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Alan Moore Quotes
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Alan Moore is an English writer known primarily for his work in comic books including Watchmen, V for Vendetta, The Ballad of Halo Jones, Swamp Thing, Batman: The Killing Joke and From Hell. Regarded by some as the best comics writer in the English language, he is widely recognized among his peers and critics. He has occasionally used such pseudonyms as Curt Vile, Jill de Ray, and Translucia Baboon; also, reprints of some of his work have been credited to The Original Writer when Moore requested that his name be removed.Moore started writing for British underground and alternative fanzines in the late 1970s before achieving success publishing comic strips in such magazines as 2000 AD and Warrior. He was subsequently picked up by the American DC Comics, and as "the first comics writer living in Britain to do prominent work in America", he worked on major characters such as Batman and Superman , substantially developed the character Swamp Thing, and penned original titles such as Watchmen. During that decade, Moore helped to bring about greater social respectability for comics in the United States and United Kingdom. He prefers the term "comic" to "graphic novel". In the late 1980s and early 1990s he left the comic industry mainstream and went independent for a while, working on experimental work such as the epic From Hell and the prose novel Voice of the Fire. He subsequently returned to the mainstream later in the 1990s, working for Image Comics, before developing America's Best Comics, an imprint through which he published works such as The League of Extraordinary Gentlemen and the occult-based Promethea. In 2016, he published Jerusalem: a 1266-page experimental novel set in his hometown of Northampton, UK.

Moore is an occultist, ceremonial magician, and anarchist, and has featured such themes in works including Promethea, From Hell, and V for Vendetta, as well as performing avant-garde spoken word occult "workings" with The Moon and Serpent Grand Egyptian Theatre of Marvels, some of which have been released on CD.

Despite his own personal objections, his works have provided the basis for a number of Hollywood films, including From Hell , The League of Extraordinary Gentlemen , V for Vendetta , and Watchmen . Moore has also been referenced in popular culture, and has been recognised as an influence on a variety of literary and television figures including Neil Gaiman, Joss Whedon, and Damon Lindelof. He has lived a significant portion of his life in Northampton, England, and he has said in various interviews that his stories draw heavily from his experiences living there. Wikipedia  

✵ 18. November 1953
Alan Moore photo
Alan Moore: 274   quotes 13   likes

Alan Moore Quotes

“I did the right thing, didn't I? It all worked out in the end.'In the end'? Nothing ends, Adrian. Nothing ever ends.”

Alan Moore book Watchmen

Source: Watchmen

“Once a man has seen society's black underbelly, he can never turn his back on it. Never pretend, like you do, that it doesn't exist.”

Alan Moore book Watchmen

Source: Watchmen

“Sex is glorious, it's how we all got here, and it's most people's favourite activity.”

Alan Moore

http://www.independent.co.uk/arts-entertainment/books/features/alan-moore-the-reluctant-hero-64407.html

People , Sex

“Remember? Ohh, I wouldn't do that! Remembering's dangerous. I find the past such a worrying, anxious place.

"The past tense", I supposed you'd call it. Ha ha ha.”

Alan Moore book Batman: The Killing Joke

Source: Batman: The Killing Joke

Past

“For whatever the future holds, one thing is certain… It just won't be the same.”

Alan Moore

Source: V for Vendetta, Vol. I of X

Future

“My dear, beautiful and imaginative things can be destroyed. Beauty and imagination cannot.”

Alan Moore

Source: Lost Girls, libro 3: Grande y terrible

Beauty , Imagination

“Som-Som would later learn that the girl's name was Book. Ambiguous and suggestive sentences swirled out from the maroon bud of her nipple. Verses of elegant and cryptic passion followed the orbit of her left eye. Her fingers dripped with poetry.”

