Quotes about pianist

A collection of quotes on the topic of pianist, play, music, likeness.

Quotes about pianist

Sergei Rachmaninoff photo
Vladimir Horowitz photo
Maria Callas photo
Chris Martin photo
David Benioff photo
Artur Schnabel photo

“The notes I handle no better than many pianists. But the pauses between the notes – ah, that is where the art resides.”

Artur Schnabel (1882–1951) Austrian pianist

Quoted in the Chicago Daily News, June 11, 1958.

Gerhard Richter photo

“Of the Russian pianists I like only one, Richter. Gilels did some things well, but I did not like his mannerisms, the way he moved around while he was playing.”

Emil Gilels (1916–1985) Soviet pianist

Vladimir Horowitz, quoted in Harold C. Schonberg, Horowitz: his life and music

Glenn Gould photo
Ivo Pogorelić photo
Adrianne Wadewitz photo

“For me, one of the most empowering outcomes of my year of climbing has been the new narrative I can tell about myself. I am no longer “Adrianne: scholar, book lover, pianist, and Wikipedian”. I am now “Adrianne: scholar, book lover, pianist, Wikipedian, and rock climber”.”

Adrianne Wadewitz (1977–2014) academic and Wikipedian

Wadewitz, Adrianne. (August 12, 2013). "What I learned as the worst student in the class" http://www.hastac.org/blogs/wadewitz/2013/08/12/what-i-learned-worst-student-class. HASTAC: Humanities, Arts, Science, and Technology Alliance Collaboratory. — reprinted and cited in: "How Adrianne Wadewitz learnt to embrace failure" http://www.smh.com.au/world/how-adrianne-wadewitz-learnt-to-embrace-failure-20140425-zqzgx.html. The Sydney Morning Herald. April 25, 2014. Retrieved April 25, 2014. — and also cited in: Woo, Elaine (April 23, 2014). "Adrianne Wadewitz dies at 37; helped diversify Wikipedia" http://www.latimes.com/obituaries/la-me-adrianne-wadewitz-20140424,0,1077455.story. Los Angeles Times.

Arthur Rubinstein photo
Arthur Rubinstein photo

“Just meeting Rubinstein was a thrill for any pianist. He was a real link to tradition in western piano music. He was a friend of Rachmaninoff and he knew Debussy. The man was an inspiration to three generations of pianists.”

Arthur Rubinstein (1887–1982) Polish-American classical pianist

Emanuel Ax — reported in Joseph McLellan (December 21, 1982) "Concert Pianist Arthur Rubinstein Dies at 95", The Washington Post, p. A1.
About

Valentina Lisitsa photo
Heinrich Neuhaus photo

“As for the piano, I was left to my own devices practically from the age of twelve. As is frequently the case in teachers' families, our parents were so busy with their pupils (literally from morning until late at night) that they hardly had any time for their own children. And that, in spite of the fact that with the favourable prejudice common to all parents, they had a very high opinion of my gifts. (I myself had a much more sober attitude. I was always aware of a great many faults although at times I felt that I had in me something "not quite usual".) But I won't speak of this. As a pianist, I am known. My good and bad points are known and nobody can be interested in my "prehistoric period". I will only say that because of this early "independence" I did a lot of silly things which I could have easily avoided if I had been under the vigilant eye of an experienced and intelligent teacher for another three or four years. I lacked what is known as a "school". I lacked discipline. But it is an ill wind that blows nobody any good; my enforced independence compelled me, though sometimes by very devious ways, to achieve a great deal on my own and even my failures and errors subsequently proved more than once to be useful and educational, and in an occupation such as learning to master an art, where if not all, then almost all depends on individuality, the only sound foundation will always be the knowledge gained as the result of personal effort and personal experience.”

Heinrich Neuhaus (1888–1964) Soviet musician

The Art of Piano Playing (1958), Ch. 1. The Artistic Image of a Musical Composition

Ludwig Van Beethoven photo
Burkard Schliessmann photo
Ivo Pogorelić photo

“Many pianists are great, but Pogorelich is unique, like Rubinstein, their sound is instantly recognisable they both go beyond the notes.”

