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Haruki Murakami Quotes
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655 Quotes on Love, Loneliness, and the Complexities of Human Emotions

Discover the profound and thought-provoking words of Haruki Murakami, one of the most renowned authors of our time. Delve into his quotes on love, loneliness, and the complexities of human emotions. Let his words transport you to a world where every sentence is a masterpiece.

Haruki Murakami is a highly acclaimed Japanese writer, known for his bestselling novels, essays, and short stories. His works have been translated into 50 languages and have sold millions of copies worldwide. Notable accolades include the Gunzo Prize for New Writers, the World Fantasy Award, and the Franz Kafka Prize. Murakami's diverse range of writing spans genres such as science fiction, fantasy, and crime fiction. He often incorporates magical realism elements into his narratives.

Born in Kyoto during the post-World War II era, Murakami grew up in Nishinomiya, Ashiya, and Kobe. Influenced by Western culture from a young age, he developed a passion for literature and music by European and American writers. Murakami studied drama at Waseda University in Tokyo where he met his wife Yoko. Before establishing himself as a writer, he owned a jazz bar called Peter Cat with his wife from 1974 to 1981. In addition to his literary pursuits, Murakami is an avid marathon runner and triathlon enthusiast.

Despite his immense popularity internationally, Murakami has faced criticism from Japan's literary establishment for being un-Japanese in style. However, he has been applauded by editors and critics worldwide for his extraordinary talent as a novelist.

✵ 12. January 1949
Haruki Murakami photo
Haruki Murakami: 655 quotes136 likes

Haruki Murakami Quotes

“I’m just kinda tired. Like a monkey in the rain.”

Haruki Murakami book Norwegian Wood

Source: Norwegian Wood

“He sometimes wondered if she had become involved with him just so that she could cry in someone's arms. Maybe she can't cry alone, and that's why she needs me.”

Haruki Murakami book Blind Willow, Sleeping Woman

Source: Blind Willow, Sleeping Woman

“From my own experience, when someone is trying very hard to get something, they don't. And when they're running away from something as hard as they can, it usually catches up with them. I'm generalizing, of course.”

Haruki Murakami book Kafka on the Shore

Variant: When someone is trying very hard to get something, they don't. And when they're running away from something as hard as they can, it usually catches up with them.
Source: Kafka on the Shore

“Death leaves cans of shaving cream half-used.”

Haruki Murakami book Hard-Boiled Wonderland and the End of the World

Source: Hard-Boiled Wonderland and the End of the World

“Of course, they're not clowning aroundto make me laugh. They're doing their best to live verylives, and they just happen to fall down sometimes. I think that's cool.”

Haruki Murakami book The Wind-Up Bird Chronicle

Source: The Wind-Up Bird Chronicle

“Have your dream… What you need now more than anything is discipline. Cast off mere words. Words turn into stone. (from Thailand)”

Haruki Murakami

Source: After the Quake

“Start making excuses and there's no end to it. I can't live that kind of life.”

Haruki Murakami book South of the Border, West of the Sun

Source: South of the Border, West of the Sun

“At the entrance to the original tower, there is a stone into which Jung carved some words with his own hand: 'Cold or not, God is present.”

Haruki Murakami book 1Q84

Source: 1Q84

“Force yourself to explain it and you create lies.”

Haruki Murakami book Colorless Tsukuru Tazaki and His Years of Pilgrimage

Source: Colorless Tsukuru Tazaki and His Years of Pilgrimage

“Time passes slowly. Nobody says a word, everyone lost in quiet reading. One person sits at a desk jotting down notes, but the rest are sitting there silently, not moving, totally absorbed. Just like me.”

Haruki Murakami book Kafka on the Shore

Source: Kafka on the Shore

“Isn't life strange? There are people who have so many leftover clothes they can't stuff them all in their wardrobe. And then there are people like me, whose socks never match.”

Haruki Murakami book Sputnik Sweetheart

Source: Sputnik Sweetheart

“We were young, and we had no need for prophecies. Just living was itself an act of prophecy.”

