Revolution (2014)
Context: On the short walk to the front past the others, either bowing or kneeling or whirling or howling, I feel glad that my life is this way; so full of jarring experience. Sometimes you feel that life is full and beautiful, all these worlds, all these people, all these experiences, all this wonder. You never know when you will encounter magic. Some solitary moment in a park can suddenly burst open with a spray of preschool children in high-vis vests, hand in hand; maybe the teacher will ask you for directions, and the children will look at you, curious and open, and you’ll see that they are perfect. In the half-morning half-gray glint, the cobwebs on bushes are gleaming with such radiant insistence, you can feel the playful unknown beckoning. Behind impassive stares in booths, behind the indifferent gum chew, behind the car horns, there is connection.
Quotes about bow
page 5
(This contains an allusion to the book of Isaiah Chapter 11, verse 6
1960s, Nobel Prize acceptance speech (1964)
Context: I believe that even amid today's mortar bursts and whining bullets, there is still hope for a brighter tomorrow. I believe that wounded justice, lying prostrate on the blood-flowing streets of our nations, can be lifted from this dust of shame to reign supreme among the children of men. I have the audacity to believe that peoples everywhere can have three meals a day for their bodies, education and culture for their minds, and dignity, equality and freedom for their spirits. I believe that what self-centered men have torn down men other-centered can build up. I still believe that one day mankind will bow before the altars of God and be crowned triumphant over war and bloodshed, and nonviolent redemptive good will proclaim the rule of the land. "And the lion and the lamb shall lie down together and every man shall sit under his own vine and fig tree and none shall be afraid." I still believe that We Shall overcome!'
1960s, Beyond Vietnam: A Time to Break Silence (1967)
Dedication speech http://www.endex.com/gf/buildings/liberty/nytc/solnytc1943.htm for the Statue of Liberty (28 October 1886).
Context: We are not here today to bow before the representation of a fierce warlike god, filled with wrath and vengeance, but we joyously contemplate instead our own deity keeping watch and ward before the open gates of America and greater than all that have been celebrated in ancient song. Instead of grasping in her hand thunderbolts of terror and of death, she holds aloft the light which illumines the way to man's enfranchisement. We will not forget that Liberty has here made her home, nor shall her chosen altar be neglected. Willing votaries will constantly keep alive its fires and these shall gleam upon the shores of our sister Republic thence, and joined with answering rays a stream of light shall pierce the darkness of ignorance and man's oppression, until Liberty enlightens the world.
Ring Around the Sun (1954)
Context: The people finally know.
They've been told about the mutants.
And they hated the mutants.
Of course, they hated them.
They hated them because the existence of the mutants makes them second-class humans, because they are Neanderthalers suddenly invaded by a bow and arrow people.
Julian, mortally wounded in battle, upon his deathbed, as recorded by Ammianus Marcellinus (who was probably present) in Book XXV of his history. <!-- Loeb Classical Library -->
General sources
Context: Most opportunely friends, has the time now come for me to leave life, which I rejoice to return to Nature, at her demand, like an honorable debtor, not (as some might think) bowed down with sorrow, but having learned much from the general conviction of philosophers how much happier the soul is than the body, and bearing in mind that whenever a better condition is severed from a worse, one should rejoice, rather than grieve... Considering, then that the aim of a just ruler is the welfare and security of its subjects, I was always, as you know, more inclined to peaceful measures, excluding from my conduct all license, the corrupter of deeds and of character…And therefore I thank the eternal power that I meet my end, not from secret plots, nor from the pain of a tedious illness, nor by the fate of a criminal, but that in the mid-career of glorious renown I have been founds worthy of so noble a departure from this world...
