Quotes about coral

A collection of quotes on the topic of coral, likeness, reef, making.

Quotes about coral

Prem Rawat photo
V.S. Naipaul photo
William Shakespeare photo
Letitia Elizabeth Landon photo
Thomas Carew photo

“He that loves a rosy cheek,
Or a coral lip admires,
Or from star-like eyes doth seek
Fuel to maintain his fires,—
As old Time makes these decay,
So his flames must waste away.”

Thomas Carew (1594–1640) English poet

Disdain Returned, reported in Bartlett's Familiar Quotations, 10th ed. (1919).

Reginald Heber photo
Daniel Dennett photo
John Muir photo
Learned Hand photo

“Yet the whole structure of the common law is an obvious denial of this theory; it stands as a monument slowly raised, like a coral reef, from the minute accretions of past individuals, of whom each built upon the relics which his predecessors left, and in his turn left a foundation upon which his successors might work.”

Learned Hand (1872–1961) American legal scholar, Court of Appeals judge

Book Review, 35 Harv. L. Rev. 479, 479 (1922) (reviewing Benjamin N. Cardozo's The Nature of the Judicial Process).
Extra-judicial writings

Charles Lyell photo
Joseph Conrad photo

“Then, on the slight turn of the Lower Hope Reach, clusters of factory chimneys come distinctly into view, tall and slender above the squat ranges of cement works in Grays and Greenhithe. Smoking quietly at the top against the great blaze of a magnificent sunset, they give an industrial character to the scene, speak of work, manufactures, and trade, as palm-groves on the coral strands of distant islands speak of the luxuriant grace, beauty and vigour of tropical nature. The houses of Gravesend crowd upon the shore with an effect of confusion as if they had tumbled down haphazard from the top of the hill at the back. The flatness of the Kentish shore ends there. A fleet of steam-tugs lies at anchor in front of the various piers. A conspicuous church spire, the first seen distinctly coming from the sea, has a thoughtful grace, the serenity of a fine form above the chaotic disorder of men’s houses. But on the other side, on the flat Essex side, a shapeless and desolate red edifice, a vast pile of bricks with many windows and a slate roof more inaccessible than an Alpine slope, towers over the bend in monstrous ugliness, the tallest, heaviest building for miles around, a thing like an hotel, like a mansion of flats (all to let), exiled into these fields out of a street in West Kensington. Just round the corner, as it were, on a pier defined with stone blocks and wooden piles, a white mast, slender like a stalk of straw and crossed by a yard like a knitting-needle, flying the signals of flag and balloon, watches over a set of heavy dock-gates. Mast-heads and funnel-tops of ships peep above the ranges of corrugated iron roofs. This is the entrance to Tilbury Dock, the most recent of all London docks, the nearest to the sea.”

Hope Point to Tilbury / Gravesend
The Mirror of the Sea (1906), On the River Thames, Ch. 16

James Russell Lowell photo

“The Maple puts her corals on in May,
While loitering frosts about the lowlands cling,
To be in tune with what the robins sing.”

James Russell Lowell (1819–1891) American poet, critic, editor, and diplomat

Sonnet, The Maple http://www.theatlantic.com/ideastour/archive/lowell.mhtml (1875)

Mary Midgley photo
Kent Hovind photo
Jerome K. Jerome photo
Yury Dombrovsky photo
Alexej von Jawlensky photo
Kent Hovind photo
Cyrano de Bergerac photo

“You are amazed that matter can form a man when matter is all mixed up at random and so many things go into making a person. But do you not realize that before matter forms someone it has also stopped along the way to make a stone, lead, coral, a flower, or a comet because there was too much or too little of it to make a human being?”

Cyrano de Bergerac (1619–1655) French novelist, dramatist, scientist and duelist

The Other World (1657)
Context: You are amazed that matter can form a man when matter is all mixed up at random and so many things go into making a person. But do you not realize that before matter forms someone it has also stopped along the way to make a stone, lead, coral, a flower, or a comet because there was too much or too little of it to make a human being? No wonder, then, that an infinite amount of incessantly moving and changing matter makes up the few animals, vegetables and minerals that we see. No wonder, either, that if you throw dice a hundred times, they will all show the same numbers at some point.
This movement of matter, then, could not fail to produce something, and whatever it is will always be admired by the unthinking person who does not realize how close it came to not being made.

Nancy Knowlton photo
Ralph Waldo Emerson photo
Jean Ingelow photo