Quotes about signature (57 quotes) | Quotes of famous people

“Balthasar of Waldshit has fallen into prison here - a man not merely irreverent and unlearned, but even empty. Learn the sum of the matter. When he came to Zurich our Council fearing lest he should cause a commotion ordered him to be taken into custody. Since, however, he had once in freakishness of disposition and fatuity, lurked out in Waldshut against our Council, of which place he, by the gods, was a guardian [i. e., he has pastor there], until the stupid fellow disunited and destroyed everything, it was determined that I should discuss with him in a friendly manner the baptising of infants and Catabaptists, as he earnestly begged first from prison and afterwards from custody. I met the fellow and rendered him mute as a fish. The next day he recited a recantation in the presence of certain Councillors appointed for the purpose [which recantation when repeated to the Two Hundred it was ordered should be publicly made Therefore having started to write it in the city, he gave it to the Council with his own hand, with all its silliness, as he promised. At length he denied that he had changed his opinion, although he had done so before a Swiss tribunal, which with us is a capital offence, affirming that his signature had been extorted from him by terror, which was most untrue].
The council was so unwilling that force should be used on him that when the Emperor or Ferdinand twice asked that the fellow be given to him it refused the request. Indeed he was not taken prisoner that he might suffer the penalty of his boldness in the baptismal matter, but to prevent his causing in secret some confusion, a thing he delighted to do. Then he angered the Council; for there were present most upright Councillors who had witnessed his most explicit and unconstrained withdrawal, and had refused to hand to him over to the cruelty of the Emperor, helping themselves with my aid. The next day he was thrust back into prison and tortured. It is clear that the man had become a sport for demons, so he recanted not frankly as he had promised, nay he said that he entertained no other opinions than those taught by me, execrated the error and obstinacy of the Catabaptists, repeated this three times when stretched on the racks, and bewailed his misery and the wrath of God which in this affair was so unkind. Behold what wantonness! Than these men there is nothing more foolhardy, deceptive infamous - for I cannot tell you what they devise in Abtzell - and shameless. Tomorrow or next day the case will come up.”

Huldrych Zwingli (1484–1531) leader of the Protestant Reformation in Switzerland, and founder of the Swiss Reformed Churches

Letter to Capito, January 1, 1526 (Staehelin, Briefe ausder Reformationseit, p. 20), ibid, p. 249-250

Men , God , Secret , Stupidity

“Art is the signature of civilizations.”

Beverly Sills (1929–2007) opera soprano

As quoted in The Beacon Book of Quotations by Women (1992) by Rosalie Maggio

Art

“European mysticism was not dead at the time the United States of America was founded. The hand of the mysteries controlled in the establishment of the new government for the signature of the mysteries may still be seen on the Great Seal of the United states of America.”

Manly P. Hall (1901–1990) Canadian writer and mystic

Source: The Secret Teachings of All Ages (1928), p. xc
Context: European mysticism was not dead at the time the United States of America was founded. The hand of the mysteries controlled in the establishment of the new government for the signature of the mysteries may still be seen on the Great Seal of the United states of America. Careful analysis of the seal discloses a mass of occult and Masonic symbols chief among them, the so-called American Eagle. … the American eagle upon the Great Seal is but a conventionalized phoenix... Not only were many of the founders of the United States government Masons, but they received aid from a secret and august body existing in Europe which helped them to establish this country for a peculiar and particular purpose known only to the initiated few. The Great Seal is the signature of this exalted body —unseen and for the most part unknown — and the unfinished pyramid upon its reverse side is a trestleboard setting forth symbolically the task to the accomplishment of which the United States Government was dedicated from the day of its inception.

Time , Dead

“In the fabric of space and in the nature of matter, as in a great work of art, there is, written small, the artist’s signature.”

Carl Sagan book Contact

Source: Contact (1985), Chapter 24 (p. 431)
Context: The universe was made on purpose, the circle said. In whatever galaxy you happen to find yourself, you take the circumference of a circle, divide it by its diameter, measure closely enough, and uncover a miracle — another circle, drawn kilometers downstream of the decimal point. There would be richer messages farther in. It doesn't matter what you look like, or what you're made of, or where you come from. As long as you live in this universe, and have a modest talent for mathematics, sooner or later you'll find it. It's already here. It's inside everything. You don't have to leave your planet to find it. In the fabric of space and in the nature of matter, as in a great work of art, there is, written small, the artist’s signature. Standing over humans, gods, and demons, subsuming Caretakers and Tunnel builders, there is an intelligence that antedates the universe.

Art , Nature

“A conservationist is one who is humbly aware that with each stroke [of the axe] he is writing his signature on the face of the land.”

Aldo Leopold book A Sand County Almanac

“November: Axe-in-Hand”, p. 68.
Source: A Sand County Almanac, 1949, "November: Axe-in-Hand," "November: A Mighty Fortress," and "December: Pines above the Snow"
Context: I have read many definitions of what is a conservationist, and written not a few myself, but I suspect that the best one is written not with a pen, but with an axe. It is a matter of what a man thinks about while chopping, or while deciding what to chop. A conservationist is one who is humbly aware that with each stroke he is writing his signature on the face of his land.

