Quotes about lime (39 quotes) | Quotes of famous people

“When from a long-distant past nothing subsists, after the people are dead, after the things are broken and scattered, still, alone, more fragile, but with more vitality, more unsubstantial, more persistent, more faithful, the smell and taste of things remain poised a long time, like souls, ready to remind us, waiting and hoping for their moment, amid the ruins of all the rest; and bear unfaltering, in the tiny and almost impalpable drop of their essence, the vast structure of recollection.And once again I had recognized the taste of the crumb of madeleine soaked in her decoction of lime-flowers which my aunt used to give me (although I did not yet know and must long postpone the discovery of why this memory made me so happy), immediately the old gray house upon the street, where her room was, rose up like the scenery of a theater.”

Marcel Proust book In Search of Lost Time

Mais, quand d’un passé ancien rien ne subsiste, après la mort des êtres, après la destruction des choses, seules, plus frêles mais plus vivaces, plus immatérielles, plus persistantes, plus fidèles, l’odeur et la saveur restent encore longtemps, comme des âmes, à se rappeler, à attendre, à espérer, sur la ruine de tout le reste, à porter sans fléchir, sur leur gouttelette presque impalpable, l’édifice immense du souvenir.<p>Et dès que j’eus reconnu le goût du morceau de madeleine trempé dans le tilleul que me donnait ma tante (quoique je ne susse pas encore et dusse remettre à bien plus tard de découvrir pourquoi ce souvenir me rendait si heureux), aussitôt la vieille maison grise sur la rue, où était sa chambre, vint comme un décor de théâtre.
"Overture"
In Search of Lost Time, Remembrance of Things Past (1913-1927), Vol I: Swann's Way (1913)

People , Faith , Hope , Soul

“If life gives you limes make margaritas.”

Jimmy Buffett (1946) American singer–songwriter and businessman

Life

“I don't mean to get all religious here, but I'm pretty sure key lime martinis (with a graham cracker & sugar rim) are proof that Jesus loves us.”

Jen Lancaster (1967) American writer

Love

“God of his Infinite goodness (if we will but take notice of his goodness unto this Nation) hath made this Country a very Granary for the supplying of Smiths with Iron, Cole, and Lime made with cole, which hath much supplied these men with Com also of late 5 and from these men a great part, not only of this Island, but also of his Majestie's other Kingdoms and Territories, with Iron wares have their supply, and Wood in these parts almost exhausted, although it were of late a mighty woodland country.”

Dud Dudley (1600–1684) British metallurgist

Source: Metallum Martis, 1665, p. 38 As cited in: ; Cited in: Samuel Smiles (1864) Industrial biography; iron-workers and tool-makers http://books.google.com/books?id=5trBcaXuazgC&pg=PA65, p. 65

Men , God , Parting , Country

“In the groundes bordering uppon tile woods of Arden, which are verie colde, they use lime instead of dung, and thereby they make ye earth most fruitful which was barren before, Now if lime (which is nothing else but a baked or burnt stone within those fierie furnaces, and whose moisture is altogether exhaled, so as there remaineth therin nothing else, but the terrestriall parts replenished with a fierie vertue) be found so rich a soile, I know not why the heat of marle may not nmch better be endured”

Hugh Plat (1552–1608) writer

Source: Diverse new Sorts of Soylenot yet brought into any publique Use, 1594, p. 21-22; Cited in: Malcolm Thick, " Sir Hugh Plat and the Chemistry of Marling. http://www.bahs.org.uk/AGHR/ARTICLES/42n2a5.pdf" Agr. Hist. Rev 42 (1994): 156-157.

Parting

“Side by side with the production of metals, the Egyptians and the inhabitants of Mesopotamia perfected the arts of making glazed pottery… and the production of glass. …vessels were baked in tall closed furnaces. "Egyptian blue" was made in Egypt by heating silica with malachite and lime… applied with soda as a blue glaze on faience, and the blue glass is also colored with copper. Some early… Egyptian and Babylonian blue glass are coloured with cobalt.”

