Quotes about dissonance

A collection of quotes on the topic of dissonance, harmony, sound, soundness.

Quotes about dissonance

Camille Paglia photo

“Pornography is art, sometimes harmonious, sometimes dissonant. Its glut and glitter are a Babylonian excess.”

Camille Paglia (1947) American writer

Source: Vamps and Tramps (1994), "No Law in the Arena: A Pagan Theory of Sexuality", p. 67
Context: Pornography is art, sometimes harmonious, sometimes dissonant. Its glut and glitter are a Babylonian excess. Modern middle-class women cannot bear the thought that their hard-won professional achievements can be outweighed in an instant by a young hussy flashing a little tits and ass. But the gods have given her power, and we must welcome it. Pornography forces a radical reassessment of sexual value, nature’s bequest of our tarnished treasure.

Theodor W. Adorno photo

“Dissonance is the truth about harmony.”

Theodor W. Adorno (1903–1969) German sociologist, philosopher and musicologist known for his critical theory of society
Theodor W. Adorno photo
Sally Wen Mao photo

“I would want a dreaming machine that dreams up the most beautiful dreams and then show me exactly how to make them a reality…This is the eternal conundrum: the visualization of desires (dreams), and then the dissonance between that and reality.”

Sally Wen Mao Chinese-born American poet

On her poem “Yume-Miru Kikai” in “41.2 Feature: An Interview with Sally Wen Mao” https://bwr.ua.edu/an-interview-with-poet-sally-wen-mao-from-issue-41-2/ in Black Warrior Review (2015 Mar 2)

Alfred Jarry photo
David Levithan photo
Ayaan Hirsi Ali photo
David Fleming photo

“If an argument is a good one, dissonant deeds do nothing to contradict it. In fact, the hypocrite may have something to be said for him; it would be worrying if his ideals were not better than the way he lives.”

David Fleming (1940–2010) British activist

Lean Logic, (2016), p. 203, entry on Hypocrisy http://www.flemingpolicycentre.org.uk/lean-logic-surviving-the-future/

David Robert Grimes photo
Brian W. Aldiss photo
John Horgan (journalist) photo
Eve Kosofsky Sedgwick photo
Wassily Kandinsky photo
Charles Ives photo

“Stand up and take your dissonance like a man.”

Charles Ives (1874–1954) American composer

Charles Ives' Rambunctious 'Fourth Of July', NPR Music http://www.npr.org/templates/story/story.php?storyId=92196531 (July 3, 2008).

John Cage photo

“What I try with my own stuff is to work the poem to a slow climax through a series of quiet painful dissonances.”

Kenneth Rexroth (1905–1982) American poet, writer, anarchist, academic and conscientious objector

Rothenberg and Antin interview (1958)

Józef Piłsudski photo

“(About Russians) They are all more or less disguised imperialists, including revolutionists. The trait of these minds, always longing for the absolute, is a vivid centralism. They loathe varieties, cannot conciliate dissonances - such things dull their will and imagination to the extent that they cannot combine varieties into one whole; they reject even the idea of conscious social organizations. […] Let everything happen by itself, vividly - that is the wisest solution according to them, because it is the simplest and the easiest. Which is why there are so many anarchists among them. A strange thing, but I have never met any republicans among Russians!”

Józef Piłsudski (1867–1935) Polish politician and Prime Minister

Wacław Sieroszewski, Józef Piłsudski, Piotrków: 1915, p. 19.
Attributed
Source: Polish: "Wszyscy oni są mniej lub więcej zakapturzeni imperialiści, nie wyłączając rewolucjonistów. Żywiołowy centralizm jest cechą tych umysłów, wiecznie tęskniących do absolutu. Nie znoszą rozmaitości, nie umieją godzić sprzeczności – nużą one ich wolę i wyobraźnię do tego stopnia, że nie mogą stopić rozmaitości w jedną całość, odrzucają zupełnie nawet potrzebę świadomych społecznych organizacji. [...]. Niech się dzieje wszystko samo przez się, żywiołowo – to rozwiązanie według nich jest najmądrzejsze, bo najprostsze i najłatwiejsze. Dlatego to pośród nich tak dużo jest anarchistów. Dziwna jednak rzecz, że nie spotkałem wcale wśród Rosjan republikanów!"

