Wallace Stevens Quotes
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Wallace Stevens was an American Modernist poet. He was born in Reading, Pennsylvania, educated at Harvard and then New York Law School, and he spent most of his life working as an executive for an insurance company in Hartford, Connecticut. He won the Pulitzer Prize for Poetry for his Collected Poems in 1955.

Some of his best-known poems include "Anecdote of the Jar", "Disillusionment of Ten O'Clock", "The Emperor of Ice-Cream", "The Idea of Order at Key West", "Sunday Morning", "The Snow Man", and "Thirteen Ways of Looking at a Blackbird".

✵ 2. October 1879 – 2. August 1955
Wallace Stevens photo
Wallace Stevens: 278   quotes 6   likes

Wallace Stevens Quotes

“A poem should be a part of one's sense of life.”

Opus Posthumous (1955), Adagia

“Each must the other take as sign, short sign
To stop the whirlwind, balk the elements.”

Notes Toward a Supreme Fiction (1942), It Must Give Pleasure

“These external regions, what do we fill them with
Except reflections”

Notes Toward a Supreme Fiction (1942), It Must Give Pleasure

“A man and a woman
Are one.
A man and a woman and a blackbird
Are one.”

"Thirteen Ways of Looking at a Blackbird"
Harmonium (1923)

“The world is a force not a presence.”

Opus Posthumous (1955), Adagia

“I play. But this is what I think.”

The Man With the Blue Guitar (1937)

“He imposes orders as he thinks of them,
As the fox and snake do. It is a brave affair.”

Notes Toward a Supreme Fiction (1942), It Must Give Pleasure

“The first idea is an imagined thing.”

Notes Toward a Supreme Fiction (1942), It Must Be Abstract

“Sentimentality is a failure of feeling.”

Opus Posthumous (1955), Adagia

“We are the mimics. Clouds are pedagogues.”

Notes Toward a Supreme Fiction (1942), It Must Be Abstract

“The poem goes form the poet’s gibberish to
The gibberish of the vulgate and back again.”

Notes Toward a Supreme Fiction (1942), It Must Change

“One ought not to hoard culture. It should be adapted and infused into society as a leaven. Liberality of culture does not mean illiberality of its benefits.”

Journal entry (20 June 1899); as published in Souvenirs and Prophecies: the Young Wallace Stevens (1977) edited by Holly Stevens, Ch. 3

“This is old song
That will not declare itself…”

"Metaphors of a Magnifico"
Harmonium (1923)

“It was enough for her that she remembered.”

Notes Toward a Supreme Fiction (1942), It Must Give Pleasure

“Success as a result of industry is a peasant ideal.”

As quoted in "Ten Jack-Offs" in The Most Beautiful Woman in Town (1983) by Charles Bukowski

“The day of the sun is like the day of a king. It is a promenade in the morning, a sitting on the throne at noon, a pageant in the evening.”

Journal entry (20 April 1920); as published in Souvenirs and Prophecies: the Young Wallace Stevens (1977) edited by Holly Stevens, Ch. 6

“Poor, dear, silly Spring, preparing her annual surprise!”

Journal entry (4 March 1906); as published in Souvenirs and Prophecies: the Young Wallace Stevens (1977) edited by Holly Stevens, Ch. 8

“I like my philosophy smothered in beauty and not the opposite.”

As quoted in Wallace Stevens and the Limits of Reading and Writing (2002) by by Bart Eeckhout Ch. 12 "Poeticizing Epistemology", p. 268

“The world about us would be desolate except for the world within us.”

The Necessary Angel (1951), Imagination as Value

“Life’s nonsense pierces us with strange relation.”

Notes Toward a Supreme Fiction (1942), It Must Be Abstract

“All history is modern history.”

Opus Posthumous (1955), Adagia

“Not to be realized because not to
Be seen, not to be loved nor hated because
Not to be realized.”

Notes Toward a Supreme Fiction (1942), It Must Be Abstract

“One thing remaining, infallible, would be
Enough.”

"The Well Dressed Man With a Beard"
Harmonium (1923)

“A fictive covering
Weaves always glistening from the heart and mind.”

Notes Toward a Supreme Fiction (1942), It Must Change

“Poetry is an effort of a dissatisfied man to find satisfaction through words.”

As quoted in Wallace Stevens and the Limits of Reading and Writing (2002) by by Bart Eeckhout Ch. 12 "Poeticizing Epistemology", p. 268