Arundhati Roy cytaty
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Arundhati Roy – indyjska pisarka znana z rytmicznej prozy i lirycznych opisów Kerali, autorka kilku zbiorów esejów politycznych, poruszających kwestie humanitarne. Laureatka Nagrody Bookera w 1997.

Córka chrześcijanki i pochodzącego z Bengalu wyznawcy hinduizmu. Dorastała w małej wiosce Aymanam w Kerali, gdzie toczy się też akcja jej pierwszej i jedynej powieści Bóg rzeczy małych . W wieku 16 lat przeprowadziła się do Delhi i zarabiała tam na życie sprzedażą butelek. Obecnie mieszka w Delhi ze swoim drugim mężem, reżyserem Pradipem Krishmenem. Przed napisaniem powieści stworzyła dwa scenariusze do wyreżyserowanych przez niego filmów: In Which Annie Gives It Those Ones to film o studentach architektury, w którym zagrała sama Roy, oraz Electric Moon . Zagrała także rolę w Massey Sahib , za który Krishen otrzymał nagrodę. Krótko po zakończeniu pracy nad filmami zajęła się Bogiem rzeczy małych - pisała tę książkę w latach 1992-1996. Powieść porusza przede wszystkim problem dyskryminacji kobiet w Indiach. Są one na poziomie prawnym, społecznym, kulturowym i politycznym wciąż obywatelkami drugiej kategorii, podobnie jak przedstawiciele niższych kast. Dyskryminacja ze względu na płeć i pochodzenie jest przyczyną tragedii, które spotykają bohaterów i bohaterki powieści. Ta częściowo autobiograficzna opowieść ukazuje Indie widziane oczami bliźniąt Rahel i Esthappena. Powieść zyskała wielkie międzynarodowe uznanie, czyniąc z Roy pierwszą kobietę z Indii, która otrzymała prestiżową Nagrodę Bookera.

Od czasu wydania Boga... Roy, dzięki sławie i pieniądzom, miała wreszcie możliwość zaangażować się skutecznie w działalność obywatelską i stała się, podobnie jak jej matka Mary, aktywistką społeczną i feministyczną. Matka Roy walczyła przeciwko prawu rodzinnemu w Indiach i pragnęła, by kobiety dostały równe równe prawo dziedziczenia majątków ojców. Roy poświęca swoje książki i wystąpienia prawom kobiet, sprawiedliwości społecznej i ochronie środowiska. Protestuje też przeciw broni nuklearnej i projektowi zapory na Narmadzie. W 2004 otrzymała nagrodę Sydney Peace Prize za walkę na rzecz pokoju i praw człowieka.

✵ 24. Listopad 1961   •   Natępne imiona Suzanna Arundhati Roy
Arundhati Roy Fotografia
Arundhati Roy: 133   Cytaty 0   Polubień

Arundhati Roy słynne cytaty

„Powiedziała, że czuje się jak znak drogowy, na który srają ptaki.”

Bóg rzeczy małych (1997)

Arundhati Roy cytaty

„Nieznośna polaryzacja. Obcość-bliskość nie do pogodzenia ze sobą.”

Bóg rzeczy małych (1997)

Arundhati Roy: Cytaty po angielsku

“Madness slunk in through a chink in History. It only took a moment.”

Arundhati Roy książka The God of Small Things

Źródło: The God of Small Things

“Humans are animals of habit.”

Arundhati Roy książka The God of Small Things

Źródło: The God of Small Things

“Enemies can't break your spirit, only friends can.”

Arundhati Roy książka The Ministry of Utmost Happiness

Źródło: The Ministry of Utmost Happiness

“The tradition of "turkey pardoning" in the US is a wonderful allegory for new racism. Every year, the National Turkey Federation presents the US president with a turkey for Thanksgiving. Every year, in a show of ceremonial magnanimity, the president spares that particular bird (and eats another one). After receiving the presidential pardon, the Chosen One is sent to Frying Pan Park in Virginia to live out its natural life. The rest of the 50 million turkeys raised for Thanksgiving are slaughtered and eaten on Thanksgiving Day. ConAgra Foods, the company that has won the Presidential Turkey contract, says it trains the lucky birds to be sociable, to interact with dignitaries, school children and the press.