Ivo Pogorelić (1958) Croatian pianist

Gerald Moore, critique of Pogorelć's album Domenico Scarlatti - Sonaten

Gloria Estefan photo

“My family was musical on both sides. My father's family had a famous flautist and a classical pianist. My mother won a contest to be Shirley Temple's double -- she was the diva of the family. At 8, I learned how to play guitar. I used to play songs from the '20s, '30s and '40s in the kitchen for my grandmother. After my dad was a prisoner in Cuba for two years, we moved to Texas, where I was the only Hispanic in the class. I remember hearing "Ferry Cross the Mersey," by Gerry and the Pacemakers, and thinking, "that had bongos and maracas -- that was really a bolero." And the Beathles song, "Till There was You"… also Latin. I wrote poetry, which got me into lyrics. Stevie Wonder, Carole King, Elton John pulled me into pop. I started singing with a band -- just for fun -- when I 17. And pretty soon, I was thinking I could sing pop in English as well as Spanish. And as you know, we did that and we broke through. But we waited until 1993 to release "Mi Tierra" -- we wanted my fans to be rady for the traditional Cuban music. And then we kept adding: more Cuban influences, more Latin America. And, underneath it all, African drums and rhythm. The concept of "90 Millas" starts with the songs of the '40s. We invited 25 masters of Latin music -- giants on the cutting edge of creativity, musicians who pushed it out to the world, young Cuban artists and Puerto Ricans who are huge -- so we could blend cultures and generations. So it is like coming home, but not exactly to the old Cuba.”

Gloria Estefan (1957) Cuban-American singer-songwriter, actress and divorciada

www.huffingtonpost.com (September 7, 2007)
2007, 2008

Joanna MacGregor photo
Boris Johnson photo
Roger Ebert photo
Gloria Estefan photo

“My mother, my dad and I left Cuba when I was two [January, 1959]. Castro had taken control by then, and life for many ordinary people had become very difficult. My dad had worked [as a personal bodyguard for the wife of Cuban president Batista], so he was a marked man. We moved to Miami, which is about as close to Cuba as you can get without being there. It's a Cuba-centric society. I think a lot of Cubans moved to the US thinking everything would be perfect. Personally, I have to say that those early years were not particularly happy. A lot of people didn't want us around, and I can remember seeing signs that said: "No children. No pets. No Cubans." Things were not made easier by the fact that Dad had begun working for the US government. At the time he couldn't really tell us what he was doing, because it was some sort of top-secret operation. He just said he wanted to fight against what was happening back at home. [Estefan's father was one of the many Cuban exiles taking part in the ill-fated, anti-Castro Bay of Pigs invasion to overthrow dictator Fidel Castro. ] One night, Dad disappered. I think he was so worried about telling my mother he was going that he just left her a note. There were rumours something was happening back home, but we didn't really know where Dad had gone. It was a scary time for many Cubans. A lot of men were involved -- lots of families were left without sons and fathers. By the time we found out what my dad had been doing, the attempted coup had taken place, on April 17, 1961. Intitially he'd been training in Central America, but after the coup attempt he was captured and spent the next wo years as a political prisoner in Cuba. That was probably the worst time for my mother and me. Not knowing what was going to happen to Dad. I was only a kid, but I had worked out where my dad was. My mother was trying to keep it a secret, so she used to tell me Dad was on a farm. Of course, I thought that she didn't know what had really happened to him, so I used to keep up the pretence that Dad really was working on a farm. We used to do this whole pretending thing every day, trying to protect each other. Those two years had a terrible effect on my mother. She was very nervous, just going from church to church. Always carrying her rosary beads, praying her little heart out. She had her religion, and I had my music. Music was in our family. My mother was a singer, and on my father's side there was a violinist and a pianist. My grandmother was a poet.”

Gloria Estefan (1957) Cuban-American singer-songwriter, actress and divorciada

The [London] Sunday Times (November 17, 2006)
2007, 2008

Burkard Schliessmann photo
Nat King Cole photo

“I … started out to become a jazz pianist; in the meantime I started singing and I sang the way I felt and that's just the way it came out.”

Nat King Cole (1919–1965) American singer and jazz pianist

Spoken in VOA interview http://www.library.unt.edu/resolveuid/24bc6899959ba29ac6feca22c5ad8ed9 broadcast on Pop Chronicles Show 22 - Smack Dab in the Middle on Route 66: A skinny dip in the easy listening mainstream. http://digital.library.unt.edu/ark:/67531/metadc19775/m1/
Also on cassette 3, side B of [Gilliland, John, w:John Gilliland, Pop Chronicles the 40's: The Lively Story of Pop Music in the 40's, 978-1-55935-147-8, 31611854, 1994, Mind's Eye, audiobook]

Vladimir Horowitz photo
Vladimir Horowitz photo

“Of the Russian pianists I like only one, Richter. Gilels did some things well, but I did not like his mannerisms, the way he moved around while he was playing.”