J. R. Partington (1886–1965) British chemist

A Short History of Chemistry (1937)

Art , Color , Perfection

“Charlie asks her for a Perrier with lime. She says that San Pellegrino is what they have. He says it's all the same to him. Fancy water is fancy water.”

John Updike book Rabbit at Rest

Rabbit at Rest (1990)

Water

“The reason why lime makes a solid structure on being combined with water and sand seems to be this: that rocks, like all other bodies, are composed of the four elements. Those which contain a larger proportion of air, are soft; of water, are tough from the moisture; of earth, hard; and of fire, more brittle. Therefore, if limestone, without being burned, is merely pounded up small and then mixed with sand and so put into the work, the mass does not solidify nor can it hold together. But if the stone is first thrown into the kiln, it loses its former property of solidity by exposure to the great heat of the fire, and so with its strength burnt out and exhausted it is left with its pores open and empty. Hence, the moisture and air in the body of the stone being burned out and set free, and only a residuum of heat being left lying in it, if the stone is then immersed in water, the moisture, before the water can feel the influence of the fire, makes its way into the open pores; then the stone begins to get hot, and finally, after it cools off, the heat is rejected from the body of the lime.”

Vitruvius book De architectura

Source: De architectura (The Ten Books On Architecture) (~ 15BC), Book II, Chapter V, Sec. 2

Way , Feeling , Lying , Water

“I was born on January 18, 1910 at 4 Seymour Street, off. London Road, Liverpool, Lancashire, England, Great. Britain, Europe, the world, the solar system, the universe. Writing out my full address like this was a great satisfaction when I was a boy. Seymour Street had a solid row of narrow, four-story houses on both sides, each with a flight of steps leading up to the front door, and what we called an "airy," a rectangular hole in front of the basement window, often with steps leading down to a basement underneath the front door. The streets of the neighborhood spoke of the Napoleonic Wars in the early nineteenth century— St. Vincent Street, Rodney Street, Lord Nelson Street. Close by was dirty Lime Street Station; St. George's Hall, a magnificent classical structure the center of Liverpudlian splendor; the theaters; and the great Picton Library with its huge circular reading room. The neighborhood was very mixed; we belonged to the English minority in Liverpool, a city largely populated by the Irish and the Welsh.”

Kenneth E. Boulding (1910–1993) British-American economist

Source: 1980s, Illustrating Economics: Beasts, Ballads and Aphorisms, 1980, p. 3

War , World , Boy , Universe

“What is a kiss? Why this, as some approve:
The sure, sweet cement, glue, and lime of love.”

Robert Herrick book Hesperides

"A Kiss".
Hesperides (1648)

Love , Kiss

“As for the name Rehnquist, I am quite uncertain as to its origin. Under the Swedish patronymic system of naming, my grandfather and his brothers would have been named Anderson, since Anders was the name of their father. "Quist" in Swedish means branch, I am told. For example, "Lindquist" means lime branch or linden branch, and Palmquist means palm branch. The best I can come up with is that the "rehn" in my name refers to a small village near the farm on which my grandfather grew up.”

William H. Rehnquist (1924–2005) Chief Justice of the United States

Address at a Swedish Colonial Society luncheon in Philadelphia (9 April 2001).
Books, articles, and speeches

“The polls are the place where Politicians claim the lime-light. They fulminate with garnished oratory, display inherent and affected charm and poise and ingenuity in tackling hecklers and evading responses to tricky questions and acquire the knack of telling an untruth with utmost conviction.”

Peter de Noronha (1897–1970) Indian businessman

The Pageant of Life (1964), On Politicians

Question , Light

“Friends, wives and husbands, sons and daughters, dead
Of plague, famine, and arrows: and the houses
Battered unsafe by cannonades of stone
Hurled in by the Assyrians: the town-walls
Crumbling out of their masonry into mounds
Of foolish earth, so smitten by the rams:
The hunger-pangs, the thirst like swallowed lime
Forcing them gulp green water maggot-quick
That lurks in corners of dried cisterns: yea,
Murders done for a drink of blood, and flesh
Sodden of infants: and no hope alive
Of rescue from this heat of prisoning anguish
Until Assyrian swords drown it in death.”