Haruki Murakami book The Wind-Up Bird Chronicle

Source: The Wind-Up Bird Chronicle

“In dreams lie responsibilities.”

Haruki Murakami book Kafka on the Shore

Variant: In dreams begins responsiblities.
Source: Kafka on the Shore

“A secret's a secret because you don't let people in on it.”

Haruki Murakami book Hard-Boiled Wonderland and the End of the World

Hard-Boiled Wonderland and the End of the World

“…. solitude is, more or less, an inevitable consequence.”

Haruki Murakami book What I Talk About When I Talk About Running

What I Talk About When I Talk About Running

“My cell phone number," she says with a wry expression. "I'm staying at my friend's place for a while buy if you ever feel like sseeing somebody, give me a call. We can go out for a bite or whatever. Don't be a stranger, okay? 'Even chance meetings'… how does the rest of that go?”

Haruki Murakami book Kafka on the Shore

"'Are the results of karma.'"
Kafka on the Shore (2002)

“The house kept its own time, like the old-fashioned grandfather clock in the living room. People who happened by raised the weights, and as long as the weights were wound, the clock continued ticking away. But with people gone and the weights unattended, whole chunks of time were left to collect in deposits of faded life on the floor.”

Haruki Murakami

Source: A Wild Sheep Chase: A Novel (1982), Chapter 32, An Unlucky Bend in the Road

“On my fifteenth birthday I'll run away from home, journey to a far-off town, and live in a corner of a small library. It'd take a week to go into the whole thing, all the details. So I'll just give the main point. On my fifteenth birthday I'll run away from home, journey to a far-off town, and live in a corner of a small library.”

Haruki Murakami book Kafka on the Shore

Source: Kafka on the Shore (2002), Chapter One

“The negation of cognition thus correlates on the verbal level. For when those two pillars of Western humanism, individual cognition and evolutionary continuity, lose their meaning, language loses meaning. Existence ceases for the individuum as we know it, and all becomes chaos. You cease to be a unique entity unto yourself, but exist simply as chaos. And not just the chaos that is you; you chaos is also my chaos. To wit, existence is communication, and communication, existence.”

Haruki Murakami

Source: A Wild Sheep Chase: A Novel (1982), Chapter 18, The Strange Man's Tale Goes on

“Closing your eyes isn't going to change anything. Nothing's going to disappear just because you can't see what's going on. In fact, things will even be worse the next time you open your eyes. That's the kind of world we live in. Keep your eyes wide open. Only a coward closes his eyes. Closing your eyes and plugging up your ears won't make time stand still.”

Haruki Murakami book Kafka on the Shore

Kafka on the Shore (2002)

“The term "spirit projection " sprang to mind. Are you familiar with it? Japanese folk tales are full of this sort of thing, where the soul temporarily leaves the body and goes off a great distance to take care of some vital task and then returns to reunite with the body. The sort of vengeful spirits that populate The Tale of Genji may be something similar. The notion of the soul not just leaving the body at death but-assuming the will is strong enough -also being able to separate from the body of the living is probably an idea that took root in Japan in ancient times. Of course there's no scientific proof of this, and I hesitate to even raise the idea.”

Haruki Murakami book Kafka on the Shore

Source: Kafka on the Shore (2002), Chapter Eight,

“According to Aristophanes in Plato's The Banquet, in the ancient world of legend there were three types of people.
In ancient times people weren't simply male or female, but one of three types: male/male, male/female or female/female. In other words, each person was made out of the components of two people. Everyone was happy with this arrangement and never really gave it much thought. But then God took a knife and cut everyone in half, right down the middle. So after that the world was divided just into male and female, the upshot being that people spend their time running around trying to locate their missing half.”

Haruki Murakami book Kafka on the Shore

Source: Kafka on the Shore (2002), Chapter Five, Oshima

“You burn barns. I don't burn barns. There's this glaring difference, and to me, rather than say which of us is strange, first of all I'd like to clear up just what that difference is.”

