Edgar Degas Quotes (67 quotes) | Quotes of famous people

Edgar Degas: 67 quotes 4 likes

Famous Edgar Degas Quotes

“Oh! Women can never forgive me. They hate me, they can feel that I ‘m disarming them. I show them without their coquetry, in the states of animals cleaning themselves… …I'm sure of it; they see me as the enemy. Fortunately, since if they did like me, that would be the end of me.”

Edgar Degas

In Degas by Himself, Drawings, Paintings, Writings, ed. Richard Kendall 2000, p. 299
quotes, undated

“Drawing is not what you see but what you must make others see.”

Edgar Degas

posthumous quotes, The Shop-Talk of Edgar Degas', (1961)

“Art is vice. You don't marry it legitimately, you rape it.”

Edgar Degas

posthumous quotes, The Shop-Talk of Edgar Degas', (1961)

“Only when he no longer knows what he is doing does the painter do good things.”

Edgar Degas

Quoted in Artists on Art: From the XIV to the XX Century, ed. Robert Goldwater (Pantheon, 1945)
quotes, undated

“Painting is not very difficult when you don't know how; but when you know, oh! then, it's another matter.”

Edgar Degas

posthumous quotes, The Shop-Talk of Edgar Degas', (1961)

“A painting requires a little mystery, some vagueness, and some fantasy. When you always make your meaning perfectly plain you end up boring people.”

Edgar Degas

quote from Georges Jeanniot, in Souvenirs sur Degas (Memories of Degas, 1933)
quotes, undated

Edgar Degas Quotes about painting

“pinkish and bluish draperies on neutral grey grounds and black cypresses…… The red of Jeptha's dress…… some reddish brown, some slightly pinkish…… Graduated blue sky…… the ground at the front a grey violet shadow… Look for some turquoise in the blue.(Degas' working note about choosing colors for his future painting 'The Daughter of Jeptha')”

Edgar Degas

Quote from Degas' working notes; as quoted in The private lives of the Impressionists, Sue Roe, Harpen Collins Publishers, New York 2006, p. 34
quotes, undated

“I believe Corot painted a tree better that any of us, but still I find him superior in his figures.”

Edgar Degas

Degas in 1883, as quoted by Colin B. Bailey, in The Annenberg Collection: Masterpieces of Impressionism and Post-impressionism, publish. Metropolitan Museum of Art, New York, 2009, p. 4
note 5: 20 June 1887, - Corot’s biographer Alfred Robaut https://fr.wikipedia.org/wiki/Alfred_Robaut told this story (1905. Vol. 1. P. 336)
1876 - 1895

“People call me the painter of dancing girls. It has never occurred to them that my chief interest in dancers lies in rendering movement and painting pretty clothes.”

Edgar Degas

"As He Grows Old" (p. 87)
posthumous quotes, Degas: An Intimate Portrait' (1927)

“I put it [a still life of a pear, made by Manet there [on the wall, next to Ingres' painting 'Jupiter'], for a pear like that would overthrow any god.”

Edgar Degas

remark in a conversation with the writer Moore, ca. 1875; as quoted in The private lives of the Impressionists, Sue Roe, Harpen Collins Publishers, New York 2006, p. 117
1855 - 1875

“If I were the government I would have a special brigade of gendarmes to keep an eye on artists who paint landscapes from nature. Oh, I don't mean to kill anyone; just a little dose of bird-shot now and then as a warning.”

Edgar Degas

"Some of Degas' Views on Art" (p. 56)
Degas hated to paint outdoor and even to see landscape-paintings, like for instance the 'draughty' ones of Monet
posthumous quotes, Degas: An Intimate Portrait' (1927)

“A painting is above all a product of the artist's imagination, it must never be a copy. If, at a later stage, he wants to add two or three touches from nature, of course it doesn't spoil anything.”

Edgar Degas

Une peinture, c'est d'abord un produit de l'imagination de l'artiste, ce ne doit jamais être une copie. Si, ensuite, on peut y ajouter deux ou trois accents de nature, evidemment ca ne fait pas de mal.
Quoted by Maurice Sérullaz, L'univers de Degas (H. Scrépel, 1979), p. 13
quotes, undated

Edgar Degas Quotes about drawing

“Drawing is not the same as form; it is a way of seeing form.”