Lascelles Abercrombie (1881–1938) Poet, academic, literary critic

Emblems of Love (1912)

Death , Hunger , Hope , Drink

“All Marie was earth before it became marle, it is a kinde of clay ground, and chalke it selfe was marle before it became chalke. And that which is more, that which is yet chalke within the Matrix of the earth, wil in time harden into a white stone, And last of all, wheresoever there bee any stones that be subiect to calcination, they were first marle before they were stones, for otherwise by their calcination they could not possibly amend any barren grounds … Also chalke and lime, after the frostes have taken them, whereby they crumble into powder, do become good marle, and serve in stead thereof.”

Hugh Plat (1552–1608) writer

Source: Diverse new Sorts of Soylenot yet brought into any publique Use, 1594, p. 23-24; Cited in: Malcolm Thick (1994)

Bee , Time

“Your joy is only moment’s exhalation,
at most a blink of eye is your dejection.
As sweetly falls your silent sleep’s protection
you sink in soft earth’s breast, like wheat’s oblation.

Thus Beauty, whose completed germination
was hindered by unfinished life’s perfection,
will in your dying see a resurrection –
a thousand-fold its great reanimation.

For when you’re in your grave you’re handed over
to probing roots of lilac and of lime tree,
to buds the sap is drawn above the clover

aflame to burst in summer’s honeyed finery
of blossomed trees, and so your radiant dreaming
will sweet fulfilment find in springtime’s teeming.”

Kaarlo Sarkia (1902–1945) Finnish poet

Life , Beauty , Dreams , Sleep

“When humus remains constantly damp, without, however, being covered with water, it forms a very unpleasant smelling acid, which is more particularly, characterized by the property which it possesses of colouring blue litmus paper into red. This circumstance has long been known, and it is the reason that land and meadows which are not properly drained, and which exhibit these phenomena, are called sour. We have carefully examined these facts, and have endeavoured to discover the peculiar constitution of this acid. At first, we were inclined to regard it as being of a distinct nature, and having carbon for its base; but we have since become convinced that it is generally composed of acetic acid, and occasionally contains a portion of the phosphoric. This latter always adheres so firmly to the humus that it cannot be separated from it either by boiling or washing. The liquid in which the humus is boiled certainly acquires a slight acid flavour, but the greater part of the acid remains attached to the humus.
This acid or sour humus it not at all of a fertilizing nature; on the contrary, it is prejudicial to vegetation* Where it is very strong and pervades the whole of the humus, the soil only produces reeds, rushes, sedge, and other useless, unpalatable plants; and whenever these abound, it may be inferred that the soil contains a great deal of sour or acid humus… There are various means of getting rid of this baneful property, and rendering the humus fertile. It is well known that with the aid of alkalies, ashes, lime, and marl, humus may be deprived of its acidity, and rendered easily soluble… Heaths do not thrive where this humus does not exist, and when they have established themselves in one particular spot, they suffer few other plants to appear. This humus may be changed by a dressing composed of marl, lime, or ammonia; and where this has been mixed with the soil, the heaths, &c., speedily perish.”

Albrecht Thaer (1752–1828) German agronomist and an avid supporter of the humus theory for plant nutrition

Source: The Principles of Agriculture, 1844, Section III: Agronomy, p. 343-4, as cited in Ruffin (1852, p. 85).

Nature , Strong , Suffering , Water

“Sometimes the only vitamins I get are in the lime slices in my gimlets.”

George Alec Effinger book When Gravity Fails

Source: When Gravity Fails (1986), Chapter 3 (p. 27).

“Fresh pitsand, however, in spite of all its excellence in concrete structures, is not equally useful in stucco, the richness of which, when the lime and straw are mixed with such sand, will cause it to crack as it dries on account of the great strength of the mixture. But river sand, though useless in "signinum" on account of its thinness, becomes perfectly solid in stucco when thoroughly worked by means of polishing instruments.”