“she kissed as if she, alone, could forge the signature of the sun”

Saul Williams (1972) American singer, musician, poet, writer, and actor

Source: , said the shotgun to the head.

Kiss , Sun

“Every thought you produce, anything you say, any action you do, it bears your signature.”

Thich Nhat Hanh (1926) Religious leader and peace activist

Source: Peace Is Every Step: The Path of Mindfulness in Everyday Life

“Sometimes artist like to catch themselves looking out, let the world see them for once. It's a signature. This one is a very bold one. But this is also a witnessing. We want to remember, and we want to be remembered. That's why we paint.”

Maureen Johnson book 13 Little Blue Envelopes

Source: 13 Little Blue Envelopes

World , Painting

“I always try to use new media for the gallery, but I realize that pixels and mosaics are mainly my signature.”

Invader (artist) (1969) French urban artist

"http://www.complex.com/style/2014/07/space-invader-interview"

“When I think of the artist Yves Klein, I think of those absolutists who preceded him by a generation or two, those who vanished, think of the boxer and Dadaist poet Arthur Cravan who in 1918 was supposed to leave Mexico to meet his new wife in Argentina but was never seen again; of Everett Ruess, the bohemian who might have become an artist or writer had he not disappeared into the canyons of Utah at the age of twenty in 1934, leaving behind a final signature carved into the rock: “Nemo” or “no one”; of the aviator Amelia Earhart who disappeared over the Pacific in 1937; of the pilot Antoine de Saint Exupéry who left behind several lapidary books before his plane too disappeared, in 1944, in the Mediterranean. They were all saddled with a desire to appear in the world and a desire to go as far as possible that was a will to disappear from it. In the ambition was a desire to make over the world as it should be; but in the disappearances was the desire to live as though it had been made over, to refashion oneself into a hero who disappeared not only into the sky, the sea, the wilderness, but into a conception of self, into legend, into the heights of possibility.”

Rebecca Solnit (1961) Author and essayist from United States

A Field Guide to Getting Lost (2005)

Books , Age , World , Thinking

“I have conferred with the superintendent of police this morning and I gave him instructions that an order be issued by him immediately and under his signature to shoot to kill any arsonist or anyone with a Molotov cocktail in his hand.”

Richard J. Daley (1902–1976) American politician

[David Farber, Chicago '68, University of Chicago Press, 1994, ISBN 0226238016, pg 145(b)</small>, pg 249<small>(a)]
Stated one week following the April 1968 Chicago riots to the people of Chicago because of his dissatisfaction with the minimum use of force employed by Police Superintendent James B. Conlisk in dealing with rioters.

“When our founding fathers put their signatures on the Declaration of Independence, those 56 brave people, most of whom by the way were clergymen, they said that we had certain inalienable rights given to us by our creator, and among these life, liberty and the pursuit of happiness, life being one of them. I still believe that.”

Mike Huckabee (1955) Arkansas politician

Republican Presidential Debate, 2007-10-21, quoted in [The Republican Debate on Fox News Channel, 2007-10-21, The New York Times, http://www.nytimes.com/2007/10/21/us/politics/21debate-transcript.html?pagewanted=9, 2011-03-01]
asked his opinion on Mayor Rudolph Giuliani's position to do nothing to change the laws that keep abortion legal
Republican Debates

Life , People , Way , Happiness

“Were an energetic and judicious system to be proposed with your signature it would be a circumstance highly honorable to your fame... and doubly entitle you to the glorious republican epithet, The Father of your Country.”

Henry Knox (1750–1806) Continental Army and US Army general, US Secretary of War

Letter to George Washington http://founders.archives.gov/documents/Washington/04-05-02-0095, urging Washington to attend the Philadelphia Convention. (March 19, 1787)

Country

“The trends that produced Schumann’s early piano works started out not so much from Weber’s refined brilliance as from Schubert’s more intimate and deeply soul-searching idiom. His creative imagination took him well beyond the harmonic sequences known until his time. He looked at the fugues and canons of earlier composers and discovered in them a Romantic principle. In the interweaving of the voices, the essence of counterpoint found its parallel in the mysterious relationships between the human psyche and exterior phenomena, which Schumann felt impelled to express. Schubert’s broad melodic lyricism has often been contrasted with Schumann’s terse, often quickly repeated motifs, and by comparison Schumann is often erroneously seen as short-winded. Yet it is precisely with these short melodic formulae that he shone his searchlight into the previously unplumbed depths of the human psyche. With them, in a complex canonic web, he wove a dense tissue of sound capable of taking in and reflecting back all the poetical character present. His actual melodies rarely have an arioso form; his harmonic system combines subtle chromatic progressions, suspensions, a rapid alternation of minor and major, and point d’orgue. The shape of Schumann’s scores is characterized by contrapuntal lines, and can at first seem opaque or confused. His music is frequently marked by martial dotted rhythms or dance-like triple time signatures. He loves to veil accented beats of the bar by teasingly intertwining two simultaneous voices in independent motion. This highly inde-pendent instrumental style is perfectly attuned to his own particular compositional idiom. After a period in which the piano had indulged in sensuous beauty of sound and brilliant coloration, in Schumann it again became a tool for conveying poetic monologues in musical terms.”

