Quotes about backdrop

A collection of quotes on the topic of backdrop, people, life, likeness.

Quotes about backdrop

“Life today is an autopoietic, photosynthetic phenomenon, planetary in scale. A chemical transmutation of sunlight, it exuberantly tries to spread, to outgrow itself. Yet by reproducing, it maintains itself and its past even as it grows. Life transforms to meet the contingencies of its changing environment and in doing so changes that environment. By degrees the environment becomes absorbed into the processes of life, becomes less a static, inanimate backdrop and more and more like a house, nest, or shell—that is, an involved, constructed part of an organic being.”

Lynn Margulis (1938–2011) American evolutionary biologist

What is Life? (1995)

Life, Change, Past, Parting

“If you don't like the scene you're in, if you're unhappy, if you're lonely, if you don't feel that things are happening, change your scene. Paint a new backdrop.”

Leo Buscaglia (1924–1998) Motivational speaker, writer

Feeling, Change, Painting

“The sharp side of the knife goes away from you. Pure reason does not trump brute force but suprisingly few people know what hot peppers look like when the teacher asks if you have enough to share with everyone. Never take the lid of a pressure cooker 'to see if it's done yet'. Even if you are careful with the picric acid that won't matter if you are careless with other items next to it. Move *away* from mysterious burglar alarms. Do not append 'you moron' to exposition directed at people who have just broken into your building. 'We need to talk' is overwhelmingly unlikely to precede good news. A rough brick wall may be used to sort socks or as a backdrop for sock-art (The Neglected Art). A silent cat is Up to Something. Lungs are unsuited for many possible atmospheres, including that of London, and anything with a high content of industrial cleaners. Youth will not save you from Newton's Laws. Or Darwin's.”

James Nicoll (1961) Canadian fiction reviewer

Facebook post (2014) https://www.facebook.com/james.nicoll.927/posts/10152710405547985 <br class="br">2010s

People, Youth, Law, Art

“Ballet for a rainy day
Silent film of melting miracle play
Dancing out there through my window
To the backdrop of a slow descending grey”

Andy Partridge (1953) British musician

"Ballet For A Rainy Day".
Skylarking (1986)

Dance

“I will recall once more Russia's most recent history.
Above all, we should acknowledge that the collapse of the Soviet Union was a major geopolitical disaster of the century. As for the Russian nation, it became a genuine drama. Tens of millions of our co-citizens and compatriots found themselves outside Russian territory. Moreover, the epidemic of disintegration infected Russia itself.
Individual savings were depreciated, and old ideals destroyed. Many institutions were disbanded or reformed carelessly. Terrorist intervention and the Khasavyurt capitulation that followed damaged the country's integrity. Oligarchic groups — possessing absolute control over information channels — served exclusively their own corporate interests. Mass poverty began to be seen as the norm. And all this was happening against the backdrop of a dramatic economic downturn, unstable finances, and the paralysis of the social sphere.
Many thought or seemed to think at the time that our young democracy was not a continuation of Russian statehood, but its ultimate collapse, the prolonged agony of the Soviet system.
But they were mistaken.
That was precisely the period when the significant developments took place in Russia. Our society was generating not only the energy of self-preservation, but also the will for a new and free life.”

Vladimir Putin (1952) President of Russia, former Prime Minister

Kremlin RU, http://kremlin.ru/eng/speeches/2005/04/25/2031_type70029type82912_87086.shtml (25 April 2005) <br class="br">2000 - 2005

Life, Democracy, History, Thinking

“What we've lost - 'I said in more or less these terms' - is the proper interest in and taste for detail. We've been noting that for a long time yet the loss is irremediable. In the old days man was everything. A human face was worth a poem. When nature appeared behind a human being it was a kind of backdrop taking the place of the dark background of portrait painters or the gold of the Italian primitives… The day when a separation took place art was diminished. It was transformed the day that the 'subject' and the 'genre' destroyed great painting, denaturing even landscapes.”

Eugène Fromentin (1820–1876) French painter

Quote of Fromentin, as cited by Sarah Anderson in Between Sea and Sahara: An Orientalist Adventure, 'Chapter IV', Eugène Fromentin, (1859); transl. Blake Robinson; publisher I.B. Tauris 2004, p. 4

Art, Nature, Appearance, Loss

“[to Rupert Grint] Look at the great city of LA stretched out in front of you, son: there's dangerous people living in that cardboard backdrop.”

