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Letitia Elizabeth Landon cytaty
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Letitia Elizabeth Landon – angielska pisarka i poetka epoki romantyzmu. Była autorką, a później redaktorką Literary Gazette. Swoje utwory podpisywała zwykle inicjałami L.E.L. Do jej najbardziej znanych utworów należy

monolog The Improvisatrice i cykl oparty na motywach biblijnych The Easter Gift . Wikipedia  

✵ 14. Sierpień 1802 – 15. Październik 1838
Letitia Elizabeth Landon Fotografia
Letitia Elizabeth Landon: 785   Cytatów 0   Polubień

Letitia Elizabeth Landon: Cytaty po angielsku

“The fair face painted on the dungeon air,
By the strong force of hope, distinct and sweet,
Is a good omen. Love mine, I will rest.
If my last sleep — it will be full of thee.”

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Letitia Elizabeth Landon

The London Literary Gazette (28th March 1835)
Translations, From the German

“It is a fact, that though a Scotchman be the most locomotive of individuals — there is scarcely a habitable part of the globe where he is not to be found — yet nothing ever weakens his attachment to his country.”

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Letitia Elizabeth Landon

No.9. Old Mortality — EDITH BELLENDEN.
Literary Remains

“… what could have brought him to Dalton. There were no chalybeate-springs, warranted to cure every disease under the sun; no ruins in the neighbourhood, left expressly for antiquarians and pic-nic parties; no fine prospects, which, like music, people make it matter of conscience to admire; no celebrated person had ever been born or buried in its environs; there were no races, no assizes—in short, there was “no nothing."”

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Letitia Elizabeth Landon

Part 1
Other Gift Books

“He was wrong, as all are who rouse the passive resistance of a woman's nature. The indignity and violence with which she was treated only made her turn more fondly to the shelter of the loving heart she believed was so truly her own. Kindness might have brought her to her father's feet, ready to give up her dearest hopes for his sake; but his harsh anger only made her tremble at the hopeless future.”

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Letitia Elizabeth Landon

The Monthly Magazine

“I've thought upon thy brow when Night
Threw o'er my pallet her summer moonlight,
And I have looked on the midnight sky
To catch the depth and light of thy eye;
I painted from these and from memory,
For I could not paint when I looked on thee.”

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Letitia Elizabeth Landon

28th April 1824) Raphael Showing his Mistress her Portrait By Mr. Brockedon. (British Gallery.
The London Literary Gazette, 1824

“There is a city, that for slaves
Has kings, and nations, winds, and waves:
St. Mark is conscious of her power,
His winged lion marks her tower.”

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Letitia Elizabeth Landon

The Vow of the Peacock (1835)

“Yet gazed MANDALLA on the square
As she he sought still glided there,—
Oh that fond look, whose eyeballs’ strain,
And will not know its look is vain!
At length he turned,—his silent mood
Sought that impassioned solitude,
The Eden of young hearts, when first
Love in its loneliness is nurst.”

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Letitia Elizabeth Landon

The Improvisatrice (1824)

“I left my home, and I was left
A stranger in his land, bereft
Of even hope; there was not one
Familiar face to look upon.—
Their speech was strange.”

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Letitia Elizabeth Landon

The Improvisatrice (1824)

“Youth is too eager, forth it flings
Itself upon exulting wings,
Which seek the heaven they ask too near—
One wild flight ends the bright career;
With broken wing and darkened eye,
Earth claims again its own to die.”

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Letitia Elizabeth Landon

The Vow of the Peacock (1835)

“Religion has no limits, and no bounds;—
The vast, the infinite, and the eternal.,
Never from her may Genius separate.
Imagination from its earliest flight,
Past o'er the bounds of life : and the sublime
Is the reflection of divinity.”

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Letitia Elizabeth Landon

Translations, From the French

“Oh! world of sweet phantoms, how precious thou art!
The past is perpetual youth to the heart.”

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Letitia Elizabeth Landon

The Vow of the Peacock (1835)

“… but a man has a natural antipathy to shopping, and even the attraction of a blush, and a blush especially of that attractive sort, one on your own account--even that was lost in the formidable array of ribands, silks, and bargains”

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Letitia Elizabeth Landon

The Monthly Magazine

“The lines were fill'd with many a tender thing,
All the impassion'd heart's fond communing.”

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Letitia Elizabeth Landon

Written under a Picture of a Girl Burning a Love Letter from The London Literary Gazette (16th November 1822) Fragments in Rhyme II - Lines Written under a Picture of a Girl Burning a Love Letter
The Improvisatrice (1824)

“How sweet on the breeze of the evening swells
The vesper call of those soothing bells,
Borne softly and dying in echoes away,
Like a requiem sung to the parting day.”

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Letitia Elizabeth Landon

(22nd September 1821) Bells
The London Literary Gazette, 1821-1822

“Clara:
I will speak softly, till our gathered strength
Finds in its union voice. Ah, no delay!
The tyranny that dared to fetter wears
A midnight dagger.”