Burkard Schliessmann classical pianist

Talkings about Chopin and Schumann

Love , Beauty , Music , Color

“Art is the signature of civilizations.”

Jean Sibelius (1865–1957) Finnish composer of the late Romantic period

Beverly Sills, interviewed on NBC TV, May 4, 1985.
Misattributed

Art

“The poet's need to try to find his own voice, a recognizable individual voice that carries the signature of his voice in almost every line... the unique tone being the consequence of the poet's rigorous search for truth ( his truth(, his absolute fidelity to the nature of the experience he was exploring.”

Vernon Scannell (1922–2007) British boxer and poet

A Proper Gentleman, 1977

Truth , Search , Nature

“If God stops a man on the road, and calls him with a revelation and sends him armed with divine authority among men, they say to him; from whom dost thou come? He answers: from God. But now God cannot help his messenger physically like a king, who gives him soldiers or policemen, or his ring or his signature, which is known to all; in short, God cannot help men by providing them with physical certainty that an Apostle is an Apostle-which would, moreover, be nonsense. Even miracles, if the Apostle has that gift, give no physical certainty; for the miracle is the object of faith.”

Sören Kierkegaard (1813–1855) Danish philosopher and theologian, founder of Existentialism

Source: 1840s, Two Ethical-Religious Minor Essays (1849), p. 95

Men , God , Faith , Help

“What to leave out is the first thing the artist has to decide; a painter who “held the mirror up to nature” would spend his life on the leaves of one landscape. The work of art’s fluctuating and idiosyncratic threshold of attention—the great things disregarded, the small things seized and dwelt on—is as much of a signature as anything in it.”

Randall Jarrell (1914–1965) poet, critic, novelist, essayist

“The Profession of Poetry”, p. 162
Kipling, Auden & Co: Essays and Reviews 1935-1964 (1980)

Life , Art , Nature

“I'm pleased that you all are here to witness the signature of the Secure Fence Act of 2006. This bill will help protect the American people. This bill will make our borders more secure. It is an important step toward immigration reform.”

George W. Bush (1946) 43rd President of the United States

2000s, 2004, Signing of Secure Fence Act of 2006

People , Help

“Basically, the whole thing of the project is to take it back to my old sound, the old DJ Paul sound. Before Three 6 Mafia when I was just DJ Paul and it was just me and my brother Lord Infamous. It was like a mix of songs and it was either me or members of my crew and some of it would be my signature “Crunkstrumentals” which would be instrumentals with crunk chants and sampled hooks and this and that on it. I brought those back a little bit on my last album Yots (Year Of The Six) Pt. 2 that dropped last quarter of last year, 2016. So, there will be more of those on there, like I said it’s just the original OG Paul sound that’s what the fans been asking for and I see that what a lot of people are back into these days, there using that old three six sounds and a lot of people are sampling it and clear samples from me. They sampled the creator it takes the king to bring it back himself. I never left it alone, to be honest with you, but I just didn’t do full albums of it. It would just be a track on my albums or mixtapes, not a single but this whole Volume 17 mixtape is going to be like that.”

DJ Paul (1977) American rapper and record producer

Interview with Three 6 Mafia Founder DJ Paul http://therapfest.com/behind-lyrics-interview-three-6-mafias-founder-dj-paul/

People

“It's not about money right now. My ambition is to further create a signature sound, a signature spirit, that makes some kind of contribution to music in general.”

David Lee Roth (1954) Rock vocalist; lead singer with Van Halen

David Barton (July 3, 1994) "Jumping at the Chance - With His Newest Album, David Lee Roth Rocks, Rolls and Moves On", Sacramento Bee, p. EN3.

Money , Music

“Thank you Joe Nobody for giving me your expert opinion on what missile sounds like, because gas station superintendents are usually the best people to ask about the sonic signature of ballistic missile thrust.”

Maddox (1978) American internet writer

The Best Page in the Universe

People

“The dichotomies which are the signature of their work – the esoteric and the exoteric, the civil and the managerial, the friend and the foe, the lawful and the legislative – are so many cordons. Their function is to hold popular sovereignty at bay. The different gifts displayed in this enterprise, whatever view is taken of it, were remarkable. For all his later tendency to textual dressage, Strauss's range and subtlety as a master of the canon of political philosophy had no equal in his generation. Schmitt's moral instability never impaired an extraordinary capacity to fuse conceptual insight and metaphoric imagination in lightning flashes of illumination around the state. Hayek could seem tactically ingenuous, but he fashioned a theoretical synthesis out of his epistemology and economics whose scope and strength has yet to be supplanted. Oakeshott was the literary artist in this gallery. His writing varies considerably in quality, and can be whimsically arch at one moment and curiously crude at another, disconcertingly close to Punch or Cross-Bencher. But at its best, when it moves into high register, it can rise to a lyrical beauty.”