Vladimir Horowitz (1903–1989) American classical pianist and composer

quoted in Harold C. Schonberg, Horowitz: his life and music

Dudley Moore photo
Arthur Rubinstein photo
Joseph Beuys photo
Hermann Hesse photo
Joanna MacGregor photo

“As a musician you can cover everything. I'm not just a concert pianist.”

Joanna MacGregor (1959) British musician

The Irish News, 22/01/2005
Musician's life

Maurice de Vlaminck photo
Vladimir Horowitz photo

“Interesting pianist, but I think he is just a little bit meshuga.”

Vladimir Horowitz (1903–1989) American classical pianist and composer

On Arturo Benedetti Michelangeli, quoted in Harold C. Schonberg, Horowitz: his life and music

Burkard Schliessmann photo
Benno Moiseiwitsch photo

“When I asked Sergio Mendes why he still called his group Brasil '66 in 1967, he said "'66 was a very good year!" That's his group and the French song from The Umbrellas of Cherbourg. It's not one of their better tracks. Some of the things they've done I have enjoyed tremendously, though it's getting to the point where he's had commercial success doing what he's doing, so it's now somewhere in between strong Brazilian music and quasi-rock. Joao Palma is an excellent drummer. Here they have John Pisano of the Tijuana Brass playing an amplified guitar. He is one of the few people who, on the regular amplified guitar, has really got the Brazilian thing down. He can play in the Baden Powell style, which is so compelling and so dynamic. Sergio is usually a much more melodic pianist, but here he's trying to give a hardness and vitality to the over-all commercial sound, and he comes out lacking what he usually has—his lines are usually very smoothly melodic. This has nothing to do with jazz, but I find it pleasant; on the other hand, some of the things they do, like O Pato [from Mendes' previous album], or some of the faster things, I enjoy much more. Two stars.”

Clare Fischer (1928–2012) American keyboardist, composer, arranger, and bandleader

Reviewing Mendes' recording of Michel Legrand's '"Watch What Happens," from the album Equinox; as quoted in "Clare Fischer: Blindfold Test" http://www.mediafire.com/view/fix6ane8h54gx/Clare_Fischer#2nmgk677qzm4cnu

William Kapell photo

“He was, this smoldering, passionate young pianist, generous, lovable, deeply gentle of heart.”

William Kapell (1922–1953) American classical pianist

Claudia Cassidy, " In Memory of William Kapell, Who Left Us Richer in Music http://www.williamkapell.com/articles/cassidy.html", Chicago Tribune (October 30, 1953).
About

Arthur Rubinstein photo
Brian Tyler photo

“In the Warsaw ghetto, the power of music, the will to live and the courage to stand against evil added up to very little, and The Pianist has the wherewithal to respect that sad fact and make sense of it. In the Warsaw ghetto, what counted was luck, and the luck had to be very good.”

Clive James (1939–2019) Australian author, critic, broadcaster, poet, translator and memoirist

On Polanski's The Pianist
Essays and reviews, The Meaning of Recognition (2005)
Context: Roman Polanski's new film The Pianist is a work of genius on every level, except, alas, for the press-pack promotional slogan attributed to the director himself. "The Pianist is a testimony to the power of music, the will to live, and the courage to stand against evil." If he actually said it, he flew in the face of his own masterpiece, which is a testimony to none of those things. In the Warsaw ghetto, the power of music, the will to live and the courage to stand against evil added up to very little, and The Pianist has the wherewithal to respect that sad fact and make sense of it. In the Warsaw ghetto, what counted was luck, and the luck had to be very good.

Burkard Schliessmann photo
Burkard Schliessmann photo
Amrita Sher-Gil photo

“Rose water and raw spirit…weird amalgam of the bearded star gazer and the red haired pianist pounding away at her keyboard.”

Amrita Sher-Gil (1913–1941) Hungarian Indian artist

Malcolm Muggeridge who had an serious affair with her in The Triumph of Modernism: India's Artists and the Avant-garde, 1922-1947, page=46

“You are a concert pianist. That was my life when I was twenty-two years old.”

George Antheil (1900–1959) American avant-garde composer, pianist, author and inventor