Quotes about ruffle

A collection of quotes on the topic of ruffle, likeness, men, sea.

Quotes about ruffle

Yukteswar Giri photo
Rick Riordan photo

“He came over and ruffled my hair, which is technically assault. I could get on the blower to ChildLine.”

Louise Rennison (1951–2016) British writer

Source: Are These My Basoomas I See Before Me?

John Steinbeck photo
Rick Riordan photo
Cyrano de Bergerac photo
Annie Besant photo
Statius photo

“For what cause, youthful Sleep, kindest of gods, or what error have I deserved, alas to lack your boon? All cattle are mute and birds and beasts, and the nodding tree-tops feign weary slumbers, and the raging rivers abate their roar; the ruffling of the waves subsides, the sea is still, leaning against the shore.”
Crimine quo merui, juvenis placidissime divum, quove errore miser, donis ut solus egerem, Somne, tuis? tacet omne pecus volucresque feraeque et simulant fessos curvata cacumina somnos, nec trucibus fluviis idem sonus; occidit horror aequoris, et terris maria adclinata quiescunt.

iv, line 1
Silvae, Book V

Revilo P. Oliver photo
Chief Seattle photo
B.K.S. Iyengar photo

“Yoga allows you to find an inner peace that is not ruffled and riled by the endless stresses and struggles of life.”

B.K.S. Iyengar (1918–2014) Indian yoga teacher and scholar

Source: Light on Life: The Yoga Journey to Wholeness, Inner Peace, and Ultimate Freedom, p.xv

Oliver Goldsmith photo

“Such dainties to them, their health it might hurt;
It's like sending them ruffles, when wanting a shirt.”

Oliver Goldsmith (1728–1774) Irish physician and writer

The Haunch of Venison (1776).

Letitia Elizabeth Landon photo

“To treat a poor wretch with a bottle of Burgundy, and fill his snuff-box, is like giving a pair of laced ruffles to a man that has never a shirt on his back.”

Thomas Brown (1662–1704) English translator and writer of satire

Laconics, reported in Bartlett's Familiar Quotations, 10th ed. (1919). Compare: "Like sending them ruffles, when wanting a shirt", Sorbienne (1610–1670); also used in Oliver Goldsmith, The Haunch of Venison.
Source: Brown, Thomas, 1663-1704. Laconics, Or, New Maxims of State And Conversation: Relating to the Affairs And Manners of the Present Times : In Three Parts. London: Printed for Thomas Hodgson ..., 1701. https://hdl.handle.net/2027/mdp.39015013771368?urlappend=%3Bseq=117

Chinmayananda Saraswati photo
Rikki Rockett photo

“When I was in eighth grade there was a movie called Willard, about a rat, and I fell in love with rats. I wanted one … so one guy suggested that I call Hershey Medical Center … So I called and they said … "What experiment is it for?" I said, "I don't wanna experiment on it, I just want it for a pet!" And they said, "Well, we can't do that." … About two weeks later, I go out to the mailbox, and there's this thing from the [American Anti-Vivisection Society]. Lo and behold, I'm looking through all these different experiments and I see a rat there, spread wide open, and it said some of the experiments [were] done at Hershey med center. So boom! I put two and two together, and I decided to do a report in school about it. I took advanced bio and you had to dissect cats, and I started [asking] questions, "Where'd the cat come from?", and that really ruffled some feathers. "I'm not gonna do this, you know." So basically I got thrown out of advanced bio. From that point on I became an antivivisectionist. … [Things] are changing. When I went vegetarian it was really hard on the road, and that was just eight years ago. And I see people doing it twenty, twenty-five years, traveling, and it's like, wow! … I think on a very basic level people wanna do the right thing. And if we continue to focus on that part of them that wants to do the right thing, we can win maybe at the next generation or the one after that.”

Rikki Rockett (1961) American musician

"Something To Believe In" https://books.google.it/books?id=NWxF_V4r3PAC&pg=PA107, interview by Kirsten Rosenberg (July 1999), in Speaking Out for Animals, edited by Kim W. Stallwood, Lantern Books, 2001, pp. 107-112.

Robinson Jeffers photo

“Oh pale and brittle pencils ever to try
One grass-blade's curve, or the throat of one bird
That clings to twig, ruffled against white sky.”

Robinson Jeffers (1887–1962) American poet

"Love the Wild Swan" (1935)
Context: I hate my verses, every line, every word.
Oh pale and brittle pencils ever to try
One grass-blade's curve, or the throat of one bird
That clings to twig, ruffled against white sky.
Oh cracked and twilight mirrors ever to catch
One color, one glinting flash, of the splendor of things.

