James Branch Cabell Quotes (130 quotes, page 2)

“Jurgen returned again toward Barathum; and, whether or not it was a coincidence, Jurgen met precisely the vampire of whom he had inveigled his father into thinking.”

James Branch Cabell

Ch. 37 : Invention of the Lovely Vampire http://xroads.virginia.edu/~hyper/CABELL/ch37.htm
Jurgen (1919)
Context: Jurgen returned again toward Barathum; and, whether or not it was a coincidence, Jurgen met precisely the vampire of whom he had inveigled his father into thinking. She was the most seductively beautiful creature that it would be possible for Jurgen's father or any other man to imagine: and her clothes were orange-colored, for a reason sufficiently well known in Hell, and were embroidered everywhere with green fig–leaves.
"A good morning to you, madame," says Jurgen, "and whither are you going?"
"Why, to no place at all, good youth. For this is my vacation, granted yearly by the Law of Kalki—"
"And who is Kalki, madame?"
"Nobody as yet: but he will come as a stallion. Meanwhile his Law precedes him, so that I am spending my vacation peacefully in Hell, with none of my ordinary annoyances to bother me."
"And what, madame, can they be?"
"Why, you must understand that it is little rest a vampire gets on earth, with so many fine young fellows like yourself going about everywhere eager to be destroyed."

Thinking

“Never fear! He shall be, in every shape and attribute.”

James Branch Cabell book Figures of Earth

Manuel, in Ch. XXXII : The Redemption of Poictesme
Figures of Earth (1921)
Context: Manuel gave it up, and shrugged. Well, let us conquer as we may, so that God be on our side.
Miramon replied: "Never fear! He shall be, in every shape and attribute."

Fear

“That was why all art, which strove to make the sensations of a moment soul-satisfying, was dimly felt to be irreligious. For art performed what religion only promised.”

James Branch Cabell book The Cream of the Jest

Source: The Cream of the Jest (1917), Ch. 26 : "Epper Si Muove"
Context: To-day alone was real. Never was man brought into contact with reality save through the evanescent emotions and sensations of that single moment, that infinitesimal fraction of a second, which was passing now — and it was in the insignificance of this moment, precisely, that religious persons must believe. So ran the teachings of all dead and lingering faiths alike. Here was, perhaps, only another instance of mankind's abhorrence of actualities; and man's quaint dislike of facing reality was here disguised as a high moral principle. That was why all art, which strove to make the sensations of a moment soul-satisfying, was dimly felt to be irreligious. For art performed what religion only promised.

Religion , Art , Soul

“Who. you ask, is this fellow? — What matter names?
He is only a scribbler who is content.”

James Branch Cabell

"Auctorial Induction"
The Certain Hour (1916)
Context: Thus he labors, and loudly they jeer at him; — That is, when they remember he still exists. Who. you ask, is this fellow? — What matter names?
He is only a scribbler who is content.

“The book "means" thereafter, perforce, — both grammatically and actually, — whatever meaning this or that reader gets out of it.”

James Branch Cabell

"A Note on Cabellian Harmonics" in Cabellian Harmonics (April 1928)
Context: A book, once it is printed and published, becomes individual. It is by its publication as decisively severed from its author as in parturition a child is cut off from its parent. The book "means" thereafter, perforce, — both grammatically and actually, — whatever meaning this or that reader gets out of it.

Books

“What really matters is that there is so much faith and love and kindliness which we can share with and provoke in others, and that by cleanly, simple, generous living we approach perfection in the highest and most lovely of all arts. . . . But you, I think, have always comprehended this.”

James Branch Cabell

"Auctorial Induction"
The Certain Hour (1916)
Context: The Dream, as I now know, is not best served by making parodies of it, and it does not greatly matter after all whether a book be an epic or a directory. What really matters is that there is so much faith and love and kindliness which we can share with and provoke in others, and that by cleanly, simple, generous living we approach perfection in the highest and most lovely of all arts.... But you, I think, have always comprehended this.