Haruki Murakami book Barn Burning

Barn Burning (short story) in The Elephant Vanishes

“In the depths of our crater lake, everything is silent. The volcano's been extinct for ages. Layer upon layer of solitude, like folds of soft mud. The little bit of light that manages to penetrate to the depths lights up the surroundings like the remains of some faint, distant memory. At these depths there's no sign of life. I don't know how long she looks at me -not at me, maybe, but at the spot where I am. Time's rules don't apply here. Time expands, then contracts, all in tune with the stirrings of the heart.”

Haruki Murakami book Kafka on the Shore

Source: Kafka on the Shore (2002), Chapter 23, Kafka Temura

“Weakness is something that rots in the body. Like gangrene. I’ve felt that ever since I was a teenager. That’s why I was always on edge. There’s this something inside you that’s rotting away and you feel it all along.”

Haruki Murakami

Source: A Wild Sheep Chase: A Novel (1982), Chapter 40, The Rat Who Wound the Clock

“I've experienced all kinds of discrimination," Oshima says. "Only people who've been discriminated against can really know how much it hurts. Each person feels the pain in his own way, each has his own scars. So I think I'm as concerned about fairness and justice as anybody. But what disgusts me even more are people who have no imagination. The kind T. S. Eliot calls hollow men. People who fill up that lack of imagination with heartless bits of straw, not even aware of what they're doing. Callous people who throw a lot of empty words at you, trying to force you to do what you don't want to. Like that lovely pair we just met." He sighs and twirls the long slender pencil in his hand. "Gays, lesbians, straights, feminists, fascist pigs, communists, Hare Krishnas-none of them bother me. I don't care what banner they raise. But what I can't stand are hollow people. When I'm with them I just can't bear it, and wind up saying things I shouldn't. With those women I should've just let it slide, or else called Miss Saeki and let her handle it. She would have given them a smile and smoothed things over. But I just can't do that. I say things I shouldn't, do things I shouldn't do. I can't control myself. That's one of my weak points.”

Haruki Murakami book Kafka on the Shore

Source: Kafka on the Shore (2002), Chapter 19, Oshima

“To sleep with a woman: it can seem of the utmost importance in your mind, or then again it can seem like nothing much at all. Which only goes to say that there's sex as therapy (self-therapy, that is) and there's sex as pastime. There's sex for self-improvement start to finish and there's sex for killing time straight through; sex that is therapeutic at first only to end up as nothing-better-to-do, and vice versa. Our human sex life- how shall I put it?- differs fundamentally from the sex life of a whale. We are not whales- and this constitutes one great theme underscoring our sex lives.”

Haruki Murakami

Source: A Wild Sheep Chase: A Novel (1982), Chapter 4: The Whale's Penis and the Woman with Three Occupations

“As I already explaned, I don't have any form. I'm a conceptual metaphysical object.”

Haruki Murakami book Kafka on the Shore

Colonel Sanders in Kafka on the Shore
Kafka on the Shore (2002)

“That's wrong," she declared. "Everyone must have one thing that they can excel at. It's just a matter of drawing it out, isn't it? But school doesn't know how to draw it out. It crushes the gift. It's no wonder most people never get to be what they want to be. They just get ground down.”

Haruki Murakami

Source: Hardboiled Wonderland and the End of the World (1985), Chapter 19: Hamburgers,Skyline and Deadline

“But even so, every now and then I would feel a violent stab of loneliness. The very water I drink, the very air I breathe, would feel like long, sharp needles. The pages of a book in my hands would take on the threatening metallic gleam of razor blades. I could hear the roots of loneliness creeping through me when the world was hushed at 4 o'clock in the morning.”

Haruki Murakami book The Wind-Up Bird Chronicle

The Wind-Up Bird Chronicle (1994-1995)

“Lost opportunities, lost possibilities, feelings we can never get back. That's part of what it means to be alive. But inside our heads - at least that's where I imagine it - there's a little room where we store those memories. A room like the stacks in this library. And to understand the workings of our own heart we have to keep on making new reference cards. We have to dust things off every once in awhile, let in fresh air, change the water in the flower vases. In other words, you'll live forever in your own private library.”