Guard well and reverence that form of government Which will eschew alike licence and slavery; Guard well and reverence that form of government Which will eschew alike licence and slavery; And from your polity do not wholly banish fear. For what man living, freed from fear, will still be just? Hold fast such upright fear of the law’s sanctity,
Source: Phillip Vellacott, The Oresteian Trilogy, Penguin 1973 ( Google Books https://books.google.com.au/books?id=tuRiOESBVjkC) source: Oresteia (458 BC), Eumenides, lines 526–530 (tr. E. D. A. Morshead)
Ref: en.wikiquote.org - Aeschylus / Quotes / Oresteia (458 BC) / Eumenides
“And the people bowed and prayed
To the neon god they made”
The Sound of Silence
Song lyrics, Wednesday Morning, 3 A.M. (1964)
Context: And the people bowed and prayed
To the neon god they made
And the sign flashed out its warning
In the words that it was forming
And the sign said "The words of the prophets
Are written on the subway walls
And tenement halls
And whispered in the sound of silence"
On President Jackson and the Indian Removal Act, in Ch. 17
A Narrative of the Life of David Crockett (1834)
Context: It was expected of me that I was to bow to the name of Andrew Jackson, and follow him in all his motions, and windings, and turnings, even at the expense of my consciences and judgment. Such a thing was new to me, and a total stranger to my principles. … His famous, or rather I should say infamous Indian bill was brought forward and, and I opposed it from the purest motives in the world. Several of my colleagues got around me, and told me how well they loved me, and that I was ruining myself. They said it was a favorite measure of the President, and I ought to go for it. I told them I believed it was a wicked unjust measure, and that I should go against it, let the cost to myself be what it might; that I was willing to go with General Jackson in everything that I believed was honest and right; but further than this, I wouldn't go for him, or any other man in the whole creation.
Source: The Rainbow: From Myth to Mathematics (1959), p. 27
Context: A Hebrew belief asserted that if Yahweh lays aside his bow and hangs it in the clouds, this is a sign that his anger has subsided. Other peoples have had similar ideas, based upon the tradition that an archer carries his bow with the ends pointing downward when he wishes to indicate his peaceful intentions.
“If we only have love
We will never bow down”
If Only We Have Love (1957)
Context: If we only have love
We will never bow down
We'll be tall as the pines
Neither heroes nor clowns.
If we only have love
Then we'll only be men
And we'll drink from the Grail
To be born once again;
Then with nothing at all
But the little we are
We'll have conquered all time
All space, the sun, and the stars!
Bewilderness (DVD, 2001)
“If we only have love
We will never bow down”
As closing scene in the 1968 musical Jacques Brel is Alive and Well and Living in Paris (1975 film version) http://www.youtube.com/watch?v=wdSXpC8fbNA
Translations and adaptations, If We Only Have Love (1968)
Context: If we only have love
We will never bow down
We'll be tall as the pines
Neither heroes nor clowns.
If we only have love
Then we'll only be men
And we'll drink from the Grail
To be born once again
Then with nothing at all
But the little we are
We'll have conquered all time
All space, the sun, and the stars.
Through the course of time these lines have often been altered into "'Tis a gift", rather than the original "'Tis the gift". The song was largely unknown outside of the Shaker community until Aaron Copland used the melody in his 1944 composition "Appalachian Spring". Many people have thought that the tune of "Simple Gifts" is a traditional celtic tune (as it is implied to be, as used in the theatrical play Lord of the Dance) but the music and original lyrics are actually the compositions of Joseph Brackett. The original lyrics to a song "Lord of the Dance", based upon the tune, were written by the Quaker poet Sydney Carter in 1963, and these were adapted (in ignorance of the actual origins) without authorization or acknowledgments in the play, but acknowledgement was eventually made, and some royalty payments arranged. Several other adaptations and parodies have since occurred. · Alison Krauss performance http://www.youtube.com/watch?v=DBOYYlanm1k · Performance by the King's Singers http://www.youtube.com/watch?v=x6yTRcr2dxM - GMCLA performance http://www.youtube.com/watch?v=AIx57ATBgZg · Arrangement by John Williams for the Inauguration of US President Barack Obama https://www.youtube.com/watch?v=sXEIiKZRgpo&spfreload=10
Simple Gifts (1848)
Context: p> 'Tis the gift to be simple, 'tis the gift to be free,
'Tis the gift to come down where we ought to be,