Vitruvius book De architectura

Source: De architectura (The Ten Books On Architecture) (~ 15BC), Book II, Chapter IV, Sec. 3

“And all the world is football shaped,
It's just for me to kick in space,
And I can see, hear, smell, touch, taste,
And I've got one, two, three, four, five
Senses working overtime,
Trying to take this all in,
I've got one, two, three, four, five
Senses working overtime,
Trying to taste the difference,
'Tween the lemons and limes,
The pain and the pleasure,
And the church bells softly chime.”

Andy Partridge (1953) British musician

"Sense Working Overtime".
English Settlement (1982)

Pain , Pleasure , World , Sense

“The quantitative investigations of Black on the burning of lime and magnesia alba, in which the balance (previously characterized by the French chemist Jean Rey as "an instrument for clowns") was applied at every turn, led to the rejection of a hypothetical "principle of causticity," and replaced it by a "sensible ingredient of a sensible body," fixed air.”

J. R. Partington (1886–1965) British chemist

Introduction
Higher Mathematics for Chemical Students (1911)

“Pozzolana.—There is… a kind of powder which from natural causes produces astonishing results. It is found in the neighborhood of Baiae and in the country belonging to the towns round about Mt. Vesuvius. This substance when mixed with lime and rubble not only lends strength to buildings of other kinds, but even when piers of it are constructed in the sea, they set hard under water.”

Vitruvius book De architectura

Source: De architectura (The Ten Books On Architecture) (~ 15BC), Book II, Chapter VI "Pozzolana" Sec. 1

Nature , Water , Sea , Country

“While the lime-burner was struggling with the horror of these thoughts, Ethan Brand rose from the log, and flung open the door of the kiln. The action was in such accordance with the idea in Bertram's mind, that he almost expected to see the Evil One issue forth, red-hot, from the raging furnace.
Hold! hold!" cried he, with a tremulous attempt to laugh; for he was ashamed of his fears, although they overmastered him. "Don't, for mercy's sake, bring out your Devil now!"
"Man!" sternly replied Ethan Brand, "what need have I of the Devil? I have left him behind me, on my track. It is with such half-way sinners as you that he busies himself. Fear not, because I open the door. I do but act by old custom, and am going to trim your fire, like a lime-burner, as I was once."
He stirred the vast coals, thrust in more wood, and bent forward to gaze into the hollow prison-house of the fire, regardless of the fierce glow that reddened his face. The lime-burner sat watching him, and half suspected this strange guest of a purpose, if not to evoke a fiend, at least to plunge into the flames, and thus vanish from the sight of man. Ethan Brand, however, drew quietly back, and closed the door of the kiln.
"I have looked," said he, "into many a human heart that was seven times hotter with sinful passions than yonder furnace is with fire. But I found not there what I sought. No, not the Unpardonable Sin!"”

Nathaniel Hawthorne (1804–1864) American novelist and short story writer (1804 – 1879)

"Ethan Brand" (1850)

Fear , Way , Idea , Business

“Poets have imagined no utterance of fiends or hobgoblins so fearfully appropriate as a laugh. And even the obtuse lime-burner felt his nerves shaken, as this strange man looked inward at his own heart, and burst into laughter that rolled away into the night, and was indistinctly reverberated among the hills.”

Nathaniel Hawthorne (1804–1864) American novelist and short story writer (1804 – 1879)

p, 125
"Ethan Brand" (1850)

Imagination , Laughter , Heart , Night

“A little longer yet — a little longer,
Shall violets bloom for thee, and sweet birds sing;
And the lime branches where soft winds are blowing,
Shall murmur the sweet promise of the Spring!”