Edgar Degas

Le dessin n'est pas la forme, il est la manière de voir la forme.
"Drawing Is Not the Same As Form..." (p. 82)
posthumous quotes, Degas Dance Drawing' (1935)

“An artist is a deception.... an artist is only an artist at certain times, by an effort of will.... the study of nature is a cliché; isn't Manet the living proof? For although he prided himself on slavishly copying nature, he was the most inadequate painter in the world, not making a single brushstroke without reference to the old masters; for instance, he refrained from drawing fingernails because Frans Hals did not draw them.”

Edgar Degas

Quote of Degas, in his talk with the visiting Mallarmé, 1880's; as cited in Berthe Morisot, the first lady of Impressionism, by Margaret Sehnan; Sutton Publishing (ISBN 0 7509 2339 3), 1996, p. 234
1876 - 1895

“Draw all kind of everyday object placed, in such a way that they have in them the life of the man or woman – corsets that have just been removed, for example, and which retain the form of the body. Do a series in aquatint on mourning, different blacks – black veils of deep mourning floating on the face – black gloves – mourning carriages, undertaker’s vehicles – carriages like Venetian gondolas. On smoke – smoker’s smoke, pipes, cigarettes, cigars – smoke from locomotives, from tall factory chimneys, from steam boats, etc. On evening – infinite variety of subjects in cafes, different tones of glass robes reflected in the mirrors. On bakery, bread. Series of baker's boys, seen in the cellar itself or through the basement windows from the street – backs the colour of the pink flour – beautiful curves of dough – still-life's of different breads, large, oval, long, round, etc. Studies in color of the yellows, pinks, grays, whites of bread…… Neither monuments nor houses have ever been done from below, close up as they appear when you walk down the street. [a working note in which Degas planned series of views of modern Paris, the same time when he sketched the backstreet brothels, making graphic unflinching and even his realistic 'pornographic' sketches he called his 'glimpses through the keyhole', in which he also experimented with perspectives]”

Edgar Degas

Quote from Degas' Notebooks; Clarendon Press, Oxford 1976, nos 30 & 34 circa 1877; as quoted in The private lives of the Impressionists, Sue Roe, Harpen Collins Publishers, New York 2006, p. 182
quotes, undated

“[make drawings of] series of instruments and players; their shapes, twisting of the hands, arms and neck of the violinist; for example, puffing out and hollowing of the cheeks of bassoonists, oboists, etc..”

Edgar Degas

Quote from Degas' Notebook (undated); as quoted in Impressionism: A Centenary Exhibition, Anne Distel, Michel Hoog, Charles S. Moffett, the Metropolitan Museum of Art, (New York, N.Y.) 1975, pp. 81-82
quotes, undated

“ladies in muslin draped on porches at the fronts of their little houses.... shops bursting with fruit, and the contrast between the lively hum and the bustle of the offices with the immense black animal force... The black world I have not the time to explore; there are some real gifts of colour and drawing in these forests of ebony. It will seem amazing to live among white people when I get back to Paris. I love silhouettes so much, and these silhouettes walk.”

Edgar Degas

quote on his journey through America during 1872
Quote in Degas' letter to his friend Tissot, Lousiana, America 1872; as cited in The private lives of the Impressionists, Sue Roe, Harpen Collins Publishers, New York 2006, p. 113-114
1855 - 1875

“I always urged my contemporaries to look for interest and inspiration to the development and study of drawing, but they would not listen. They thought the road to salvation lay by the way of colour.”

Edgar Degas

Quote of Degas, as cited by Walter Sickert, in 'Post-Impressionism and Cubism', Pall Mall Gazette (1914-03-11).
According to Sickert, Degas had said this quote to him in 1885
1876 - 1895

Edgar Degas: Trending quotes

“I should like to be famous and unknown.”

Edgar Degas

Je voudrais être illustre et inconnu.
Degas said this to Henri Rouart, as cited by Antoine Terrasse, in Degas (Chartwell Books, 1982)
quotes, undated

“Apart from my heart, I feel everything grows old in me. Even my heart has something artificial. It has been sewn by the dancers in a soft, pink satin purse like their shoes.”

Edgar Degas

Quote in Degas' letter to the sculptor Paul-Albert Bartolomé, January 1886; as cited in 'Performing Fine Arts: Dance as a Source of Inspiration in Impressionism, by Johannis Tsoumas http://rupkatha.com/dance-in-impressionism/
1876 - 1895

Shoe , Feeling , Heart

“What a pity we allowed ourselves to be called Impressionists.”