And when we find ourselves in the place just right,
'Twill be in the valley of love and delight.When true simplicity is gain'd
To bow and to bend we shan't be asham'd,
To turn, turn will be our delight
'Till by turning, turning we come round right.</p
The Rainbow: From Myth to Mathematics (1959)
Context: In ancient classical literature the rainbow sometimes was deified as Iris; at other times it was regarded merely as the route traversed by the messenger of Hera. The conception of the rainbow as a pathway or bridge has been widespread. For some it has been the best of all bridges, built out of three colors; for others the phrase "building on the rainbow" has meant a bootless enterprise. North American Indians were among those who thought of the rainbow as the Pathway of Souls, an interpretation found in many other places. Among the Japanese the rainbow is identified as the "Floating Bridge of Heaven"; and Hawaiian and Polynesian myths allude to the bow as the path to the upper world. In the Austrian Alps the souls of the righteous are said to ascend the bow to heaven; and in New Zealand the dead chieftains are believed to pass along it to reach their new home. In parts of France the rainbow is called the pont du St. Esprit, and in many places it is the bridge of St. Bernard or of St. Martin or of St. Peter. Basque pilgrims knew it as the 'puente de Roma'. Sometimes it is called instead the Croy de St. Denis (or of St. Leonard or of St. Bernard or of St. Martin). In Italy the name arcu de Santa Marina is relatively familiar. Associations of the rainbow and the milky way are frequent. The Arabic name for the milky way is equivalent to Gate of Heaven, and in Russia the analogous role was played by the rainbow. Elsewhere also the bow has been called the Gate of Paradise; and by some the rainbow has been thought to be a ray of light which falls on the earth when Peter opens the heavenly gate. In parts of France the rainbow is known as the porte de St. Jacques, while the milky way is called chemin de St. Jacques. In Swabia and Bavaria saints pass by the rainbow from heaven to earth; while in Polynesia this is the route of the gods themselves.
In Eddic literature the bow served as a link between the gods and man — the Bifrost bridge, guarded by Heimdel, over which the gods passed daily. At the time of the Gotterdamerung the sons of Muspell will cross the bridge and then demolish it. Sometimes also in the Eddas the rainbow is interpreted as a necklace worn by Freyja, the "necklace of the Brisings," alluded to in Beowulf; again it is the bow of Thor from which he shoots arrows at evil spirits. Among the Finns it has been an arc which hurls arrows of fire, in Mozambique it is the arm of a conquering god. In the Japanese Ko-Ji-Ki (or Records of Ancient Matters), compiled presumably in 712, the creation of the island of Onogoro is related to the rainbow. Deities, standing upon the "floating bridge of heaven," thrust down a jeweled spear into the brine and stirred with it. When the spear was withdrawn, the brine that dripped down from the end was piled up in the form of the island. In myth and legend the rainbow has been regarded variously as a harbinger of misfortune and as a sign of good luck. Some have held it to be a bad sign if the feet of the bow rest on water, whereas a rainbow arching from dry land to dry land is a good augury. Dreambooks held that when one dreams of seeing a rainbow, he will give or receive a gift according as the bow is seen in the west or the east. The Crown-prince Frederick August took it as a good omen when, upon his receiving the kingdom form Napoleon in 1806, a rainbow appeared; but others interpreted it as boding ill, a view confirmed by the war and destruction of Saxony which ensued. By many, a rainbow appearing at the birth of a child is taken to be a favorable sign; but in Slavonic accounts a glance from the fay who sits at the foot of the rainbow, combing herself, brings death.
p. 27
Act IV, scene 1, as translated by Getrude Hall
Cyrano de Bergerac (1897)
Context: Valvert: Villain, clod-poll, flat-foot, refuse of the earth!
Cyrano: [taking off his hat and bowing as if the Vicomte had been introducing himself] Ah? … And mine, Cyrano-Savinien-Hercule of Bergerac!
Valvert: [exasperated] Buffoon!
Cyrano: [giving a sudden cry, as if seized with a cramp] Aï! …
Valvert: [who had started toward the back, turning] What is he saying now?
Cyrano: [screwing his face as if in pain] It must have leave to stir … it has a cramp! It is bad for it to be kept still so long!
Valvert: What is the matter?
Cyrano: My rapier prickles like a foot asleep!
Valvert: [drawing] So be it!
Cyrano: I shall give you a charming little hurt!
Valvert: [contemptous] Poet!