Adelaide Anne Procter (1825–1864) English poet and songwriter

"A Little Longer".
Legends and Lyrics: A Book of Verses (1858)

Spring , Bird , Singing

“David Dimbleby: You couldn't - you couldn't set our minds at rest on the vexed question of what the Sunday Times did actually pay you for the book?
Harold Wilson: No, I don't think it's a matter of interest to the BBC or to anybody else.
Dimbleby: But why..
Wilson: If you're interested in these things, you'd better find out how people buy yachts. Do you ask that question? Did you ask him how he was able to pay for a yacht?
Dimbleby: I haven't interviewed …
Wilson: Have you asked him that question?
Dimbleby: I haven't interviewed him.
Wilson: Well, has the BBC ever asked that question?
Dimbleby: I don't know …
Wilson: Well, what's it got to do with you, then?
Dimbleby: I imagine they have..
Wilson: Why you ask these question, I mean why, if people can afford to buy £25,000 yachts, do the BBC not regard that as a matter for public interest? Why do you insult me with these questions here?
Dimbleby: It's only that it's been a matter of..
Wilson: All I'm saying, all I'm saying..
Dimbleby: … public speculation, and I was giving you an opportunity if you wanted to, to say something about it.
Wilson: It was not a matter of speculation, it was just repeating press gossip. You will not put this question to Mr. Heath. When you have got an answer to him, come and put the question to me. And this last question and answer are not to be recorded. Is this question being recorded?
Dimbleby: Well it is, because we're running film.
Wilson: Well, will you cut it out or not? All right, we stop now. No, I'm sorry, I'm really not having this. I'm really not having this. The press may take this view, that they wouldn't put this question to Heath but they put it to me; if the BBC put this question to me, without putting it to Heath, the interview is off, and the whole programme is off. I think it's a ridiculous question to put. Yes, and I mean it cut off, I don't want to read in the Times Diary or miscellany that I asked for it to be cut out. [pause]
Dimbleby: All right, are we still running? Can I ask you this, then, which I mean, I.. let me put this question, I mean if you find this question offensive then..
Wilson: Coming to ask if your curiosity can be satisfied, I think it's disgraceful. Never had such a question in an interview in my life before.
Dimbleby: I.. [gasps]
Joe Haines (Wilson's Press Secretary): Well, let's stop now, and we can talk about it, shall we?
Dimbleby: No, let's.. well, I mean, we'll keep going, I think, don't you?
Wilson: No, I think we'll have a new piece of film in and start all over again. But if this film is used, or this is leaked, then there's going to be a hell of a row. And this must be..
Dimbleby: Well, I certainly wouldn't leak it..
Wilson: You may not leak it but these things do leak. I've never been to Lime Grove without it leaking.”

Harold Wilson (1916–1995) Former Prime Minister of the United Kingdom

Exchange with BBC interviewer David Dimbleby recorded for a documentary called "Yesterday's Men" broadcast on 16 June 1971. The BBC did agree not to show this portion of the interview, but Wilson's fears of a leak were justified as a transcript was published on page 1 of The Times on June 18, 1971. A fuller transcript appeared in Private Eye during 1972.
Leader of the Opposition

Life , People , Books , Imagination

“Tom Fleming, the eldest, was said to look like King George V, and indeed, was often mistaken for His Majesty when in the vicinity of Scotland Road, Anfield Road or Lime Street. Why people would suspect that the King might be working in Tate and Lyle's sugar factory is beyond me, but there you are.”

Tom Baker (1934) English actor

People

“Sculpture is a celebration of lime and time. The stone I carve is millions of years of age. It is old and stubborn and reluctant to change but change it must for that is the challenge to the sculptor.”

Fred Conlon (1943–2005) Irish sculptor

citation needed
Attributed

Age , Change , Time

“Under the lime tree
On the heather,
Where we had shared a place of rest,
Still you may find there,
Lovely together,
Flowers crushed and grass down-pressed.”