Edgar Degas

Comme nous avons mal fait de nous laisser appeler Impressionistes.
Quoted by Walter Sickert in 'Post-Impressionists,' Fortnightly Review (January 1911)
1896 - 1917

Edgar Degas Quotes

“He [ Corot ] is always the strongest, he has foreseen everything.”

Edgar Degas

Degas in 1883, as quoted by Colin B. Bailey, in The Annenberg Collection: Masterpieces of Impressionism and Post-impressionism, publish. Metropolitan Museum of Art, New York, 2009, p. 2
Degas made this remark about Corot to Pissarro at the preview exhibition of the 'Jules Paton sale' in Paris, 24 April 1883 and overheard by Corot's biographer Alfred Robaut https://fr.wikipedia.org/wiki/Alfred_Robaut.
1876 - 1895

“We also consider that Miss Berthe Morisot's [woman painter in French Impressionism who got later married with a brother of Eduard Manet] name and talent are too important to us to do without. [Degas is referring to her participation in the first Impressionist's show he was preparing, then; he was in strong opposition to Eduard Manet who wanted to exclude Berthe Morisot)”

Edgar Degas

Quote from Degas' letter to Cornelie Morisot (mother of Berthe Morisot), Spring 1873; as cited in The private lives of the Impressionists, Sue Roe, Harpen Collins Publishers, New York 2006, p. 119
1855 - 1875

Strong

“There is a kind of success that is indistinguishable from panic.”

Edgar Degas

Quoted by Daniel Halévy, Degas Parle (1960) [My Friend Degas, trans. and ed. Mina Curtiss, Wesleyan University Press, 1964], p. 119
quotes, undated

Success

“Make a drawing. Start it all over again, trace it. Start it and trace it again.”

Edgar Degas

posthumous quotes, The Shop-Talk of Edgar Degas', (1961)

Drawing

“.. women… …their way of observing, combining, sensing the way they dress. They compare a thousand of more visible things with one another than a man does.”

Edgar Degas

Quote from The private lives of the Impressionists, Sue Roe, Harpen Collins Publishers, New York 2006, p. 53
quotes, undated

Women , Way , Sense

“I'm glad to say I haven't found my style yet. I'd be bored to death.”

Edgar Degas

"Technical Details" (p. 70)
posthumous quotes, Degas: An Intimate Portrait' (1927)

Death

“I always suspect an artist who is successful before he is dead.”

Edgar Degas

John Murray Gibbon, Pagan Love (1922), ch. xiv
Misattributed

Success , Dead

“Certainly, Vollard, but listen: will you have a special dish without butter prepared for me? Mind you, no flowers on the table, and you must have dinner at half past seven sharp. I know you won't have your cat around and please don't allow anybody to bring a dog. And if there are to be any women I hope they won't come reeking of perfume. How horrible all those odors are when there are so many things that really smell good, like toast - or even manure! Ah - (a short hesitation), and very few lights. My eyes, you know, my poor eyes!”

Edgar Degas

"Early Encounters" (p. 20)
Quoted by Vollard who came to invite Degas for dinner, that evening
posthumous quotes, Degas: An Intimate Portrait' (1927)

Women , Dogs , Hope , Cats

“I will not admit that a woman can draw like that.”

Edgar Degas

Je n'admets pas qu'une femme puisse dessiner comme ca.
Quoted in Forbes Watson, Mary Cassatt (1932)
this quote is referring to some etchings by Cassatt, which Degas admired
quotes, undated

Drawing

“Hitherto the nude has always been represented in poses which presuppose an audience; but these women of mine are honest, simple folk, unconcerned by any other interests than those involved in their physical condition. Here is another; she is washing her feet. It is as if you looked through a key-hole.”

Edgar Degas

Quoted by George Moore, in Impressions and Opinions (1891)
1876 - 1895

Women

“You need the natural life; I, the artificial.”

Edgar Degas

À vous il faut la vie naturelle, à moi la vie factice.
Degas, quoted by George Moore, Impressions and Opinions (1891)
These words were spoken, Moore states, to 'a landscape painter'
1876 - 1895

Life , Nature

“I remember a story my father used to tell. As he was coming home one day, he ran across a group of men who were firing on the troops from an ambush. During the excitement a daring onlooker went up to one of the snipers who seemed to be a poor marksman. He took the man's gun and brought down a soldier, then handed it back to its owner who motioned as if to say, 'No, go on. You're a better shot than I am.”