Cyrano: Yes, a poet, … and, to such an extent, that while we fence, I will, hop!, extempore, compose you a ballade!
Valvert: A ballade?
Cyrano: I fear you do not know what that is.
Valvert: But …
Cyrano: [as if saying a lesson] The ballade is composed of three stanzas of eight lines each …
Valvert: [stamps with his feet] Oh!
Cyrano: [continuing] And an envoi of four.
Valvert: You …
Cyrano: I will with the same breath fight you and compose one. And, at the last line, I will hit you. Valvert: Indeed you will not!
Cyrano: No? … [Declaiming]
Ballade of the duel which in Burgundy house
Monsieur de Bergerac fought with a jackanape …
Valvert: And what is that, if you please?
Cyrano: That is the title.
[ … ]
Cyrano: [closing his eyes a second] Wait. I am settling upon the rhymes. There. I have them. [in declaiming, he suits the action to the word]
Of my broad felt made lighter,
I cast my mantle broad,
And stand, poet and fighter,
To do and to record.
I bow, I draw my sword …
En garde! With steel and wit
I play you at first abord …
At the last line, I hit! [They begin fencing] You should have been politer;
Where had you best be gored?
The left side or the right — ah?
Or next your azure cord?
Or where the spleen is stored?
Or in the stomach pit?
Come we to quick accord …
At the last line, I hit! You falter, you turn whiter?
You do so to afford
Your foe a rhyme in "iter"? …
You thrust at me — I ward —
And balance is restored.
Laridon! Look to your spit! …
No, you shall not be floored
Before my cue to hit! [He announces solemnly] Envoi Prince, call upon the Lord! …
I skirmish … feint a bit …
I lunge! … I keep my word!
[The Vicomte staggers, Cyrano bows. ]
At the last line, I hit!
Source: In My Own Way: An Autobiography 1915-1965 (1972), p. 18
Orthodoxy (1884).
Context: Love is the only bow on Life's dark cloud. It is the morning and the evening star. It shines upon the babe, and sheds its radiance on the quiet tomb. It is the mother of art, inspirer of poet, patriot and philosopher. It is the air and light of every heart — builder of every home, kindler of every fire on every hearth. It was the first to dream of immortality. It fills the world with melody — for music is the voice of love. Love is the magician, the enchanter, that changes worthless things to Joy, and makes royal kings and queens of common clay. It is the perfume of that wondrous flower, the heart, and without that sacred passion, that divine swoon, we are less than beasts; but with it, earth is heaven, and we are gods.
“We can no longer afford to worship the god of hate or bow before the altar of retaliation.”
1960s, Beyond Vietnam: A Time to Break Silence (1967)
Context: We can no longer afford to worship the god of hate or bow before the altar of retaliation. The oceans of history are made turbulent by the ever-rising tides of hate. And history is cluttered with the wreckage of nations and individuals that pursued this self-defeating path of hate.
Go Rin No Sho (1645), The Fire Book
Context: "To tread down the sword" is a principle often used in strategy. First, in large-scale strategy, when the enemy first discharges bows and guns and then attacks, it is difficult for us to attack if we are busy loading powder into our guns or notching our arrows. The spirit is to attack quickly while the enemy is still shooting with bows or guns. The spirit is to win by "treading down" as we receive the enemy's attack.
In single combat, we cannot get a decisive victory by cutting, with a "tee-dum tee-dum" feeling, in the wake of the enemy's attacking long sword. We must defeat him at the start of his attack, in the spirit of treading him down with the feet, so that he cannot rise again to the attack.
Theodric : A Domestic Tale; and Other Poems (1825), To the Rainbow
Context: p>Can all that optics teach, unfold
Thy form to please me so,
As when I dreamt of gems and gold
Hid in thy radiant bow?When Science from Creation's face
Enchantment's veil withdraws,
What lovely visions yield their place
To cold material laws! And yet, fair bow, no fabling dreams,
But words of the Most High,
Have told why first thy robe of beams
Was woven in the sky.</p
Source: Drenai series, Legend, Pt 1: Against the Horde, Ch. 10
Und sind Sie mit mir einer Meinung, daß es die erste Bedingung zu einem Künstler sei, daß er Respekt vor dem Großen habe, und sich davor beuge, und es anerkenne, und nicht die großen Flammen auszupusten versuche, damit das kleine Talglicht ein wenig heller leuchte?
