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Letitia Elizabeth Landon cytaty
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Letitia Elizabeth Landon – angielska pisarka i poetka epoki romantyzmu. Była autorką, a później redaktorką Literary Gazette. Swoje utwory podpisywała zwykle inicjałami L.E.L. Do jej najbardziej znanych utworów należy

monolog The Improvisatrice i cykl oparty na motywach biblijnych The Easter Gift . Wikipedia  

✵ 14. Sierpień 1802 – 15. Październik 1838
Letitia Elizabeth Landon Fotografia
Letitia Elizabeth Landon: 785   Cytatów 0   Polubień

Letitia Elizabeth Landon: Cytaty po angielsku

“Its berries are red as a maiden's lip,
Its leaves are of changeless green;
And any thing changeless now, I wis,
Is somewhat rare to be seen.
The holly, which fall and frost has borne,
The holly's the wreath for a Christmas morn.”

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Letitia Elizabeth Landon

(1st January 1831) Christmas Carol
The London Literary Gazette, 1831

“To what may youth's first joyance be compared?
To daylight, and the glad song of the lark
Bursting together, — to a sudden gush
Of perfume, till the giddy senses link
With overmuch delight,— a dream,— a tale
Of Paradise, told in fair poesy.”

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Letitia Elizabeth Landon

(13th December 1823) Poetic Sketches. Fourth Series. Sketch V.— The Island.
The London Literary Gazette, 1823

“If the wind murmurs then they seem to hear
His voice; and when night falls, the shadows round
Seem the dark foldings of his sweeping robe.
At noon, when life sees only the clear sky,
Feels only the bright sun, the fated one
Whom Death hath called, upon the distance marks
The heavy shade so soon to shroud
All nature from their eyes.”

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Letitia Elizabeth Landon

Translations, From the French

“It is strange, though true, that the happiest part of our life is the shortest in detail. We dwell on the tempest that wrecked, the flood that overwhelmed — but we pass over in silence the numerous days we have spent in summer and sunshine.”

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Letitia Elizabeth Landon

Other Gift Books

“…but the waters of life are for ever flowing onwards, and little trace do they bear of what clouds have darkened or reddened the waves below as they floated by.”

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Letitia Elizabeth Landon

No.6. The Antiquary.— MARY MAC INTYRE.
Literary Remains

“Ever sits the lady weeping —
Weeping night and day —
One perpetual vigil keeping,
Till life pass away,
And she join the seven who sleep.”

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Letitia Elizabeth Landon

The Monthly Magazine

“His heart is like a maggot-eaten nut:
There's nothing in it; but 'tis closely shut.”

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Letitia Elizabeth Landon

(1st October 1831) Epigram of a Miser
The London Literary Gazette, 1831

“Alas! the praise given to the ear
Ne'er was nor e'er can be sincere—
And does but waste away the mind
On which it preys: in vain
Would they in whom its poison lurks
A worthier state attain.”

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Letitia Elizabeth Landon


Poetical Portrait III
The Venetian Bracelet (1829)

“A small clear fountain, with green willow trees;
Girdling it round, there is one single spot
Where you may sit and rest, its only bank;”

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Letitia Elizabeth Landon

The Vow of the Peacock (1835)

“Mother:
Children and sorrow come together. First
Are sleepless nights, and cradle watchings — next
Your age is vexed with maiden fantasies,
And your girl's lover costeth you more care
Than ever did your own. It is not well!”

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Letitia Elizabeth Landon

The London Literary Gazette (7th February 1835)
Translations, From the German

“It is a humbling thing to human pride to observe that strength of mind does not preserve its possessor from indulging any favourite delusion; but that this very strength gives its own force to the belief.”

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Letitia Elizabeth Landon

Heath's book of Beauty, 1833 (1832)

“Is this the curse that is laid on the earth?
And must it ever be so,
That there can be nothing of human good
But must from some evil flow?...”

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Letitia Elizabeth Landon

The London Literary Gazette, 1832

“There is a flower, a purple flower
Sown by the wind, nursed by the shower,
O'er which Love has breathed a power and spell
The truth of whispering hope to tell.
(According to the Lady’s Book of Flowers, 1842, this is the centaury)”

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Letitia Elizabeth Landon

The London Literary Gazette, 1824

“The lark is with triumphant song
Singing the rose-touched clouds among:
'Tis there that lighted song has birth,
What hath such hymn to do with earth?”

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Letitia Elizabeth Landon

The Vow of the Peacock (1835)

“The hope that clings to the least glimpse of blue
Amid a sky of murkiness; the fear
That sickens at itself; the fond deceit,
That will not see the truth; the tenderness,
That only asks to trust; and, at the last,
The knowledge we have known in vain so long
Comes like a thunderbolt, and crashes.”

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Letitia Elizabeth Landon

(24th July 1824) Poetic Sketches - 5th Series. Sketch the Second. - Infidelity
(31st July 1824) Poetic Sketches - 5th Series. Sketch the Third.—The Knight’s Tale. See The Vow of The Peacock
The London Literary Gazette, 1824

“I can pass days
Stretch'd in the shade of those old cedar trees,
Watching the sunshine like a blessing fall,—
The breeze like music wandering o'er the boughs,—
Each tree a natural harp,— each different leaf
A different note, blent in one vast thanks-giving.”

