Quotes about pier

A collection of quotes on the topic of pier, other, sea, call.

Quotes about pier

Ozzy Osbourne photo

“I've done a lot worse than jump off piers, son. Like throw a television out the window.”

Ozzy Osbourne (1948) English heavy metal vocalist and songwriter

The Osbournes television show

Julian Barnes photo
Mitch Albom photo
Philip Roth photo

“Each year she taught him the names of the flowers in her language and in his, and from one year to the next he could not even remember the English. For nearly thirty years Sabbath had been exiled in these mountains, and still he could name hardly anything. They didn't have this stuff where he came from. All these things growing were beside the point there. He was from the shore. There was sand and ocean, horizon and sky, daytime and nighttime - the light, the dark, the tide, the stars, the boats, the sun, the mists, the gulls. There were the jetties, the piers, the boardwalk, the booming, silent, limitless sea. Where he grew up they had the Atlantic. You could touch with your toes where America began. They lived in a stucco bungalow two short streets from the edge of America. The house. The porch. The screens. The icebox. The tub. The linoleum. The broom. The pantry. The ants. The sofa. The radio. The garage. The outside shower with the slatted wooden floor Morty had built and the drain that always clogged. In summer, the salty sea breeze and the dazling light; in September, the hurricanes; in January, the storms. They had January, February, March, April, May, June, July, August, September, November, December. And then January. And then again January, no end to the stockpile of Januaries, of Mays, of Marches. August, December, April - name a month, and they had it in spades. They'd had endlessness. He had grown up on endlessness and his mother - in the beginning they were the same thing. His mother, his mother, his mother, his mother, his mother… and then there was his mother, his father, Grandma, Morty, and the Atlantic at the end of the street. The ocean, the beach, the first two streets in America, then the house, and in the house a mother who never stopped whistlîg until December 1944. If Morty had come alive, if the endlessness had ended naturally instead of with the telegram, if after the war Morty had started doing electrical work and plumbing for people, had become a builder at the shore, gone into the construction business just as the boom in Monmouth County was beginning…Didn't matter. Take your pick. Get betrayed by the fantasy of endlessness or by the fact of finitude. No, Sabbath could only have wound up Sabbath, begging for what he was begging, bound to what he was bound, saying what he did not wish to stop himself from saying.”

Sabbath's Theater (1995)

“I confidently expect that we shall continue to be grouped with mothers-in-law and Wigan Pier as one of the recognized objects of ridicule.”

Edward Bridges, 1st Baron Bridges (1892–1969) British civil servant

On the civil service, in Portrait of a Profession: The Civil Service Tradition (1950)

Robert Hunter (author) photo
Ilana Mercer photo
Joanna Newsom photo

“I know we must abide
each by the rules that bind us here:
the divers, and the sailors, and the women on the pier.”

Joanna Newsom (1982) American musician

Divers https://en.wikipedia.org/wiki/Divers_(Joanna_Newsom_album) (2015)

Joseph Conrad photo

“Then, on the slight turn of the Lower Hope Reach, clusters of factory chimneys come distinctly into view, tall and slender above the squat ranges of cement works in Grays and Greenhithe. Smoking quietly at the top against the great blaze of a magnificent sunset, they give an industrial character to the scene, speak of work, manufactures, and trade, as palm-groves on the coral strands of distant islands speak of the luxuriant grace, beauty and vigour of tropical nature. The houses of Gravesend crowd upon the shore with an effect of confusion as if they had tumbled down haphazard from the top of the hill at the back. The flatness of the Kentish shore ends there. A fleet of steam-tugs lies at anchor in front of the various piers. A conspicuous church spire, the first seen distinctly coming from the sea, has a thoughtful grace, the serenity of a fine form above the chaotic disorder of men’s houses. But on the other side, on the flat Essex side, a shapeless and desolate red edifice, a vast pile of bricks with many windows and a slate roof more inaccessible than an Alpine slope, towers over the bend in monstrous ugliness, the tallest, heaviest building for miles around, a thing like an hotel, like a mansion of flats (all to let), exiled into these fields out of a street in West Kensington. Just round the corner, as it were, on a pier defined with stone blocks and wooden piles, a white mast, slender like a stalk of straw and crossed by a yard like a knitting-needle, flying the signals of flag and balloon, watches over a set of heavy dock-gates. Mast-heads and funnel-tops of ships peep above the ranges of corrugated iron roofs. This is the entrance to Tilbury Dock, the most recent of all London docks, the nearest to the sea.”