Alan Moore Alan Moore's Hypothetical Lizard

Alan Moore's Hypothetical Lizard, #1 (January 2005)
Alan Moore's Hypothetical Lizard (January 2005 - May 2005)

Books , Girl , Learning , Passion

“If you look at early shamanic texts and cultures, the magical powers that the shaman hopes the gods might give him, flying, turning into animals, invisibility, poetry – as if poetry was a magic power. As if it was the equivalent of turning into a dog or flying. As if. What does this tell us? Maybe there was a time when we could legitimately ask the gods for it as a gift. But we know there aren’t any gods, and that they can’t give those gifts, so the best thing we can do is go to church, listen to the lesson and hope we don’t burn. Have no direct contact with whatever form of god we choose to worship. It’s like the magical or spiritual equivalent of the big flaw in Marxism. Karl Marx, lovely geezer, very humane, a bit middle class but we’ll gloss over that, but his big flaw was that when he said “The reins of society will inevitably rest in the hands of those who control the means of production” didn’t take into account middle management. All the people who get between those with the means of production and the society. That translates onto a spiritual level as the shift from our earliest beliefs, which are all shamanic.”

Alan Moore

De Abaitua interview (1998)

Love , God , People , Dogs

“Murder? Don't talk to me about murder. I invented murder!”

Alan Moore

Cain, Saga of the Swamp Thing #33
Swamp Thing (1983–1987)

“I can deal with functionality on a practical level. And I still have this relationship with this imaginary snake. My imaginary pal. If I’m going to be dealing in totally imaginary territory, it struck me that it would be useful to have a native as a guide. So I can have my imaginary conversations with my imaginary snake, and maybe it gives me information I already knew in part of myself, and maybe I just needed to make up an imaginary snake to tell me it.”

Alan Moore

De Abaitua interview (1998)

Parting

“When modern horror films or fundamentalists talk about “demons,” they mean something very different than what Socrates meant by the term. It was a lot closer to what I was talking about: the essential drive, the highest self, if you like. So maybe there is a connection, when I met, or appeared to meet, a demon. It was a little bit frightening at first, but after a while we found that we got on OK and we could have a civilized conversation, and I found him very engaging, very pleasant. And it struck me that this was a brilliant literal example of the process of demonization. That when I had approached the demon with fear and loathing, it was fearsome and loathsome. When I approached it with respect, then it was respectable. And I thought, All right, there’s a kind of mirroring that is going on here that is probably applicable to a wide number of social situations. The people or classes of people that we demonize, and that we treat with fear and loathing, respond accordingly. We are projecting a persona of manner of behavior upon them, as well as responding to a manner of behavior that’s already there. When we’re looking at the flaws in their personality that we are able to recognize, the fact that we can recognize them suggests that they are probably in some way a version of flaws that we have ourselves.”

Alan Moore

As quoted in ""HEY, YOU CAN JUST MAKE STUFF UP." Differences between magic and art: None" https://www.believermag.com/issues/201306/?read=interview_moore, by Peter Bebergal, The Believer, (2013).
The Believer interview (2013)

People , Fear , Way , Behavior

“The DC comics were always a lot more true blue. Very enjoyable, but they were big, brave uncles and aunties who probably insisted on a high standard of you know mental and physical hygiene. Whereas the Stan Lee stuff, the Marvel comics, he went from one dimensional characters whose only characteristic was they dressed up in costumes and did good. Whereas Stan Lee had this huge breakthrough of two-dimensional characters. So, they dress up in costumes and do good, but they've got a bad heart. Or a bad leg. I actually did think for a long while that having a bad leg was an actual character trait.”

Alan Moore

Interview on BBC Radio 4 (27 January 2005) http://www.comicbookresources.com/?page=article&id=4533

Thinking , Heart

“They were kept in the dark, squatting there with nothing to dwell upon beyond the fact they were unclean. Even the touch of their shadow would sour the land, blighting crops that grew there…. At the end of their confinement they were led out blinking into the harsh and masculine glare of the sun. Their clothing was taken from them and destroyed. Their anger in darkness turning, unreleased, unspoken, its mouth a red wound…”

Alan Moore

Alan Moore, Swamp Thing #40 The Curse
Swamp Thing (1983–1987)

Sun , Clothes , Anger

“I suppose that the main drive is to find the edge of something and then throw myself over it.”

Alan Moore V for Vendetta

On the issue of creativity, from the interview with Channel 4, "V for Vendetta: the man behind the mask" (11 January 2012) http://www.channel4.com/news/v-for-vendetta-the-man-behind-the-mask

“I saw no reason why you couldn't create a work of pornography that adhered to all the same standards as the best art or literature. The big difference between art and pornography is that art, at its best, makes you feel less alone. You see a painting or read a piece of writing that expresses a thought that you had but didn't express, and you suddenly feel less alone. Pornography, on the other hand, tends to engender feelings of self-disgust, isolation and wretchedness. I wanted to change that.”