Perry Anderson (1938) British historian

Source: Spectrum: From Right to Left in the World of Ideas (2005), Ch. 1. "The Intransigent Right, Michael Oakeshott, Leo Strauss, Carl Schmitt, Friedrich von Hayek" (1992), p. 27

Law , Beauty , Imagination , Fashion

“But through the 1990's I developed signatures, somewhat radical and unmistakably mine. Francis Picabia remains my hero. The more you dive into his work, the wilder it becomes. He painted the skewed Cubist paintings that we all know. Then came the kitsch works. And he ended up doing these strange, abstract works that are impossible to grasp. Whenever you think you’ve got him, he’s always moved along. That’s what I aspire to do.”

Per Kirkeby (1938–2018) Danish artist

1995 and later, interview in Kirkeby’s home studio, Copenhagen (2012)

Thinking , Painting

“Let’s take a look at the 25th variation of the second part. Here Bach meets us in his highest and deepest personal and human form: it’s like in the Art of Fugue in the unfinished fugue No. 20, where Bach confronts us with his personal signature. It was he himself, who, after he had been occupied during his whole life with symbols, with numbers, with the mastering of structural and formal problems and renewals, now he saw himself confronted with a personal view into mirror. He now shows us a human being in his whole conception of life. The composer of “Come, oh sweet death” now is confessing, “Oh sweet death, how bitter is your prickle.””

Burkard Schliessmann classical pianist

Talkings on Bach

Life , Death , Art , Problem

“Many plays — certainly mine — are like blank checks. The actors and directors put their own signatures on them.”

Thornton Wilder (1897–1975) American playwright and novelist

The New York Mirror (13 July 1956)

“Since all models are wrong the scientist cannot obtain a "correct" one by excessive elaboration. On the contrary following William of Occam he should seek an economical description of natural phenomena. Just as the ability to devise simple but evocative models is the signature of the great scientist so overelaboration and overparameterization is often the mark of mediocrity.”

George E. P. Box (1919–2013) British statistician

Source: Science and Statistics (1976), p. 792

Nature

“About a hundred and ninety-four feet away from our house [Gorky was born in Armenia] on the road to the spring, my father had a little garden with a few apple trees which had retired from giving fruit. There was a ground constantly in shade where grew incalculable amounts of wild carrots, and porcupines had made their nests. There was a blue rock half buried in the black earth with a few patches of moss placed here and there like fallen clouds. But from where came all the shadows in constant battle like the lancers of w:Paolo Ucello's painting? This garden was identified as the Garden of Wish Fulfilment and often I had seen my mother and other village women opening their bosoms and taking out their soft breasts in their hands to rub them on the rock. Above this all stood an enormous tree all bleached under the sun, the rain, the cold, and deprived of leaves. This was the Holy Tree. I myself don't know why this tree was holy but I had witnessed many people, whoever did pass by, that would tear voluntarily a strip of their clothes and attach this to the tree. Thus through many years of the same ac, like a veritable parade of banners under the pressure of wind all these personal inscriptions of signatures, very softly to my innocent ear used to give echo to the sh-h—h-sh—h of silver leaves of the poplars.”

Arshile Gorky (1904–1948) Armenian-American painter

Source: posthumous, Astract Expressionist Painting in America, p. 124, (in Gorky Memorial Exhibition, Schwabacher pp. 22,23

Women , People , Spring , Tear

“Tarzan sat in a brown study for a long time after he finished reading the letter. It was filled with so many new and wonderful things that his brain was in a whirl as he attempted to digest them all.
So they did not know that he was Tarzan of the Apes. He would tell them.
In his tree he had constructed a rude shelter of leaves and boughs, beneath which, protected from the rain, he had placed the few treasures brought from the cabin. Among these were some pencils.
He took one, and beneath Jane Porter's signature he wrote: I am Tarzan of the Apes”

Edgar Rice Burroughs book Tarzan of the Apes

Source: Tarzan of the Apes (1912), Ch. 18 : The Jungle Toll

Tree , Study , Time , Reading

“It was thought that he had genius, if only because he had been able to delegate his duties in so intricate a way that there was never any need for him to do anything at all. His signature, which was necessary from time to time at the end of long notices which no one read, was always faked, and even the ingenious system of delegation whereon his greatness rested was itself worked out by another.”

Mervyn Peake (1911–1968) English writer, artist, poet and illustrator

Source: Gormenghast (1950), Chapter 11 (p. 440)

Way , Time , Reading

“When I say gesture, my gesture, I mean what my mark is... It is a struggle for me to both discard and retain what is gestural and personal, Signature....'Gesture' must appear out of necessity, not habit.”

