Anaïs Nin citations célèbres
Henry et June — Les cahiers secrets, 1986
Henry et June — Les cahiers secrets, 1986
Henry et June — Les cahiers secrets, 1986
Citations sur la vie de Anaïs Nin
Henry et June — Les cahiers secrets, 1986
Anaïs Nin Citations
Henry et June — Les cahiers secrets, 1986
Henry et June — Les cahiers secrets, 1986
Henry et June — Les cahiers secrets, 1986
Henry et June — Les cahiers secrets, 1986
Henry et June — Les cahiers secrets, 1986
Henry et June — Les cahiers secrets, 1986
Anaïs Nin: Citations en anglais
Anaïs Nin livre The Diary of Anaïs Nin
The Diary of Anaïs Nin, Vol. 5, as quoted in Moving to Antarctica : An Anthology of Women's Writing (1975) by Margaret Kaminski
Diary entries (1914 - 1974)
Contexte: The role of the writer is not to say what we can all say, but what we are unable to say. Most of the writing today which is called fiction contains such a poverty of language, such triteness, that it is a shrunken, diminished world we enter, poorer and more formless than the poorest cripple deprived of ears and eyes and tongue. The writer's responsibility is to increase, develop our senses, expand our vision, heighten our awareness and enrich our articulateness.
March 6, 1936 Fire
Diary entries (1914 - 1974)
“You just say "Anna" and then add "ees," with the accent on the "ees."”
Summer 1966, in The Diary Of Anais Nin, Volume 7 (1966-1974)
Diary entries (1914 - 1974)
Contexte: At a lecture I am asked to pronounce my name three times. I try to be slow and emphatic, "Anaïs — Anaïs — Anaïs. You just say "Anna" and then add "ees," with the accent on the "ees."
“The final lesson a writer learns is that everything can nourish the writer.”
As quoted in French Writers of the Past (2000) by Carol A. Dingle, p. 126
Contexte: The final lesson a writer learns is that everything can nourish the writer. The dictionary, a new word, a voyage, an encounter, a talk on the street, a book, a phrase learned.
“I know no joy as great as a moment of rushing into a new love, no ecstasy like that of a new love.”
May 30, 1934
Diary entries (1914 - 1974)
Contexte: Oh, God, I know no joy as great as a moment of rushing into a new love, no ecstasy like that of a new love. I swim in the sky; I float; my body is full of flowers, flowers with fingers giving me acute, acute caresses, sparks, jewels, quivers of joy, dizziness, such dizziness. Music inside of one, drunkenness. Only closing the eyes and remembering, and the hunger, the hunger for more, more, the great hunger, the voracious hunger, and thirst.
As quoted in Woman As Writer (1978) by Jeannette L. Webber and Joan Grumman, p. 42
Contexte: The preoccupation of the novelist: how to capture the living moments, was answered by the diary. You write while you are alive. You do not preserve them in alcohol until the moment you are ready to write about them.
Anaïs Nin livre Collages (novel)
Collages (1964), p. 116
Contexte: Human beings can reach such desperate solitude that they may cross a boundary beyond which words cannot serve, and at such moments there is nothing left for them but to bark.
“I am in accord with the surrealists, searching for the marvelous.”
Winter, 1931-1932
Diary entries (1914 - 1974)
Contexte: Ordinary life does not interest me. I seek only the high moments. I am in accord with the surrealists, searching for the marvelous.
As quoted in D. H. Lawrence and Nine Women Writers (1996) by Leo Hamalian, p. 93
Anaïs Nin livre The Diary of Anaïs Nin
The Diary of Anaïs Nin, Vol. 5
Diary entries (1914 - 1974)
“Only the united beat of sex and heart together can create ecstasy.”
Anaïs Nin livre Delta of Venus
Source: Delta of Venus
“He was now in that state of fire that she loved. She wanted to be burnt.”
Anaïs Nin livre Delta of Venus
Source: Delta of Venus
Anaïs Nin livre Incest: From a Journal of Love
July 7, 1934
Diary entries (1914 - 1974)
Variante: Reality doesn't impress me. I only believe in intoxication, in ecstasy, and when ordinary life shackles me, I escape, one way or another. No more walls.
Source: Incest: From a Journal of Love
Contexte: I am an excitable person who only understands life lyrically, musically, in whom feelings are much stronger than reason. I am so thirsty for the marvelous that only the marvelous has power over me. Anything I can not transform into something marvelous, I let go. Reality doesn't impress me. I only believe in intoxication, in ecstasy, and when ordinary life shackles me, I escape, one way or another. No more walls.
“To think of him in the middle of the day lifts me out of ordinary living.”
Source: The Diary of Anaïs Nin, Vol. 1: 1931-1934
Source: The Diary of Anaïs Nin, Vol. 1: 1931-1934
February, 1932
Diary entries (1914 - 1974)
Source: Fire: From A Journal of Love - The Unexpurgated Diary of Anaïs Nin
“I want to make my own discoveries……. penetrate the evil which attracts me”
Source: Henry and June: From "A Journal of Love"--The Unexpurgated Diary of Anaïs Nin
“Creation which cannot express itself becomes madness.”
October 18, 1936 Fire
Diary entries (1914 - 1974)
November, 1933
Diary entries (1914 - 1974)
“When we blindly adopt a religion, a political system, a literary dogma, we become automatons.”
Source: The Diary of Anaïs Nin, Vol. 4: 1944-1947
