Quotes about odyssey (21 quotes) | Quotes of famous people

“I touch your book and dream of our odyssey in the supermarket and feel absurd.”

Allen Ginsberg book Howl and Other Poems

Source: Howl and Other Poems

Books , Dreams , Feeling

“I had translated the first twelve books of the Odyssey. For a while I learnt English also, merely so as to gain an accurate knowledge of Shakespeare; and I made a metrical translation of Romeo's monologue. Though I soon left English on one side, yet Shakespeare remained my exemplar, and I projected a great tragedy which was almost nothing but a medley of Hamlet and King Lear. The plan was gigantic in the extreme; two- and-forty human beings died in the course of this piece, and I saw myself compelled, in its working-out, to call the greater number back as ghosts, since otherwise I should have been short of characters for my last Acts. This play occupied my leisure for two whole years.”

Richard Wagner (1813–1883) German composer, conductor

Autobiographical Sketch (1843)

Books , Knowledge

“Listen. All great literature is about what a bummer it is to be a human being: Moby Dick, Huckleberry Finn, The Red Badge of Courage, the Iliad and the Odyssey, Crime and Punishment, the Bible and The Charge of the Light Brigade.”

Kurt Vonnegut (1922–2007) American writer

Cold Turkey (2004)

Light , Courage , Literature

“The trip was to be an odyssey in the fullest sense of the word, an epic journey that would change everything.”

Jon Krakauer book Into the Wild

Source: Into the Wild

Sense , Change

“A genuine odyssey is not about piling up experiences. It is a deeply felt, risky, unpredictable tour of the soul.”

Thomas Moore (1779–1852) Irish poet, singer and songwriter

Source: Care of the Soul: A Guide for Cultivating Depth and Sacredness in Everyday Life

Soul

“The next superstar could very well be ET!!! Sincerely, at that point in the history of Hollywood, there were no stars. Paul Newman has said on record, ‘What’s the point in my being an actor? The three greatest hits have been mechanical gadgets!’ There was a shark in Jaws that crashed the box-office, there was this peculiar animal in ET and there was that robot in Star Wars. I saw it millions of times. And everytime I see ET I find it’s a lovable person. So maybe you don’t need an actor, it’s going to be a computer! Look, one of the poignant scenes in 2001 Space Odyssey was the death of the computer. The computer on board is programmed to take the spaceship to a particular planet and also manage everything, right to the food of the astronauts. Then they realize that this very same computer is actually programmed to sabotage the mission. So this astronaut unscrews the computer. It dies with the voice going fainter ‘Don’t kill … me … don’t … kill me’. If just mechanical gadgets are going to be moving us to tears, then Paul Newman is right. What is the need for actors?”

Amitabh Bachchan (1942) Indian actor

Quotable quotes by Amitabh Bachchan.

Death , War , Food , History

“Writing stories was not easy. When they were turned into words, projects withered on the paper and ideas and images failed. How to reanimate them? Fortunately, the masters were there, teachers to learn from and examples to follow. Flaubert taught me that talent is unyielding discipline and long patience. Faulkner, that form – writing and structure – elevates or impoverishes subjects. Martorell, Cervantes, Dickens, Balzac, Tolstoy, Conrad, Thomas Mann, that scope and ambition are as important in a novel as stylistic dexterity and narrative strategy. Sartre, that words are acts, that a novel, a play, or an essay, engaged with the present moment and better options, can change the course of history. Camus and Orwell, that a literature stripped of morality is inhuman, and Malraux that heroism and the epic are as possible in the present as is the time of the Argonauts, the Odyssey, and the Iliad.”

Mario Vargas Llosa (1936) Peruvian writer, politician, journalist, and essayist

Nobel Lecture (2010)

History , Literature , Idea , Learning

“There are no moral or intellectual merits. Homer composed the Odyssey; if we postulate an infinite period of time, with infinite circumstances and changes, the impossible thing is not to compose the Odyssey, at least once.”

