Robert Frost cytaty
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Robert Lee Frost – amerykański poeta, uznawany za największego amerykańskiego poetę XX wieku oraz za jednego z największych poetów piszących po angielsku w XX wieku. Czterokrotny laureat nagrody Pulitzera.

Jego poezja, cechująca się prostotą formalną, ma głównie charakter refleksyjno-filozoficzny, a zasadza się często na motywach związanych z krajobrazem, wiejskim życiem oraz obyczajami Nowej Anglii. Wikipedia  

✵ 24. Marzec 1874 – 29. Styczeń 1963
Robert Frost Fotografia
Robert Frost: 278   Cytatów 6   Polubień

Robert Frost słynne cytaty

„Ludzie dzielą się na takich, którzy mają coś do powiedzenia, i na tych, którzy mówią bez przerwy.”

Źródło: Wacław Idziak, Biznes, Koszalińskie Wydawnictwo Prasowe, Koszalin 1990, s. 79.

Robert Frost cytaty

Robert Frost: Cytaty po angielsku

“I was out for stars;
I would not come in.
I meant not even if asked;
And I hadn't been.”

" Come In http://plagiarist.com/poetry/691" (1942), st. 4, 5
General sources
Źródło: The Poetry of Robert Frost
Kontekst: p>Far in the pillared dark
Thrush music went —
Almost like a call to come in
To the dark and lament.But no, I was out for stars;
I would not come in.
I meant not even if asked;
And I hadn't been.</p

“Writing free verse is like playing tennis with the net down.”

Address at Milton Academy, Massachusetts (17 May 1935)
1930s
Wariant: Writing free verse is like playing tennis with the net down.

“It looked as if a night of dark intent was coming, and not only a night, an age. Someone had better be prepared for rage…”

" Once by the Pacific http://www.poemhunter.com/poem/once-by-the-pacific-2/" (1928)
General sources
Kontekst: You could not tell, and yet it looked as if
The shore was lucky in being backed by cliff,
The cliff in being backed by continent;
It looked as if a night of dark intent
Was coming, and not only a night, an age.
Someone had better be prepared for rage.
There would be more than ocean-water broken
Before God's last Put out the Light was spoken.

“A poet never takes notes. You never take notes in a love affair.”

BBC Interview with Cecil Day Lewis (13 September 1957); transcripts published in "It Takes a Hero to Make a Poem" in the Claremont Quarterly (Spring 1958) http://www.frostfriends.org/FFL/Periodicals/Interview-lewis.html
1950s

“The only way out is through”

"A Servant to Servants" (1914)
General sources
Wariant: The best way out is always through.

“Talking is a hydrant in the yard and writing is a faucet upstairs in the house. Opening the first takes all the pressure off the second.”

Letter to Sydney Cox (3 January 1937), quoted in Robert Frost : The Trial By Existence (1960) by Elizabeth Shepley Sergeant, p. 351, and Robert Frost and Sidney Cox: Forty Years of Friendship (1981) by William Richard Evans, p. 223
General sources
Kontekst: Talking is a hydrant in the yard and writing is a faucet upstairs in the house. Opening the first takes all the pressure off the second. My mouth is sealed for the duration of my stay here. I'm not even going to write letters around to explain to collectors my not having had any Christmas card this year. I'm not going to explain anything personal any more.

“Earth’s the right place for love:
I don’t know where it’s likely to go better.”

"Birches" (1920)
General sources
Źródło: Swinger of Birches
Kontekst: I’d like to get away from earth awhile
And then come back to it and begin over.
May no fate willfully misunderstand me
And half grant what I wish and snatch me away
Not to return. Earth’s the right place for love:
I don’t know where it’s likely to go better.

“Some say the world will end in fire,
Some say in ice.”

Robert Frost Fire and Ice

"Fire and Ice" (1923)
General sources
Kontekst: Some say the world will end in fire,
Some say in ice.
From what I’ve tasted of desire
I hold with those who favor fire.
But if it had to perish twice,
I think I know enough of hate
To say that for destruction ice
Is also great
And would suffice.

“Like a piece of ice on a hot stove the poem must ride on its own melting.”

The Figure a Poem Makes (1939)
Kontekst: Originality and initiative are what I ask for my country. For myself the originality need be no more than the freshness of a poem run in the way I have described: from delight to wisdom. The figure is the same as for love. Like a piece of ice on a hot stove the poem must ride on its own melting. A poem may be worked over once it is in being, but may not be worried into being. Its most precious quality will remain its having run itself and carried away the poet with it. Read it a hundred times: it will forever keep its freshness as a petal keeps its fragrance. It can never lose its sense of a meaning that once unfolded by surprise as it went.

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