Walther von der Vogelweide (1170–1230) Middle High German lyric poet

Under der linden
an der heide,
dâ unser zweier bette was,
dâ mugt ir vinden
schône beide
gebrochen bluomen unde gras.
"Under der linden", line 1; translation by Raymond Oliver. http://colecizj.easyvserver.com/pgvogund.htm

Love , Flowers , Tree , Grass

“I finished my first woodcut in Dresden in 1905 after the Xylographic art, cutting out of the hard boxwood the clean sketches with the slate pencil. Then followed the rounded iron, to arrive at the woodcut more freely through the simply ripped out sketch on the log (alder, lime tree, poplar), which would be utilized from here on out. Then finally came a short cobbler knife, and without a pré-sketch, the hand cuts freely into the wood a woodcut, just like it would work on paper with the pen.”

Erich Heckel (1883–1970) German artist

Heckel later summarized in this way his woodcut developments, mainly developed during his years in Die Brücke
Source: Brücke' Zeichnungen, Aquarelle, Druckgraphik, Magdalena M. Moeller; Verlag Gerd Hatje, Stuttgart 1992, p. 21; as quoted by Louise Albiez https://www.researchgate.net/publication/272168564Claire (incl. translation), Brücke und Berlin: 100 Jahre Expressionismus; submitted to the Division of Humanities New College of Florida, Sarasota, Florida, May, 2013 p.12

Art , Tree

“When Galilei let balls of a particular weight, which he had determined himself, roll down an inclined plain, or Torricelli made the air carry a weight, which he had previously determined to be equal to that of a definite volume of water; or when, in later times, Stahl changed metal into lime, and lime again into metals, by withdrawing and restoring something, a new light flashed on all students of nature. They comprehended that reason has insight into that only, which she herself produces on her own plan, and that she must move forward with the principles of her judgments, according to fixed law, and compel nature to answer her questions, but not let herself be led by nature, as it were in leading strings, because otherwise accidental observations made on no previously fixed plan, will never converge towards a necessary law, which is the only thing that reason seeks and requires. Reason, holding in one hand its principles, according to which concordant phenomena alone can be admitted as laws of nature, and in the other hand the experiment, which it has devised according to those principles, must approach nature, in order to be taught by it: but not in the character of a pupil, who agrees to everything the master likes, but as an appointed judge, who compels the witnesses to answer the questions which he himself proposes. Therefore even the science of physics entirely owes the beneficial revolution in its character to the happy thought, that we ought to seek in nature (and not import into it by means of fiction) whatever reason must learn from nature, and could not know by itself, and that we must do this in accordance with what reason itself has originally placed into nature. Thus only has the study of nature entered on the secure method of a science, after having for many centuries done nothing but grope in the dark.”

Immanuel Kant book Critique of Pure Reason

Preface to 2nd edition, Tr. F. Max Müller (1905)
Critique of Pure Reason (1781; 1787)

Law , Question , Nature , Study

“The marble was all burnt into perfect, snow-white lime. But on its surface, in the midst of the circle,—snow-white too, and thoroughly converted into lime,—lay a human skeleton, in the attitude of a person who, after long toil, lies down to long repose. Within the ribs—strange to say—was the shape of a human heart.
"Was the fellow's heart made of marble?" cried Bertram…
"At any rate, it is burnt into what looks like a special good lime… my kiln is half a bushel the richer for him."…
[T]he rude lime-burner lifted his pole, and, letting it fall upon the skeleton, the relics of Ethan Brand were crumbled into fragments.”

Nathaniel Hawthorne (1804–1864) American novelist and short story writer (1804 – 1879)

"Ethan Brand" (1850)

Heart , Personality , Perfection

“All the efforts of several hundred thousand people, crowded in a small space, to disfigure the land on which they lived; all the stone they covered it with to keep it barren; how so diligently every sprouting blade of grass was removed; all the smoke of coal and naphtha; all the cutting down of trees and driving off of cattle could not shut out the spring, even from the city. The sun was shedding its light; the grass, revivified, was blooming forth, where it was left uncut, not only on the greenswards of the boulevard, but between the flag-stones, and the birches, poplars and wild-berry trees were unfolding their viscous leaves; the limes were unfolding their buds; the daws, sparrows and pigeons were joyfully making their customary nests, and the flies were buzzing on the sun-warmed walls. Plants, birds, insects and children were equally joyful. Only men—grown-up men—continued cheating and tormenting themselves and each other. People saw nothing holy in this spring morning, in this beauty of God's world—a gift to all living creatures—inclining to peace, good-will and love, but worshiped their own inventions for imposing their will on each other.”

