W.B. Yeats Quotes
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William Butler Yeats was an Irish poet and one of the foremost figures of 20th-century literature. A pillar of the Irish literary establishment, he helped to found the Abbey Theatre, and in his later years served two terms as a Senator of the Irish Free State. He was a driving force behind the Irish Literary Revival along with Lady Gregory, Edward Martyn and others.

Yeats was born in Sandymount, Ireland, and educated there and in London. He spent childhood holidays in County Sligo and studied poetry from an early age, when he became fascinated by Irish legends and the occult. These topics feature in the first phase of his work, which lasted roughly until the turn of the 20th century. His earliest volume of verse was published in 1889, and its slow-paced and lyrical poems display debts to Edmund Spenser, Percy Bysshe Shelley, and the poets of the Pre-Raphaelite Brotherhood. From 1900, his poetry grew more physical and realistic. He largely renounced the transcendental beliefs of his youth, though he remained preoccupied with physical and spiritual masks, as well as with cyclical theories of life. In 1923, he was awarded the Nobel Prize in Literature. Wikipedia  

✵ 13. June 1865 – 28. January 1939
W.B. Yeats photo
W.B. Yeats: 255   quotes 283   likes

W.B. Yeats Quotes

“Think where man's glory most begins and ends
And say my glory was I had such friends.”

The Municipal Gallery Revisited http://poetry.poetryx.com/poems/1659/, st. 7
Last Poems (1936-1939)
Variant: Think where man's glory most begins and ends. And say my glory was I had such friends.
Context: You that would judge me, do not judge alone
This book or that, come to this hallowed place
Where my friends' portraits hang and look thereon;
Ireland's history in their lineaments trace;
Think where man's glory most begins and ends
And say my glory was I had such friends.

“O body swayed to music, O brightening glance,
How can we know the dancer from the dance?”

Among School Children http://poetry.poetryx.com/poems/1437/, st. 8
The Tower (1928)
Context: Labour is blossoming or dancing where
The body is not bruised to pleasure soul.
Nor beauty born out of its own despair,
Nor blear-eyed wisdom out of midnight oil.
O chestnut-tree, great-rooted blossomer,
Are you the leaf, the blossom or the bole?
O body swayed to music, O brightening glance,
How can we know the dancer from the dance?

“The darkness drops again but now I know
That twenty centuries of stony sleep
Were vexed to nightmare by a rocking cradle,
And what rough beast, its hour come round at last,
Slouches towards Bethlehem to be born?”

The Second Coming (1919)
Context: p>Turning and turning in the widening gyre
The falcon cannot hear the falconer;
Things fall apart; the centre cannot hold;
Mere anarchy is loosed upon the world,
The blood-dimmed tide is loosed, and everywhere
The ceremony of innocence is drowned;
The best lack all conviction, while the worst
Are full of passionate intensity.Surely some revelation is at hand;
Surely the Second Coming is at hand.
The Second Coming! Hardly are those words out
When a vast image out of Spiritus Mundi
Troubles my sight: a waste of desert sand;
A shape with lion body and the head of a man,
A gaze blank and pitiless as the sun,
Is moving its slow thighs, while all about it
Wind shadows of the indignant desert birds.The darkness drops again but now I know
That twenty centuries of stony sleep
Were vexed to nightmare by a rocking cradle,
And what rough beast, its hour come round at last,
Slouches towards Bethlehem to be born?</p

“An intellectual hatred is the worst,
So let her think opinions are accursed.”

St. 8
Michael Robartes and the Dancer (1921), A Prayer For My Daughter http://poetry.poetryx.com/poems/1421/
Source: The Yeats Reader, Revised Edition: A Portable Compendium of Poetry, Drama, and Prose
Context: An intellectual hatred is the worst,
So let her think opinions are accursed.
Have I not seen the loveliest woman born
Out of the mouth of plenty’s horn,
Because of her opinionated mind
Barter that horn and every good
By quiet natures understood
For an old bellows full of angry wind?

“Things fall apart;
the center cannot hold…”

Source: The Collected Poems of W.B. Yeats

“For he comes, the human child!
To the waters and the wild
With a faery, hand in hand,
From a world more full of weeping
than he can understand.”

