Walter Benjamin Quotes

Source: One Way Street And Other Writings

Source: Theses on the Philosophy of History (1940), IX
Context: A Klee painting named ‘Angelus Novus’ shows an angel looking as though he is about to move away from something he is fixedly contemplating. His eyes are staring, his mouth is open, his wings are spread. This is how one pictures the angel of history. His face is turned toward the past. Where we perceive a chain of events, he sees one single catastrophe which keeps piling wreckage upon wreckage and hurls it in front of his feet. The angel would like to stay, awaken the dead, and make whole what has been smashed. But a storm is blowing in from Paradise; it has got caught in his wings with such violence that the angel can no longer close them. This storm irresistibly propels him into the future to which his back is turned, while the pile of debris before him grows skyward. This storm is what we call progress.

"The Storyteller" (1936)

Mir schien: Ausgesprochene Unlust, mich über Dinge des praktischen Lebens, Zukunft, Daten, Politik zu unterhalten. Man ist an die intellektuelle Sphäre gebannt wie manchmal Besessene auf die sexuelle, ist von ihr angesaugt.
"Main features of my first impression of hashish" (18 December 1927), On Hashish (2006), p. 21
Main features of my first impression of hashish (1927)

An das Leben der Studenten tritt die Frage nach seiner bewußten Einheit heran. ... Das Auszeichnende im Studentenleben ist in der Tat der Gegenwille, sich einem Prinzip zu unterwerfen, mit der Idee sich zu durchdringen. Der Name der Wissenschaft dient vorzüglich, eine tiefeingesessene, verbürgerte Indifferenz zu verbergen.
The Life of Students (1915)

A Berlin Chronicle (1932–, unfinished), in Walter Benjamin: Selected Writings – vol. 2, pt. 2: 1931-1934, ed. Michael William Jennings, Harvard University Press, 2005, p. 612

"Experience" (1913) as translated by L. Spencer and S. Jost, in Walter Benjamin: Selected Writings, Vol. 1 (1996), p. 4

So dürfte von einem unvergeßlichen Leben oder Augenblick gesprochen werden, auch wenn alle Menschen sie vergessen hätten. Wenn nämlich deren Wesen es forderte, nicht vergessen zu werden, so würde jenes Prädikat nichts Falsches, sondern nur eine Forderung, der Menschen nicht entsprechen, und zugleich auch wohl den Verweis auf einen Bereich enthalten, in dem ihr entsprochen wäre: auf ein Gedenken Gottes.
The Task of the Translator (1920)

Source: One Way Street (1928), p. 451

Source: (1940), XVII

Source: (1940), XVIII

Note B
Theses on the Philosophy of History (1940)

Source: Theses on the Philosophy of History (1940), III
Context: Nothing that has ever happened should be regarded as lost for history. To be sure, only a redeemed mankind receives the fullness of its past — which is to say, only a redeemed mankind has its past become citable in all its moments. Each moment it has lived becomes a citation à l'ordre du jour — and that day is Judgement Day.

Source: "The Storyteller" (1936), p. 91

Source: Illuminations: Essays and Reflections

Source: Aesthetics and Politics

Source: Theses on the Philosophy of History (1940), II
Context: There is a secret agreement between past generations and the present one. Our coming was expected on earth. Like every generation that preceded us, we have been endowed with a weak Messianic power, a power to which the past has a claim. That claim cannot be settled cheaply.

Source: Theses on the Philosophy of History (1940), II
Context: There is a secret agreement between past generations and the present one. Our coming was expected on earth. Like every generation that preceded us, we have been endowed with a weak Messianic power, a power to which the past has a claim. That claim cannot be settled cheaply.

Unpacking my Library: A Talk About Book Collecting (1931)
Context: Of all the ways of acquiring books, writing them oneself is regarded as the most praiseworthy method. … Writers are really people who write books not because they are poor, but because they are dissatisfied with the books which they could buy but do not like.