Letter to Wilhelm Taubert, August 27, 1831, cited from Reisebriefe von Felix Mendelssohn Bartholdy: Aus den Jahren 1830 bis 1832 (Leipzig: Hermann Mendelssohn, 1862) p. 256; translation from Emil Naumann (trans. F. Praeger) The History of Music (London: Cassell, 1886) vol. 2, p. 1052-53.
Alex Jones Setup With Child Porn In Sandy Hook Case, Offers Reward https://www.youtube.com/watch?time_continue=430&v=Z5RS-Mu5Vb8 The Alex Jones Show, June 14, 2019
2019
Pity the tortoise, the katydid, the wild-bird, and the ox. Poor, undeveloped, untaught creatures! Into their dim and lowly lives strays of sunshine little enough, though the fell hand of man be never against them. They are our fellow-mortals. They came out of the same mysterious womb of the past, are passing through the same dream, and are destined to the same melancholy end, as we ourselves. Let us be kind and merciful to them.
"Conclusion", pp. 327–328
The Universal Kinship (1906), The Ethical Kinship
(12 January 2019) https://twitter.com/TulsiGabbard/status/1084199593926189057
Twitter account, January 2019
Waldersee in his diary, 6 December 1883, quoted in Walter R. Pierce, Herr und Heer: The German Social Democrats and the Officer Corps, A Reappraisal
“They who bow to the enemy abroad will not be of power to subdue the conspirator at home.”
Source: Letters On a Regicide Peace (1796), p. 18
"Industrial Unionism" (1905), Eugene Debs Speaks
Klopp comparing the financial capabilities of Bayern Munich and Borussia Dortmund.
About Bayern Munich
2010s, I'd like to see MORE football player protests — NOT less (27 September 2017)
Roger Kimball, "A gospel of emancipation", The New Criterion, October 1997
responding to McDougall who claimed he was disloyal for not supporting the Government - Lambton debates 1867 - Buckingham page 229
Regarding his interrupted, first deployment to Afghanistan
Source: Jobson, Robert. Harry’s War: The True Story of the Soldier Prince. London: John Blake, 2008. Kindle.
Political Register (2 June 1832), p. 545
1830s
Joanna Jedrzejczyk shocked at UFC 223 loss to Namajunas, tells other strawweights: 'Bow down', Edward Vkanty, May 14, 2017, August 25, 2017 https://mmajunkie.com/2018/04/joanna-jedrzejczyk-shocked-at-ufc-223-loss-tells-strawweights-bow-down-rose-namajunas,
Jędrzejczyk to other women's strawweight fighters, at UFC 223 post-fight press conference, after her second loss to Rose Namajunas.
"On Revolutionary Morality" (1958)
1950's, On Revolutionary Morality (1958)
The Century Vol. 44, Issue 4 (August 1892)
Tears (1892)
Source: Geoffrey Rudolph Elton, Return to Essentials (2002)
Source: attributed and quoted in Josyer, G R. Sanskrit Civilization, International Academy of Sanskrit Research. Mysore 1966 p. 1
https://books.google.com/books/about/A_Tribute_to_Hinduism.html?id=G3AMAQAAMAAJ A tribute to Hinduism: Thoughts and wisdom spanning continents and time about India and her culture
“When God comes at me
do I bow the stallion's legs
or meet him with flared nostrils?”
Control: A translation (1974)
"Twenty-three Horse Poems", 5 (《马诗二十三首(其五)》), in Song of the Immortals: An Anthology of Classical Chinese Poetry, trans. Xu Yuanchong (Penguin Books, 1994), p. 91
Original: (zh-CN) 大漠沙如雪,燕山月似钩。
何当金络脑,快走踏清秋。
The Lord of Misrule
The Lord of Misrule and Other Poems (1915)
The Lord of Misrule
The Lord of Misrule and Other Poems (1915)
Opening lines of "The Hashish Eater; or, the Apocalypse of Evil" (1920)