
Papa's Got a Brand New Bag' (1965)
Song lyrics
Papa's Got a Brand New Bag' (1965)
Song lyrics
Something He Can Feel.
Song lyrics
Of Education.
Proverbial Philosophy (1838-1849)
“I'm not trying to make anyone forget the Babe; but only to remember Hank Aaron.”
When asked how he felt breaking Babe Ruth's record of 714 home runs, as quoted in "I Just Want People to Remember Hank Aaron" by Tom Saladino (AP), in The Mexia Daily News (July 27, 1974)
My Reviewers Reviewed (lecture from June 27, 1877, San Francisco, CA)
“It ain't no use to sit and wonder why, babe
If you don't know by now”
Compare: "It ain't no use to sit and sigh now, darlin." Paul Clayton, Who's Gonna Buy You Ribbons (When I'm Gone).
Song lyrics, The Freewheelin' Bob Dylan (1963), Don't Think Twice, It's All Right
21 April 1895, page 340
John of the Mountains, 1938
“Thou, while thy babes around thee cling,
Shalt show us how divine a thing
A Woman may be made.”
To a Young Lady, st. 2 (1805).
Introduction, Sec. 3
De architectura (The Ten Books On Architecture) (~ 15BC), Book II
During a budget response debate http://www.publications.parliament.uk/pa/cm201011/cmhansrd/cm100628/debtext/100628-0012.htm, 28 July, 2010.
As quoted by Cia.gov https://www.cia.gov/news-information/featured-story-archive/2013-featured-story-archive/moe-berg.html prior to his death in (1972)
Source: The Boys Of Summer, Chapter 1, The Trolley Car That Ran By Ebbets Field, p. 19
As quoted and paraphrased in "I Have Been a Babe and a Boob" by Joe Winkworth, in Collier's (October 31, 1925), p. 15
Context: "I am through—through with the pests and the good-time guys. Between them and a few crooks I have thrown away more than a quarter of a million dollars. I have been a Babe—and a Boob. I'm through." [Ruth] confesses he faces either oblivion or the hard task of complete reformation. [He] realizes that he must make good all over again. "I am going to do it," he said. "I was going to be the exception, the popular hero who could do as he pleased. But all those people were right. Babe and Boob—that was me all over. Now, though, I know that if I am to wind up sitting pretty on the world I've got to face the facts and admit I have been the sappiest of saps. All right, I admit it. I haven't any desire to kid myself."
Stanza 63
Locksley Hall Sixty Years After (1886)
Why I Am an Agnostic (1896)
Context: What can be more frightful than a world at-war? Every leaf a battle-field—every flower a Golgotha—in every drop of water pursuit, capture and death. Under every piece of bark, life lying in wait for life. On every blade of grass, something that kills,—something that suffers. Everywhere the strong living on the weak—the superior on the inferior. Everywhere the weak, the insignificant, living on the strong—the inferior on the superior—the highest food for the lowest—man sacrificed for the sake of microbes. Murder universal. Everywhere pain, disease and death—death that does not wait for bent forms and gray hairs, but clutches babes and happy youths. Death that takes the mother from her helpless, dimpled child—death that fills the world with grief and tears. How can the orthodox Christian explain these things?
Source: Gargantua and Pantagruel (1532–1564), Gargantua (1534), Chapter 6 : How Gargantua was born in a strange manner.
Context: As soon as he was born, he cried not as other babes use to do, Miez, miez, miez, miez, but with a high, sturdy, and big voice shouted about, Some drink, some drink, some drink, as inviting all the world to drink with him. The noise hereof was so extremely great, that it was heard in both the countries at once of Beauce and Bibarois. I doubt me, that you do not thoroughly believe the truth of this strange nativity. Though you believe it not, I care not much: but an honest man, and of good judgment, believeth still what is told him, and that which he finds written.
“But goodbye's too good a word, babe
So I'll just say fare thee well”
Compare: "So I'm walkin' down that long, lonesome road..." Paul Clayton, Who's Gonna Buy You Ribbons (When I'm Gone).