Hope Point to Tilbury / Gravesend
The Mirror of the Sea (1906), On the River Thames, Ch. 16

Vitruvius photo
Strabo photo
Christine O'Donnell photo

“Christine O'Donnell: Well, don't you think as a host, if I say "this is what I want to talk about", that's what we should address?
Piers Morgan: Not really, no. You're a politician.”

Christine O'Donnell (1969) American Tea Party politician and former Republican Party candidate

Piers Morgan Tonight
CNN
Television, quoted in * Christine O’Donnell storms out of Piers Morgan interview over ‘rude’ treatment
2011-08-18
Steven
Nelson
Daily Caller
http://dailycaller.com/2011/08/18/christine-odonnell-storms-out-of-piers-morgan-interview-over-rude-treatment/
2011-10-15
TV appearances

Herb Caen photo

“A city is where you can sign a petition, boo the chief justice, fish off a pier, gaze at a hippopotamus, buy a flower at the corner, or get a good hamburger or a bad girl at 4 a. m. A city is where sirens make white streaks of sound in the sky and foghorns speak in dark grays. San Francisco is such a city.”

Herb Caen (1916–1997) American newspaper columnist

Caen, Herb. "A city is like San Francisco, not a faceless 'burb" http://www.sfgate.com/entertainment/article/A-city-is-like-San-Francisco-not-a-faceless-burb-3168435.php S.F. Gate, 2010.
Attributed

Vitruvius photo

“Piers Morgan who used to be editor of The Mirror. He's got a whole new career now, as the bloke who used to be editor of The Mirror.”

Linda Smith (1958–2006) comedian

A Brief History of Timewasting, Room 101, The News Quiz

Rick Santorum photo
Rick Santorum photo
Griff Rhys Jones photo

“Now, Piers Morgan is a bit of a ****.”

Griff Rhys Jones (1953) British actor and comedian

Have I Got News For You, series 27 episode 6, 21 May 2004

Ernest Hemingway photo

“At pier four there is a 34-foot yawl-rigged yacht with two of the three hundred and twenty-four Esthonians who are sailing around in different parts of the world, in boats between 28 and 36 feet long and sending back articles to the Esthonian newspapers.”

Source: To Have and Have Not (1937), Ch. 24
Often misquoted or inaccurately paraphrased as "In every port in the world, at least two Estonians can be found."
Context: At pier four there is a 34-foot yawl-rigged yacht with two of the three hundred and twenty-four Esthonians who are sailing around in different parts of the world, in boats between 28 and 36 feet long and sending back articles to the Esthonian newspapers. These articles are very popular in Esthonia and bring their authors between a dollar and a dollar and thirty cents a column. They take the place occupied by the baseball or football news in American newspapers and are run under the heading of Sagas of Our Intrepid Voyagers. No well-run yacht basin in Southern waters is complete without at least two sun-burned, salt bleached-headed Esthonians who are waiting for a check from their last article. When it comes they will set sail to another yacht basin and write another saga. They are very happy too. Almost as happy as the people on the Alzira III. It's great to be an Intrepid Voyager.

Henry Adams photo

“You must try first to rid your mind of the traditional idea that the gothic is an intentional expression of religious gloom. The necessity for light was the motive of the gothic architects. They needed light and always more light, until they sacrificed safety and common-sense in trying to get it. They converted their walls into windows, raised their vaults, diminished their piers, until their churches could no longer stand.”

Henry Adams (1838–1918) journalist, historian, academic, novelist

Mont Saint Michel and Chartres (1904)
Context: If you are to get the full enjoyment of Chartres, you must, for the time, believe in Mary as Bernard and Adam did, and feel her presence as the architects did, in every stone they placed, and in every touch they chiseled. You must try first to rid your mind of the traditional idea that the gothic is an intentional expression of religious gloom. The necessity for light was the motive of the gothic architects. They needed light and always more light, until they sacrificed safety and common-sense in trying to get it. They converted their walls into windows, raised their vaults, diminished their piers, until their churches could no longer stand. You will see the limit at Beauvais; at Chartres we have not got so far, but even here in places where the Virgin wanted it — as above the high altar — the architect has taken all the light there was to take.

“Alcohol is the rubber tyres between me and the pier.”

He held up his glass to her. They chinked.
Ch 2 - p.27
Novels, Midwinter Break (2017)