Helen Frankenthaler (1928–2011) American artist

Quote in: 'An interview with Helen Frankenthaler', by Geldzahler, The New York school – the painters & sculptors of the fifties Irving Sandler, Harper & Row, Publishers, 1978, p. 67
Frankenthaler explains the difference between gesture and signature in her painting
1970s - 1980s

Appearance , Personality

“Derangement is the signature expression of the Great Backlash, a style of conservatism that first came snarling onto the national stage in response to the partying and protests of the late sixties. While earlier forms of conservatism emphasized fiscal sobriety, the backlash mobilizes voters with explosive social issues — summoning public outrage over everything from busing to un-Christian art — which it then marries to pro-business economic polices. Cultural anger is marshaled to achieve economic ends. And it is these economic achievements — not the forgettable skirmishes of the never-ending culture wars — that are the movement’s greatest monuments. The backlash is what has made possible the international free-market consensus of recent years, with all the privatization, deregulation, and de-unionization that are its components. Backlash ensures that Republicans will continue to be returned to office even when their free-market miracles fail and their libertarian schemes don’t deliver and their "New Economy" collapses. It makes possible the police pushers’ fantasies of “globalization” and a free-trade empire that are foisted upon the rest of the world with such self-assurance. Because some artist decides to shock the hicks by dunking Jesus in urine, the entire plant must remake itself along the lines preferred by the Republican Party, U. S. A.The Great Backlash has made the laissez-faire revival possible, but this does not mean that it speak to us in the manner of the capitalists of old, invoking the divine right of money or demanding that the lowly learn their place in the great chain of being. On the contrary; the backlash imagines itself as a foe of the elite, as the voice of the unfairly persecuted, as a righteous protest of the people on history’s receiving end. That is champions today control all three branches of government matters not a whit. That is greatest beneficiaries are the wealthiest people on the plant does not give it pause.”

Thomas Frank book What's the Matter with Kansas?

Introduction: What's the Matter with America (pp. 5-6).
What's the Matter with Kansas? (2004)

Money , War , People , World

“The biological organism and the social persona are profoundly different social constructions. The different systems of social practices, including discourse practices, through which these two notions are constituted, have their meanings, and are made use of, are radically incommensurable. The biological notion of a human organism as an identifiable individual unit of analysis depends on the specific scientific practices we use to construct the identity, the boundedness, the integrity, and the continuity across interactions of this unit. The criteria we use to do so: DNA signatures, neural micro-anatomy, organism-environment boundaries, internal physiological interdependence of subsystems, external physical probes of identification at distinct moments of physical time -- all depend on social practices and discourses profoundly different from those in terms of which we define the social person.
The social-biographical person is also an individual insofar as we construct its identity, boundedness, integrity, and continuity. But the social practices and discourses we deploy in these constructions are quite different. We define the social person in terms of social interactions, social roles, socially and culturally meaningful behavior patterns. We construct from these notions of the personal identity of an individual the separateness and independence of that individual from the social environment with which it transacts, the internal unity or integrity of the individual as a consistent persona, and the continuity of that persona across social interactions.”

Jay Lemke (1946) American academic

Source: Textual politics: Discourse and social dynamics, 1995, p. 68

Behavior , Time , Dependency , Personality

“The tide of undecipherable signatures of mutinous adolescents which has washed over and bitten into the facades of monuments and the surface of public vehicles in the city where I live: graffiti as an assertion of disrespect, yes, but most of all simply an assertion… the powerless saying: I'm here, too.”

Susan Sontag (1933–2004) American writer and filmmaker, professor, and activist

"The Pleasure of the Image" (1985) from Writers on Artists edited by Daniel Halpern (1988), p. 98, North Point Press ISBN 0-86547-340-4

“The inspiring theory for Bretton Woods was suggested by a well known economist, beyond any suspect, John M. Keynes. Lord Keynes - as in the meanwhile he has been appointed by the English Crown - appeared worried about possible troubles in the international system of payments, like those occurred after World War One, which contributed to the new conflict. He has published an article on this subject in 1946. Consequently he gave the blessing of his authority to the agreements. Lord Keynes, as chief of the British delegation, was appointed chairman of the Commission II, charged for the institution of an International Bank for Reconstruction and Development - IBRD (World Bank). The Bretton Woods agreements represented a sort of solemn will for Lord Keynes, since he died out two years later the signature”

Nico Perrone (1935) Italian historian and writer

Source: The international economy from a political to an authoritative drive, p. 129

War , World , Appearance

“The British can sign and find a way to repudiate their signatures. They've done it over and over again. You need to go back to the Treaty Of Limerick. You have Malta and Egypt, for instance. They can always find high moral reasons for such repudiation. They are opportunists. Griffith, however, having given his word, would stick to it whatever the consequences, even though it meant the disaster of a civil war. They knew that.”