Alan Moore

http://www.independent.co.uk/arts-entertainment/books/features/alan-moore-the-reluctant-hero-64407.html

Art , Feeling , Literature , Change

“Most of the people who get sent to die in wars are young men who've got a lot of energy and would probably rather, in a better world, be putting that energy into copulation rather than going over there and blowing some other young man's guts out.”

Alan Moore

"The Craft" - interview with Daniel Whiston, Engine Comics (January 2005)

Men , War , People , World

“Memories so treacherous…”

Alan Moore

Batman : The Killing Joke (1988)

Memory

“Madness and insanity are two terms that are so vague and relative that you can’t really apportion proper values to them. The only thing I can think of that has any use it functional and dysfunctional. Are you working as well? In which case, it doesn’t matter if you are mad.”

Alan Moore

De Abaitua interview (1998)

Thinking , Madness

“All our scientific observations of the universe and quanta can only, in the end, be observations of ourselves.”

Alan Moore

De Abaitua interview (1998)

Universe

“There is an inverse relationship between imagination and money.”

Alan Moore

About the film adaptation of V for Vendetta, in an MTV interview "Alan Moore : The Last Angry Man" http://www.mtv.com/shared/movies/interviews/m/moore_alan_060315/

Money , Imagination

“I was talking earlier — about anarchy and fascism being the two poles of politics. On one hand you’ve got fascism, with the bound bundle of twigs, the idea that in unity and uniformity there is strength; on the other you have anarchy, which is completely determined by the individual, and where the individual determines his or her own life. Now if you move that into the spiritual domain, then in religion, I find very much the spiritual equivalent of fascism. The word “religion” comes from the root word ligare, which is the same root word as ligature, and ligament, and basically means “bound together in one belief.” It’s basically the same as the idea behind fascism; there’s not even necessarily a spiritual component it. Everything from the Republican Party to the Girl Guides could be seen as a religion, in that they are bound together in one belief. So to me, like I said, religion becomes very much the spiritual equivalent of fascism. And by the same token, magic becomes the spiritual equivalent of anarchy, in that it is purely about self-determination, with the magician simply a human being writ large, and in more dramatic terms, standing at the center of his or her own universe. Which I think is a kind of a spiritual statement of the basic anarchist position. I find an awful lot in common between anarchist politics and the pursuit of magic, that there’s a great sympathy there.”

Alan Moore

Alan Moore on Anarchism (2009)

Life , Religion , Girl , Idea

“We are approaching a more fluid state. I have talked about cultural boiling. The idea of the phase-transition period which, in fractal mathematics, is the chaotic flux between one state and another. …Culturally, and as a species, we are approaching a phase-transition. I don’t know quite what that means, on a human level.”

Alan Moore

De Abaitua interview (1998)

Mathematics , Idea

“!-- What you have to do first is separate yourself from the world, most new-born babies don’t see any difference between them, their playpen and their Dad. It’s all them. Only after a little while do they start to realise that it’s not all me, just this bit is me. So by the invention of something similar to the word or concept ‘I’ we separate ourselves from the universe. Then we start to separate up the universe. We will divide sky from ground, the organic from inorganic. Looked at like this, doesn’t it provide a literal interpretation of the Biblical Creation story. -->If you take the idea of God in the Bible as a metaphor for any nascent, formative just-created intelligence, is that not how we all create the universe. We divide the firmament up from the waters of the abyss, and the key to how to do this is in the first line: in the beginning, there was the word. By giving sky one word, the ground into another, we break the universe down into manageable things that we can interact with through language.”