Edgar Degas

But the stranger said, 'No, I'm not interested in politics.'
Vollard, Degas and others were talking about the revolution of 1847. Somebody remarked to Degas that he must have been quite young at that time. Than Degas start to quote his father.
Source: posthumous quotes, Degas: An Intimate Portrait' (1927), p. 40

Men , Home

“I am busy on a portrait of my self and my aunt and my two cousins, I will show it to you when you get back. I am doing it as if I were doing a picture. I've got to do it well, because I want to leave it as a momento... The older one is really a lovely thing, the younger one has the devil in her as well as the kindness of an angel. I am doing them with their black dresses and little white pinafores which suit them delightfully. I have ideas for the picture's background running through my head. I would like a certain gracefulness with a nobleness of feeling that I don't know how to describe.”

Edgar Degas

Quote in a letter (27 November, 1858) to Degas' friend and painter Gustave Moreau; as quoted in More unpublished Letters of Degas, Theodore Reff, Art Bulletin LI, No. 3., Sept. 1969, pp. 282-283
1855 - 1875

Love , Angels , Feeling , Idea

“Make portraits of people in familiar and typical positions, above all give their faces the same choice of expression one gives their bodies. Thus if laughter is typical for a person, make him laugh – there are, naturally, feelings that one cannot render…”

Edgar Degas

Quote from Degas' Notebook of 1869; as quoted in Impressionism and Post Impressionism 1874 – 1904, 'Sources and Documents', Linda Nochlin, Englewood Cliffs, New Yersey, 1966, p. 62
1855 - 1875

People , Feeling , Nature , Laughter

“You have to have a high conception, not of what you are doing, but of what you may do one day: without that, there's no point in working.”

Edgar Degas

Il faut avoir une haute idée, non pas de ce qu'on fait, mais de ce qu'on pourra faire un jour; sans quoi ce n'est pas la peine de travailler.
"Mad About Drawing" (p. 64)
posthumous quotes, Degas Dance Drawing' (1935)

“I really have some luggage in my head. If only there were insurance companies for that as there are for so many things here, there's a bale I should insure at once.”

Edgar Degas

J'ai vraiment, un vrai bagage dans la tête. S'il y avait pour cela, comme il y a partout ici, des compagnies d'assurance, voilà un ballot je ferais assurer de suite.
Quote from a letter to James Tissot, (New Orleans, 1873), as cited in Marilyn Brown, Degas and the Business of Art: A Cotton Office in New Orleans (Penn State Press, 1994)
1855 - 1875

“A picture is a thing which requires as much knavery, as much malice, and as much vice as the perpetration of a crime. Make it untrue and add an accent of truth.”

Edgar Degas

posthumous quotes, The Shop-Talk of Edgar Degas', (1961)

Truth

“You must do over the same subject ten times, a hundred times. In art nothing must appear accidental, even a movement.”

Edgar Degas

posthumous quotes, The Shop-Talk of Edgar Degas', (1961)

Art , Appearance , Time

“I, marry? Oh, I could never bring myself to do it. I would have been in mortal misery all my life for fear my wife might say, "That's a pretty little thing," after I had finished a picture.”

Edgar Degas

"Methods of Work" (p. 64)
posthumous quotes, Degas: An Intimate Portrait' (1927)

Life , Fear

“Women can never forgive me; they hate me, they feel I am disarming them. I show them without their coquetry.”

Edgar Degas

Quoted by Julian Barnes, 'The Artist As Voyeur' (1996), from The Grove Book of Art Writing, ed. Martin Gayford and Karen Wright (Grove Press, 2000)
quotes, undated

Women , Hate , Feeling , Forgiveness

“villas with columns in different styles [in Louisiana, America] painted white, in gardens of magnolias, orange trees, banana trees, negroes in old clothes like characters from La Belle Jardiniere.... rosy white children in black [negro] arms.... a brilliant light which streams my eyes.... the Negresses of all shades, holding in their arms little white babies, so white, against white houses with columns of fluted wood and in gardens of orange trees.”

Edgar Degas

quote on his journey through America during 1872
Quote from his letter, Louisiana, America 1872; as cited in The private lives of the Impressionists, Sue Roe, Harpen Collins Publishers, New York 2006, p. 113-114
1855 - 1875

Children , Quotes , Tree , Light

“What a delightful thing is the conversation of specialists! One understands absolutely nothing and it's charming.”

