Quotes about ascent

A collection of quotes on the topic of ascent, god, time, man.

Quotes about ascent

Hildegard of Bingen photo
Barack Obama photo
William Carlos Williams photo
Leon Trotsky photo
Evagrius Ponticus photo

“35. Prayer is an ascent of the spirit to God.”

Evagrius Ponticus (345–399) Christian monk

Chapters on Prayer

Jacob Bronowski photo

“The personal commitment of a man to his skill, the intellectual commitment and the emotional commitment working together as one, has made the Ascent of Man.”

Sourced to the book, The Ascent of Man (1973), BBC Books: London, Chapter 13: The Long Childhood, p. 330.
The Ascent of Man (1973)
Context: We are all afraid - for our confidence, for the future, for the world. That is the nature of the human imagination. Yet every man, every civilization, has gone forward because of its engagement with what it has set itself to do. The personal commitment of a man to his skill, the intellectual commitment and the emotional commitment working together as one, has made the Ascent of Man.

Karen Armstrong photo

“there is no ascent to the heights without prior descent into darkness, no new life without some form of death.”

Karen Armstrong (1944) author and comparative religion scholar from Great Britain

Source: A Short History of Myth

Pierre Teilhard De Chardin photo
Mary E. Pearson photo
Philo photo
John Milton photo
Francisco Varela photo

“As Hegel well knew, the ascent of reason has never followed a straight line.”

Paul A. Baran (1909–1964) American Marxist economist

Source: The Political Economy Of Growth (1957), Chapter Eight, The Steep Ascent, p. 298

Jacob Bronowski photo

“The Principle of Uncertainty is a bad name. In science, or outside of it, we are not uncertain; our knowledge is merely confined, within a certain tolerance. We should call it the Principle of Tolerance. And I propose that name in two senses. First, in the engineering sense: Science has progressed, step by step, the most successful enterprise in the ascent of man, because it has understood that the exchange of information between man and nature, and man and man, can only take place with a certain tolerance. But second, I also use the word, passionately, about the real world. All knowledge – all information between human beings – can only be exchanged within a play of tolerance. And that is true whether the exchange is in science, or in literature, or in religion, or in politics, or in any form of thought that aspires to dogma. It's a major tragedy of my lifetime and yours that scientists were refining, to the most exquisite precision, the Principle of Tolerance – and turning their backs on the fact that all around them, tolerance was crashing to the ground beyond repair. The Principle of Uncertainty or, in my phrase, the Principle of Tolerance, fixed once for all the realization that all knowledge is limited. It is an irony of history that at the very time when this was being worked out, there should rise, under Hitler in Germany and other tyrants elsewhere, a counter-conception: a principle of monstrous certainty. When the future looks back on the 1930's, it will think of them as a crucial confrontation of culture as I have been expounding it – the ascent of man against the throwback to the despots' belief that they have absolute certainty.”

Episode 11: "Knowledge or Certainty"
The Ascent of Man (1973)

Nikos Kazantzakis photo
Nicholas of Cusa photo
Henry Temple, 3rd Viscount Palmerston photo

“I must make a protest against the sort of exaggerations in which the noble Lord has indulged. He has described the railway launching 2,000 or 3,000 ruffians upon some quiet neighbourhood in a manner that might lead one to imagine the train conveyed a set of banditti to plunder, rack, and ravage the country, murder the people, burn the houses, and commit every sort of atrocity…they may conceive it to be a very harmless pursuit…Some people look upon it as an exhibition of manly courage, characteristic of the people of this country. I saw the other day a long extract from a French newspaper describing this fight as a type of the national character for endurance, patience under suffering of indomitable perseverance, in determined effort, and holding it up as a specimen of the manly and admirable qualities of the British race…I do not perceive why any number of persons, say 1,000 if you please, who assemble to witness a prize fight, are in their own persons more guilty of a breach of the peace than an equal number of persons who assemble to witness a balloon ascent. There they stand; there is no breach of the peace; they go to see a sight, and when that sight is over they return, and no injury is done to any one. They only stand or sit on the grass to witness the performance, and as to the danger to those who perform themselves, I imagine the danger to life in the case of those who go up in balloons is certainly greater than that of two combatants who merely hit each other as hard as they can, but inflict no permanent injury upon each other.”