Craig Ferguson (1962) Scottish-born American television host, stand-up comedian, writer, actor, director, author, producer and voice a…

The Late Late Show with Craig Ferguson (2005–2014)

People

“Already, in the decades before Independence our people were giving thought to their vision of an Independent India. Pandit Motilal Nehru drafted the well-known Nehru Report on the Constitution of free India. The Karachi Session of the Indian National Congress held in March, 1931 adopted the famous Resolution moved by Mahatma Gandhi which contained our charter on Fundamental Rights. It is against this historical backdrop of a long and arduous struggle and the crystallization of our vision of a sovereign, democratic nation that the first session of the Constituent Assembly was held in 1946, when, as Panditji said, we embarked on `the high adventure of giving shape, in the printed and written word, to a nation's dream and aspiration.”

Shankar Dayal Sharma (1918–1999) Indian politician

Address By Dr. Shanker Dayal Sharma President Of India On The Occasion Of The 50th Anniversary Of The First Sitting Of The Constituent Assembly

People, Dreams

“The mirror by the door was not a mirror by the door, it was an altar where he stood for only a moment to put on his cap before going out. The red rocking chair was a rocking of his own hips as he sat in the kitchen. Still, there was nothing of his — his own — that she could find. It was as if she were afraid she had hallucinated him and needed proof to the contrary. His absence was everywhere, stinging everything, giving the furnishings primary colors, sharp outlines to the corners of rooms and gold light to the dust collecting on table tops. When he was there he pulled everything toward himself. Not only her eyes and all her senses but also inanimate things seemed to exist because of him, backdrops to his presence. Now that he had gone, these things, so long subdued by his presence, were glamorized in his wake.”

Toni Morrison book Sula

Sula (1973)

Color, Sense, Light

“Don't do that… By the way, this is not Oprah furniture; you jump on this, and it will be firewood… Oprah's got the real thing, this stuff…this is about as real as that [points to cityscape backdrop] right there.”

Craig Ferguson (1962) Scottish-born American television host, stand-up comedian, writer, actor, director, author, producer and voice a…

On Clive Barker pretending to be Tom Cruise.
The Late Late Show with Craig Ferguson (2005–2014)

Way

“Why have I sold out? You think I'm supposed to grow old, beating some trite old protest drum that people don't hear anymore? Please; protest is now just a backdrop for a Diesel clothing ad in a slick fashion magazine. My goal is to create a metaphor that changes our reality by charming people into considering their world in a different way. It's time — for me, at least — to be clever and seduce people by entertaining them. I'll never be heard if I'm always ranting and griping.”

Chuck Palahniuk (1962) American novelist, essayist

"You Ask The Questions," The Independent Review (2004-03-25)

People, World, Way, Fashion

“The Hiroshima people’s experience, is a picture of what our whole world is always poised to become, a backdrop of scarcely imaginable horror lying just behind the surface of our normal life, and capable of breaking through into that normal life at any second.”—The New Yorker, February 1, 1982.”

Jonathan Schell (1943–2014) American author

Life, People, World, Imagination

“Viewed against such a backdrop, there is creeping anxiety about the future of our nation, characterised as it is by deep communal divisions and a disturbingly high rate of out-migration of our skilled people.”

Mahendra Chaudhry (1942) Fijian politician

Address to the conference of the Fiji Labour Party, Lautoka, 31 July 2005

People, Communication, Future

“The first-century church in Jerusalem clearly had it. And they didn't have any fancy accoutrements. So it can't possibly be stained-glass windows, hand-carved cherubs, custom silk tapestries, gold-inlaid hymnals, thousand-pipe organs, marble floors, mile-high steeples, hand-painted ceilings, mahogany pews, giant cast-iron bells, and a three-piece, thousand dollar suit. It doesn't stick any better to a young, hip, shaved-headed pastor with rimmed glasses, a goatee, and tattoos than it does to an older, stately gentleman in a robe. Nor is it spotlights and lasers, video production, satellite dishes, fog machines, shiny gauze backdrops, four-color glossy brochures, sexy billboards, loud "contemporary" music, free donuts, coffee shops, hip bookstores, break dancing or acrobatics, sermon series named after television shows, a retro-modern matching chair and table onstage, or blue jeans and Heelys. It is not being on television, being on the Internet, or being on book and magazine covers. It is real. It is genuine.”

