Source: Break-Out from the Crystal Palace (1974), p. 152
Quotes about ant
page 2
Source: Growing Up Absurd (1956), p. 42.
July “BLOWBACK”
The Sheep Look Up (1972)
Degrees of Knowledge (1932, Notre Dame Translation), p. 116.
Pages xv-xvi
2000s, Promises to Keep (2008)
Lecture of Opportunity | Max Brooks: World War Z https://www.youtube.com/watch?v=-nGG5E04cog
As quoted in Omni's Screen Flights/Screen Fantasies (1984) edited by Danny Peary, p. 5
General sources
Press Briefing http://www.state.gov/secretary/rm/2006/70015.htm, August 6, 2006.
"to Copenhagen. bumpy roads & ant colonies http://www.moby.com/taxonomy/term/1048/0," journal entry (7 October 2002) at moby.com
second edition (1874), chapter XIX: "Secondary Sexual Characters of Man", pages 561-562 http://darwin-online.org.uk/content/frameset?pageseq=584&itemID=F944&viewtype=image
Darwin quoted Horace in Latin: "For even before Helen (of Troy) a woman was a most hideous cause of war"
The Descent of Man (1871)
"Antaeus in Manhattan"
The Lives of a Cell: Notes of a Biology Watcher (1974)
“The fiercest serpent may be overcome by a swarm of ants.”
Statement in opposition of the planned construction of the Yamato class battleships, as quoted in Scraps of paper: the disarmament treaties between the world wars (1989) by Harlow A. Hyde. In this statement, Yamamoto implies that even the most powerful battleships can be sunk by a huge swarm of carrier planes. This remark also proved prophetic as both Yamato and Musashi would be sunk by overwhelming air attacks.
”But don’t you think you should have known it?” Austin Train inquired gently.
September “MINE ENEMIES ARE DELIVERED INTO MY HAND”
The Sheep Look Up (1972)
form “Student, Disciple or Devotee?”, Shri Sant Yogashram, New Delhi - Vaishakhi Celebrations - (Evening Session) 13th April, 1991. (Translated to English from Hindi).
1990s
Quote from La vida secreta de Salvador Dalí. In: Complete Works, Autobiographical Articles 1. Ediciones Destino / Gala-Salvador Dalí Foundation, Barcelona / Figueres, 2003, p. 648
Quotes of Salvador Dali, 1941 - 1950
"Moods of Washington" (p.36)
So This Is Depravity (1980)
[Swami Tapasyananda, Swami Nikhilananda, Sri Sarada Devi, the Holy Mother; Life and Conversations, 188-189]
Arthur Young (1804/1813), General View of the Agriculture of the County of Norfolk http://books.google.com/books?id=4VVAAAAAIAAJ&pg=PA370, p. 370; cited in: Naomi Riches (1967), The Agricultural Revolution in Norfolk. p. 91
“The city is a fact in nature, like a cave, a run of mackerel or an ant-heap.”
Introduction
The Culture of Cities (1938)
Context: The city is a fact in nature, like a cave, a run of mackerel or an ant-heap. But it is also a conscious work of art, and it holds within its communal framework many simpler and more personal forms of art. Mind takes form in the city; and in turn, urban forms condition mind.
Man in the Modern Age (1933)
Context: The masses are our masters; and for every one who looks facts in the face his existence has become dependent on them, so that the thought of them must control his doings, his cares, and his duties.
Even an articulated mass always tends to become unspiritual and inhuman. It is life without existence, superstitions without faith. It may stamp all flat; it is disinclined to tolerate independence and greatness, but prone to constrain people to become as automatic as ants.<!-- p. 43
Aphorism 95
Novum Organum (1620), Book I
Context: Those who have handled sciences have been either men of experiment or men of dogmas. The men of experiment are like the ant, they only collect and use; the reasoners resemble spiders, who make cobwebs out of their own substance. But the bee takes a middle course: it gathers its material from the flowers of the garden and of the field, but transforms and digests it by a power of its own. Not unlike this is the true business of philosophy; for it neither relies solely or chiefly on the powers of the mind, nor does it take the matter which it gathers from natural history and mechanical experiments and lay it up in the memory whole, as it finds it, but lays it up in the understanding altered and digested. Therefore from a closer and purer league between these two faculties, the experimental and the rational (such as has never yet been made), much may be hoped.
