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Haruki Murakami Quotes
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655 Quotes on Love, Loneliness, and the Complexities of Human Emotions

Discover the profound and thought-provoking words of Haruki Murakami, one of the most renowned authors of our time. Delve into his quotes on love, loneliness, and the complexities of human emotions. Let his words transport you to a world where every sentence is a masterpiece.

Haruki Murakami is a highly acclaimed Japanese writer, known for his bestselling novels, essays, and short stories. His works have been translated into 50 languages and have sold millions of copies worldwide. Notable accolades include the Gunzo Prize for New Writers, the World Fantasy Award, and the Franz Kafka Prize. Murakami's diverse range of writing spans genres such as science fiction, fantasy, and crime fiction. He often incorporates magical realism elements into his narratives.

Born in Kyoto during the post-World War II era, Murakami grew up in Nishinomiya, Ashiya, and Kobe. Influenced by Western culture from a young age, he developed a passion for literature and music by European and American writers. Murakami studied drama at Waseda University in Tokyo where he met his wife Yoko. Before establishing himself as a writer, he owned a jazz bar called Peter Cat with his wife from 1974 to 1981. In addition to his literary pursuits, Murakami is an avid marathon runner and triathlon enthusiast.

Despite his immense popularity internationally, Murakami has faced criticism from Japan's literary establishment for being un-Japanese in style. However, he has been applauded by editors and critics worldwide for his extraordinary talent as a novelist.

✵ 12. January 1949
Haruki Murakami photo
Haruki Murakami: 655 quotes136 likes

Haruki Murakami Quotes

“""likewesaid, we'lldowhatwecan. Trytoreconnectyou, towhatyouwant,"" said the Sheep Man. ""Butwecan'tdoit-alone. Yougottaworktoo.
Sittingsnotgonnadoit, thinking'snotgonnadoit."" ""So what do I have to do?"" ""Dance,"" said the Sheep Man. ""Yougottadance. Aslongasthemusicplays. Yougotta dance. Don'teventhinkwhy. Starttothink, yourfeetstop. Yourfeetstop, wegetstuck. Wegetstuck, you'restuck. Sodon'tpayanymind, nomatterhowdumb. Yougottakeepthestep. Yougottalimberup. Yougottaloosenwhatyoubolteddown. Yougottauseallyougot. Weknowyou're tired, tiredandscared. Happenstoeveryone, ok? Justdon'tletyourfeetstop.""”

Haruki Murakami book Dance Dance Dance

Dance Dance Dance

“I stare at this ceaseless, rushing crowd and imagine a time a hundred years from now. In a hundred years everybody here - me included - will have disappeared from the face of the earth and turned into ashes or dust. A weird thought, but everything in front of me starts to seem unreal, like a gust of wind could blow it all away”

Haruki Murakami book Kafka on the Shore

Source: Kafka on the Shore (2002), Chapter Seven

“If your confusion leads you in the right direction, the results can be uncommonly rewarding.”

Haruki Murakami book Hard-Boiled Wonderland and the End of the World

Source: Hard-Boiled Wonderland and the End of the World (1985), Chapter One

“The world is mediocre. About that there is no mistake. Well then, has the world been mediocre since time immemorial? No. In the beginning, the world was chaos, and chaos is not mediocre. The mediocratization began when people separated the means of production from daily life.”

Haruki Murakami

Source: A Wild Sheep Chase: A Novel (1982), Chapter 18, The Strange Man's Tale Goes On

“Adults constantly raise the bar on smart children, precisely because they're able to handle it. The children get overwhelmed by the tasks in front of them and gradually lose the sort of openness and sense of accomplishment they innately have. When they're treated like that, children start to crawl inside a shell and keep everything inside. It takes a lot of time and effort to get them to open up again. Kid's hearts are malleable, but once they gel it's hard to get them back the way they were. Next to impossible, in most cases.”