Leo Tolstoy book Resurrection

Source: Resurrection (1899), Ch. 1

Love , Men , God , Children

“"What is the Unpardonable Sin?" asked the lime-burner; and then he shrank farther from his companion, trembling lest his question should be answered. "It is a sin that grew within my own breast," replied Ethan Brand, standing erect with a pride that distinguishes all enthusiasts of his stamp. "A sin that grew nowhere else! The sin of an intellect that triumphed over the sense of brotherhood with man and reverence for God, and sacrificed everything to its own mighty claims!”

Nathaniel Hawthorne (1804–1864) American novelist and short story writer (1804 – 1879)

"Ethan Brand" (1850)

God , Question , Sense

““It happened that Mahmud had long been planning an expedition into Bhardana, and Gujarat, to destroy the idol temple of Somnat, a place of great sanctity to all Hindus. So as soon as he had returned to Ghazni from his Khurasan business, he issued a farman to the General of the army, ordering him to leave a confidential officer in charge of the fort of Kabuliz, and himself to join the court with his son Salar Mas‘ud…
“It is related in the Tarikh-i Mahmudi that the Sultan shortly after reached Ghazni, and laid down the image of Somnat at the threshold of the Mosque of Ghazni, so that the Musulmans might tread upon the breast of the idol on their way to and from their devotions. As soon as the unbelievers heard of this, they sent an embassy to Khwaja Hasan Maimandi, stating that the idol was of stone and useless to the Musulmans, and offered to give twice its weight in gold as a ransom, if it might be returned to them. Khwaja Hasan Maimandi represented to the Sultan that the unbelievers had offered twice the weight of the idol in gold, and had agreed to be subject to him. He added, that the best policy would be to take the gold and restore the image, thereby attaching die people to his Government. The Sultan yielded to the advice of the Khwaja, and the unbelievers paid the gold into the treasury.
“One day, when the Sultan was seated on his throne, the ambassadors of the unbelievers came, and humbly petitioned thus: ‘Oh, Lord of the world! we have paid the gold to your Government in ransom, but have not yet received our purchase, the idol Somnat.’ The Sultan was wroth at their words, and, falling into reflection, broke up the assembly and retired, with his dear Salar Mas‘ud, into his private apartments. He then asked his opinion as to whether the image ought to be restored, or not? Salar Mas‘ud, who was perfect in goodness, said quickly, ‘In the day of the resurrection, when the Almighty shall call for Ãzar, the idol-destroyer, and Mahmud, the idol-seller, Sire! what will you say?’ This speech deeply affected the Sultan, he was full of grief, and answered, ‘I have given my word; it will be a breach of promise.’ Salar Mas‘ud begged him to make over the idol to him, and tell the unbelievers to get it from him. The Sultan agreed; and Salar Mas‘ud took it to his house, and, breaking off its nose and ears, ground them to powder.
“When Khwaja Hasan introduced the unbelievers, and asked the Sultan to give orders to restore the image to them, his majesty replied that Salar Mas‘ud had carried it off to his house, and that he might send them to get it from him. Khwaja Hasan, bowing his head, repeated these words in Arabic, ‘No easy matter is it to recover anything which has fallen into the hands of a lion.’ He then told the unbelievers that the idol was with Salar Mas‘ud, and that they were at liberty to go and fetch it. So they went to Mas‘ud’s door and demanded their god.
“That prince commanded Malik Nekbakht to treat them courteously, and make them be seated; then to mix the dust of the nose and ears of the idol with sandal and the lime eaten with betel-nut, and present it to them. The unbelievers were delighted, and smeared themselves with sandal, and ate the betel-leaf. After a while they asked for the idol, when Salar Mas‘ud said he had given it to them. They inquired, with astonishment, what he meant by saying that they had received the idol? And Malik Nekbakht explained that it was mixed with the sandal and betel-lime. Some began to vomit, while others went weeping and lamenting to Khwaja Hasan Maimandi and told him what had occurred…”
“Afterwards the image of Somnat was divided into four parts, as is described in the Tawarikh-i-Mahmudi. Mahmud’s first exploit is said to have been conquering the Hindu rebels, destroying the forts and the idol temples of the Rai Ajipal (Jaipal), and subduing the country of India. His second, the expedition into Harradawa and Guzerat, the carrying off the idol of Somnat, and dividing it into four pieces, one of which he is reported to have placed on the threshold of the Imperial Palace, while he sent two others to Mecca and Medina respectively. Both these exploits were performed at the suggestion, and by the advice, of the General and Salar Mas‘ud; but India was conquered by the efforts of Salar Mas‘ud alone, and the idol of Somnat was broken in pieces by his sold advice, as has been related. Salar Sahu was Sultan of the army and General of the forces in Iran…”