Henry Temple, 3rd Viscount Palmerston (1784–1865) British politician

Speech http://hansard.millbanksystems.com/commons/1860/may/15/papers-moved-for-1 in the House of Commons (15 May 1860) on the illegal prize-fight between Tom Sayers and J. C. Heenan. The Radical MP Colonel Dickson replied that although "He sat on a different side of the House from the noble Lord, and did not often find himself in the same lobby with him on a division; but he would say for the noble Viscount, that if he had one attribute more than another which endeared him to his countrymen it was his thoroughly English character and his love for every manly sport". Palmerston was rumoured to have attended the fight and he contributed the first guinea to the collection for Sayers in the House of Commons.
1860s

Wallace Stevens photo
Angela Davis photo
Nikos Kazantzakis photo
William Styron photo
Terence McKenna photo
Miguel de Unamuno photo
John Ruysbroeck photo

“How great is the difference between The hidden child and the secret friend! For the friend makes only loving, Living but measured ascents toward God. But the child presses on to lose its own life upon the summits, in that simplicity which knoweth not itself.”

John Ruysbroeck (1293–1381) Flemish mystic

Evelyn Underhill Mysticism: A Study in the Nature and Development of Man's Spiritual Consciousness (1912), p. 433
The Sparkling Stone (c. 1340)

“So I wonder a woman, the Mistress of Hearts,
Should ascent to aspire to be Master of Arts;
A Ministering Angel in Woman we see,
And an Angel need cover no other Degree.
—O why should a Woman not get a Degree?”

Charles Neaves (1800–1876) Scottish theologian, jurist and writer

"O why should a Woman not get a Degree?", pulished in Blackwood's Edinburgh Magazine (1869), p. 227.

Henry Codman Potter photo
Jacob Bronowski photo
Henry Taylor photo
Cyrano de Bergerac photo
Roberto Mangabeira Unger photo
Ella Wheeler Wilcox photo

“There is no sudden entrance into Heaven.
Slow is the ascent by the path of Love.”

Ella Wheeler Wilcox (1850–1919) American author and poet

The Way (1913).
Poetry quotes, New Thought Pastels (1913)

Sri Aurobindo photo

“The ascent of man into heaven is not the key, but rather his ascent here into the spirit and the descent also of the Spirit into his normal humanity and the transformation of this earthly nature. For that and not some post mortem salvation is the real new birth for which humanity waits as the crowning movement of its long obscure and painful course…. Therefore the individuals who will most help the future of humanity in the new age will be those who will recognise a spiritual evolution as the destiny and therefore the great need of the human being…. They will especially not make the mistake of thinking that this change can be effected by machinery and outward institutions; they will know and never forget that it has to be lived out by each man inwardly or it can never be made a reality for the kind…. Failures must be originally numerous in everything great and difficult, but the time comes when the experience of past failures can be profitably used and the gate that so long resisted opens. In this as in all great human aspirations and endeavours, an a priori declaration of impossibility is a sign of ignorance and weakness, and the motto of the aspirant's endeavour must be the solvitur ambulando of the discoverer. For by the doing the difficulty will be solved. A true beginning has to be made; the rest is a work for Time in its sudden achievements or its long patient labour….”

Sri Aurobindo (1872–1950) Indian nationalist, freedom fighter, philosopher, yogi, guru and poet

July, 1918
India's Rebirth

Greg Egan photo
Letitia Elizabeth Landon photo
Firuz Shah Tughlaq photo
George William Curtis photo
John Kenneth Galbraith photo

“There is wonder and a certain wicked pleasure in these giddy ascents and terrible falls, especially as they happen to other people.”

John Kenneth Galbraith (1908–2006) American economist and diplomat

Source: Money: Whence It Came, Where It Went (1975), Chapter I, Money, p. 4

Thomas Szasz photo
Haruki Murakami photo
Allan Kardec photo
Otto Weininger photo

“No two moments in the life of an individual are exactly alike; there is between the later and the earlier periods only the similarity of the higher and lower parts of a spiral ascent.”

Es gibt nicht zwei Momente des individuellen Lebens, die einander ganz gleichen; und es existiert zwischen den späteren und den früheren Perioden nur die Ähnlichkeit der Punkte der höheren mit den homologen der niederen Spiralwindung.
Source: Sex and Character (1903), p. 107.

Roberto Mangabeira Unger photo
Silius Italicus photo

“Manhood is tested by trial, and valour climbs unterrified the rocky path and difficult ascent that leads to glory.”
Explorant adversa viros, perque aspera duro nititur ad laudem virtus interrita clivo.