Haruki Murakami book Kafka on the Shore

Source: Kafka on the Shore (2002), Chapter 12

“And it came to me then. That we were wonderful traveling companions but in the end no more than lonely lumps of metal in their own separate orbits. From far off they look like beautiful shooting stars, but in reality they're nothing more than prisons, where each of us is locked up alone, going nowhere. When the orbits of these two satellites of ours happened to cross paths, we could be together. Maybe even open our hearts to each other. But that was only for the briefest moment. In the next instant we'd be in absolute solitude. Until we burned up and became nothing.”

Haruki Murakami book Sputnik Sweetheart

Sputnik Sweetheart

“There's nothing worse than waking up in total darkness. It's like having to go back and live life all over from the beginning. When I first opened my eyes, iy esd sd ig I ertr living someone' else's life. After an extremely long time, this began to match up with my own life. A curious overslap this, my own life as some else's. It was improbabblr that such a person as myself could even be living.”

Haruki Murakami

Source: A Wild Sheep Chase: A Novel (1982), Chapter 38, And So Time Passes

“You are not lost. It's just that your own thoughts are being kept from you, or hidden away. But the mind is strong. It survives even without thought. Even with everything taken away, it holds a seed-your self. You must believe in your powers.”

Haruki Murakami

Source: Hardboiled Wonderland and the End of the World (1985), Chapter 24: Shadow Grounds

“When a war starts people are forced to become soldiers. They carry guns and go to the front lines and have to kill soldiers on the other side. As many as they possibly can. Nobody cares whether you like killing other people or not. It's just something you have to do. Otherwise you're the one who gets killed." Johnnie Walker pointed his index finger at Nakata's chest. "Bang!"”

Haruki Murakami book Kafka on the Shore

he said. "Human history in a nutshell."
Source: Kafka on the Shore (2002), Chapter 16

“So it was that my most impressionable years of boyhood were spent gazing at not a whale, but a whale's penis. Whenever I tired of strolling through the chill aisles of the aquarium, I'd steal off to my place on the bench of the high-ceilinged stillness of the exhibition room and spend hours on end there contemplating this whale's penis.”

Haruki Murakami

Source: A Wild Sheep Chase: A Novel (1982), Chapter 4: The Whale's Penis and the Woman with Three Occupations

“Nakata let his body relax, switched off his mind, allowing things to flow through him. This was natural for him, something he'd done ever since he was a child, without a second thought. Before long the borders of his consciousness fluttered around, just like the butterflies. Beyond these borders lay a dark abyss. Occasionally his consciousness would fly over the border and hover over that dizzying, black crevass. But Nakata wasn't afraid of the darkness or how deep it was. And why should he be? That bottomless world of darkness, that weighty silence and chaos, was an old friend, a part of him already. Nakata understood this well. In that world there was no writing, no days of the week, no scary Governor, no opera, no BMWs. No scissors, no tall hats. On the other hand, there was also no delicious eel, no tasty bean-jam buns. Everything is there, but there are no parts. Since there are no parts, there's no need to replace one thing with another. No need to remove anything, or add anything. You don't have to think about difficult things, just let yourself soak it all in. For Nakata, nothing could be better.”

Haruki Murakami book Kafka on the Shore

Source: Kafka on the Shore (2002), Chapter Ten

“The elevator continued its impossibly slow ascent. Or at least I imagined it was ascent. There was no telling for sure: it was so slow that all sense of direction simply vanished. It could have been going down for all I knew, or maybe it wasn’t moving at all. But let’s just assume it was going up. Merely a guess. Maybe I’d gong up twelve stories, then down three. Maybe I’d circled the globe. How would I know?”

