Rita Mae Brown (1944) Novelist, poet, screenwriter, activist
Starting from Scratch (1989)
Lawrence, Chua. "Michael Haneke" http://bombsite.com/issues/80/articles/2489, BOMB Magazine, Summer, 2002. Retrieved 29 July 2011.
Rita Mae Brown (1944) Novelist, poet, screenwriter, activist
Starting from Scratch (1989)
J. G. Ballard (1930–2009) British writer
"Fictions of Every Kind" in Books and Bookmen (February 1971)
Olly Blackburn Film director and screenwriter
[Exclusive interview with Oliver Blackburn, Total Film, http://www.totalfilm.com/trailers/donkey-punch-exclusive-interview-with-oliver-blackburn, 2011, Future Publishing Limited, 23 February 2012]
“Reality in our century is not something to be faced.”
Graham Greene book Our Man in Havana
Pt. 1, ch. 1, sct. 1
Our Man in Havana (1958)
Antoni Tàpies (1923–2012) Catalan painter, sculptor and art theorist
As quoted in 'Antoni Tapies', Serafin Garcia Ibanez, in the UNESCO Courier, June 1994.
1991 - 2000
“Nothing important is completely explicable.”
Madeleine L'Engle (1918–2007) American writer
Section 3.9
Source: The Crosswicks Journal, A Circle of Quiet (1972)
Romain Gary (1914–1980) French writer and diplomat
David Bohm (1917–1992) American theoretical physicist
Synchronicity: Science, Myth, and The Trickster (1990) by Allan Combs & Mark Holland
Context: The universe according to Bohm actually has two faces, or more precisely, two orders. One is the explicate order, corresponding to the physical world as we know it in day-to-day reality, the other a deeper, more fundamental order which Bohm calls the implicate order. The implicate order is the vast holomovement. We see only the surface of this movement as it presents or "explicates" itself from moment to moment in time and space. What we see in the world — the explicate order — is no more than the surface of the implicate order as it unfolds. Time and space are themselves the modes or forms of the unfolding process. They are like the screen on the video game. The displays on the screen may seem to interact directly with each other but, in fact, their interaction merely reflects what the game computer is doing. The rules which govern the operation of the computer are, of course, different from those that govern the behavior of the figures displayed on the screen. Moreover, like the implicate order of Bohm's model, the computer might be capable of many operations that in no way apparent upon examination of the game itself as it progresses on the screen.