Jorge Luis Borges book The Immortal

"The Immortal" (1949)

Change , Time

“They hear like ocean on a western beach
The surge and thunder of the Odyssey.”

Andrew Lang (1844–1912) Scots poet, novelist and literary critic

Sonnet The Odyssey (1879), in Introduction to his translation (with S. H. Butcher) of Homer's Odyssey.

“It is a century now since Darwin gave us the first glimpse of the origin of species. We know now what was unknown to all the preceding caravan of generations: that men are only fellow-voyagers with other creatures in the odyssey of evolution. This new knowledge should have given us, by this time, a sense of kinship with fellow-creatures; a wish to live and let live; a sense of wonder over the magnitude and duration of the biotic enterprise.”

Aldo Leopold book A Sand County Almanac

“Wisconsin: On a Monument to the Pigeon”, p. 109.
A Sand County Almanac, 1949, "Wisconsin: Marshland Elegy," "Wisconsin: The Sand Counties" "Wisconsin: On a Monument to the Pigeon," and "Wisconsin: Flambeau"

Men , Knowledge , Sense , Time

“I view the major features of my own odyssey as a set of mostly fortunate contingencies. I was not destined by inherited mentality or family tradition to become a paleontologist. I can locate no tradition for scientific or intellectual careers anywhere on either side of my eastern European Jewish background. […] I view my serious and lifelong commitment to baseball in entirely the same manner: purely as a contingent circumstance of numerous, albeit not entirely capricious, accidents.”

Stephen Jay Gould (1941–2002) American evolutionary biologist

"Seventh Inning Stretch: Baseball, Father, and Me", p. 29
Triumph and Tragedy in Mudville (2003)

Family

“Be that blind bard who on the Chian strand,
By those deep sounds possessed with inward light,
Beheld the Iliad and the Odyssey
Rise to the swelling of the voiceful sea.”

Samuel Taylor Coleridge (1772–1834) English poet, literary critic and philosopher

Fancy in Nubibus
Bartlett's Familiar Quotations, 10th ed. (1919)

Light , Sea

“This film is extremely visual. It is difficult to describe in words without running the risk of losing or boring the reader.
I have come up with a simplified summary, therefore, like a readers guide, which will conjure up the images in as few words as possible :
— the beginning is Leon: The Professional
— the middle is Inception
— the end is 2001: A Space Odyssey
Don't interpret this as pretension on my part, merely a visual, emotional and philosophical point of reference.”

Luc Besson (1959) French film director, writer, and producer

"NOTA", for his film Lucy, as quoted in "Luc Besson's Statement Of Intent For 'Lucy' Compares The Film To '2001,' 'Inception' & 'Leon The Professional'" by Kevin Jagernauth, in Indiewire (28 July 2014) http://blogs.indiewire.com/theplaylist/luc-bessons-statement-of-intent-for-lucy-compares-the-film-to-2001-inception-leon-the-professional-20140728

Parting

“And whatever we find on Mars, the doors will be open to the next Odyssey, to something so many have instinctually felt for so long, something which through music I remember -- that at the dawn of creation the seeds of life were likely scattered far and wide across the endless skies, and that science will continue to show us how we are connected, no different than the universe itself.”

Vangelis (1943) Greek composer of electronic, progressive, ambient, jazz, pop rock, and orchestral music

http://mars.jpl.nasa.gov/spotlight/vangelis01.html
Vangelis: Mythodea
2001
NASA
2001

Life , Music , Universe , Science

“There is one expanding horror in American life. It is that our long odyssey toward liberty, democracy and freedom-for-all may be achieved in such a way that utopia remains forever closed, and we live in freedom and hell, debased of style, not individual from one another, void of courage, our fear rationalized away.”