Robert Erskine Childers (1870–1922) Irish nationalist and author

Taken from a 1922, conversation between Childers and Brennan in regards to Arthur Griffith's decision to sign the Anglo-Irish Treaty (1921), cited in "Allegiance" by Robert Brennan, Browne & Nolan, Dublin (1950), pp. 254-55.
Literary Years and War (1900-1918), Last Years: Ireland (1919-1922)

War , Way

“But this I thought was the meaning of life, that the individual shook off the habit of accepting the favors of difference, should that be tempting, steeled himself against its humiliation, should that weigh down on him, in order to find the universal, what is common to all human beings, to concern oneself only with that. Oh! How beautiful to lose oneself in this way. But then I thought again that in the having of this concern the meaning of life was to be concerned for oneself as if the particular individual were all there was. Oh! How beautiful thus to find oneself in the universal! If the universal is the rule then the individual is the paradigm [corrected from demand]; if the universal is the demand then the universal is the fulfillment; if the universal is everything, if the universal says everything, then the particular individual believes that the everything is said about him-him alone. So if the place and context here did not require signature, none would be needed, for again it is infinitely inconsequential who has said it (as though the favored one said it, the one who was wronged being in no position to say it, since after all they all have it in them to do it).”

Sören Kierkegaard (1813–1855) Danish philosopher and theologian, founder of Existentialism

S. Kierkegaard 1846 Journals, Hannay 1996, VII IB200, p. 252
1840s, The Journals of Søren Kierkegaard, 1840s

Life , Beauty , Way , Universe

“I feel it, but I cannot express it,… I cannot analyse the Celtic genius to my own satisfaction. In the Middle Ages art came from groups, not from individuals. It was anonymous; the sculptors of cathedrals no more put their names to their works than our workmen put theirs on the pavement that they lay. Ah! what an admirable scorn of notoriety! The signature is what destroys us. We do portraits, but what we do is not so great. Thèse kings and queens, on the cathedrals, were not portraits. The fellow-workers stood for one another, and they interpreted; they did not copy. They made clothed figures; the nude and portraiture only date from the Renascence. And then those fellows cut with the tool's end into the block, that is why they were called sculptors. As for us, we are modellers. And what a disgraceful thing that casting from life is, which so many well-known sculptors do not blush to use! It is a mere swindling in art. Art was a vital function to the image-makers of the thirteenth century; they would hâve laughed at the idea of signing what they did, and never dreamed of honours and titles. When once their work was finished, they said no more about it, or else they talked among themselves. How curious it would hâve been to hear them, to be present at their gatherings, where they must hâve discussed in amusing phrases, and with simple, deep ideas!… Whenever the cathedrals disappear civilisation will go down one step. And even now we no longer understand them, we no longer know how to read their silent language. We need to make excavations not in the earth, but towards heaven…”

Auguste Rodin (1840–1917) French sculptor

Source: Auguste Rodin: The Man, His Ideas, His Works, 1905, p. 63-64; About the genius of the Gothic sculptors.

Life , Age , Dreams , Art

“Games run primarily on music loops. Each piece is composed to cycle during gameplay so it’s important to create music that doesn’t get monotonous or annoying and has very exact pacing. The use of themes, signature motifs and rhythmic passages needs to be arranged so they remain effective when played over and over. In a film, it’s a one-time-through experience. Tracks are scored tightly to picture and each track is crafted to exactly match what’s going on on-screen. Scoring in such a precise manner wouldn’t be practical in games because of the dynamic environment of gameplay. It can be different each time you revisit a level or area of a game, whereas a film is intended to play one way every time.”

Michael Wandmacher (1967) composer

Exclusive Interview: Composer Michael Wandmacher discusses his Voice from the Stone score and more https://www.flickeringmyth.com/2017/09/interview-composer-michael-wandmacher-discusses-his-voice-from-the-stone-score-more/ (September 16, 2017)

Music , Way , Game , Time

“Ben Stein: What do think is the possibility that intelligent design might turn out to be the answer to some issues in genetics, or in evolution?
Richard Dawkins: Well, it could come about in the following way: it could be that at some earlier time, somewhere in the universe, a civilization evolved by probably some kind of Darwinian means to a very, very high level of technology, and designed a form of life that they seeded onto, perhaps, this planet. Now that is a possibility, and an intriguing possibility. And I suppose it's possible that you might find evidence for that if you look at the details of our chemistry, molecular biology, you might find a signature of some sort of designer, and that designer could well be a higher intelligence from elsewhere in the universe. But that higher intelligence would itself have had to have come about by some explicable, or ultimately explicable, process. It couldn't have just jumped into existence spontaneously. That's the point.”

Richard Dawkins (1941) English ethologist, evolutionary biologist and author

Expelled: No Intelligence Allowed ()

Life , Way , Intelligence , Thinking

“Poor Naz. He wanted everything to be perfect, neat, wanted all matter organized and filed away so that it wasn't mess. He had to learn too: matter's what makes us alive—the bitty flow, the scar tissue, signature of the world's very first disaster and promissory note guaranteeing its last. Try to iron it out at your peril.”

Tom McCarthy (writer) book Déjà vu

Source: Remainder (2005), Ch. 16.

