances — is plagiarism. For substantially all ideas are second-hand, consciously and unconsciously drawn from a million outside sources, and daily used by the garnerer with a pride and satisfaction born of the superstition that he originated them; whereas there is not a rag of originality about them anywhere except the little discoloration they get from his mental and moral calibre and his temperament, and which is revealed in characteristics of phrasing. When a great orator makes a great speech you are listening to ten centuries and ten thousand men — but we call it his speech, and really some exceedingly small portion of it is his. But not enough to signify. It is merely a Waterloo. It is Wellington's battle, in some degree, and we call it his; but there are others that contributed. It takes a thousand men to invent a telegraph, or a steam engine, or a phonograph, or a photograph, or a telephone or any other important thing—and the last man gets the credit and we forget the others. He added his little mite”

Mark Twain (1835–1910) American author and humorist

that is all he did. These object lessons should teach us that ninety-nine parts of all things that proceed from the intellect are plagiarisms, pure and simple; and the lesson ought to make us modest. But nothing can do that.
Letter to Helen Keller, after she had been accused of plagiarism for one of her early stories (17 March 1903), published in Mark Twain's Letters, Vol. 1 (1917) edited by Albert Bigelow Paine, p. 731

Men , Soul , Idea , Parting

“I was a little puzzled by the frenzy that I set off by what I thought was a pretty innocuous statement, which is that I am absolutely committed to ending the war. I'm not trying to dump on you guys, but I'm surprised at how finely calibrated every single word was measured. I wasn't saying anything that I hadn't said before, that I didn't say a year ago, or when I was a U. S. senator. If you look at our position, it's been very consistent. The notion that we have to get out carefully has been a consistent position. … I think what's happened is that the McCain campaign primed the pump with the press to suggest that somehow we were changing our policy when we hadn't and that just hasn't been the case. I've given no indication of a change in policy … I think John McCain's going to have a much harder time explaining how he is willing to perpetuate a presence in Iraq for 10, 20, 50 years.”

Barack Obama (1961) 44th President of the United States of America

Obama response to attack from McCain and his campaign on alleged Obama reversal on Iraq War; (5 July 2008) http://www.cnn.com/2008/POLITICS/07/06/campaign.wrap/index.html
2008

War , Guy , Thinking , Change

“Another simple rule is, when you are verbally assaulted, do not counterattack. Instead, disarm your counterpart by asking a calibrated question.”

Chris Voss book Never Split the Difference: Negotiating As If Your Life Depended On It

Question

“I’m not insane, sir,” I said. “I have a finely calibrated sense of acceptable risk.”

John Scalzi Old Man's War

Source: Old Man’s War (2005), Chapter 17 (p. 305)
Source: Old Man's War

Sense

“Perhaps the depth of love can be calibrated by the number of different selves that are actively involved in a given relationship.”

Carl Sagan book Contact

Source: Contact

Love

“The world is not a solid continent of facts sprinkled by a few lakes of uncertainties, but a vast ocean of uncertainties speckled by a few islands of calibrated and stabilized forms”

Bruno Latour (1947) French sociologist, philosopher and anthropologist

Source: Reassembling the Social: An Introduction to Actor-Network-Theory

World

“If only I had a thousand rifles of the same calibre!”

Rezā Shāh (1878–1944) Shah of the Imperial State of Iran

Muhammad Reza Pahlavi (1961) Mission for my Country, London, page 41
Prior to his seizure of power, Persia's stocks of firearms were unstandardized and unreliable

“We're adapted to the meta-reality, which means that we're adapted to that which remains constant across the longest spans of time. And that's not the same things that you see around you day to day. They're just like clouds, they're just evaporating, you know? There are things underneath that that are more fundamental realities, like the dominance hierarchy, like the tribe, like the danger outside of society, like the threat that other people pose to you, and the threat that you pose to yourself. Those are eternal realities, and we're adapted to those. That's our world, and that's why we express all those things in stories. Then you might say, well how do you adapt yourself to that world? The answer, and I believe this is a neurological answer, is that your brain can tell you when you're optimally situated between chaos and order. The way it tells you that is by producing the sense of engagement and meaning. Let's say that there's a place in the environment that you should be. So what should that place be? Well, you don't want to be terrified out of your skull. What good is that? And you don't want to be so comfortable that you might as well sleep. You want to be somewhere where you are kind of on firm ground with both of your feet, but you can take a step with one leg and test out new territory. Some of you who are exploratory and emotionally stable are going to go pretty far out there into the unexplored territory without destabilizing yourself. And some people are just going to put a toe in the chaos, and that's neuroticism basically - your sensitivity to threat that is calibrated differently in different people. And some people are more exploratory than others. That's extroversion and openness, and intelligence working together. Some people are going to tolerate more chaos in their mixture of chaos and order. Those are often liberals, by the way. They're more interested in novel chaos, and conservatives are more interested in the stabilization of the structures that already exist. Who's right? It depends on the situation. That's why liberals and conservatives have to talk to each other, because one of them isn't right and the other is wrong. Sometimes the liberals are right and sometimes the liberals are right, because the environment is unpredictable and constantly changing, so that's why you have to communicate. That's what a democracy does. It allows people of different temperamental types to communicate and to calibrate their societies. So let's say you're optimally balanced between chaos and order. What does that mean? Well, you're stable enough, but you're interested. A little novelty heightens your anxiety. It wakes you up a bit. That's the adventure part of it. But it also focuses the part of your brain that does exploratory activity, and that's associated with pleasure. That's the dopamine circuit. So if you're optimally balanced - and you know you're there if you're listening to an interesting conversation or you're engaged in one…you're saying some things that you know, and the other person is saying some things that they know - and what both of you know is changing. Music can model that. It provides you with multi-level predictable forms that can transform just the right amount. So music is a very representational art form. It says, 'this is what the universe is like.' There's a dancing element to it, repetitive, and then little variations that surprise you and produce excitement in you. In doesn't matter how nihilistic you are, music still infuses you with a sense of meaning because it models meaning. That's what it does. That's why we love it. And you can dance to it, which represents you putting yourself in harmony with these multiple layers of reality, and positioning yourself properly.”