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Letitia Elizabeth Landon

Translations, From the German

“Take the actions of our nearest friends, and how little do we know of the hopes that instigated, or of the fears that prevailed! We sometimes cannot avoid owning that we ourselves have committed a fault, but how we gloss it over—how we take temperament and temptation into account, till at length it appears to be a thing inevitable redeemed by the regret it has occasioned, and the lesson it has given. Not so do we reason for others—then we look to the isolated fact, not to the causes: the error shuts out the excuse. The truth is, we know nothing of each other excepting by the aid of philosophy and of poetry; philosophy, that analyzes our thoughts, and poetry that expresses our feelings.”

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Letitia Elizabeth Landon

The Monthly Magazine

“The poets told thy birth
Was welcomed upon earth
By the sweet multitude of shining flowers,
By bursting buds, green leaves, and sunny hours.”

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Letitia Elizabeth Landon

The London Literary Gazette, 1832

“Other sorrows soften the heart, — poverty hardens it. Nothing like poverty for chilling the affections and repressing the spirits. Its annoyances are all of the small and mean order; its regrets all of a selfish kind; its presence is perpetual; and the scant meal, and the grudged fire, are repeated day by day, yet who can become accustomed to them?”

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Letitia Elizabeth Landon

The Monthly Magazine

“Oh, who—reposed on some fond breast,
Love's own delicious place of rest—
Reading faith in the watching eyes,
Feeling the heart beat with its sighs,
Could know regrets, or doubts, or cares,
That we had bound our fate with theirs!”

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Letitia Elizabeth Landon

The Sisters from The London Literary Gazette: 13th March 1824 Metrical Tales - Tale III.
The Vow of the Peacock (1835)

“They say women are more constant than men : it is the constancy of circumstance; the enterprise, the exertion required of men continually force them out of themselves, and that which was at first necessity soon becomes habit — whereas the constant round of employments in which a woman is engaged requires no fatigue of mind or body; the needle is, generally speaking, both her occupation and amusement, and this kind of work leaves the ideas full play; hence the imagination is left at liberty to dwell upon one subject, and hence habit, which is an advantage on the one side, becomes to her an additional rivet.”

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Letitia Elizabeth Landon

Other Gift Books

“Death has most awful lessons! It is sad,
Aye, strange, to see even the aged die;
But about youth there is a confidence
In life, that makes it terrible.”

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Letitia Elizabeth Landon

The London Literary Gazette, 1824

“No book is fairly judged till it is read twice, and at distant periods. It is curious to note the variation of taste in ourselves. I can remember I devoured the story keenly, dwelt on all that partook of sentiment, and never questioned the depth of any remark. I now find that I take chief interest in what brings out character. I enter more into the humourous, and am every now and then tempted to analyse the truth of a deduction. I think more over what I am reading, and delight more in connecting the world of fiction with that of reality.”

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Letitia Elizabeth Landon

No.17. The Monastery — MARY AVENEL.
Literary Remains

“Up climb’d the sweet pea,
The butterfly of flowers:—I love it not,
Though every hue—and it has many tints—
Are dyed as if the sunset evening clouds
Had fallen to the earth in sudden rain,
And left their colours : purple, delicate pink,
And snowy white, are on thy wing-like leaves;
But thou art all too forward in thy bloom;
Thy blossoms are the sun’s, and cling to all
That can support them into open day:
And then they die, leaving no root behind,
The hope and promise of another spring;
And no perfume, whose lingering gratitude
Remains round what upheld its summer’s life.”

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Letitia Elizabeth Landon

The Last of the St. Aubyns
Heath's book of Beauty, 1833 (1832)

“THE present! it is but a drop from the sea
In the mighty depths of eternity.
I love it not—it taketh its birth
Too near to the dull and the common earth.”

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Letitia Elizabeth Landon

The Vow of the Peacock (1835)

“Like prisoners escaped during night from their prison,
The waters fling gaily their spray to the sun;
Who can tell me from whence that glad river has risen?
Who can say whence it springs in its beauty?—not one.”

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Letitia Elizabeth Landon

The Minstrel’s Monitor from Literary Souvenir, 1827
The Vow of the Peacock (1835)

“By turns the woman and the queen,
And each as the other had never been.”

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Letitia Elizabeth Landon

The Monthly Magazine

“Though many a flower may win my praise,
The violet has my love;
I did not pass my childish days
In garden or in grove:
My garden was the window-seat,
Upon whose edge was set
A little vase—the fair, the sweet—
It was the violet.”

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Letitia Elizabeth Landon

The Violet from The Literary Souvenir, 1831
The Vow of the Peacock (1835)

“The Scotch are too cautious to be witty — they take thought beforehand of their answers; they are not people of impulse, and wit is an impulse. "It springs spontaneous if it spring." But then they have humour, rich, racy, sly humour, full of national character, and nearly allied to pathos.”

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Letitia Elizabeth Landon

Literary Remains

“T was night, but night which the imperial moon,
Regal in her full beauty, turn'd to noon,
But still the noon of midnight; though the ray
Was clear and bright, it was not that of day;”

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Letitia Elizabeth Landon

The Golden Violet - The Child of the Sea
The Golden Violet (1827)

“But as our explanation will be more brief than one broken in upon by words of wonder, regret, and affection, we will proceed to it; holding that explanation, like advice, should be of all convenient shortness.”

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Letitia Elizabeth Landon

Heath's book of Beauty, 1833 (1832)

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