Edgar Degas: Quotes about painting

Edgar Degas was French artist. Explore interesting quotes on painting.

Edgar Degas: 134 quotes4 likes

“A painting requires a little mystery, some vagueness, and some fantasy. When you always make your meaning perfectly plain you end up boring people.”

Edgar Degas

quote from Georges Jeanniot, in Souvenirs sur Degas (Memories of Degas, 1933)
quotes, undated

“Painting is not very difficult when you don't know how; but when you know, oh! then, it's another matter.”

Edgar Degas

posthumous quotes, The Shop-Talk of Edgar Degas', (1961)

“pinkish and bluish draperies on neutral grey grounds and black cypresses…… The red of Jeptha's dress…… some reddish brown, some slightly pinkish…… Graduated blue sky…… the ground at the front a grey violet shadow… Look for some turquoise in the blue.(Degas' working note about choosing colors for his future painting 'The Daughter of Jeptha')”

Edgar Degas

Quote from Degas' working notes; as quoted in The private lives of the Impressionists, Sue Roe, Harpen Collins Publishers, New York 2006, p. 34
quotes, undated

“People call me the painter of dancing girls. It has never occurred to them that my chief interest in dancers lies in rendering movement and painting pretty clothes.”

Edgar Degas

"As He Grows Old" (p. 87)
posthumous quotes, Degas: An Intimate Portrait' (1927)

“A painting is above all a product of the artist's imagination, it must never be a copy. If, at a later stage, he wants to add two or three touches from nature, of course it doesn't spoil anything.”

Edgar Degas

Une peinture, c'est d'abord un produit de l'imagination de l'artiste, ce ne doit jamais être une copie. Si, ensuite, on peut y ajouter deux ou trois accents de nature, evidemment ca ne fait pas de mal.
Quoted by Maurice Sérullaz, L'univers de Degas (H. Scrépel, 1979), p. 13
quotes, undated

“If I were the government I would have a special brigade of gendarmes to keep an eye on artists who paint landscapes from nature. Oh, I don't mean to kill anyone; just a little dose of bird-shot now and then as a warning.”

Edgar Degas

"Some of Degas' Views on Art" (p. 56)
Degas hated to paint outdoor and even to see landscape-paintings, like for instance the 'draughty' ones of Monet
posthumous quotes, Degas: An Intimate Portrait' (1927)

“I put it [a still life of a pear, made by Manet there [on the wall, next to Ingres' painting 'Jupiter'], for a pear like that would overthrow any god.”

Edgar Degas

remark in a conversation with the writer Moore, ca. 1875; as quoted in The private lives of the Impressionists, Sue Roe, Harpen Collins Publishers, New York 2006, p. 117
1855 - 1875

“I believe Corot painted a tree better that any of us, but still I find him superior in his figures.”

Edgar Degas

Degas in 1883, as quoted by Colin B. Bailey, in The Annenberg Collection: Masterpieces of Impressionism and Post-impressionism, publish. Metropolitan Museum of Art, New York, 2009, p. 4 <br class="br">note 5: 20 June 1887, - Corot’s biographer Alfred Robaut https://fr.wikipedia.org/wiki/Alfred_Robaut told this story (1905. Vol. 1. P. 336) <br class="br">1876 - 1895

“villas with columns in different styles [in Louisiana, America] painted white, in gardens of magnolias, orange trees, banana trees, negroes in old clothes like characters from La Belle Jardiniere.... rosy white children in black [negro] arms.... a brilliant light which streams my eyes.... the Negresses of all shades, holding in their arms little white babies, so white, against white houses with columns of fluted wood and in gardens of orange trees.”

Edgar Degas

quote on his journey through America during 1872
Quote from his letter, Louisiana, America 1872; as cited in The private lives of the Impressionists, Sue Roe, Harpen Collins Publishers, New York 2006, p. 113-114
1855 - 1875

“The study of nature is of no significance, for painting is a conventional art, and it is infinitely more worthwhile to learn to draw after w:Holbein.”

Edgar Degas

Quote from History of Impressionism, Rev. ed. John Rewald, Museum of Modern Art, 1961, p. 89
posthumous quotes, Degas Dance Drawing' (1935)

“Another Visitor: How did you manage, Monsieur Degas, when you painted that plein air called 'Le Plage', the one Monsieur Rouart has?
Degas: It was quite simple. I spread my flannel vest on the floor of the studio, and had the model sit on it. You see, the air you breathe in a picture is not necessarily the same as the air out of doors.”

Edgar Degas

"The Crime and the Punishment" (p. 47)
posthumous quotes, Degas: An Intimate Portrait' (1927)

“In the office there are about fifteen people whose attention is directed toward a table covered with the costly fabric [raw cotton]; one man is bent over the table and another is sort of seating on it – the buyer and the broker are discussing a sample. A painting of a vernacular subject, if there is such a thing, and I think by a better hand than most others (a size 40 canvas, I think). I'm planning another less complicated and more surprising yet, better art, in which everyone is in summer dress, the walls white, and a sea of cotton on the tables. (translation based on M. Kay's, in M. Gérin [ed. ] and M. Kay, transl. 'Degas letters', Oxford, 1947, pp. 29-30, no. 2”

Edgar Degas

Quote in Gegas letter to his friend James Tissot, New Orleans, 18 February 1873; as quoted in 'Impressionism: A Centenary Exhibition', Anne Distel, Michel Hoog, Charles S. Moffett, the Metropolitan Museum of Art, (New York, N.Y.) 1975, p. 99 <br class="br">Degas is referring to his painting 'Cotton Merchants in New Orleans' [Cotton Merchants in New Orleans https://www.harvardartmuseums.org/art/299832, (1873) <br class="br">1855 - 1875

“Anyone would think paintings were made like speculations on the stock market, out of the frictions of ambitious young people… …it sharpens the mind, but clouds your judgement.”

Edgar Degas

Quote from The private lives of the Impressionists, Sue Roe, Harpen Collins Publishers, New York 2006, p. 34
quotes, undated