That's how new racism in the corporate era works. A few carefully bred turkeys - the local elites of various countries, a community of wealthy immigrants, investment bankers, the occasional Colin Powell, or Condoleezza Rice, some singers, some writers (like myself) - are given absolution and a pass to Frying Pan Park.
The remaining millions lose their jobs, are evicted from their homes, have their water and electricity connections cut, and die of AIDS. Basically, they're for the pot. But the fortunate fowls in Frying Pan Park are doing fine. Some of them even work for the IMF and the World Trade Organisation - so who can accuse those organisations of being anti-turkey? Some serve as board members on the Turkey Choosing Committee - so who can say that turkeys are against Thanksgiving? They participate in it! Who can say the poor are anti-corporate globalisation? There's a stampede to get into Frying Pan Park. So what if most perish on the way?”

From a speech http://www.greenleft.org.au/back/2004/569/569p12.htm given at the World Social Forum in Mumbai, 16 January 2004
Speeches

“It didn't matter that the story had begun, because kathakali discovered long ago that the secrets of the Great Stories is that they have no secrets. The Great Stories are the ones that you have heard and want to hear again. The ones you can enter anywhere and inhabit comfortably. They don't deceive you with thrills and trick endings. They don't surprise you with the unforeseen. They are as familiar as the house you live in. Or the smell of your lover's skin. You know how they end, yet you listen as though you don't. In the way that although you know that one day you will die, you live as though you won't. In the Great Stories you know who lives, who dies, who finds love, who doesn't. And yet you want to know again.
That is their mystery and their magic.”

Arundhati Roy książka The God of Small Things

page 229.
The God of Small Things (1997)
Wariant: It didn't matter that the story had begun, because kathakali discovered long ago that the secrets of the Great Stories is that they have no secrets. The Great Stories are the ones that you have heard and want to hear again. The ones you can enter anywhere and inhabit comfortably. They don't deceive you with thrills and trick endings. They don't surprise you with the unforeseen. They are as familiar as the house you live in. Or the smell of your lover's skin. You know how they end, yet you listen as though you don't. In the way that although you know that one day you will die, you live as though you won't. In the Great Stories you know who lives, who dies, who finds love, who doesn't. And yet you want to know again.
That is their mystery and their magic.

“Humbling was a nice word, Rahel thought. Humbling along without a care in the world.”

Arundhati Roy książka The God of Small Things

The God of Small Things (1997)

“To the Kathakali Man these stories are his children and his childhood. He has grown up within them. They are the house he was raised in, the meadows he played in. They are his windows and his way of seeing. So when he tells a story, he handles it as he would a child of his own. He teases it. He punishes it. He sends it up like a bubble. He wrestles it to the ground and lets it go again. He laughs at it because he loves it. He can fly you across whole worlds in minutes, he can stop for hours to examine a wilting leaf. Or play with a sleeping monkey's tail. He can turn effortlessly from the carnage of war into the felicity of a woman washing her hair in a mountain stream. From the crafty ebullience of a rakshasa with a new idea into a gossipy Malayali with a scandal to spread. From the sensuousness of a woman with a baby at her breast into the seductive mischief of Krishna's smile. He can reveal the nugget of sorrow that happiness contains. The hidden fish of shame in a sea of glory.
He tells stories of the gods, but his yarn is spun from the ungodly, human heart.
The Kathakali Man is the most beautiful of men. Because his body is his soul. His only instrument. From the age of three he has been planed and polished, pared down, harnessed wholly to the task of story-telling. He has magic in him, this man within the painted mark and swirling skirts.
But these days he has become unviable. Unfeasible. Condemned goods. His children deride him. They long to be everything that he is not. He has watched them grow up to become clerks and bus conductors. Class IV non-gazetted officers. With unions of their own.
But he himself, left dangling somewhere between heaven and earth, cannot do what they do. He cannot slide down the aisles of buses, counting change and selling tickets. He cannot answer bells that summon him. He cannot stoop behind trays of tea and Marie biscuits.
In despair he turns to tourism. He enters the market. He hawks the only thing he owns. The stories that his body can tell.
He becomes a Regional Flavour.”

Arundhati Roy książka The God of Small Things

page 230-231.
The God of Small Things (1997)

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