Craig Groeschel (1967) American priest

It – How Churches and Leaders Can Get It and Keep It (2008, Zondervan)

Books, Music, Color, Coffee

“Within the DM paradigm the Tully-Fisher law must arise from galaxy formation since it connects luminosity of baryonic matter with a dynamical property, rotation, which is seen as dominated by the DM halo. But it has not been easy to derive Tully-Fisher from any natural connection between the two components. And as R. H. Sanders has pointed out, the messiness of galaxy formation is hardly the natural backdrop for such a sharp correlation between galaxy properties. The sharpness needs a dynamical reason as opposed to an evolutionary one.”

Jacob Bekenstein (1947–2015) Mexican-Israeli physicist

[Alternatives to dark matter: Modified gravity as an alternative to dark matter, arXiv preprint arXiv:1001.3876, 21 January 2010, https://arxiv.org/abs/1001.3876]

Law, Nature

“One could even argue that our creative endeavours and achievements and small acts of kindness are all the more impressive against the backdrop of a purposeless universe.”

Steve Stewart-Williams (1971)

Source: Darwin, God and the Meaning of Life: How Evolutionary Theory Undermines Everything You Think You Know (2010), p. 196

Universe

“I find some of my new works disturbing, just as I find nature as a whole disturbing. The landscape is often perceived as pastoral, pretty, beautiful – something to be enjoyed as a backdrop to your weekend before going back to the nitty-gritty of urban life. But anybody who works the land knows it's not like that. Nature can be harsh – difficult and brutal, as well as beautiful. You couldn't walk five minutes from here without coming across something that is dead or decaying.”

Andy Goldsworthy (1956) British sculptor and photographer

He's got the whole world in his hands http://www.telegraph.co.uk/culture/art/3663966/Hes-got-the-whole-world-in-his-hands.html, The Telegraph (24 March 2007)

Life, Beauty, Nature, Dead

“Painting is the magic art, the fire set alight on the windows of the rich dwelling, as on those of the humble hovel, from the last rays of the setting sun, it is the long mark, the humid mark, the fluent and still mark that the dying wave etches on the hot sand, it is the darting of the immortal lizard on the rock burnt by the midday heat, it is the rainbow of conciliation, on sad May afternoons, after the storm has passed, down there, making a dark backdrop to the almond trees in flower, to the gardens with their washed colours, to the ploughmen's huts, smiling and tranquil, it is the livid cloud chased by the vehement blowing of Aeolus enraged, it is the nebulous disk of the fleeting moon behind the ripped-open funereal curtain of a disturbed sky in the deep of night, it is the blood of the bull stabbed in the arena, of the warrior fallen in the heat of battle, of Adonis' immaculate thigh wounded by the obstinate boar's curved tusk, it is the sail swollen with the winds of distant seas, it is the centuries-old tree browned in the autumn..”

Giorgio de Chirico (1888–1978) Italian artist

Quote from the first lines in De Cirico's essay 'Painting', 1938; from http://www.fondazionedechirico.org/wp-content/uploads/211_Painting_1938_Metaphysical_Art.pdf 'Painting', 1938 - G. de Chirico, presentation to the catalogue of his solo exhibition Mostra personale del pittore Giorgio de Chirico, Galleria Rotta, Genoa, May 1938], p. 211
1920s and later

Sadness, Smile, Art, Flowers

“The result is a horrible mess of a movie, without shape, trajectory or purpose — a one joke movie, if it had one joke. The two characters wander witlessly past the bizarre backdrops of Las Vegas (some real, some hallucinated, all interchangeable) while zonked out of their minds. Humor depends on attitude. Beyond a certain point, you don't have an attitude, you simply inhabit a state. I've heard a lot of funny jokes about drunks and druggies, but these guys are stoned beyond comprehension, to the point where most of their dialog could be paraphrased as "eh?"… As for Depp, what was he thinking he made this movie? He was once in trouble for trashing a New York hotel room, just like the heroes of Fear and Loathing in Las Vegas. What was that? Research? After River Phoenix died of an overdose outside Depp's club, you wouldn't think Depp would see much humor in this story — but then, of course, there *isn't* much humor in this story.”