Edgar Degas

Quoted in Degas' letter to Daniel Halévy, 31 Jan 1892, from Degas Letters, ed. Marcel Guerin, trans. Marguerite Kay (1947)
1876 - 1895

Understanding

“The study of nature is of no significance, for painting is a conventional art, and it is infinitely more worthwhile to learn to draw after w:Holbein.”

Edgar Degas

Quote from History of Impressionism, Rev. ed. John Rewald, Museum of Modern Art, 1961, p. 89
posthumous quotes, Degas Dance Drawing' (1935)

Art , Nature , Study , Learning

“Another Visitor: How did you manage, Monsieur Degas, when you painted that plein air called 'Le Plage', the one Monsieur Rouart has?
Degas: It was quite simple. I spread my flannel vest on the floor of the studio, and had the model sit on it. You see, the air you breathe in a picture is not necessarily the same as the air out of doors.”

Edgar Degas

"The Crime and the Punishment" (p. 47)
posthumous quotes, Degas: An Intimate Portrait' (1927)

Painting

“It is all well and good to copy what one sees, but it is much better to draw only what remains in one's memory. This is a transformation in which imagination and memory collaborate.”

Edgar Degas

Quote of Degas in 1883, as cited by Colin B. Bailey, in The Annenberg Collection: Masterpieces of Impressionism and Post-impressionism, publish. Metropolitan Museum of Art, New York, 2009, p. 30 note 10
Degas confided this to Pierre-George Jeanniot
1876 - 1895

Imagination , Memory , Drawing

“You must aim high, not in what you are going to do at some future date, but in what you are going to make yourself do to-day. Otherwise, working is just a waste of time.”

Edgar Degas

a remark to E. Rouart [son of Henri Rouart in 1904; as quoted in Renoir – his life and work, Francois Fosca, Book Club Associates /Thames and Hudson Ltd, London 1975, p. 274
1896 - 1917

Time , Future

“We were created to look at one another, weren't we.”

Edgar Degas

Quote of Degas, as cited in Walter Sickert The Complete writing on art ed Anna Robins OUP, Oxford 2002 ISBN 0199261695
quotes, undated

“I assure you no art was ever less spontaneous than mine. What I do is the result of reflection and study of the great masters; of inspiration, spontaneity, temperament — temperament is the word — I know nothing.”

Edgar Degas

Quote of Degas in conversation with George Moore, later quoted by Moore in Impressions and Opinions (1891)
1876 - 1895

Art , Study

“It requires courage to make a frontal attack on nature through the broad planes and the large lines and it is cowardly to do it by the facets and details. It is a battle.”

Edgar Degas

posthumous quotes, The Shop-Talk of Edgar Degas', (1961)

Courage , Nature

“Everybody has talent at twenty-five. The difficult thing is to have it at fifty.”

Edgar Degas

posthumous quotes, The Shop-Talk of Edgar Degas', (1961)

“Poor Gauguin, 'way off there on his island! I'll wager he spends most of his time thinking of Rue Lafitte. I advised him to go to New Orleans, but he decided it was too civilized. He had to have people around him with flowers on their heads and rings in their noses before he could feel at home. Now if I should leave my house for more than two days…”

Edgar Degas

"The Crime and the Punishment" (p. 48)
posthumous quotes, Degas: An Intimate Portrait' (1927)

People , Way , Feeling , Home

“The museums are here to teach the history of art and something more as well, for, if they stimulate in the weak a desire to imitate, they furnish the strong with the means of their emancipation.”

Edgar Degas

posthumous quotes, The Shop-Talk of Edgar Degas', (1961)

Art , History , Strong

“In the office there are about fifteen people whose attention is directed toward a table covered with the costly fabric [raw cotton]; one man is bent over the table and another is sort of seating on it – the buyer and the broker are discussing a sample. A painting of a vernacular subject, if there is such a thing, and I think by a better hand than most others (a size 40 canvas, I think). I'm planning another less complicated and more surprising yet, better art, in which everyone is in summer dress, the walls white, and a sea of cotton on the tables. (translation based on M. Kay's, in M. Gérin [ed. ] and M. Kay, transl. 'Degas letters', Oxford, 1947, pp. 29-30, no. 2”

Edgar Degas

Quote in Gegas letter to his friend James Tissot, New Orleans, 18 February 1873; as quoted in 'Impressionism: A Centenary Exhibition', Anne Distel, Michel Hoog, Charles S. Moffett, the Metropolitan Museum of Art, (New York, N.Y.) 1975, p. 99
Degas is referring to his painting 'Cotton Merchants in New Orleans' [Cotton Merchants in New Orleans https://www.harvardartmuseums.org/art/299832, (1873)
1855 - 1875

People , Art , Thinking , Summer

“It is very good to copy what one sees; it is much better to draw what you can't see any more but is in your memory. It is a transformation in which imagination and memory work together. You only reproduce what struck you, that is to say the necessary.”