Mary McCarthy photo
J. Howard Moore photo

“Look at the manner in which the aborigines are swept away from continent after continent by the sword and beverage of the Aryans. See how the red children of America have been cheated and debauched and driven from homes where they and their fathers had lived from immemorial generations. When the banner of Castile first furled in Bahama breezes, America was inhabited by a noble, magnanimous, and happy people. They were not like the sodden, suspicious, revengeful remnants that to-day huddle on barricaded reserves, the vindictive survivors of four centuries of injustice. They were kind and generous. They came to the invading Europeans as children, with minds of wonder and with hands filled with presents. They were treated by the invaders like refuse. They were plundered, and their outstretched hands cut off and fed to Spanish hounds. They are gone from the valleys where once their camp-smokes curled to heaven, and their quaint canoes ruffle the moonlight of the rivers no more. They that remain are too weak to rise in warlike challenge to the aggressions of the mighty white. But the story of the meeting of the pale and the red, and of the wrongs of the vanquished red, will remain as one of the mournful tales of this world when the kindred of Lo, like fleecy clouds, have melted into the infinite azure of the past.”

J. Howard Moore (1862–1916)

Source: Better-World Philosophy: A Sociological Synthesis (1899), The Preponderance of Egoism, p. 133–134

Theodor Mommsen photo

“Few men have had their elasticity so thoroughly put to the proof as Caesar-- the sole creative genius produced by Rome, and the last produced by the ancient world, which accordingly moved on in the path that he marked out for it until its sun went down. Sprung from one of the oldest noble families of Latium--which traced back its lineage to the heroes of the Iliad and the kings of Rome, and in fact to the Venus-Aphrodite common to both nations--he spent the years of his boyhood and early manhood as the genteel youth of that epoch were wont to spend them. He had tasted the sweetness as well as the bitterness of the cup of fashionable life, had recited and declaimed, had practised literature and made verses in his idle hours, had prosecuted love-intrigues of every sort, and got himself initiated into all the mysteries of shaving, curls, and ruffles pertaining to the toilette-wisdom of the day, as well as into the still more mysterious art of always borrowing and never paying. But the flexible steel of that nature was proof against even these dissipated and flighty courses; Caesar retained both his bodily vigour and his elasticity of mind and of heart unimpaired. In fencing and in riding he was a match for any of his soldiers, and his swimming saved his life at Alexandria; the incredible rapidity of his journeys, which usually for the sake of gaining time were performed by night--a thorough contrast to the procession-like slowness with which Pompeius moved from one place to another-- was the astonishment of his contemporaries and not the least among the causes of his success. The mind was like the body. His remarkable power of intuition revealed itself in the precision and practicability of all his arrangements, even where he gave orders without having seen with his own eyes. His memory was matchless, and it was easy for him to carry on several occupations simultaneously with equal self-possession. Although a gentleman, a man of genius, and a monarch, he had still a heart. So long as he lived, he cherished the purest veneration for his worthy mother Aurelia (his father having died early); to his wives and above all to his daughter Julia he devoted an honourable affection, which was not without reflex influence even on political affairs. With the ablest and most excellent men of his time, of high and of humbler rank, he maintained noble relations of mutual fidelity, with each after his kind. As he himself never abandoned any of his partisans after the pusillanimous and unfeeling manner of Pompeius, but adhered to his friends--and that not merely from calculation--through good and bad times without wavering, several of these, such as Aulus Hirtius and Gaius Matius, gave, even after his death, noble testimonies of their attachment to him.”

Theodor Mommsen (1817–1903) German classical scholar, historian, jurist, journalist, politician, archaeologist and writer

Vol.4. Part 2.
The History of Rome - Volume 4: Part 2

Ernst, Baron von Feuchtersleben photo
John Boyega photo

“I ain't paying money to always see one type of person on-screen…Because you see different people from different backgrounds, different cultures, every day. Even if you're a racist, you have to live with that. We can ruffle up some feathers.”

John Boyega (1992) British Nigerian actor

On the diversity in Star Wars in “John Boyega on Star Wars, Detroit, and Staying Sane with the Help of Robert Downey Jr.” https://www.gq.com/story/john-boyega-star-wars-detroit-and-robert-downey-jr in GQ Magazine (2017 Jul 17)

Charlotte Brontë photo