Edgar Degas: Trending quotes

Edgar Degas trending quotes. Read the latest quotes in collection
Edgar Degas: 134   quotes 4   likes

“Art is vice. You don't marry it legitimately, you rape it.”

posthumous quotes, The Shop-Talk of Edgar Degas', (1961)

“Drawing is not what you see but what you must make others see.”

posthumous quotes, The Shop-Talk of Edgar Degas', (1961)

“Only when he no longer knows what he is doing does the painter do good things.”

Quoted in Artists on Art: From the XIV to the XX Century, ed. Robert Goldwater (Pantheon, 1945)
quotes, undated

“I should like to be famous and unknown.”

Je voudrais être illustre et inconnu.
Degas said this to Henri Rouart, as cited by Antoine Terrasse, in Degas (Chartwell Books, 1982)
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“Apart from my heart, I feel everything grows old in me. Even my heart has something artificial. It has been sewn by the dancers in a soft, pink satin purse like their shoes.”

Quote in Degas' letter to the sculptor Paul-Albert Bartolomé, January 1886; as cited in 'Performing Fine Arts: Dance as a Source of Inspiration in Impressionism, by Johannis Tsoumas http://rupkatha.com/dance-in-impressionism/
1876 - 1895

“A painting requires a little mystery, some vagueness, and some fantasy. When you always make your meaning perfectly plain you end up boring people.”

quote from Georges Jeanniot, in Souvenirs sur Degas (Memories of Degas, 1933)
quotes, undated

“Painting is not very difficult when you don't know how; but when you know, oh! then, it's another matter.”

posthumous quotes, The Shop-Talk of Edgar Degas', (1961)

“What a pity we allowed ourselves to be called Impressionists.”

Comme nous avons mal fait de nous laisser appeler Impressionistes.
Quoted by Walter Sickert in 'Post-Impressionists,' Fortnightly Review (January 1911)
1896 - 1917

“He [ Corot ] is always the strongest, he has foreseen everything.”

Degas in 1883, as quoted by Colin B. Bailey, in The Annenberg Collection: Masterpieces of Impressionism and Post-impressionism, publish. Metropolitan Museum of Art, New York, 2009, p. 2
Degas made this remark about Corot to Pissarro at the preview exhibition of the 'Jules Paton sale' in Paris, 24 April 1883 and overheard by Corot's biographer Alfred Robaut https://fr.wikipedia.org/wiki/Alfred_Robaut.
1876 - 1895

“[make drawings of] series of instruments and players; their shapes, twisting of the hands, arms and neck of the violinist; for example, puffing out and hollowing of the cheeks of bassoonists, oboists, etc..”

Quote from Degas' Notebook (undated); as quoted in Impressionism: A Centenary Exhibition, Anne Distel, Michel Hoog, Charles S. Moffett, the Metropolitan Museum of Art, (New York, N.Y.) 1975, pp. 81-82
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“I always urged my contemporaries to look for interest and inspiration to the development and study of drawing, but they would not listen. They thought the road to salvation lay by the way of colour.”

Quote of Degas, as cited by Walter Sickert, in 'Post-Impressionism and Cubism', Pall Mall Gazette (1914-03-11).
According to Sickert, Degas had said this quote to him in 1885
1876 - 1895

“There is a kind of success that is indistinguishable from panic.”

Quoted by Daniel Halévy, Degas Parle (1960) [My Friend Degas, trans. and ed. Mina Curtiss, Wesleyan University Press, 1964], p. 119
quotes, undated

“Make a drawing. Start it all over again, trace it. Start it and trace it again.”

posthumous quotes, The Shop-Talk of Edgar Degas', (1961)

“A painting is above all a product of the artist's imagination, it must never be a copy. If, at a later stage, he wants to add two or three touches from nature, of course it doesn't spoil anything.”

Une peinture, c'est d'abord un produit de l'imagination de l'artiste, ce ne doit jamais être une copie. Si, ensuite, on peut y ajouter deux ou trois accents de nature, evidemment ca ne fait pas de mal.
Quoted by Maurice Sérullaz, L'univers de Degas (H. Scrépel, 1979), p. 13
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“If I were the government I would have a special brigade of gendarmes to keep an eye on artists who paint landscapes from nature. Oh, I don't mean to kill anyone; just a little dose of bird-shot now and then as a warning.”

"Some of Degas' Views on Art" (p. 56)
Degas hated to paint outdoor and even to see landscape-paintings, like for instance the 'draughty' ones of Monet
posthumous quotes, Degas: An Intimate Portrait' (1927)

“.. women… …their way of observing, combining, sensing the way they dress. They compare a thousand of more visible things with one another than a man does.”

Quote from The private lives of the Impressionists, Sue Roe, Harpen Collins Publishers, New York 2006, p. 53
quotes, undated