Song lyrics, The Freewheelin' Bob Dylan (1963), Don't Think Twice, It's All Right
Context: I'm walkin' down that long, lonesome road, babe
Where I'm bound, I can't tell
But goodbye's too good a word, babe
So I'll just say fare thee well
1860s, The Good Fight (1865)
Context: But the spirit of caste, if naturally more malignant in a region where personal slavery has been abolished against the will of the dominant class, is not confined to it. We are apt to draw the line geographically, but it will not run so. They may be sad goats on the other side of the line, but we sheep may find an occasional speck in our virtuous wool. 'Caste must be maintained', say the governors and legislatures of Mississippi and Louisiana and Alabama and North and South Carolina and Georgia.' 'Amen', says Connecticut, 'that is a political wooden nutmeg for this market'. 'Amen', says New York, which prefers to pour political power into a foreign white whiskey-skin rather than into a native sound and serviceable vessel of a darker hue. 'Amen', says Indiana, which asks her colored children to fight and die for her upon the battle-field, and refuses by her laws to permit the survivors to return to their homes. 'Amen', say Pennsylvania, New Jersey, Illinois, Michigan, Iowa, California, Minnesota, Oregon, Kansas, Ohio, Wisconsin, Missouri, and West Virginia, which forbid an entire class of their citizens to vote upon equal qualifications with others. And why? Because the party of hostility to human rights, which is 'conservative' in this growing, aspiring, expanding country, exactly as sheet-iron swaddling-clothes are conservative of a new-born babe, pursued by the pitiless logic of the sublime American principle and driven from one absurdity to another, now claims that ours is 'a white man's government'. Oh, no! Gentlemen, you may wish to make it so, but it was not made so. The false history of Judge Taney was promptly corrected from Judge Taney's bench by Justice Curtis.
Orthodoxy (1884).
Context: Love is the only bow on Life's dark cloud. It is the morning and the evening star. It shines upon the babe, and sheds its radiance on the quiet tomb. It is the mother of art, inspirer of poet, patriot and philosopher. It is the air and light of every heart — builder of every home, kindler of every fire on every hearth. It was the first to dream of immortality. It fills the world with melody — for music is the voice of love. Love is the magician, the enchanter, that changes worthless things to Joy, and makes royal kings and queens of common clay. It is the perfume of that wondrous flower, the heart, and without that sacred passion, that divine swoon, we are less than beasts; but with it, earth is heaven, and we are gods.
As quoted and paraphrased in "I Have Been a Babe and a Boob" by Joe Winkworth, in Collier's (October 31, 1925), p. 15
Context: "I am through—through with the pests and the good-time guys. Between them and a few crooks I have thrown away more than a quarter of a million dollars. I have been a Babe—and a Boob. I'm through." [Ruth] confesses he faces either oblivion or the hard task of complete reformation. [He] realizes that he must make good all over again. "I am going to do it," he said. "I was going to be the exception, the popular hero who could do as he pleased. But all those people were right. Babe and Boob—that was me all over. Now, though, I know that if I am to wind up sitting pretty on the world I've got to face the facts and admit I have been the sappiest of saps. All right, I admit it. I haven't any desire to kid myself."
"The Common-Sense View", pp. 184–185
The Universal Kinship (1906), The Psychical Kinship
"The Earth an Evolution", p. 35
The Universal Kinship (1906), The Physical Kinship
The Source and Value of the "Mysteries" (1888)
"Kozmic Blues", co-written with Gabriel Mekler
I Got Dem Ol' Kozmic Blues Again Mama! (1969)
"Kozmic Blues", co-written with Gabriel Mekler
I Got Dem Ol' Kozmic Blues Again Mama! (1969)
"To the Public", No. 1 (1 January 1831) http://www.pbs.org/wgbh/aia/part4/4h2928t.html, quoted in [Todras, Ellen H., Angelina Grimké: Voice of Abolition, https://books.google.com/books?id=-S8ZAQAAMAAJ, 1999, Linnet, 978-0-208-02485-5, 46]
The Liberator (1831 - 1866)
Delicate, written by Taylor Swift, Max Martin, and Shellback
Song lyrics, Reputaion (2017)
The Heretic (1968)