Norman Mailer (1923–2007) American novelist, journalist, essayist, playwright, film maker, actor and political candidate

Review of the book My Hope for America
Cannibals and Christians (1966)

Life , Fear , Way , Democracy

“The Faerie Queene is the most extended and extensive meditation on sex in the history of poetry. It charts the entire erotic spectrum, a great chain of being rising from matter to spirit, from the coarsest lust to chastity and romantic idealism. The poem’s themes of sex and politics are parallel: the psyche, like society, must be disciplined by good government. Spenser agrees with the classical and Christian philosophers on the primacy of reason over animal appetites. He looks forward to the Romantic poets, however, in the way that he shows the sex impulse as ultimately daemonic and barbaric, breeding witches and sorcerers of evil allure. Like the Odyssey, The Faerie Queene is a heroic epic in which the masculine must evade female traps or delays.”

Camille Paglia (1947) American writer

Source: Sexual Personae: Art and Decadence from Nefertiti to Emily Dickinson (1990), p. 188

Sex , Way , History , Evil

“The Framers did not pioneer the concept of man as a personally responsible agent. That notion, arguably the greatest of all Western ideas, dates to line 32 of Homer’s Odyssey, where Zeus asks people to stop blaming their bad choices on the gods.”

Mark Riebling (1963) American writer

Personal Responsibility: How the Framers coined a phrase as they created a nation (2010)

God , People , Idea , Personality

“At the opening of the Odyssey, Telemachus, inspired by the male-born Athena, searches for his father by turning against his mother. Jesus too publicly spurns his mother to be about his father’s business. Male adulthood begins with the breaking of female chains.”

Camille Paglia (1947) American writer

Source: Sexual Personae: Art and Decadence from Nefertiti to Emily Dickinson (1990), p. 89

Search , Business , Adulthood

“The hero of the Odyssey is a great fighter, a wily schemer, a ready speaker, a man of stout heart and broad wisdom who knows that he must endure without too much complaining what the gods send;”

Robert M. Pirsig book Zen and the Art of Motorcycle Maintenance

Source: Zen and the Art of Motorcycle Maintenance (1974), Ch. 29, quoted from The Greeks by H. D. F. Kitto.
Context: "The hero of the Odyssey is a great fighter, a wily schemer, a ready speaker, a man of stout heart and broad wisdom who knows that he must endure without too much complaining what the gods send; and he can both build and sail a boat, drive a furrow as straight as anyone, beat a young braggart at throwing the discus, challenge the Pheacian youth at boxing, wrestling or running; flay, skin, cut up and cook an ox, and be moved to tears by a song. He is in fact an excellent all-rounder; he has surpassing aretê.
"Aretê implies a respect for the wholeness or oneness of life, and a consequent dislike of specialization. It implies a contempt for efficiency—or rather a much higher idea of efficiency, an efficiency which exists not in one department of life but in life itself."

Wisdom , God , Heart

“That both the Gilgamesh Epic and the Odyssey deal with the episodic wanderings of a hero, would not be sufficiently specific to establish a genuine relation between them. But”

Cyrus H. Gordon (1908–2001) American linguist

Introduction
The Common Background of Greek and Hebrew Civilizations (1965 [1962])
Context: That both the Gilgamesh Epic and the Odyssey deal with the episodic wanderings of a hero, would not be sufficiently specific to establish a genuine relation between them. But when both epics begin with the declaration that the hero gained experience from his wide wanderings, and end with his homecoming, a relationship dimly appears.... when we note that whole episodes are in essential agreement, we are on firmer ground. For instance, both Gilgamesh and Odysseus reject a goddess's proposal for marriage; and each of the heroes interviews his dead companion in Hades.

“If a person would understand either the Odyssey or any other ancient work, he must never look at the dead without seeing the living in them, nor at the living without thinking of the dead. We are too fond of seeing the ancients as one thing and the moderns as another.”

Samuel Butler (1835–1902) novelist

Ancient Work
Source: The Note-Books of Samuel Butler (1912), Part XII - The Enfant Terrible of Literature

Understanding , Dead , Personality , Thinking