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Letitia Elizabeth Landon

The Ancestress (Spoken by Jaromir)
The Venetian Bracelet (1829)

“Never, dear father, love can be,
Like the dear love I had for thee!”

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Letitia Elizabeth Landon

Canto IV
The Troubadour (1825)

“If blasted hopes and ruin'd name,
And all the venom Love lends Shame —
The violent death, and rabble eye,
To look upon its agony;
If these are not enough to win
A pardon for Earth's deadliest sin,
Words will not, cannot! — never dare
Tell me it may be won by prayer!
The coward prayer, the coward tear,
Not from remorse wrung, but from fear!”

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Letitia Elizabeth Landon

The Monthly Magazine

“The loorie brought to his cinnamon nest.
The bee from the midst of its honey quest,
And open the leaves of the lotus lay
To welcome the noon of the summer day.”

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Letitia Elizabeth Landon

The Improvisatrice (1824)

“The day is past, and the moonbeams weep
O'er the many that rest in their last cold sleep;
Near to the gashed and the nerveless hand
Is the pointless spear and the broken brand;
The archer lies like an arrow spent,
His shafts all loose and his bow unbent;
Many a white plume torn and red,
Bright curls rent from the graceful head,
Helmet and breast-plate scattered around,
Lie a fearful show on the well-fought ground;
While the crow and the raven flock overhead
To feed on the hearts of the helpless dead,
Save when scared by the glaring eye
Of some wretch in his last death agony.”

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Letitia Elizabeth Landon

The Warrior from The London Literary Gazette (25th October 1823) Sketch
The Improvisatrice (1824)

“A blossom full of promise is life's joy,
That never comes to fruit; hope, for a time,
Suns the young floweret in its gladsome light,
And it looks flourishing—a little while,
Tis past, we know not whither, but 'tis gone”

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Letitia Elizabeth Landon

(19th January 1822) Poetic Sketches, No.2
The London Literary Gazette, 1821-1822

“I will not seek the battle-field —
The men I there should meet,
What have they done to me to make
Shedding their life-blood sweet?
It is the veriest madness man
In maddest mood can frame,
To feed the earth with human gore,
And then to call it fame.
I have been wrong'd; but were my wrong
The deadliest wrong ere done,
I would not slay my enemy,
But bid him still live on :—
And I should deem my vengeance more
Than the death-wound in strife—
What ills can death inflict like those
Heap'd on each hour of life?”

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Letitia Elizabeth Landon

19th August 1826) Metrical Fragments - No. 1 (under the pen name Iole
The London Literary Gazette, 1826

“Free, thou sayest,—dream'st thou how?
Loathing wouldst thou shun dismay'd
Freedom by such ransom paid.
—Girl, for thee I'll lay aside
Veil of smiles and mask of pride;
Shrowds that only ask of Fate
Not to seem so desolate.
—I am young,—but Age's snow
Hides not colder depths below …”

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Letitia Elizabeth Landon

The Venetian Bracelet (1829)

“Oh! frail are the many links that are
In the chain of affection's tender care”

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Letitia Elizabeth Landon

The Golden Violet - The Ring
The Golden Violet (1827)

“The Future is more present than the Past :
For one look back, a thousand on we cast;
And hope doth ever memory outlast.”

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Letitia Elizabeth Landon

(1834-1) (Vol.40) The Future, compare Ethel Churchill (or The Two Brides) I, 31
The Monthly Magazine

“I would resign the words of praise which now
Make my cheek crimson and my pulses beat.
Could I but deem that when my heart is cold
And my lip passionless, my songs would be
Numbered 'mid the young minstrels' first delights,
And murmured by the lover where his suit
Calls upon poetry to breathe of love.”

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Letitia Elizabeth Landon

[This passage is in Erinna, altered]
The London Literary Gazette, 1825

“She had always thought she would be like her father, and fancied a tall, dark, and handsome face.”

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Letitia Elizabeth Landon

The Monthly Magazine

“She fell as falls the rose in spring,
The fairest are ever most perishing,
Yet lingers that tale of sorrow and love,
Of the Christian maid and her Moslem love;
A tale to be told in the twilight hour,
For the beauty's tears in her lonely bower.”

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Letitia Elizabeth Landon

The Golden Violet - The Wreath
The Golden Violet (1827)

“Twas as she hoped, — he sleeps; and now
Her lips are on his throbbing brow,
Sucking the poison forth : 't was bliss
To know she gave her life for his.”

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Letitia Elizabeth Landon

(6th March 1824) Metrical Tales. Tale II. The Poisoned Arrow
(13th March 1824) Metrical Tales. Tale III. — The Sisters See The Vow of The Peacock
The London Literary Gazette, 1824

“I have all my life been an indweller of the town, and I frankly confess, for a constant residence, I like it better than all the pastoral charms that ever made the morality of an essay, or gave grace to poetry; still there is that about the country to which the heart always turns with a feeling of freshness and renovation. The moonlight walk through the green wood, would come back upon the memory with a spell which would not belong to a lamp-lighted ramble. The green-leaf would give its freshness, the wild-flower its sweetness; on the ear would arise the murmur of the wind in the boughs — or the song of the brook singing like a child for very gladness.”

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Letitia Elizabeth Landon

Literary Remains

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