Claude Monet cytaty
Data urodzenia: 14. Listopad 1840
Data zgonu: 5. Grudzień 1926
Oscar Claude Monet – francuski malarz, jeden z twórców i czołowych przedstawicieli impresjonizmu.
Cytaty Claude Monet
„Renoir przynosi nam od siebie chleb, żebyśmy nie głodowali. Od ośmiu dni ani chleba, ani ognia na kuchni, ani światła – to okropne.“
Źródło: list do Frédérica Bazille’a, 9 sierpnia 1869, cyt. za: Zdzisław Kępiński, Impresjonizm, op. cit., s. 75, 76.
„Mała kapliczka stała się dziś banalną szkołą, której drzwi są otwarte dla pierwszego lepszego brodacza.“
Źródło: Zdzisław Kępiński, Impresjonizm, Wydawnictwa Artystyczne i Filmowe, Warszawa 1982, s. 194.
„Podniosą może trochę krzyku nieprzyjaciele błękitu i różu, gdyż to właśnie jest ten blask, ta feeria świetlna, którą usiłuję oddać, ci zaś, co nie widzieli tego kraju [Włoch], okrzykną to – jestem pewien – za nieprawdopodobne, chociaż ja jeszcze nie dałem tej prawdziwej siły właściwego tonu: wszystko jest tam jak gardło gołębia i jak płomień ponczu.“
Źródło: list do Paula Duranda-Ruela, cyt. za: Zdzisław Kępiński, Impresjonizm, op. cit., s. 213.
Monet answering the question, how he had became an impressionist.
after Monet's death
Źródło: Claude Monet, Charles F. Stuckey (1985) Monet: a retrospective. p. 91
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Quote in Monet's letter to art-ritic and friend Gustave Geffroy, 1907; as cited in: K.E. Sullivan. Monet: Discovering Art, Brockhampton press, London (2004), p. 56
1900 - 1920
„I am absolutely sickened with and demoralized by this life, I've been leading for so long. When you get to my age, there is nothing more to look forward to.“
Quote in a letter to , September 1879; as cited in The Private Lives of the Impressionists Sue Roe; Harper Collins Publishers, New York, 2006, pp. 202-203; also partly cited in: Jane Kinsman, Michael Pantazzi, National Gallery of Australia. Degas: the uncontested master, National Gallery of Australia, 7 apr. 2009. p. 25
1870 - 1890
Kontekst: I am absolutely sickened with and demoralized by this life, I've been leading for so long. When you get to my age, there is nothing more to look forward to. Unhappy we are, unhappy we'll stay. Each day brings its tribulations and each day difficulties arise... So I'm giving up the struggle once and for all, abandoning all hope of success... I hear my friends are preparing another exhibition this year [the Impressionists, in Paris, 1880] but I'm ruling out the possibility of participating in it, as I just don't have anything worth showing.
„It is decidedly frightfully difficult to make something complete in all respects, and I think that there are scarcely any but those who content themselves with the approximate.“
1850 - 1870
Kontekst: My dear Frédéric Bazille, I ask myself what you can be doing in Paris during fine weather, for I suppose that it must also be very fine there. Here my dear fellow, it is is charming, and I discover every day always beautiful things. It is enough to become mad [fou], so much do I have the desire to do it all, my head is cracking. Damn it, here it is the sixteenth, put aside your cliques and your claques, and come spend a couple of weeks here, it would be the best thing that you could do, because in Paris it cannot be very easy to work.
This very day, I still have a month to stay in; furthermore my sketches are becoming finished, I have even set to work additionally [remis] on some others. In sum, I am content enough with my stay here, even though my studies are very far from what I would wish. It is decidedly frightfully difficult to make something complete in all respects, and I think that there are scarcely any but those who content themselves with the approximate. Very well, my dear fellow, I want to struggle, scrape, start over again [recommencer], because one can do what one sees and understands, and it seems to me, when I see nature, that I am going to do it all, write it all out, but them go try to do it.... when one is on the job..
All this proves that one must only think about this. It is by force of observation and reflection that one finds. So let us grind away and grind away constantly. Are you making any progress? Yes, I am sure of it, but what I am sure of is that you do not work enough and not in the right way. It is not with carefree guys like your Villa and others that you will be able to work. It would be better all alone, and yet, all alone there are plenty of things that one cannot make out. In the end all of this is terrible, and it is a rough task.
... It is frightening what I see in my head.
„I have gone back to some things that can't possibly be done: water, with weeds waving at the bottom. It is a wonderful sight, but it drives one to crazy to try to paint it. But that is the kind of thing I am always a tackling.“
Quote in Monet's letter to art-critic and his friend Gustave Geffroy, 22 June 1890; as cited in Letters of the great artists – from Blake to Pollock, Richard Friedenthal, Thames and Hudson, London, 1963, p. 129
1890 - 1900