Haruki Murakami book Kafka on the Shore

Kafka on the Shore (2002)

““The Boss is an honorable man. After the Lord, the most godly person I've ever met." "You've met God?" "Certainly. I telephone Him every night.””

Haruki Murakami

A Wild Sheep Chase: A Novel (1982)

“Looking at things this way," she said, comparing the left and right side of the chronology, "we Japanese seem to live from war to war.”

Haruki Murakami

Source: A Wild Sheep Chase: A Novel (1982), Chapter 30, Further Decline of Junitaki and Its Sheep

“There's not a branch of publishing or broadcasting that doesn't depend in some way on advertising. It'd be like an aquarium without water. Why, ninety-five percent of the information that reaches you has already been preselected and paid for.”

Haruki Murakami

A Wild Sheep Chase: A Novel (1982)

“I think I just don’t like names. Basically, I can’t see what’s wrong with calling me ‘me’ or you ‘you’ or us ‘us’ or them ‘them.”

Haruki Murakami

A Wild Sheep Chase: A Novel (1982)

“Once, when I was younger, I thought I could be someone else. I'd move to Casablanca, open a bar, and I'd meet Ingrid Bergman. Or more realistically - whether actually more realistic or not - I'd tune in on a better life, something more suited to my true self. Toward that end, I had to undergo training. I read The Greening of America, and I saw Easy Rider three times. But like a boat with a twisted rudder, I kept coming back to the same place. I wasn't anywhere. I was myself, waiting on the shore for me to return.”

Haruki Murakami book Hard-Boiled Wonderland and the End of the World

Source: Hard-Boiled Wonderland and the End of the World (1985), Chapter 33, Rainy-Day Laundry, Car Rental, Bob Dylan

“I stood there for a while, holding Nakata tight in my arms, feeling like I wanted to die or disappear. Just over the horizon the violence of war went on, with countless people dying. I no longer had any idea what was right and what was wrong. Was I really seeing the real world? Was the sound of birds I was hearing? I found myself alone in the woods, totally confused, blood flowing from freely from my womb. I was angry, afraid, embarrassed-all of these rolled into one. I cried quietly, without making a sound.”

Haruki Murakami book Kafka on the Shore

Source: Kafka on the Shore (2002), Chapter 12

“I always say—a prejudice on my part, I'm sure—you can tell a lot about a person's character from his choice of sofa. Sofas constitute a realm inviolate unto themselves. This, however, is something that only those who have grown up sitting on good sofas will appreciate. It's like growing up reading good books or listening to good music. One good sofa breeds another good sofa; one bad sofa breeds another bad sofa. That's how it goes. There are people who drive luxury cars, but have only second- or third-rate sofas in their homes. I put little trust in such people. An expensive automobile may well be worth its price, but it's only an expensive automobile. If you have the money, you can buy it, anyone can buy it. Procuring a good sofa, on the other hand, requires style and experience and philosophy. It takes money, yes, but you also need a vision of the superior sofa. That sofa among sofas.”

Haruki Murakami book Hard-Boiled Wonderland and the End of the World

Source: Hard-Boiled Wonderland and the End of the World (1985), Chapter Five: Tabulations, Evolution, Sex Drive

““What’s more, you’re loads better than you think you are.” “So why is it I get to thinking that way?” I puzzled. “That’s because you’re only half-living.” she said briskly. “The other half is still untapped somewhere.””

Haruki Murakami

Source: A Wild Sheep Chase: A Novel (1982), Chapter 4: The Whale's Penis and the Woman with Three Occupations

“You said that the mind is like the wind, but perhaps it is we who are like the wind. Knowing nothing, simply blowing through. Never aging, never dying”

Haruki Murakami

Source: Hardboiled Wonderland and the End of the World (1985), Chapter 16: The Coming of Winter

“"You yourself created this Town. You made everything here. The Wall, the River, the Woods, the Library, the Gate, everything. Even this Pool. I've known all along."
"Then why did you not tell me sooner?"
"Because you'd only have left me here like this. Because your rightful world is there outside." My shadow sits down in the snow and shakes his head from side to side. "But you won't listen, will you?"
"I have responsibilities," I say. "I cannot forsake the people and places and things I have created. I know I do you a terrible wrong. And yes, perhaps I wrong myself, too. But I must see out the consequences of my own doings. This is my world. The Wall is here to hold me in, the River flows through me, the smoke is me burning. I must know why."”

