Quotes about balcony

A collection of quotes on the topic of balcony, likeness, people, time.

Quotes about balcony

Terry Pratchett photo
Terry Pratchett photo
Pope Francis photo
Bryan Lee O'Malley photo

“this song is for the guy who keeps yelling from the balcony, and it's called 'we hate you, please die.”

Bryan Lee O'Malley (1979) Artist

Source: Scott Pilgrim, Volume 1: Scott Pilgrim's Precious Little Life

Pablo Neruda photo
Carson Grant photo

“…to harness and directed peaceful energy from the viewers under the mountain through a twenty foot, five pointed Texas Star Vortex which was hung between the two massive exterior columns on the balcony into the historically tarnished Dallas Dealy Plaza and book depository hoping to honor John F. Kennedy's memory.”

Carson Grant (1950) American actor

Kaminsky, Denise, Aug 2006, "Carson Grant: Actor/Artist- A Lifetime of Art", Denise's Interviews and Media News, p. 1
Prytyskacz,Jean, "Focus on an Artist", Westside Arts Coalition Newsletter, Spring 2007, p. 5
About a walk-under suspended cellophane and plastic 3-D hologram mountain installation Harmony Mountain (100' x 100') Carson constructed inside the second floor of the old Dallas Union Train Station for the SIGGRAPH 1990 Convention, Texas

“[Unnamed actress on the set of Grand Prix] never had eyes for me. Hell, she wouldn't even talk to me, after she'd found out that I was just an unimportant actor. Good grief! Then, this is what happened: We were sitting in the foyer of the Hotel de Paris in Monte Carlo. She, myself and Antonio. Then an assistant director crossed our path. That actress was trying to get him to take us to the theatre where they were showing the rushes of the day before. After some discussion, she persuaded him. He said: `Be quiet, I'm gonna lose my job…' So we hid in the balcony, looking down, where that wonderful director Frankenheimer was sitting. After some minutes of racing cars, finally her scene came, and she was doing a phone call - she was playing a sophisticated magazine editor -, and suddenly you could hear the director, who had this loud, resonant voice, howling in rage, because he didn't like her at all. `Oh my God, she's awful! She can't walk, she can't talk, look at her hair!' So he turned to that faggot hairdresser, who was like Katherine the Great, and this guy said: `Well, usually she plays this peasant types. I don't know why you cast her for this role in the first place!”

Donald O'Brien (actor) (1930–2003) Italian film and TV actor

And remember, this actress was sitting there with us, and she nearly went crazy! She was squirming with embarrassment. This is an actor's nightmare, you know. The next day she was fired.
Euro Trash Cinema magazine interview (March 1996)

Pierre Monteux photo

“Now that was very impressive. But before you try to impress the ladies in the balcony, make sure the horns come in.”

Pierre Monteux (1875–1964) French conductor

Quoted from Freedland, M. André Previn. Century, 1991. p97
To a student conductor.

Octavio Paz photo
Gaurav Sharma (author) photo
Albert Camus photo
Gerald Durrell photo

“Halfway up the slope, guarded by a group of tall, slim, cypress-trees, nestled a small strawberry-pink villa, like some exotic fruit lying in the greenery. The cypress-trees undulated gently in the breeze, as if they were busily painting the sky a still brighter blue for our arrival.
The villa was small and square, standing in its tiny garden with an air of pink-faced determination. Its shutters had been faded by the sun to a delicate creamy-green, cracked and bubbled in places. The garden, surrounded by tall fuschia hedges, had the flower beds worked in complicated geometrical patterns, marked with smooth white stones. The white cobbled paths, scarcely as wide as a rake's head, wound laboriously round beds hardly larger than a big straw hat, beds in the shape of stars, half-moons, triangles, and circles all overgrown with a shaggy tangle of flowers run wild. Roses dropped petals that seemed as big and smooth as saucers, flame-red, moon-white, glossy, and unwrinkled; marigolds like broods of shaggy suns stood watching their parent's progress through the sky. In the low growth the pansies pushed their velvety, innocent faces through the leaves, and the violets drooped sorrowfully under their heart-shaped leaves. The bougainvillaea that sprawled luxuriously over the tiny iron balcony was hung, as though for a carnival, with its lantern-shaped magenta flowers. In the darkness of the fuschia-hedge a thousand ballerina-like blooms quivered expectantly. The warm air was thick with the scent of a hundred dying flowers, and full of the gentle, soothing whisper and murmur of insects.”

My Family and Other Animals (1956)

Angelique Rockas photo
Li Bai photo

“Her robe is a cloud, her face a flower;
Her balcony, glimmering with the bright spring dew,
Is either the tip of earth's Jade Mountain,
Or a moon-edged roof of paradise.”

Li Bai (701–762) Chinese poet of the Tang dynasty poetry period

"A Song Of Pure Happiness I" (清平调之一)

Jerome David Salinger photo
The Mother photo

“Every morning, at the balcony, after establishing a conscious contact with each of those who are present, I identify myself with the Supreme Lord and merge myself completely in Him. Then my body, completely passive, is nothing but a channel through which the Lord passes freely His forces and pours on all His Light, His Consciousness and His Joy, according to each one's receptivity.”

The Mother (1878–1973) spiritual collaborator of Sri Aurobindo

In "The Formation Of The Ashram", and also in [ The Mother: The Story of Her Life by Georges Van Vrekhem ( 2004) http://books.google.co.in/books?id=8hgG8aweqncC&pg=RA1-PT134&lpg=RA1-PT134, p. 134

Umberto Boccioni photo
Hunter S. Thompson photo
Gabriel García Márquez photo
Anni-Frid Lyngstad photo

“The moment on the town hall balcony was very heartfelt and I was moved to tears by the fantastic welcome from all the people in the street looking up on us where we stood. We felt like royalty at that moment, waving to them all down there.”

Anni-Frid Lyngstad (1945) Swedish female singer

What Made Australians The World's Most Feverish ABBA Fans? by Neil McMahon, published by The Sydney Morning Herald. 17 February 2017 http://www.smh.com.au/good-weekend/what-made-australians-the-worlds-most-feverish-abba-fans-20170215-gue00r.html
Sydney Morning Herald interview (2017)

Jeff Foxworthy photo
Jeff Morrow photo
Umberto Boccioni photo

“Let us explain again by examples. In painting a person on a balcony, seen from inside the room do not limit the scene to what the square of the window renders visible; we try to render the sum total of visual sensations which the person on the balcony has experienced; the sun-baked throng in the street, the double row of houses which stretch to right and left, the beflowered balconies etc. This implies the simultaneity of the ambient, and, therefore, the dislocation and the dislocation and dismemberment of objects, the scattering and fusion of details, freed from accepted logic and independent from one another. In order to make the spectator live in the center of the picture, as we express it in our manifesto the picture must be the synthesis of what one remembers and what one sees. You must render the invisible which stirs lives beyond intervening obstacles, what we have on the right, or the left, or behind us, and not merely the small square of life artificially compressed, as it were, by the wings of a stage set. We have declared in our manifesto that what must be rendered is the dynamic sensation, that is to say, the particular rhythm of each object, its inclination, its movement, or more exactly, its interior force.”

Umberto Boccioni (1882–1916) Italian painter and sculptor

Boccioni is referring in this quote to the 'Manifesto of Futurist Painters' of 1910, and its core Futurist concept of dynamic sensation; p. 47.
1912, Les exposants au public', 1912

Paul Bourget photo
Charles Baudelaire photo