The Stolen Child http://poetry.poetryx.com/poems/1695/, st. 1
Crossways (1889)
Variant: Come away, O human child!
To the waters and the wild
With a faery, hand in hand,
For the world's more full of weeping than you can understand.
Source: The Collected Poems of W.B. Yeats
Context: p>Where dips the rocky highland
Of Sleuth Wood in the lake,
There lies a leafy island
Where flapping herons wake
The drowsy water rats;
There we've hid our faery vats,
Full of berries
And of reddest stolen cherries.Come away, O human child!
To the waters and the wild
With a faery, hand in hand,
For the world's more full of weeping than you can understand. </p

“I heard the old, old men say,
'Everything alters,
And one by one we drop away.”

The Old Men Admiring Themselves In The Water http://poetry.poetryx.com/poems/1663/
In The Seven Woods (1904)
Context: I heard the old, old men say,
'Everything alters,
And one by one we drop away.'
They had hands like claws, and their knees
Were twisted like the old thorn-trees
By the waters.
I heard the old, old men say,
'All that's beautiful drifts away
Like the waters.

“I will arise and go now, and go to Innisfree,
And a small cabin build there, of clay and wattles made:”

The Lake Isle of Innisfree http://poetry.poetryx.com/poems/1641/, st. 1
The Rose (1893)
Context: I will arise and go now, and go to Innisfree,
And a small cabin build there, of clay and wattles made:
Nine bean-rows will I have there, a hive for the honeybee,
And live alone in the bee-loud glade.
And I shall have some peace there, for peace comes dropping slow
Dropping from the veils of the morning to where the cricket sings;

“Now days are dragon-ridden, the nightmare
Rides upon sleep: a drunken soldiery
Can leave the mother, murdered at her door,
To crawl in her own blood, and go scot-free.”

I, st. 4
The Tower (1928), Nineteen Hundred And Nineteen http://poetry.poetryx.com/poems/1547/

“Consume my heart away; sick with desire
And fastened to a dying animal
It knows not what it is; and gather me
Into the artifice of eternity.”

St. 3
The Tower (1928), Sailing to Byzantium http://poetry.poetryx.com/poems/1575/

“The official designs of the Government, especially its designs in connection with postage stamps and coinage, may be described, I think, as the silent ambassadors of national taste.”

Speech (3 March 1926), Seanad Éireann (Irish Free Senate), on the Coinage Bill. http://historical-debates.oireachtas.ie/S/0006/S.0006.192603030003.html

“O when may it suffice?
That is heaven's part, our part
To murmur name upon name.”

St. 4
Michael Robartes and the Dancer (1921), Easter, 1916 http://poetry.poetryx.com/poems/1477/

“Come let us mock at the good
That fancied goodness might be gay,
And sick of solitude
Might proclaim a holiday:
Wind shrieked— and where are they?”

V, st. 3
The Tower (1928), Nineteen Hundred And Nineteen http://poetry.poetryx.com/poems/1547/

“Pardon, old fathers, if you still remain
Somewhere in ear-shot for the story’s end.”

Responsibilities - Introduction http://poetry.poetryx.com/poems/1572/
Responsibilities (1914)

“Come let us mock at the wise;
With all those calendars whereon
They fixed old aching eyes,
They never saw how seasons run,
And now but gape at the sun.”

V, st. 2
The Tower (1928), Nineteen Hundred And Nineteen http://poetry.poetryx.com/poems/1547/

“The trees are in their autumn beauty,
The woodland paths are dry,
Under the October twilight the water
Mirrors a still sky.”

The Wild Swans At Coole http://poetry.poetryx.com/poems/1712/, st. 1
The Wild Swans at Coole (1919)

“All perform their tragic play,
There struts Hamlet, there is Lear,
That’s Ophelia, that Cordelia.”

Lapis Lazuli http://poetry.poetryx.com/poems/1522/, st. 2
Last Poems (1936-1939)

“Hearts with one purpose alone
Through summer and winter, seem
Enchanted to a stone
To trouble the living stream.”

St. 3
Michael Robartes and the Dancer (1921), Easter, 1916 http://poetry.poetryx.com/poems/1477/

“What were all the world’s alarms
To mighty Paris when he found
Sleep upon a golden bed
That first dawn in Helen’s arms?”

Lullaby http://poetry.poetryx.com/poems/1527/, st. 1
The Winding Stair and Other Poems (1933)

“The years like great black oxen tread the world,
And God the herdsman goads them on behind,
And I am broken by their passing feet.”

The Countess Cathleen http://www.letras.ufrj.br/veralima/6_referencias/63_e_texts_2005/yeats/countess_cathleen/yeats_countess_cathleen_2005.htm, last lines (1892)