Haruki Murakami book Hard-Boiled Wonderland and the End of the World

Source: Hard-Boiled Wonderland and the End of the World (1985), Chapter 40, Birds

“There are various reasons why an individual might habitually consume large quantities of alcohol, but they all effectively boil down to the same thing. Five years ago, my business partner was a happy drunk. Three years later, he had become a moody drunk. And by the last summer, he was fumbling at the knob of the door to alcoholism. As with most habitual drinkers, he was nice-enough, regular-if-not-exactly-sharp kind of guy. He thought so too. That's why he drank. Because it seemed that with alcohol in his syste, he could more fully embody this idea of being that kind of guy.”

Haruki Murakami

Source: A Wild Sheep Chase: A Novel (1982), Chapter 7: Before the Strange Man

“Speaking frankly and speaking the truth are two different things entirely. Honesty is to truth as prow is to stern. Honesty appears first and truth appears last.”

Haruki Murakami

Source: A Wild Sheep Chase: A Novel (1982), Chapter 17, The Strange Man's Strange Tale

“There are symbolic dreams—dreams that symbolize some reality. Then there are symbolic realities—realities that symbolize a dream. Symbols are what you might call honorary town councilors of the worm universe. In the worm universe, there is nothing unusual about a dairy cow seeking a pair of pliers. A cow is bound to get her pliers sometimes. It has nothing to do with me. Yet the fact that the cow chose me to obtain her pliers changes everything.”

Haruki Murakami

Source: A Wild Sheep Chase: A Novel (1982), Chapter 12, Wherefore the Worm Universe

“I pay the entrance fee at the desk, no questions asked, and get a key to a locker. After changing into shorts and a T-shirt in he locker room, I do some stretching exercises. As my muscles relax so do I. I'm safe inside this container called me. With a little click, the outlines of this being - me - fit right inside and are locked nearly away. Just the way I like it. I'm where I belong.”

Haruki Murakami book Kafka on the Shore

Source: Kafka on the Shore (2002), Chapter Seven

“I’ve read Rudin before, but that was fifteen years ago in university. Rereading it now, lying all bandaged up, sipping my whiskey in bed in the afternoon, I felt new sympathy for the protagonist Rudin. I almost never identify with anybody in Dostoyevsky, but the characters in Turgenev’s old-fashioned novels are such victims of circumstance, I jump right in. I have a thing about losers. Flaws in oneself open you up to others flaws. Not that Dostoyevsky’s characters don’t generate pathos, but they’re flawed in a way that don’t come across as faults.”

Haruki Murakami book Hard-Boiled Wonderland and the End of the World

Source: Hard-Boiled Wonderland and the End of the World (1985), Chapter Fifteen: Whiskey, Torture, Turgenoev

“After a simple dinner I go out on the porch and gaze up at the stars twinkling above, the random scattering of millions of stars. Even in a planetarium you wouldn't find this many. Some of them look really big and distinct, like if you reached your hand out intently you could touch them. The whole thing is breathtaking. Not just beautiful, though -the stars are like the trees in the forest, alive”

Haruki Murakami book Kafka on the Shore

Source: Kafka on the Shore (2002), Chapter 15

“I think what Kafka does is give a purely mechanical explanation of that complex machine in the story, as sort of a substitute for explaining the situation we're in. What I mean is … " I have to give it some more thought. "What I mean is, that's his own device for explaining the kind of lives we lead. Not by talking about our situation, but by talking about the details of the machine.”

Haruki Murakami book Kafka on the Shore

Source: Kafka on the Shore (2002), Chapter Seven, Kafka Tamura