Love , Faith , Art , Thinking

“No Harrowby, the common names we call things by do not matter — except to show how very dull we are…”

James Branch Cabell book The Cream of the Jest

The Epilogue : Which is the proper ending of all comedies; and heralds, it may be, an afterpiece.
The Cream of the Jest (1917)
Context: I have been telling you, from alpha to omega, what is the one great thing the sigil taught me — that everything in life is miraculous. For the sigil taught me that it rests within the power of each of us to awaken at will from a dragging nightmare of life made up of unimportant tasks and tedious useless little habits, to see life as it really is, and to rejoice in its exquisite wonderfulness. If the sigil were proved to be the top of a tomato-can, it would not alter that big fact, nor my fixed faith. No Harrowby, the common names we call things by do not matter — except to show how very dull we are...

“Yes, there was Edgar, whom I starved and hunted until I was tired of it: then I chased him up a back alley one night, and knocked out those annoying brains of his. And there was Walt, whom I chivvied and battered from place to place, and made a paralytic of him: and him, too, I labelled offensive and lewd and lascivious and indecent. Then later there was Mark, whom I frightened into disguising himself in a clown's suit, so that nobody might suspect him to be a maker of literature: indeed, I frightened him so that he hid away the greater part of what he had made until after he was dead, and I could not get at him. That was a disgusting trick to play on me, I consider.”

James Branch Cabell

The Judging of Jurgen (1920)
Context: In Philistia to make literature and to make trouble for yourself are synonyms,… the tumblebug explained. — I know, for already we of Philistia have been pestered by three of these makers of literature. Yes, there was Edgar, whom I starved and hunted until I was tired of it: then I chased him up a back alley one night, and knocked out those annoying brains of his. And there was Walt, whom I chivvied and battered from place to place, and made a paralytic of him: and him, too, I labelled offensive and lewd and lascivious and indecent. Then later there was Mark, whom I frightened into disguising himself in a clown's suit, so that nobody might suspect him to be a maker of literature: indeed, I frightened him so that he hid away the greater part of what he had made until after he was dead, and I could not get at him. That was a disgusting trick to play on me, I consider. Still, these are the only three detected makers of literature that have ever infested Philistia, thanks be to goodness and my vigilance, but for both of which we might have been no more free from makers of literature than are the other countries.…

Literature , Parting , Night , Dead

“James Branch Cabell made this book so that he who wills may read the story of mans eternally unsatisfied hunger in search of beauty.”

James Branch Cabell book The Cream of the Jest

Afterpiece : a hidden inscription on the Sigil of Scoteia (and so spelled, in a peculiar modification of Roman capital letters)
The Cream of the Jest (1917)
Context: James Branch Cabell made this book so that he who wills may read the story of mans eternally unsatisfied hunger in search of beauty. Ettarre stays inaccessible always and her lovliness is his to look on only in his dreams. All men she must evade at the last and many ar the ways of her elusion.

Hunger , Books , Beauty , Search

“Dreaming a dream to prize,
Is wishing ghosts to rise;
And, if I had the spell
To call the buried — well,
Which one would I?”

James Branch Cabell book The Cream of the Jest

Epigraph to "Book Four : Which Travels, roundabout, to edifying and safe conclusions"
The Cream of the Jest (1917)

Dreams

“You embody all that I was ever able to conceive of beauty and fearlessness and strange purity. Therefore it is evident I do not see in you merely Count Emmerick's third sister, but, instead, that ageless lovable and loving woman long worshipped and sought everywhere in vain by all poets.”

James Branch Cabell book The Cream of the Jest

Horvendile, to Ettarre in Ch. 2 : Introduces the Ageless Woman
The Cream of the Jest (1917)

Love , Beauty , Sister

“The touch of time does more than the club of Hercules.”

James Branch Cabell

Horvendile, in Ch. 13 : What a Boy Thought
The Way of Ecben (1929)

Time

“They tell me that truth lies somewhere at the bottom of a well, and at virtually the door of our home is a most notable if long dried well. Our location is thus quite favorable, if we but keep patience.”

James Branch Cabell

Kerin, in Book Seven : What Saraïde Wanted, Ch. XLII : Generalities at Ogde
The Silver Stallion (1926)

Truth , Home , Patience

“I can but entreat you to remember it is only by preserving faith in human dreams that we may, after all, perhaps some day make them come true.”

