Notes Toward a Supreme Fiction (1942), It Must Be Abstract
Wallace Stevens Quotes
The Man With the Blue Guitar (1937)
The Man With the Blue Guitar (1937)
“A poem should be a part of one's sense of life.”
Opus Posthumous (1955), Adagia
Notes Toward a Supreme Fiction (1942), It Must Give Pleasure
“Each must the other take as sign, short sign
To stop the whirlwind, balk the elements.”
Notes Toward a Supreme Fiction (1942), It Must Give Pleasure
“These external regions, what do we fill them with
Except reflections”
Notes Toward a Supreme Fiction (1942), It Must Give Pleasure
Notes Toward a Supreme Fiction (1942), It Must Be Abstract
“A man and a woman
Are one.
A man and a woman and a blackbird
Are one.”
"Thirteen Ways of Looking at a Blackbird"
Harmonium (1923)
The Necessary Angel (1951), Imagination as Value
Notes Toward a Supreme Fiction (1942), It Must Give Pleasure
“He imposes orders as he thinks of them,
As the fox and snake do. It is a brave affair.”
Notes Toward a Supreme Fiction (1942), It Must Give Pleasure
“The first idea is an imagined thing.”
Notes Toward a Supreme Fiction (1942), It Must Be Abstract
Notes Toward a Supreme Fiction (1942), It Must Be Abstract
Peter Quince at the Clavier (1915)
"On the Manner of Addressing Clouds"
Harmonium (1923)
“Sentimentality is a failure of feeling.”
Opus Posthumous (1955), Adagia
Opus Posthumous (1955), Adagia
“We are the mimics. Clouds are pedagogues.”
Notes Toward a Supreme Fiction (1942), It Must Be Abstract
The Man With the Blue Guitar (1937)
“The poem goes form the poet’s gibberish to
The gibberish of the vulgate and back again.”
Notes Toward a Supreme Fiction (1942), It Must Change
Journal entry (20 June 1899); as published in Souvenirs and Prophecies: the Young Wallace Stevens (1977) edited by Holly Stevens, Ch. 3
“This is old song
That will not declare itself…”
"Metaphors of a Magnifico"
Harmonium (1923)
Notes Toward a Supreme Fiction (1942), It Must Give Pleasure
“It was enough for her that she remembered.”
Notes Toward a Supreme Fiction (1942), It Must Give Pleasure
“Success as a result of industry is a peasant ideal.”
As quoted in "Ten Jack-Offs" in The Most Beautiful Woman in Town (1983) by Charles Bukowski
Journal entry (20 April 1920); as published in Souvenirs and Prophecies: the Young Wallace Stevens (1977) edited by Holly Stevens, Ch. 6
“I am a native in this world
And think in it as a native thinks”
The Man With the Blue Guitar (1937)
“The poet is a god, or, the young poet is a god. The old poet is a tramp.”
Opus Posthumous (1955), Adagia
Opus Posthumous (1955)
“Poor, dear, silly Spring, preparing her annual surprise!”
Journal entry (4 March 1906); as published in Souvenirs and Prophecies: the Young Wallace Stevens (1977) edited by Holly Stevens, Ch. 8
“I like my philosophy smothered in beauty and not the opposite.”
As quoted in Wallace Stevens and the Limits of Reading and Writing (2002) by by Bart Eeckhout Ch. 12 "Poeticizing Epistemology", p. 268
“The world about us would be desolate except for the world within us.”
The Necessary Angel (1951), Imagination as Value
"Metaphors of a Magnifico"
Harmonium (1923)
“A breath upon her hand
Muted the night.
She turned —
A cymbal crashed,
Amid roaring horns.”
Peter Quince at the Clavier (1915)
“Life’s nonsense pierces us with strange relation.”
Notes Toward a Supreme Fiction (1942), It Must Be Abstract
“The dress of a woman of Lhassa,
in its place
is an invisible element of that place
made visible.”
"Anecdote of Men by the Thousand"
“Not to be realized because not to
Be seen, not to be loved nor hated because
Not to be realized.”
Notes Toward a Supreme Fiction (1942), It Must Be Abstract
“One thing remaining, infallible, would be
Enough.”
"The Well Dressed Man With a Beard"
Harmonium (1923)
“A fictive covering
Weaves always glistening from the heart and mind.”
Notes Toward a Supreme Fiction (1942), It Must Change
The Man With the Blue Guitar (1937)
Notes Toward a Supreme Fiction (1942), It Must Change
“Poetry is an effort of a dissatisfied man to find satisfaction through words.”
As quoted in Wallace Stevens and the Limits of Reading and Writing (2002) by by Bart Eeckhout Ch. 12 "Poeticizing Epistemology", p. 268