Jordan Peterson (1962) Canadian clinical psychologist, cultural critic, and professor of psychology

"The selection pressure that women placed on men developed the entire species. There's two things that happened. The men competed for competence, since the male hierarchy is a mechanism that pushes the best men to the top. The effect of that is multiplied by the fact that women who are hypergamous peel from the top. And so the males who are the most competent are much more likely to leave offspring, which seems to have driven cortical expansion."
Concepts

Love , Women , Men , People

“The names of those who were incarcerated on Robben Island is a roll call of resistance fighters and democrats spanning over three centuries. If indeed this is a Cape of Good Hope, that hope owes much to the spirit of that legion of fighters and others of their calibre.”

Nelson Mandela (1918–2013) President of South Africa, anti-apartheid activist

1990s, Inaugural speech (1994)

Hope

“There are two moments in the life of any fag that you can never forget: your first kiss with another man and your first argument with a heterosexual friend that doesn't get the difference between being a homosexual and wanting to be a woman. On first sight I can't calibrate which will be repeated more times during our sexually emancipated lifetime. Lucky enough, I can tell which we all prefer to be repeated: the argument with the heterosexual friend… if it ends in a long, wet, passionate kiss.”

Miss Shangay Lily (1963–2016) Spanish artivist and drag queen

Miss Shangay Lily, Mari, ¿me pasas el poppers?

Life , Kiss , Passion , Time

“…success part of story of fifty years of Independence … Maintaining and strengthening political democracy at various levels has moved to new levels. Conducting successive free and fair elections, evolving and developing institutions like a relatively independent press, functioning opposition parties offering role choice, an independent and high calibre judiciary, free public debate which sometimes comes under assault, defying freedom of expression and creativity and secularism as the basic feature of our constitutional and social well being.”

K. R. Narayanan (1920–2005) 9th Vice President and the 10th President of India

Shri K. R. Narayanan President of India in Conversation with N. Ram on Doordarshan and All India Radio

Democracy , Freedom , Success , Parting

“Let us not deceive ourselves: our talent profile is nowhere near that of, say, the Jews or the Japanese in America. The exceptional number of Nobel Prize winners who are Jews is no accident. It is also no accident that a high percentage, sometimes 50%, of faculty members in the top American universities on both the east and west coasts are Jews. And the number of high calibre Japanese academics, professionals, and business executives is out of all proportion to the percentage of Japanese in the total American population”

Lee Kuan Yew (1923–2015) First Prime Minister of Singapore

The Search for Talent, 12 August 1982 http://www.nas.gov.sg/archivesonline/speeches/record-details/73eb9163-115d-11e3-83d5-0050568939ad
1980s

Business , Universe

“Simple-minded beyond the experience of Wall Street or State Street, he resorted, like most men of the same intellectual calibre, to commonplaces when at a loss for expression: "Let us have peace!" or, "The best way to treat a bad law is to execute it"; or a score of such reversible sentences generally to be gauged by their sententiousness.”

Henry Adams (1838–1918) journalist, historian, academic, novelist

The Education of Henry Adams (1907)

Men , Peace , Law , Way

“There is nobody who is not surprised of the small price of pins; but we shall be even more surprised, when we know how many different operations, most of them very delicate, are mandatory to make a good pin. We are going to go through these operations in a few words to stimulate the curiosity to know their detail; this enumeration will supply as many articles which will make the division of this work… The first operation is to have brass go through the drawing plate to calibrate it.”

Henri-Louis Duhamel du Monceau (1700–1782) French naval engineer, botanist and agronomist

Henri-Louis Duhamel du Monceau (1776) l’"Art de l’Épinglier" (The Art of the Pin-Maker). Introduction

Drawing

“It's not that I'm not social. I'm social enough. But the tools you guys create actually manufacture unnaturally extreme social needs. No one needs the level of contact you're purveying. It improves nothing. It's not nourishing. It's like snack food. You know how they engineer this food? They scientifically determine precisely how much salt and fat they need to include to keep you eating. You're not hungry, you don't need the food, it does nothing for you, but you keep eating these empty calories. This is what you're pushing. Same thing. Endless empty calories, but the digital-social equivalent. And you calibrate it so it's equally addictive.”