Book IV, lines 603–604
Punica

Albert Speer photo

“At this time a high-ranking SS leader hinted to me that Himmler was preparing decisive steps. In February 1945, the Reichsführer-SS had assumed command of the Vistula Army Group, but he was no better than his successor at stopping the Russian advance. Hitler was now berating him also. Thus what personal prestige Himmler had retained was used up by a few weeks of commanding frontline troops. Nevertheless, everyone still feared Himmler, and I felt distinctly shaky one day on learning that Himmler was coming to see me about something that evening. This, incidentally, was the only time he ever called on me. My nervousness grew when Theodor Hupfauer, the new chief of our Central Office- with whom I had several times spoken rather candidly- told me in some trepidation that Gestapo chief Kaltenbrunner would be calling on him at the same hour. Before Himmler entered, by adjutant whispered to me: "He's alone." My office was without window panes; we no longer bothered replacing them since they were blasted out by bombs every few days. A wretched candle stood at the center of the table; the electricity was out again. Wrapped in our coats, we sat facing one another. Himmler talked about minor matters, asked about pointless details, and finally made the witless observation: "When the course is downhill there's always a floor to the valley, and once it is reached, Herr Speer, the ascent begins again." Since I expressed neither agreement nor disagreement with this proverbial wisdom and remained virtually monosyllabic throughout the conversation, he soon took his leave. I never found out what he wanted of it, or why Kaltenbrunner called on Hupfauer at the same time. Perhaps t hey had heard about my critical attitude and were seeking allies; perhaps they merely wanted to sound us out.”

Albert Speer (1905–1981) German architect, Minister of Armaments and War Production for Nazi Germany

Source: Inside the Third Reich: Memoirs (1970), p. 427-428

“A ladder is the instrument of ascent; it symbolises intensity rising to a climax. this, too, is the meaning of prayer.”

Elie Munk (1900–1981) French rabbi

page 11
The World of Prayer, vol. 1

Amir Taheri photo

“Khamenei is not the first ruler of Iran with whom poets have run into trouble. For some 12 centuries poetry has been the Iranian people’s principal medium of expression. Iran may be the only country where not a single home is found without at least one book of poems. Initially, Persian poets had a hard time to define their place in society. The newly converted Islamic rulers suspected the poets of trying to revive the Zoroastrian faith to undermine the new religion. Clerics saw poets as people who wished to keep the Persian language alive and thus sabotage the ascent of Arabic as the new lingua franca. Without the early Persian poets, Iranians might have ended up like so many other nations in the Middle East who lost their native languages and became Arabic speakers. Early on, Persian poets developed a strategy to check the ardor of the rulers and the mullahs. They started every qasida with praise to God and Prophet followed by panegyric for the ruler of the day. Once those “obligations” were out of the way they would move on to the real themes of the poems they wished to compose. Everyone knew that there was some trick involved but everyone accepted the result because it was good. Despite that modus vivendi some poets did end up in prison or in exile while many others spent their lives in hardship if not poverty. However, poets were never put to the sword. The Khomeinist regime is the first in Iran’s history to have executed so many poets. Implicitly or explicitly, some rulers made it clear what the poet couldn’t write. But none ever dreamt of telling the poet what he should write. Khamenei is the first to try to dictate to poets, accusing them of “crime” and” betrayal” if they ignored his injunctions.”

Amir Taheri (1942) Iranian journalist

When the Ayatollah Dictates Poetry http://www.aawsat.net/2015/07/article55344336/when-the-ayatollah-dictates-poetry, Ashraq Al-Awsat (Jul 11, 2015).

Kamal Haasan photo

“Subjugation is something which is an impedance on the ascent of man.”

Kamal Haasan (1954) Indian actor

In an interview with Ms. Barkha Dutt #Townhall with Kamal Haasan, about atheism and rationalism.

“This ascent will be betrayed to Gravity. But the Rocket engine, the deep cry of combustion that jars the soul, promises escape. The victim, in bondage to falling, rises on a promise, a prophecy, of Escape….”

Gravity's Rainbow (1973)
Context: This ascent will be betrayed to Gravity. But the Rocket engine, the deep cry of combustion that jars the soul, promises escape. The victim, in bondage to falling, rises on a promise, a prophecy, of Escape....
Moving now toward the kind of light where at last the apple is apple-colored. The knife cuts through the apple like a knife cutting an apple. Everything is where it is, no clearer than usual, but certainly more present. So much has to be left behind now, so quickly.

Mikhail Gorbachev photo

“Today, peace means the ascent from simple coexistence to cooperation and common creativity among countries and nations.”

Mikhail Gorbachev (1931) General Secretary of the Communist Party of the Soviet Union

Nobel Address (1991)
Context: Today, peace means the ascent from simple coexistence to cooperation and common creativity among countries and nations.
Peace is movement towards globality and universality of civilization. Never before has the idea that peace is indivisible been so true as it is now.
Peace is not unity in similarity but unity in diversity, in the comparison and conciliation of differences.
And, ideally, peace means the absence of violence. It is an ethical value.

Plotinus photo

“It is now time, leaving every object of sense far behind, to contemplate, by a certain ascent, a beauty of a much higher order; a beauty not visible to the corporeal eye, but alone manifest to the brighter eye of the soul, independent of all corporeal aid.”