Alan Moore

De Abaitua interview (1998)

God , World , Intelligence , Idea

“Actually, art and magic are pretty much synonymous. I would imagine that this all goes back to the phenomenon of representation, when, in our primordial past, some genius or other actually flirted upon the winning formula of “This means that.” Whether “this” was a voice or “that” was a mark upon a dry wall or “that” was a guttural sound, it was that moment of representation. That actually transformed us from what we were into what we would be. It gave us the possibility, all of a sudden, of language. And when you have language, you can describe pictorially or verbally the strange and mystifying world that you see around you, and it’s probably not long before you also realize that, hey, you can just make stuff up. The central art of enchantment is weaving a web of words around somebody. And we would’ve noticed very early on that the words we are listening to alter our consciousness, and using the way they can transform it, take it to places we’ve never dreamed of, places that don’t exist.”

Alan Moore

The Believer interview (2013)

World , Dreams , Art , Way

“The sexuality of creativity – on that level, human interaction becomes less of an oppressive pyramid and more of a dance, an orgy, something that you can imagine being a bit of fun. It seems to work naturally, except when order is imposed upon it, from above, and then everything starts getting a bit screwed up. The information, the energy, starts to get messed up.”

Alan Moore

De Abaitua interview (1998)

Imagination , Nature , Dance

“!-- I come from the Arts Lab. Most of the writing I used to do was used for performance, so consequently I learnt that when you are reading a poem it has to read properly, which is to do with syllables and stresses. What takes me the longest with my fine writing, like say Voice of the Fire, is reading it through and finding the bits where it clunks, where it’s one syllable too long, and once you find that rhythm – the reader probably won’t be aware of it, consciously, but there is a tidal wave embedded in the prose that the reader is responding to. In the last chapter of Voice in the Fire, where it is actually me talking in my own voice, I don’t use the word ‘I’ or ‘me’ or ‘mine’. I don’t know why – perhaps I had been reading that Private Eye column where it is all ‘I’ ‘I’ ‘I’ and started to feel a bit self-conscious about it – but --> I thought if I can still be the central voice but without having an ‘I’ there, and by not having it there, it makes it easier for the reader to slip into the consciousness of the narrator. If you remove the letter ‘I’ it becomes a universal I. Everybody is the author walking down those streets while they are in the prose.”

Alan Moore

De Abaitua interview (1998)

Art , Feeling , Universe , Reading

“I think that we are approaching a kind of event field – fifteen years, twenty years up the road. There is a big event in the future and because time is not what we think it is, that event radiates in all directions. We are entering its field and have been for hundreds of years. We are starting to approach the core of it.”

Alan Moore

De Abaitua interview (1998)

Thinking , Time , Future

“!-- Most of the effects described in classical magical tradition I believe I can duplicate with art, possibly drugs – or some other means of integrating myself more deeply with that sort of reality, that sort of consciousness – I believe I could do most of the things that are described in traditional magic. This opens up wider possibilities. It also enables me to understand myself on a deeper level. -->By accepting the idea of endless pantheons of gods, I somehow accept these creatures as being distinct and separate from me, and not as being, to some degree, higher functions of me. Iain Sinclair was asking me about this: he asked me ‘do you think they are inside you, or outside you?’ The only answer I could come up with was, the more I think about it the inside is the outside. That the objective world and the non-objective world are the same thing, to some degree. Ideaspace and this space are the same space. Just different ends of the scale. That’s not a very good explanation, but the best I can come up with so far.”

Alan Moore

De Abaitua interview (1998)

God , World , Art , Idea

“I'm not a millionaire but I'm very comfortable doing what I do, and I'm more productive now than I was in my mid-20s. It's all down to functionality eventually. If you're functional it doesn't matter if you're mad.”

Alan Moore

As quoted in "Moore's murderer", in The Guardian (2 February 2002) http://www.guardian.co.uk/film/2002/feb/02/sciencefictionfantasyandhorror.books

Madness

“The more I look at most of the art movements, it’s all occultism, when you get down to it. The Surrealists were openly talking about being magicians.”

Alan Moore

De Abaitua interview (1998)

Art

“I've no objection to the term 'graphic novel,' as long as what it is talking about is actually some sort of graphic work that could conceivably be described as a novel. My main objection to the term is that usually it means a collection of six issues of Spider-Man, or something that does not have the structure or any of the qualities of a novel, but is perhaps roughly the same size.”

Alan Moore

Interview with Locus Magazine http://www.locusmag.com/2003/Issue07/Moore.html (2003)

“Consciousness is unquantifiable, a ghost in the machine, barely considered real at all, though in a sense this flickering mosaic of awareness is the only true reality that we can ever know.”