Roger Ebert (1942–2013) American film critic, author, journalist, and TV presenter

Review http://www.rogerebert.com/reviews/fear-and-loathing-in-las-vegas-1998 of Fear and Loathing in Las Vegas (22 May 1998) <br class="br">Reviews, One-star reviews

Fear, Guy, Thinking, Past

“"From the singular appearance of this place I called it the gates of the rocky mountains," Captain Lewis said in his journals. Its singular appearance makes it a fitting backdrop for early and everlasting drama in which nature plays the leading role.”

Norman Maclean book Young Men and Fire

Young Men and Fire (1992)

Mountain, Nature, Appearance

“Despite the awfulness of what was happening, the backdrop was a scene of beauty: a clear sky, a bright moon, clearly visible stars, flat undisturbed water, and an immense liner blazing with pinholes of light.”

Steve Turner (1949) British writer

Source: The Band That Played On (Thomas Nelson, 2011), p. 142

Beauty, Star, Light, Water

“The bloody massacre in Bangladesh quickly covered over the memory of the Russian invasion of Czechoslovakia, the assassination of Allende drowned out the groans of Bangladesh, the war in the Sinai Desert made people forget Allende, the Cambodian massacre made people forget Sinai, and so on and so forth until ultimately everyone lets everything be forgotten.
In times when history still moved slowly, events were few and far between and easily committed to memory. They formed a commonly accepted backdrop for thrilling scenes of adventure in private life. Nowadays, history moves at a brisk clip. A historical event, though soon forgotten, sparkles the morning after with the dew of novelty. No longer a backdrop, it is now the adventure itself, an adventure enacted before the backdrop of the commonly accepted banality of private life.”

Milan Kundera book The Book of Laughter and Forgetting

Part I: Lost Letters (p. 7)
The Book of Laughter and Forgetting (1979)

Life, War, People, History

“We have an opportunity here to make the courts, as these cases wind their way up, understand privacy issues, emerging tech issues, against the backdrop of civil rights and through the prism of free information… DDoS is absolutely speech, it should absolutely be recognized as such, protected as such, and the law should be changed… The government and people who write about tech tend to call it a "DDoS attack" but in certain circumstances it's not a DDoS attack, but a DDoS protest. So the law should be narrowly drawn and what needs to be excised from that are the legitimate protests. It's really easy to tell legitimate protests, I think, and we should be broadly defining legitimate protests… I don't have to like or agree with the people that I represent to represent them. I have represented neo-Nazis and I'm Jewish… Everyone is entitled to a defense and the more reprehensible they are and maybe the more guilty they seem at the beginning of the case makes them more entitled to a vigorous and hard-hitting defense. So I don't necessarily know that there's someone I wouldn't represent based upon what they did or based upon their politics… People who cooperate, throw someone else into harm's way so they can soften the blow on themselves, I tend not to represent.”

Jay Leiderman (1971) lawyer

As mentioned in the Atlantic interview http://www.theatlantic.com/international/archive/2012/10/hacktivists-advocate-meet-the-lawyer-who-defends-anonymous/263202/

People, Law, Way, Understanding

“Naguib Mahfouz, an Egyptian novelist who was the first Arabic writer to receive the Nobel Prize for literature and who was often considered the greatest writer in the Arab world… lived his entire life in Cairo, which provided the inspiration and backdrop for almost all of his writing… He set most of his works in the ancient Islamic quarter of Cairo, with its mosques and serpentine alleys teeming with shopkeepers, metalsmiths, government workers, peasants, prostitutes and thieves. His vibrant novels portraying life at every level of society were often likened to those of such other writers of urban social realism as Charles Dickens, Honore de Balzac and Emile Zola.”

Naguib Mahfouz (1911–2006) Egyptian writer

Matt Schudel " Leading Arab Novelist Gave Streets a Voice http://www.washingtonpost.com/wp-dyn/content/article/2006/08/30/AR2006083000475.html" in: Washington Post, August 31, 2006

World, Life, Literature

“I am interested in how we interrogate architecture in terms of its social functions and meanings. Architectural historians writing on eighteenth and early nineteenth century Britain have tended to see social history as the answer to this question. But the social history of architecture or the histories of specific social groups which operated in and around the architecture or building(s), or indeed the spaces created by them or for them, provide only a backdrop or loose historical context.”

Dana Arnold (1961) Middlessex uni prof

Source: Reading Architectural History (2002), Ch. 4 : A class performance : Social histories of architecture

History, Question