Plotinus (203–270) Neoplatonist philosopher

An Essay on the Beautiful
Context: It is now time, leaving every object of sense far behind, to contemplate, by a certain ascent, a beauty of a much higher order; a beauty not visible to the corporeal eye, but alone manifest to the brighter eye of the soul, independent of all corporeal aid. However, since, without some previous perception of beauty it is impossible to express by words the beauties of sense, but we must remain in the state of the blind, so neither can we ever speak of the beauty of offices and sciences, and whatever is allied to these, if deprived of their intimate possession. Thus we shall never be able to tell of virtue's brightness, unless by looking inward we perceive the fair countenance of justice and temperance, and are convinced that neither the evening nor morning star are half so beautiful and bright. But it is requisite to perceive objects of this kind by that eye by which the soul beholds such real beauties. Besides it is necessary that whoever perceives this species of beauty, should be seized with much greater delight, and more vehement admiration, than any corporeal beauty can excite; as now embracing beauty real and substantial. Such affections, I say, ought to be excited about true beauty, as admiration and sweet astonishment; desire also and love and a pleasant trepidation. For all souls, as I may say, are affected in this manner about invisible objects, but those the most who have the strongest propensity to their love; as it likewise happens about corporeal beauty; for all equally perceive beautiful corporeal forms, yet all are not equally excited, but lovers in the greatest degree.

Francesco Petrarca photo

“To-day I made the ascent of the highest mountain in this region, which is not improperly called Ventosum. My only motive was the wish to see what so great an elevation had to offer.”

Francesco Petrarca (1304–1374) Italian scholar and poet

Letter to Dionigi di Borgo San Sepolcro (26 April 1336), "The Ascent of Mount Ventoux" in Familiar Letters http://petrarch.petersadlon.com/read_letters.html?s=pet17.html as translated by James Harvey Robinson (1898); the name Mount Ventosum relates to it being a windy mountain.
Context: To-day I made the ascent of the highest mountain in this region, which is not improperly called Ventosum. My only motive was the wish to see what so great an elevation had to offer. I have had the expedition in mind for many years; for, as you know, I have lived in this region from infancy, having been cast here by that fate which determines the affairs of men. Consequently the mountain, which is visible from a great distance, was ever before my eyes, and I conceived the plan of some time doing what I have at last accomplished to-day.

Francis Bacon photo

“The other derives axioms from the senses and particulars, rising by a gradual and unbroken ascent, so that it arrives at the most general axioms last of all. This is the true way, but as yet untried.”

Aphorism 19
Novum Organum (1620), Book I
Context: There are and can be only two ways of searching into and discovering truth. The one flies from the senses and particulars to the most general axioms, and from these principles, the truth of which it takes for settled and immovable, proceeds to judgment and to the discovery of middle axioms. And this way is now in fashion. The other derives axioms from the senses and particulars, rising by a gradual and unbroken ascent, so that it arrives at the most general axioms last of all. This is the true way, but as yet untried.

Helena Roerich photo
Gianfranco Ravasi photo
Johann Gottlieb Fichte photo
Amir Taheri photo

“Khamenei is not the first ruler of Iran with whom poets have run into trouble. For some 12 centuries poetry has been the Iranian people’s principal medium of expression. Iran may be the only country where not a single home is found without at least one book of poems. Initially, Persian poets had a hard time to define their place in society. The newly converted Islamic rulers suspected the poets of trying to revive the Zoroastrian faith to undermine the new religion. Clerics saw poets as people who wished to keep the Persian language alive and thus sabotage the ascent of Arabic as the new lingua franca.”

Amir Taheri (1942) Iranian journalist

Without the early Persian poets, Iranians might have ended up like so many other nations in the Middle East who lost their native languages and became Arabic speakers. Early on, Persian poets developed a strategy to check the ardor of the rulers and the mullahs. They started every qasida with praise to God and Prophet followed by panegyric for the ruler of the day. Once those “obligations” were out of the way they would move on to the real themes of the poems they wished to compose. Everyone knew that there was some trick involved but everyone accepted the result because it was good. Despite that modus vivendi some poets did end up in prison or in exile while many others spent their lives in hardship if not poverty. However, poets were never put to the sword. The Khomeinist regime is the first in Iran’s history to have executed so many poets. Implicitly or explicitly, some rulers made it clear what the poet couldn’t write. But none ever dreamt of telling the poet what he should write. Khamenei is the first to try to dictate to poets, accusing them of “crime” and” betrayal” if they ignored his injunctions.
When the Ayatollah Dictates Poetry http://www.aawsat.net/2015/07/article55344336/when-the-ayatollah-dictates-poetry, Ashraq Al-Awsat (Jul 11, 2015).