Ralph Ellison photo
Yuval Noah Harari photo
Daniel Dennett photo
Franz Marc photo

“A musical event in Münich has brought me a great dolt.... an evening of chamber-music by Arnold Schoenberg (Vienna).... the audience behaved loutishly, like school brats, sneezing and clearing their throats, when not tittering and scraping their chairs, so it was hard to follow the music. Can you imagine a music in which tonality (that is, the adherence to any key) is completely suspended? I was constantly reminded of Kandinsky's large composition which also permits no trace of tonality.... and also of Kandinsky's 'jumping spots' in hearing this music [of Schoenberg], which allows each tone sounded to stand on its own (a kind of white canvas between the spots of color). Schönberg proceeds from the principle that the concepts of consonance and dissonance do not exist at all. A so-called dissonance is only a mere remote consonance – an idea which now occupies me constantly while painting..”

Franz Marc (1880–1916) German painter

In a letter to August Macke (14 January 1911); as quoted in August Macke; Franz Marc: Briefwechsel, Cologne 1965; as quoted in Boston Modern - Figurative Expressionism as Alternative Modernism, Judith Bookbinder, University Press of New England, Hanover and England, 2005, p. 35
Franz Marc visited a concert with music of the composer Arnold Schönberg on 11 Jan. 1911 with Wassily Kandinsky, Alexej von Jawlensky, Gabriele Münter and others; they played there compositions of Schönberg he wrote in 1907 and 1909: his second string quartet and the 'Three piano pieces'
1911 - 1914

Jussi Halla-aho photo
Fernand Léger photo
Samuel Taylor Coleridge photo

“A charm
For thee, my gentle-hearted Charles, to whom
No sound is dissonant which tells of life.”

Samuel Taylor Coleridge (1772–1834) English poet, literary critic and philosopher

This Lime-tree Bower my Prison
Bartlett's Familiar Quotations, 10th ed. (1919)

Zainab Salbi photo
Jean Sibelius photo

“If we understood the world, we would realize that there is a logic of harmony underlying its manifold apparent dissonances.”

Jean Sibelius (1865–1957) Finnish composer of the late Romantic period

Henry Thomas & Dana Lee Thomas Living Biographies of Great Composers (Garden City (NY): Blue Ribbon, [1940] 1946) p. 309.
Said in 1907, in conversation with Gustav Mahler.

Charles Burney photo
Jozef Israëls photo

“The title [of an album with prints of Israels and poems after his pictures, made by Nicolaas Beets ] will not be I hope 'Kroost der zee' ['Offspring of the Sea']. I think this is an insufferable dissonance. Call it 'Sketches from Fisher's life - of B to J.' I think that is the best, the simplest and the most attractive name. Also the word 'to' gives me justice, otherwise people will think that I made them [his pictures] after Beets and not Beets [his poems] after me.”

Jozef Israëls (1824–1911) Dutch painter

translation from the original Dutch: Fons Heijnsbroek
version in original Dutch (citaat van Jozef Israëls in Nederlands): De titel [van een album met prenten van Israels en gedichten daarop van nl:Nicolaas Beets ] zal toch hoop ik niet zijn, 'Kroost der zee'.- zulks vind ik van een onuitstaanbare wanklank laat het heeten 'schetsen uit het visschersleven van B naar J. ' dat vind ik de beste eenvoudigste en meest aantrekkelijke naam. Tevens het woordje 'naar' doet mij regt, daar anders men meenen zoude dat ik ze naar Beets en niet Beets naar mij gemaakt heeft.
Quote in his letter to publisher A.C. Kruseman in The Hague, 1861; as cited in LTK 1390 nr. 11, University Library of Leiden
the compromise between Beets and Israëls became 'The Children of the Sea'; the album was published in four episodes, the first on 7 June, 1861
Quotes of Jozef Israels, 1840 - 1870

Lewis Morris (poet) photo

“Rest springs from strife and dissonant chords beget
Divinest harmonies.”

Lewis Morris (poet) (1833–1907) Welsh poet in the English language

Love's Suicide, reported in Bartlett's Familiar Quotations, 10th ed. (1919).

Daniel Levitin photo

“Consonant intervals and dissonant intervals are processed via separate mechanisms in the auditory cortex.”

Daniel Levitin (1957) American psychologist

This is Your Brain on Music (2006)