Alan Moore

What Is Reality?

Reality , Sense

“It's a new world, Arcane…
It's full of shopping malls…
and striplights and software. The dark corners are being pushed back…
a little more every day.
We're things of the shadow, you and I…
And there isn't as much shadow…
as there used to be..”

Alan Moore

Swamp Thing (1983–1987)

World

“If I wanted a full-scale manifestation, one that was apparent to other people, then I would do a ritual. I have displayed the snake god to other people. Or I have consciously hypnotised them into accepting my psychotic belief system, given them drugs, and made them think they are having the experience I have. Whatever you want. I’m not fussed.”

Alan Moore

De Abaitua interview (1998)

God , People , Thinking

“Magic and art tend to share a lot of the same language. They both talk about evocation, invocation, and conjuring. If you’re trying to conjure a character, then maybe you should treat that with the respect that you would if you were trying to conjure a demon. Because if an image of a god is a god, then in some sense the image of a demon is a demon. I’m thinking of people like Malcolm Lowry, the exquisite author of Under the Volcano. There are kabbalistic demons that are lurking all the way through Under the Volcano, and I assume they were probably similar forces to the ones that eventually overwhelmed Lowry’s life, such as the drinking and the madness. When I hear alcoholics talk about having their demons, I think that they’re probably absolutely literally correct.”

Alan Moore

The Believer interview (2013)

Life , God , People , Alcohol

“If you wear black, then kindly, irritating strangers will touch your arm consolingly and inform you that the world keeps on turning.
They're right. It does.
However much you beg it to stop.
It turns and lets grenadine spill over the horizon, sends hard bars of gold through my window and I wake up and feel happy for three seconds and then I remember.
It turns and tips people out of their beds and into their cars, their offices, an avalanche of tiny men and women tumbling through life…
All trying not to think about what's waiting at the bottom.
Sometimes it turns and sends us reeling into each other's arms. We cling tight, excited and laughing, strangers thrown together on a moving funhouse floor.
Intoxicated by the motion we forget all the risks.
And then the world turns…
And somebody falls off…
And oh God it's such a long way down.
Numb with shock, we can only stand and watch as they fall away from us, gradually getting smaller…
Receding in our memories until they're no longer visible.
We gather in cemeteries, tense and silent as if for listening for the impact; the splash of a pebble dropped into a dark well, trying to measure its depth.
Trying to measure how far we have to fall.
No impact comes; no splash. The moment passes. The world turns and we turn away, getting on with our lives…
Wrapping ourselves in comforting banalities to keep us warm against the cold.
"Time's a great healer."
"At least it was quick.”

Alan Moore

"The world keeps turning.
Oh Alec—
Alec's dead."
Swamp Thing (1983–1987)

Life , Women , Men , God

“If I realised the power of magic to worry and terrify people before, then I certainly would have used it before. Everyone freezes before it for different reasons – perhaps because it means madness to them, or because it means opening the door to a whole lot of stuff that the Age of Reason should have firmly bolted the door upon. A lot of concepts that we got rid of a long time ago that would be a bit creepy to have them back.”

Alan Moore

De Abaitua interview (1998)

People , Age , Time , Madness

“I despise the comic industry, but I will always love the comic medium.”

Alan Moore

New York Press interview (15 June 2006) http://www.nypress.com/19/24/books/feature2.cfm

Love

“If time is an illusion, then all movement and change are also illusions. So the only thing that gives us the illusion of movement and change and events and time is the fact that our consciousness is moving through this mass along the time axis. If you imagine it as a strip of celluloid, each of those individual cells is motionless. If they each represent a moment, they’re unchanging. They’re not going anywhere, but as the projector beam of our consciousness passes across them, it provides the illusion of movement, and narrative and cause and effect and circumstances.”

Alan Moore

The Believer interview (2013)

Imagination , Change , Time

“There are people. There are stories. The people think they shape the stories, but the reverse is often closer to the truth.”