Dave Eggers book The Circle

Mercer, to Mae; p. 134
The Circle (2013)

Food , Guy

“We dissect nature along lines laid down by our native language. The categories and types that we isolate from the world of phenomena we do not find there because they stare every observer in the face; on the contrary, the world is presented in a kaleidoscope flux of impressions which has to be organized by our minds—and this means largely by the linguistic systems of our minds. We cut nature up, organize it into concepts, and ascribe significances as we do, largely because we are parties to an agreement to organize it in this way—an agreement that holds throughout our speech community and is codified in the patterns of our language. The agreement is of course, an implicit and unstated one, but its terms are absolutely obligatory; we cannot talk at all except by subscribing to the organization and classification of data that the agreement decrees. We are thus introduced to a new principle of relativity, which holds that all observers are not led by the same physical evidence to the same picture of the universe, unless their linguistic backgrounds are similar, or can in some way be calibrated”

Benjamin Lee Whorf (1897–1941) American linguist

Whorf (1940) "Science and linguistics" in: MIT Technology Review Vol 42. p. 229-31.

World , Way , Communication , Nature

“Self-satisfaction is scarcely unfamiliar in Europe. But the contemporary mood is something different: an apparently illimitable narcissism, in which the reflection in the water transfigures the future of the planet into the image of the beholder. What explains this degree of political vanity? Obviously, the landscape of the continent has altered in recent years, and its role in the world has grown. Real changes can give rise to surreal dreams, but they need to be calibrated properly, to see what the connections or lack of them might be.”

Perry Anderson (1938) British historian

"Depicting Europe", London Review of Books (20 September 2007)

World , Dreams , Mood , Water

“Life is experienced holistically with sensations pouring in through every physical and mental organ of perception. Art exists embodied in physical elements—especially meticulously calibrated aspects of sight and sound—which scholarly explication can illuminate but never fully replace. However conceptually incoherent and subjectively emotional, the amateur response to poetry comes closer to the larger human purposes of the art—which is to awaken, amplify, and refine the sense of being alive—than does critical commentary”

Dana Gioia (1950) American writer

19
Essays, Can Poetry Matter? (1991), Poetry as Enchantment (2015)

Life , Art , Sense

“I’d have to say that accompanying vocalists is tougher, especially if you are with artistes of the calibre of Pt Jasraj or Vidushi Kishori Amonkar. The first 45 minutes can be very involved, intense and slow. You have to concentrate and focus because when things are slow, each beat is magnified a thousand-fold. Even a small chisel at the end of beat stands out.”

Zakir Hussain (musician) (1951) Indian tabla player, musical producer, film actor and composer

Quote, I've never wanted to fit in Abbaji's shoes: Ustad Zakir Hussain

“Power will go to the hands of rascals, rogues and freebooters. All Indian leaders will be of low calibre and men of straw. They will have sweet tongues and silly hearts. They will fight amongst themselves for power and India will be lost in political squabbles.”

Winston S. Churchill (1874–1965) Prime Minister of the United Kingdom

Often cited as from a speech "on the eve of Indian Independence in 1947", e.g. "Anything multiplied by zero is zero indeed!" http://ia.rediff.com/money/2007/apr/11guest.htm in Rediff India Abroad (11 April 2007), or even from a speech in the house of Commons, but it does not appear to have any credible source. May have first appeared in the Annual Report of P. N. Oak's discredited "Institute for Rewriting Indian History" in 1979, and is now quoted in at least three books, as well as countless media and websites.
Misattributed

Men , Heart , Fight

“Barren of events, rich in pretensions my earthly life. Obscurity my real name. Wholly unto myself I exist. I wrap no soul in my embrace. No mentor worthy of my calibre have I. I am all alone between failure and frustration. I am the red thread between nothingness and Eternity.”

Sri Chinmoy (1931–2007) Indian writer and guru

"Between Nothingness and Eternity", p. 14
My Flute (1972)

Life , Soul , Failure

“We see for the first time in al-Jazari's work several concepts important for both design and construction: the lamination of timber to minimize warping, the static balancing of wheels, the use of wooden templates (a kind of pattern), the use of paper models to establish designs, the calibration of orifices, the grinding of the seats and plugs of valves together with emery powder to obtain a watertight fit, and the casting of metals in closed mold boxes with sand.”

Donald Hill (1922–1994) British historian and engineer

Donald Routledge Hill, "Mechanical Engineering in the Medieval Near East", Scientific American, May 1991, pp. 64-9.

Time , Box

“You survive by having your fear compass calibrated correctly. Our compass is off now because we're being told to be afraid of everything.”

Michael Moore (1954) American filmmaker, author, social critic, and liberal activist

Interview on All Things Considered NPR (November 2002) http://www.npr.org/templates/rundowns/rundown.php?prgId=2
2002
Context: You survive by having your fear compass calibrated correctly. Our compass is off now because we're being told to be afraid of everything. The things that we're frightened of, or told to be frightened of, are not necessarily the things that we need to fear.

Fear