"The Tucson Zoo", p. 10
The Medusa and the Snail: More Notes of a Biology Watcher (1979)
Context: Everyone says, stay away from ants. They have no lessons for us; they are crazy little instruments, inhuman, incapable of controlling themselves, lacking manners, lacking souls. When they are massed together, all touching, exchanging bits of information held in their jaws like memoranda, they become a single animal. Look out for that. It is a debasement, a loss of individuality, a violation of human nature, an unnatural act.
Sometimes people argue this point of view seriously and with deep thought. Be individuals, solitary and selfish, is the message. Altruism, a jargon word for what used to be called love, is worse than weakness, it is sin, a violation of nature. Be separate. Do not be a social animal. But this is a hard argument to make convincingly when you have to depend on language to make it. You have to print out leaflets or publish books and get them bought and sent around, you have to turn up on television and catch the attention of millions of other human beings all at once, and then you have to say to all of them, all at once, all collected and paying attention: be solitary; do not depend on each other. You can’t do this and keep a straight face.
74
Essays in Idleness (1967 Columbia University Press, Trns: Donald Keene)
“In horror, in terror, she accepted the metamorphosis — gnat, foam, ant, until death.”
Last lines
All Men are Mortal (1946)
Context: In horror, in terror, she accepted the metamorphosis — gnat, foam, ant, until death. And it's only the beginning, she thought. She stood motionless, as if it were possible to play tricks with time, possible to stop it from following its course. But her hands stiffened against her quivering lips.
When the bells began to sound the hour she let out the first scream.
Johnny Got His Gun (1938)
Context: Just say "mister I'm sorry, I got no time to die, I'm too busy" and then turn and run like hell. If they say coward why don't pay any attention because it's your job to live not to die. If they talk about dying for principles that are bigger than life, you say "mister you're a liar. Nothing is bigger than life". There's nothing noble in death. What's noble about lying in the ground and rotting? What's noble about never seeing the sunshine again? What's noble about having your legs and arms blown off? What's noble about being an idiot? What's noble about being blind and deaf and dumb? What's noble about being dead? Because when you're dead, mister, it's all over. It's the end. You're less than a dog, less than a rat, less than a bee or an ant, less than a white maggot crawling around on a dungheap. You're dead, mister, and you died for nothing.
Amit Shah Interview, April 21, 2019 Indian Express https://indianexpress.com/elections/amit-shah-interview-lok-sabha-elections-bjp-narendra-modi-rafale-sadhvi-pragya-muslims-congress-nationalism-cow-vigilantism-5686203/
Source: Better-World Philosophy: A Sociological Synthesis (1899), The Preponderance of Egoism, pp. 123–125
Jeremy Corbyn risks helping case for hard Brexit, Plaid leader warns https://www.bbc.co.uk/news/uk-wales-politics-38572882 BBC News (10 January 2017)
2017
“The restoration of German vitality is not guaranteed by the status quo ante.”
It will also be necessary to make territorial changes; don't let us hamper our statesmen with assertions to the effect that the German people do not want this.
Speech in the Reichstag (1 March 1917), quoted in W. W. Coole (ed.), Thus Spake Germany (London: George Routledge & Sons, 1941), p. 135
1910s
And this, he suddenly realized, was the heart of the problem. Habit. Habit was a stifling, warm blanket that threatened you with suffocation and lulled the mind into a state of perpetual nagging dissatisfaction. Habit meant the inability to escape from yourself, to change and develop . . .
pp. 132-133
Spider World: The Desert (1987)
Source: Nemesis Games (2015), Chapter 4 (p. 42)
Source: Singer from the Sea (1999), Chapter 24, “People from the Sea” (p. 382)