Alan Moore

"Down Among the Dead Men", Swamp Thing Annual #2, 1985
Swamp Thing (1983–1987)

People , Truth , Thinking

“Way back in the early 80s, when I was first kicking off writing V for Vendetta for the English magazine Warrior, the story was very much a result of me actually sitting down and thinking about what the real extreme poles of politics were. Because it struck me that simple capitalism and communism were not the two poles around which the whole of political thinking revolved. It struck me that two much more representative extremes were to be found in fascism and anarchy.”

Alan Moore

Alan Moore on Anarchism (2009)

Way , Communication , Thinking

“Originally I was content to just simply accept the money, that was offered when people had adapted my comic books into films. Eventually I decided to refuse to accept any of the money for the films, and to ask if my name could be taken off of them, so that I no longer had to endure the embarrasment of seeing my work travested in this manner. The first film that they made of my work was "From Hell" Which was an adaptation of my "Jack the Ripper" narrative … In which they replaced my gruff Dorset police constable with Johnny Depp's Absinthe-swigging dandy. The next film to be made from one of my books was the regrettable "League of Extraordinary Gentlemen"… Where the only resemblence it had to my book was a similar title. The most recent film that they have made of mine is apparently this new "V for Vendetta" movie which was probably the final straw between me and Hollywood. They were written to be impossible to reproduce in terms of cinema, and so why not leave them simply as a comic in the way that they were intended to be. And if you are going to make them into films, please try to make them into better ones, than the ones I have been cursed with thus far.”

Alan Moore

From the BBC2 show The Culture Show (9 March 2006) (separate quotes shown; edited together for the segment of the show)

Money , People , Books , Way

“I can remember my Dad, god bless him, and he was telling me – when I was growing up – that machines would do everything. It would be great. There wouldn’t be any need to go to work because the machines would do everything. He thought that the working class would then be given a holiday, to Yarmouth or somewhere, forever. He was right except about the holiday to Yarmouth. He hadn’t really thought it through. He still trusted the society he was in. That he would be looked after. It turns out to have been a much more pragmatic relationship all along. I think we should have taken the clue when Thatcher said there is no such thing as society. What she meant was – just like the London-Liverpool thing – “we don’t need there to be a society anymore”. “We are getting what we want anyway, therefore we do not need your support. Therefore we do not need to maintain the illusion of society anymore.” -->”

Alan Moore

De Abaitua interview (1998)

God , Support , Thinking , Holiday

“There is a kind of synergy between the different forms of work, you’ll learn things from one sort of work that will have tremendous application in another. They all tend to pull each other forward.”

Alan Moore

De Abaitua interview (1998)

Learning

“Jordan Elliot: What's for dinner?
Lois Lane: Pizza. After that, if Jonathan's quiet, I thought maybe bed with a bottle of wine. And after that, I figure we just live happily ever after. Sound good to you?
Jordan: Lois, my love… [turns and winks to the reader as he closes the door] What do you think?”

Alan Moore

Whatever Happened to the Man of Tomorrow? (1986)

Love , Thinking , Wine

“I can remember one of the last conversations I had with my very dear and much missed friend, the writer Kathy Acker. This was very soon after I had just become interested and involved with magic. I was saying to her how the way I was then seeing things was that basically magic was about the last and best bastion of revolution. The political revolution, the sexual revolution, these things had their part and had their limits, whereas the idea of a magical revolution would revolve around actually changing people’s consciousnesses, which is to say, actually changing the nature of perceived reality. Kathy agreed with that completely — it sort of followed on some of her own experiences — and I still think that that is true. In some ways, magic is the most political of all of the areas that I’m involved with.”

Alan Moore

Alan Moore on Anarchism (2009)

People , Way , Idea , Nature

“Material existence is entirely founded on a phantom realm of mind, whose nature and geography are unexplored.”

Alan Moore

What Is Reality?

Nature

“Yeah, our view of reality, the one we conventionally take, is one among many. It’s pretty much a fact that our entire universe is a mental construct. We don’t actually deal with reality directly. We simply compose a picture of reality from what’s going on in our retinas, in the timpani of our ears, and in our nerve endings. We perceive our own perception, and that perception is to us the entirety of the universe. I believe magic is, on one level, the willful attempt to alter those perceptions. Using your metaphor of an aperture, you would be widening that window or changing the angle consciously, and seeing what new vistas it affords you.”

Alan Moore

The Believer interview (2013)

Universe , Reality , Change