James Branch Cabell book The Cream of the Jest

"Richard Fentnor Harroby" in Ch. 1 : Pallation of the Gambit
The Cream of the Jest (1917)
Context: I also begin where he began, and follow wither the dream led him. Meanwhile, I can but entreat you to remember it is only by preserving faith in human dreams that we may, after all, perhaps some day make them come true.

Faith , Dreams

“Men have begun to observe and classify, they turn from creation to Criticism. … It is the Fashion to be a wit. … one must be able to conceal indecency with elegant diction; manners are everything, morals nothing.”

James Branch Cabell

"The Comedies of William Congreve" in William and Mary College Monthly (September 1897), V, p. 41, as quoted in "James Branch Cabell at William and Mary: the Education of a Novelist," by William L. Godshalk in The William and Mary Review, 5 (1967); reprinted in Kalki, Vol II, No.4, Whole No.8 (1968) http://www.silverstallion.karkeeweb.com/kalki_archives/kalki_from.html

Men , Fashion

“Whatever there is to know,
That shall we know one day.”

James Branch Cabell book The Cream of the Jest

Epigraph to "The Epilogue : Which is the proper ending of all comedies; and heralds, it may be, an afterpiece."
The Cream of the Jest (1917)

“Now, the redemption which we as yet await (continued Imlac), will be that of Kalki, who will come as a Silver Stallion: all evils and every sort of folly will perish at the coming of this Kalki: true righteousness will be restored, and the minds of men will be made as clear as crystal.”

James Branch Cabell

Epigraph, based upon the style of Samuel Johnson in The History of Rasselas, Prince of Abissinia (1759), using a fictional reference to Imlac the philosopher in Johnson's tale.
The Silver Stallion (1926)

Men , Evil

“I take it that I must be the eternal playfellow of time. For piety and common-sense and death are rightfully time's toys; and it is with these three that I divert myself.”

James Branch Cabell

Horvendile, in Ch. 13 : What a Boy Thought
The Way of Ecben (1929)

Death , Sense , Time

“Here was the astounding fact: the race did go forward; the race did achieve; and in every way the race grew better. Progress through irrational and astounding blunders, whose outrageousness bedwarfed the wildest cliches of romance, was what Kennaston found everywhere. All this, then, also was foreplanned, just as all happenings at Storisende had been, in his puny romance; and the puppets, here to, moved as they thought of their own volition, but really in order to serve a denouement in which many of them had not any personal part or interest….”

James Branch Cabell book The Cream of the Jest

Source: The Cream of the Jest (1917), Ch. 26 : "Epper Si Muove" [this chapter title is derived from a purported comment of Galileo: Eppur Si Muove "And yet it moves."]

Way , Parting , Personality

“The comedy is always the same. In the first act the hero imagines a place where happiness exists. In the second he strives towards that goal. In the third he comes up short or what amounts to the same thing he achieves his goal only to find that happiness lies a little further down the road.”

James Branch Cabell

Horvendile, in The High Place : A Comedy of Disenchantment (1923), Ch. XVI: Some Victims of Flamberge.

Imagination , Happiness

“I must tell you that in this moment all doubt as to my attested worth went out of me, who had redeemed a kingdom, and begotten a king, and created a god. So you waste time, my friend, in trying to convince me of all human life's failure and unimportance, for I am not in sympathy with this modern morbid pessimistic way of talking. It has a very ill sound, and nothing whatever is to be gained by it.”

James Branch Cabell book Figures of Earth

Manuel, in Ch. XXXIX : The Passing of Manuel
Figures of Earth (1921)

Life , God , Way , Failure

“Hey, my masters, lords and brothers, ye that till the fields of rhyme,
Are ye deaf ye will not hearken to the clamor of your time?”

James Branch Cabell

"Auctorial Induction"
The Certain Hour (1916)

Time

“Coth admitted that, say what you might as to the Manuel who had really lived, the squinting rascal did as a rule know what he was talking about.”

James Branch Cabell

Book Five : "Mundus Vult Decepi", Ch. XXIX : The Grumbler's Progress
The Silver Stallion (1926)

“Tell the rabble my name is Cabell.”

James Branch Cabell

A rhyme he made to indicate the proper pronunciation of his name, as quoted in The Reader's Encyclopedia of American Literature (1962) edited by Max J. Herzburg, p. 132