World , Learning , Perfection

“I was shamed into helping the unborn after 12 years of silence, in 1986. Since then, my only client has been the unborn. I don't work for a movement. I don't work for a party. I don't work for candidates. I work for the unborn, and I don't give a flying flick about what people want to do on paper with bylaws, and all that kind of stuff, because it's just like the Pharisees, who had all their rules about the Sabbath, but they didn't know that the Sabbath was made for man, and not man for the Sabbath! I will stand for the unborn, and I will not relent! I don't know Mr. Clymer, but Howard Phillips has lost ALL of my respect, because he stands for people who want to kill ONE, only ONE, innocent child, and that's all that counts! If you want ONE innocent child, GO with this man, but I'll tell you what- I've got my paperwork filled out. All it lacks is my signature, and my wife's signature, and we're the hell out of here, if you vote to stay with a national party that will put up with ONE dead baby, much less many thousands of dead babies. And you sir [pointing at Jim Clymer] need to repent! Because the blood will be on your hands when you stand before God. You won't be able to argue about procedural votes, and keeping the party together before God! You'll be standing there quaking in your boots, wishing you'd washed yourself in the blood of the Lamb. That's all I've got to say…The only thing that matters to me is doing my job to stop the killing of the unborn.”

Paul deParrie (1949–2006) American activist

The Last Words of Paul deParrie http://www.constitutionpartyoregon.net/modules.php?op=modload&name=News&file=article&sid=111&mode=thread&order=0&thold=0

God , People , Hell , Silence

“As you serve others, you can inspire others. I’ve been inspired by the examples of many selfless servants. Winston Churchill, a leader of courage and resolve, inspired me during my Presidency—and, for that matter, in the post-presidency. Like Churchill, I now paint. Unlike Churchill, the painting isn’t worth much without the signature. In 1941, he gave a speech to the students of his old school during Britain’s most trying times in World War II. It wasn’t too long, and it is well-remembered. Prime Minister Churchill urged, 'Never give in… in nothing, great or small, large or petty. Never give in except to convictions of honor and good sense'. I hope you’ll remember this advice. But there’s a lesser-known passage from that speech that I also want to share with you. 'These are not dark days. These are great days. The greatest our country has ever lived; and we must all thank God that we have been allowed, each of us according to our stations, to play a part in making these days memorable in the history of our race'. When Churchill uttered these words, many had lost hope in Great Britain’s chance for survival against the Nazis. Many doubted the future of freedom. Today, some doubt America’s future, and they say our best days are behind us. I say, given our strengths—one of which is a bright new generation like you—these are not dark days. These are great days.”

George W. Bush (1946) 43rd President of the United States

2010s, 2015, Remarks at the SMU 100th Spring Commencement (May 2015)

God , War , World , School

“Mind at rest is the Temple of Joy. So long as it is gurgling with its desires, passions and attachments in its stormy surface, the signature of joy gets ruffled out.”

Chinmayananda Saraswati (1916–1993) Indian spiritual teacher

Quotations from Gurudev’s teachings, Chinmya Mission Chicago

Passion , Joy

“Often you'll see the same three or four data items together in lots of places: fields in a couple of classes, parameters in many method signatures. Bunches of data that hang around together really ought to be made into their own object.”

Kent Beck (1961) software engineer

Source: Refactoring: Improving the Design of Existing Code, 1999, p. 81

“I've explored a variety of directions and themes over the years. But I think in my painting you can see the signature of one artist, the work of one wrist.”

Helen Frankenthaler (1928–2011) American artist

Quote from Abstract Expressionism, Barbara Hess, Taschen Köln, 2006, p. 15
1990s - 2000s

Thinking , Painting

“A metaphor for seeing God's signature in the world.”

Mike Scott (1958) songwriter, musician

An indication of what he meant by the term "The Big Music" of a Waterboys song, a phrase which came to be applied to the group's early musical style, and that of a few other bands, as quoted in "Pieces of eighties" by John Robinson, in The Guardian (23 April 2004) http://www.theguardian.com/music/2004/apr/24/popandrock1
Variant:
A metaphor for seeing God's vision in the world.
As quoted in "The Making Of... The Waterboys’ The Whole Of The Moon", in Uncut (June 2013) http://www.uncut.co.uk/the-waterboys/the-making-of-the-waterboys-the-whole-of-the-moon-feature

God , World

“It was pleasant to me to get a letter from you the other day. Perhaps I should have found it pleasanter if I had been able to decipher it. I don't think that I mastered anything beyond the date (which I knew) and the signature (which I guessed at).

There's a singular and a perpetual charm in a letter of yours; it never grows old, it never loses its novelty… Other letters are read and thrown away and forgotten, but yours are kept forever - unread. One of them will last a reasonable man a lifetime.”

Thomas Bailey Aldrich (1836–1907) American poet, novelist, editor

letter to Professor E.S. Morse http://books.google.com/books?id=fYQCAAAAYAAJ&pg=PA41&lpg=PA41&dq=There's+a+singular+and+a+perpetual+charm+in+a+letter+of+yours&source=bl&ots=DDWCA6FHyJ&sig=MyOOelB_Q2Fmd4jNObeyuptofsc&hl=en&ei=CYKiSvfaNof8MbOq3N0P&sa=X&oi=book_result&ct=result&resnum=1#v=onepage&q=%22There's%20a%20singular%20and%20a%20perpetual%20charm%20in%20a%20letter%20of%20yours%22&f=false, circa 1889.