Haruki Murakami book Hard-Boiled Wonderland and the End of the World

Opening paragraph, Chapter One
Hard-Boiled Wonderland and the End of the World (1985)

“I was twenty-one at the time, about to turn twenty-two. No prospect of graduating soon, and yet no reason to quit school. Caught in the most curiously depressing circumstances. For months I'd been stuck, unable to take one step in any new direction. The world kept moving on; I alone was at a standstill. In the autumn, everything took on a desolate cast, the colors swiftly fading before my eyes. The sunlight, the smell of the grass, the faintest patter of rain, everything got on my nerves.”

Haruki Murakami

Source: A Wild Sheep Chase: A Novel (1982), Chapter 1: Wednesday Afternoon Picnic

“You still don't get it, do you? We're talking about a revelation here," Colonel Sanders said, clicking his tongue. "A revelation leaps over the borders of the everyday. A life without revelation is no life at all. What you need to do is move from reason that observes to reason that acts. That's what's critical. Do you have any idea what I'm talking about, you gold-plated whale of a dunce?”

Haruki Murakami book Kafka on the Shore

Source: Kafka on the Shore (2002), Chapter 28, Colonel Sanders

“My biggest fault is that the faults I was born with grow bigger each year. It's like I was raising chickens inside of me. The chickens lay their eggs and the eggs hatch into other chickens, which then lay eggs.”

Haruki Murakami

Source: A Wild Sheep Chase: A Novel (1982), Chapter 13, The Rat's First Letter

“He inherited from his mother's stories the fundamental style he used, unaltered, in his own stories: namely, the assumption that fact may not be truth, and truth may not be factual.”

Haruki Murakami book The Wind-Up Bird Chronicle

The Wind-Up Bird Chronicle (1994-1995)

“The world of the grotesque is the darkness within us. Well before Freud and Jung shined a light on the workings of the subconscious, this correlation between darkness and our subconscious, these two forms of darkness, was obvious to people. It wasn't a metaphor, even. If you trace it back further, it wasn't even a correlation. Until Edison invented the electric light, most of the world was totally covered in darkness. The physical darkness outside and the inner darkness of the soul were mixed together, with no boundary separating the two. They were directly linked. Like this.”

Haruki Murakami book Kafka on the Shore

Source: Kafka on the Shore (2002), Chapter 23

“Works that have a certain imperfection to them have an appeal for that you're attracted to Soseki's The Miner. There's something in it that draws you in, more than more fully realized novels like Kokoro or Sanshiro. You discover something about that work that tugs at your heart-or maybe we should say that work discovers you.”

Haruki Murakami book Kafka on the Shore

Source: Kafka on the Shore (2002), Chapter 13, Schubert

“I said this one day to the doctor in charge of my case, and he told me that, in a sense, what I was feeling was right, that we are in here not to correct the deformation but to accustom ourselves to it: that one of our problems was our inability to recognize and accept our own deformities. Just as each person has certain idiosyncrasies in the way he or she walks, people have idiosyncrasies in the way they think and feel and see things, …”

Haruki Murakami

“Fairness is a concept that holds only in limited situations. Yet we want the concept to extend to everything, in and out of phase. From snails to hardware stores to married life. Maybe no one finds it, or even misses it, but fairness is like love. What is given has nothing to do with what we seek.”

Haruki Murakami book Hard-Boiled Wonderland and the End of the World

Source: Hard-Boiled Wonderland and the End of the World (1985), Chapter 39, Popcorn, Lord Jim, Extinction

“Where does your responsibility begin here? Wiping away the nebula from your sight, you struggle to find where you really are. You're trying to find the direction of the flow, struggling to hold on to the axis of time. But you can't locate the borderline separating dream and reality. Or even the boundary between what's real and what's possible. All you're sure of is that you're in a delicate position. Delicate-and dangerous. You're pulled along, a part of it, unable to pin down the principles of prophecy, or of logic. Like when a river overflows, washing over a town, all road signs have sunk beneath the waves. And all you can see are the anonymous roofs of the sunken houses.”

Haruki Murakami book Kafka on the Shore

Source: Kafka on the Shore (2002), Chapter 29, A Boy Named Crow

“The world would be a pretty dull place if it were made up only of the first-rate, right?”