Edgar Degas

C'est très bien de copier ce qu'on voit, c'est beaucoup mieux de dessiner ce que l'on ne voit plus que dans son mémoire. C'est une transformation pendant laquelle l'ingéniosité collabore avec la mémoire. Vous ne reproduisez que ce qui vous a frappé, c'est-à-dire le nécessaire.
Quoted in Maurice Sérullaz, L'univers de Degas (H. Scrépel, 1979), p. 13
quotes, undated

Imagination , Memory , Drawing

“A man is an artist only at certain moments, by an effort of will. Objects have the same appearance for everybody.”

Edgar Degas

"Recollections of Degas by Berthe Morisot" (p. 84)
posthumous quotes, Degas Dance Drawing' (1935)

Effort , Appearance

“It seems to me that today, if the artist wishes to be serious — to cut out a little original niche for himself, or at least preserve his own innocence of personality — he must once more sink himself in solitude. There is too much talk and gossip; pictures are apparently made, like stock-market prices, by competition of people eager for profit; in order to do anything at all we need (so to speak) the wit and ideas of our neighbors as much as the businessmen need the funds of others to win on the market. All this traffic sharpens our intelligence and falsifies our judgment.”

Edgar Degas

Quote from Degas' Notebook entry c. 1860's; as quoted in Artists on Art: From the XIV to the XX Century, ed. Robert Goldwater (Pantheon, 1945)
1855 - 1875

People , Intelligence , Idea , Solitude

“Anyone would think paintings were made like speculations on the stock market, out of the frictions of ambitious young people… …it sharpens the mind, but clouds your judgement.”

Edgar Degas

Quote from The private lives of the Impressionists, Sue Roe, Harpen Collins Publishers, New York 2006, p. 34
quotes, undated

People , Thinking , Painting

“Visitor: Monsieur Degas, were there any of Monet's pictures at the Durand-Ruel exhibition?
Degas: Why, I met Monet himself there, and I said to him, 'Let me get out of here. Those reflections in the water hurt my eyes!' His pictures were always too draughty for me. If it had been any worse I should have had to turn up my coat collar.”

Edgar Degas

"The Crime and the Punishment" (p. 46)
posthumous quotes, Degas: An Intimate Portrait' (1927)

Water , Hurt

“Boredom soon overcomes me when I am contemplating nature.”

Edgar Degas

Notebook entry (1858), The Notebooks of Edgar Degas, ed. Theodore Reff (1976)
1855 - 1875

Nature

“Even working from nature you have to compose.”

Edgar Degas

posthumous quotes, The Shop-Talk of Edgar Degas', (1961)

Nature

“Work a great deal at evening effects, lamplight, candlelight, etc. The intriguing thing is not to show the source of the light but the effect of the lighting.”

Edgar Degas

posthumous quotes, The Shop-Talk of Edgar Degas', (1961)

Light

“I have been singularly hard with myself. I have had to be. You must realize that this is so, since you have, at times, reproached me for it, and were astonished because I had so little confidence in myself. I have been, or seemed, hard with everyone because I was carried away by a sort of brutality born of my distrust in myself and my ill-humor. I have felt so badly equipped, so soft, in spite of the fact that my attitude towards art seemed to me so just. I was disgusted with everyone, and especially myself. I ask your pardon, then, if, with this damned art as an excuse, I have wounded your noble and intelligent spirit; perhaps even your heart..”

Edgar Degas

"The Sensitive Artist" (p. 43)
quote from Degas' letter to a friend; but unknown because Vollard did not want to reveal the name
posthumous quotes, Degas: An Intimate Portrait' (1927)

Art , Confidence , Intelligence , Time

“In our beginnings, Fantin, Whistler and I were all on the same road, the road from Holland [Dutch 17th century painters]”

Edgar Degas

Quote of Degas, later recalled by Paul Poujaud (written in his letter to Marcel Guérin, 11 July 1936); as quoted by Colin B. Bailey, in The Annenberg Collection: Masterpieces of Impressionism and Post-impressionism, publish. Metropolitan Museum of Art, New York, 2009, p. 54
Degas is recalling his early works of the 1860's
quotes, undated