Ghazi Saiyyad Salar Masud (1014) semi-legendary Muslim figure from India

Somnath (Gujarat), Mir‘at-i-Mas‘udi Elliot and Dowson, History of India as told by its own historians, Vol. II. p. 524-547

God , People , World , Way

“As I came to the lime light, the media asked me many questions. A lot many moral policing… 'Wear this, wear that, why a T-shirt?' Everybody has the right to form their opinions, and I have the right to ignore them.”

Sania Mirza (1986) Indian tennis player

Source: PTI "Sania for change of attitude towards women in sports"

Question , Light

“"You're no help," he told the lime. This was unfair. It was only a lime; there was nothing special about it at all. It was doing the best it could.”

Neil Gaiman book Anansi Boys

Source: Anansi Boys (2005), Ch. 12

Help

“But if the moisture is sucked out of the mortar by the porous rubble, and the lime and sand separate and disunite”

Vitruvius book De architectura

Source: De architectura (The Ten Books On Architecture) (~ 15BC), Book II, Chapter VIII, Sec. 2
Context: Both kinds should be constructed of the smallest stones, so that the walls, being thoroughly puddled with the mortar, which is made of lime and sand, may hold together longer. If the stones used are soft and porous, they are apt to suck the moisture out of the mortar and so to dry it up. But when there is abundance of lime and sand, the wall, containing more moisture, will not soon lose its strength, for they will hold it together. But if the moisture is sucked out of the mortar by the porous rubble, and the lime and sand separate and disunite, the rubble can no longer adhere to them and the wall will in time become a ruin.

“With regard to lime we must be careful that it is burned from a stone which”

Vitruvius book De architectura

Source: De architectura (The Ten Books On Architecture) (~ 15BC), Book II, Chapter V "Lime" Sec. 1
Context: With regard to lime we must be careful that it is burned from a stone which, whether soft or hard, is in any case white. Lime made of close-grained stone of the harder sort will be good in structural parts; lime of porous stone, in stucco. After slaking it, mix your mortar, if using pitsand, in the proportions of three parts of sand to one of lime; if using river or sea-sand, mix two parts of sand with one of lime. These will be the right proportions for the composition of the mixture. Further, in using river or sea-sand, the addition of a third part composed of burnt brick, pounded up and sifted, will make your mortar of a better composition to use.

“But someone still was yelling out and stumbling,
And flound'ring like a man in fire or lime…
Dim, through the misty panes and thick green light,
As under a green sea, I saw him drowning.”

Wilfred Owen (1893–1918) English poet and soldier (1893-1918)

Dulce et Decorum Est (1917)
Context: Gas! GAS! Quick, boys! — An ecstasy of fumbling,
Fitting the clumsy helmets just in time;
But someone still was yelling out and stumbling,
And flound'ring like a man in fire or lime...
Dim, through the misty panes and thick green light,
As under a green sea, I saw him drowning.

Light , Sea