Thinking , Reading

“Aside from a couple of signature flourishes, there's nothing to mark Paycheck as the product of acclaimed action director John Woo. In fact, there's little about this movie that makes it worth anyone's time and money. With a script that waffles between being hilariously absurd and insultingly stupid, and action scenes that won't cause anyone's pulse to skip a beat, Paycheck is less appealing than a lump of coal in a Christmas stocking.”

James Berardinelli (1967) American film critic

Review http://www.reelviews.net/movies/p/paycheck.html of Paycheck (2003).
One-and-a-half star reviews

Money , Stupidity , Time , Christmas

“Often you'll see the same three or four data items together in lots of places: fields in a couple of classes, parameters in many method signatures. Bunches of data that hang around together really ought to be made into their own object.”

Martin Fowler (1963) British programmer

Source: Refactoring: Improving the Design of Existing Code, 1999, p. 81

“I’ve always said that Chris was the greatest songwriter to ever come out of Seattle. Jimi Hendrix could play the guitar like crazy, but Chris had the song-writing chops that we all sort of hoped to get to at different points in our songwriting careers. He had a way he could wrap a melody around odd time signatures and weird parts and make them catchy. He was a beautiful wordsmith. If you look at his lyrics, he obviously was processing his pain and depression, and all of those things. I think that’s part of what people, myself included, responded to when he was singing. With the songwriting he had that voice, there’s not too many people that have that many options with their voice. He could do a lot of different things with it, and have a lot of different characters in that voice. I feel so lucky that I got to be in a project with him, got to hang out with him, and just sort of witness his greatness.”

Chris Cornell (1964–2017) American singer-songwriter, musician

Jeff Ament talking about Cornell on NBA.com podcast NBA Soundsystem ** Pearl Jam's Jeff Ament on Chris Cornell's death and depression, 30 May 2017 https://www.youtube.com/watch?v=9buvTFxf2EA,

Singing , Pain , Time , Beauty

“Rekha fashioned herself as an actress with a signature look very different from her early years as a struggling actress. This transformation was often referred to as as that of an ugly duckling. In interviews and film magazines Rekha claimed that she had achieved this by changing her lifestyle, healthy eating practices, and doing yoga. Soon she had inspired a whole fashion trend and had film magazines raving about her affair with Amitab Bachhan. Such publicity added to her image as a symbol of seduction and glamour. She was seen as a woman who could challenge patriarchal norms by remaining single and being famous.”

Rekha (1954) Indian film actress

Editor Manju Jain in [Jain, Manju, Narratives of Indian Cinema, http://books.google.com/books?id=ORE9TDOoU1IC&pg=PA187, 2009, Primus Books, 978-81-908918-4-4, 187–]

Fashion , Change

“I have read many definitions of what is a conservationist, and written not a few myself, but I suspect that the best one is written not with a pen, but with an axe. It is a matter of what a man thinks about while chopping, or while deciding what to chop. A conservationist is one who is humbly aware that with each stroke he is writing his signature on the face of his land.”

Aldo Leopold book A Sand County Almanac

“November: Axe-in-Hand”, p. 68.
A Sand County Almanac, 1949, "November: Axe-in-Hand," "November: A Mighty Fortress," and "December: Pines above the Snow"

Thinking , Reading

“A few centuries from now, if involuntary suffering still exists in the world, the explanation for its persistence won't be that we've run out of computational resources to phase out its biological signature, but rather that rational agents – for reasons unknown – will have chosen to preserve it.”

David Pearce (philosopher) (1959) British transhumanist

" The Radical Plan to Phase out Earth's Predatory Species https://io9.gizmodo.com/the-radical-plan-to-eliminate-earths-predatory-species-1613342963", io9, 30 Jul. 2014

World , Suffering

“Landscape, at its best, is not a narrow category. It is a source of surprise. It allows for the sudden assertion of a place, like an unexpected time signature within a melody.”

An-My Lê (1960) American photographer

Interview with the Art Newspaper (August 13, 2020)

Time

“Jihad is the signature tune of Islamic history. If today’s Muslim rulers are reluctant to sound that note, it is often because they are concerned about the consequences of failure.”

M.J. Akbar (1951) journalist, author

Source: Akbar, M. J - The shade of swords_ Jihad and the conflict between Islam and christianity-Routledge (2008)

History , Failure

“Yes, the bleeding heart was something else again. A gruesome symbol on a vivarium floor. Fingers that broke without their owner noticing. An ink drawing appearing from nowhere on a dossier cover, like a signature. A signature.”

Larry Niven (1938) American writer

Source: A Gift From Earth (1968), Chapter 12, "The Slowboat" (p. 210)

Drawing , Heart , Appearance