Quotes about popcorn

A collection of quotes on the topic of popcorn, likeness, making, movie.

Quotes about popcorn

Sebastian Stan photo
John Mayer photo
Jack Kerouac photo
Rick Riordan photo
Rick Riordan photo

“Oh, no!" Hazel wailed. "Popcorn! Our fatal weakness!”

Source: The Blood of Olympus

James Patterson photo

“Popcorn for breakfast! Why not? It's a grain. It's like, like, grits, but with high self-esteem.”

James Patterson (1947) American author

Source: The Angel Experiment

Sherrilyn Kenyon photo
Dr. Seuss photo
James Patterson photo
Nick Hornby photo
Daniel Handler photo
Ben Croshaw photo
Andrew Scheer photo

“I have a popcorn problem. I can't stop. I've been known to drive by the movie theater, walk in, just buy a bag of popcorn. It's so good.”

Andrew Scheer (1979) 35th Speaker of the Canadian House of Commons and MP for Regina—Qu'Appelle

5 August 2017 interview with Midnight Sun https://www.youtube.com/watch?v=EsDGGsnXO18

Derren Brown photo
Mike Huckabee photo

“When I was in college, we used to take a popcorn popper, because that was the only thing they would let us use in the dorm, and we would fry squirrels in a popcorn popper in the dorm room.”

Mike Huckabee (1955) Arkansas politician

Morning Joe
Television
MSNBC
2008-01-16, quoted in * Mike
Aviaz
Muriel
Kane
Huckabee: 'We used to fry squirrels in a popcorn popper'
2008-01-16
Raw Story
http://rawstory.com/news/2007/Huckabee_We_used_to_fry_squirrels_0116.html
2011-03-03

Lois Duncan photo
Julius Malema photo

“Malema: So these popcorn and mushrooming political parties in Zimbabwe, they will never find friendship in us. They can insult us here from air-conditioned offices of Sandton, we are unshaken. They must stop shouting at us, they must go and fight with their battle in Zimbabwe and win. Even if they've got ground and they are formed on the basis of solid ground in Zim, why are they speaking in Sandton and not Mashonaland or Matabeleland? … Let them go back and go and fight there. Even when the ANC was underground in exile, we had our internal underground forces fighting for freedom.
Fisher: You live in Sandton.
Malema: And we have never spoken from … exile. Let me tell you before you are tjatjarag [i. e. chatty]. This is a building of a revolutionary party, and you know nothing about the revolution.
Fisher: So, so they are not welcome in Sandton but you are?
Malema: So here you behave or else you jump. [Fisher and others laugh. ] Don't laugh.
Fisher: You're joking.
Malema: Chief, can you get security to remove this thing here. If you are not going to behave … call security to take you out. This is not a news room this. This is a revolutionary house. And you don't come here with that tendency. Don't come here with that white tendency, not here. … If you've got a tendency of undermining blacks even while you work, you are in a wrong place …
Fisher: That's rubbish.
Malema: … and you can go out!
Fisher: Absolutely rubbish.
Malema: Rubbish is what you have covered in that trouser. … You are a small boy, you can't do anything. … Bastard! Go out! You bloody agent! … So we think that we need to ensure that we encourage Zanu PF comrades to engage in peaceful means.”

Julius Malema (1981) South African political activist

Outburst against reporter Jonah Fisher at Luthuli House on 8 April 2010, while president of the ANC youth league and after his return from Zimbabwe, ANC's Julius Malema lashes out at 'misbehaving' BBC journalist https://www.theguardian.com/world/2010/apr/08/anc-julius-malema-bbc-journalist (8 April 2010)

Ben Croshaw photo
Raymond Chandler photo

“The modern film tries too hard to be real. Its techniques of illusion are so perfect that it requires no contribution from the audience but a mouthful of popcorn.”

Raymond Chandler (1888–1959) Novelist, screenwriter

"About the screenplay for Strangers on a Train" (notes, 1950), first published in Raymond Chandler Speaking (1962), section "Chandler on the Film World and Television", p. 134
Context: When you read a story, you accept its implausibilities and extravagances, because they are no more fantastic than the conventions of the medium itself. But when you look at real people, moving against a real background, and hear them speaking real words, your imagination is anaesthetized. You accept what you see and hear, but you do not complement it from the resources of your own imagination. The motion picture is like a picture of a lady in a half-piece bathing suit. If she wore a few more clothes, you might be intrigued. If she wore no clothes at all, you might be shocked. But the way it is, you are occupied with noticing that her knees are too bony and that her toenails are too large. The modern film tries too hard to be real. Its techniques of illusion are so perfect that it requires no contribution from the audience but a mouthful of popcorn.