Haruki Murakami book Man-Eating Cats

Man-Eating Cats

“In a letter from Naoko, Norwegian Wood”

Haruki Murakami

“You build up relationships like that one after another and before you know it you have meaning. The more connections, the deeper the meaning. Doesn't matter if it's eel, or rice bowls, or grilled fish, whatever. Get it?”

Haruki Murakami book Kafka on the Shore

Source: Kafka on the Shore (2002), Chapter 20

“Everybody has some one thing they do not want to lose," began the man. "You included. And we are professionals at finding out that very thing. Humans by necessity must have a midway point between their desires and their pride. Just as all objects must have a center of gravity. This is something we can pinpoint. Only when it is gone do people realize it even existed.”

Haruki Murakami

Source: A Wild Sheep Chase: A Novel (1982), Chapter 22,Sunday Afternoon Picnic

“There's that kind of money in the world. It aggravates you to have it, makes you miserable to spend it, and you hate yourself when it's gone. And when you hate yourself, you feel like spending money. Except there's no money left. And no hope.”

Haruki Murakami

A Wild Sheep Chase: A Novel (1982)

“The basic stupidity of modern Japan is that we’ve learned absolutely nothing from our contact with other Asian peoples.”

Haruki Murakami

A Wild Sheep Chase: A Novel (1982)

“Money had no name of course. And if it did have a name, it would no longer be money. What gave money its true meaning was its dark-night namelessness, its breathtaking interchangeability.”

Haruki Murakami book The Wind-Up Bird Chronicle

The Wind-Up Bird Chronicle (1994-1995)

“First, about the mind. You tell me there is no fighting or hatred or desire in the Town. That this is a beautiful dream, and I do want your happiness. But the absence of fighting or hatred or desire also means the opposites do not exist either. No joy, no communion, no love. Only where there is disillusionment and depression and sorrow does happiness arise; without the despair of loss, there is no hope.”

Haruki Murakami book Hard-Boiled Wonderland and the End of the World

Source: Hard-Boiled Wonderland and the End of the World (1985), Chapter 32, Shadow in the Throes of Death

“Seeing a lot of water like that every day is probably an important thing for human beings. For human beings might be a bit of a generalization—but I do know it’s important for one person: me. If I go for a time without seeing water, I feel like something’s slowly draining out of me. It’s probably like the feeling a music lover has when, for whatever reason, he’s separated from music for a long time. The fact that I was raised near the sea might have something to do with it.”

Haruki Murakami book What I Talk About When I Talk About Running

What I Talk about When I Talk about Running (2009)

“You are a beautiful person, Doctor. Clearheaded. Strong. But you seem always to be dragging your heart along the ground. From now on, little by little, you must prepare yourself to face death. If you devote all of your future energy to living, you will not be able to die well. You must begin to shift gears, a little at a time. Living and dying are, in a sense, of equal value.”

Haruki Murakami

"Thailand", from After the Quake (1999)

“I watched an old American submarine movie on television. The creaking plot had the captain and first officer constantly at each other’s throat. The submarine was a fossil, and one guy had claustrophobia. But all that didn’t stop everything from working out well in the end. It was an everything-works-out-in-the-end-so-maybe-war’s-not-so-bad-after-all sort of film. One of these days they’ll be making a film where the whole human race gets wiped out in a nuclear war, but everything works out in the end.”

Haruki Murakami

A Wild Sheep Chase: A Novel (1982)

“I'm a very ordinary human being; I just happen to like reading books.”

Haruki Murakami book 1Q84

1Q84 (2009-2010)

“I’m not particularly interested in collecting things, but there’s one sort of running motif in my life: despite my basic indifference, objects just seem to collect around me, of their own volition.”

Haruki Murakami

Source: Haruki Murakami official FB profile https://www.facebook.com/photo/?fbid=440734884083102&set=a.294927818663810