Variant translation:
To articulate what is past does not mean to recognize “how it really was.” It means to take control of a memory, as it flashes in a moment of danger. For historical materialism it is a question of holding fast to a picture of the past, just as if it had unexpectedly thrust itself, in a moment of danger, on the historical subject. The danger threatens the stock of tradition as much as its recipients. For both it is one and the same: handing itself over as the tool of the ruling classes. In every epoch, the attempt must be made to deliver tradition anew from the conformism which is on the point of overwhelming it. For the Messiah arrives not merely as the Redeemer; he also arrives as the vanquisher of the Anti-christ. The only writer of history with the gift of setting alight the sparks of hope in the past, is the one who is convinced of this: that not even the dead will be safe from the enemy, if he is victorious. And this enemy has not ceased to be victorious.
As translated by Dennis Redmond (2001)
Theses on the Philosophy of History (1940)
Context: To articulate the past historically does not mean to recognize it ‘the way it really was’ (Ranke). It means to seize hold of a memory as it flashes up at a moment of danger. Historical materialism wishes to retain that image of the past which unexpectedly appears to man singled out by history at a moment of danger. The danger affects both the content of the tradition and its receivers. The same threat hangs over both: that of becoming a tool of the ruling classes. In every era the attempt must be made anew to wrest tradition away from a conformism that is about to overpower it. The Messiah comes not only as the redeemer, he comes as the subduer of Antichrist. Only that historian will have the gift of fanning the spark of hope in the past who is firmly convinced that even the dead will not be safe from the enemy if he wins. And this enemy has not ceased to be victorious.

Source: Illuminations: Essays and Reflections

Source: Illuminations: Essays and Reflections

Source: Illuminations: Essays and Reflections

Source: The Origin of German Tragic Drama

Source: (1940), II

Source: Illuminations: Essays and Reflections

Variant: There is no document of civilization which is not at the same time a document of barbarism.
Source: Theses on the Philosophy of History (1940), VII
Source: On the Concept of History

"The Destructive Character" Frankfurter Zeitung (20 November 1931)
Source: Reflections: Essays, Aphorisms, Autobiographical Writings

Das Kunstwerk im Zeitalter seiner Reproduzierbarkeit The Work of Art in the Age of Mechanical Reproduction (1935)

Source: (1940), XVII

Besteht das Original nicht um dessentwillen, wie ließe sich dann die Übersetzung aus dieser Beziehung verstehen?
The Task of the Translator (1920)

The Life of Students (1915)

Der Beruf folgt so wenig aus der Wissenschaft, dass sie ihn sogar ausschließen kann. Denn die Wissenschaft duldet ihrem Wesen nach keine Lösung von sich.
The Life of Students (1915)

Man geht immer die gleichen Wege des Denkens wie vorher. Nur scheinen sie mit Rosen bestreut.
"Main features of my first impression of hashish" (18 December 1927), On Hashish (2006), p. 22
Main features of my first impression of hashish (1927)

Nirgends erweist sich einem Kunstwerk oder einer Kunstform gegenüber die Rücksicht auf den Aufnehmenden für deren Erkenntnis fruchtbar. Nicht genug, dass jede Beziehung auf ein bestimmtes Publikum oder dessen Repräsentanten vom Wege abführt, ist sogar der Begriff eines "idealen" Aufnehmenden in allen kunsttheoretischen Erörterungen vom Übel, weil diese lediglich gehalten sind, Dasein und Wesen des Menschen überhaupt vorauszusetzen. So setzt auch die Kunst selbst dessen leibliches und geistiges Wesen voraus—seine Aufmerksamkeit aber in keinem ihrer Werke. Denn kein Gedicht gilt dem Leser, kein Bild dem Beschauer, keine Symphonie der Hörerschaft.
The Task of the Translator (1920)

Im Kapitalismus ist eine Religion zu erblicken, d.h. der Kapitalismus dient essentiell der Befriedigung derselben Sorgen, Qualen, Unruhen, auf die ehemals die so genannten Religionen Antwort gaben.
Translated by Rodney Livingstone in Walter Benjamin: Selected Writings, Volume 1 (Harvard: 1996)
Capitalism as Religion (1921)

Source: Goethe's Elective Affinities (1924), p. 326

Source: The Concept of Criticism in German Romanticism (1919), p. 161

Arcades Project (1927-1940)

Source: (1940), V

Variant translation:
To articulate what is past does not mean to recognize “how it really was.” It means to take control of a memory, as it flashes in a moment of danger. For historical materialism it is a question of holding fast to a picture of the past, just as if it had unexpectedly thrust itself, in a moment of danger, on the historical subject. The danger threatens the stock of tradition as much as its recipients. For both it is one and the same: handing itself over as the tool of the ruling classes. In every epoch, the attempt must be made to deliver tradition anew from the conformism which is on the point of overwhelming it. For the Messiah arrives not merely as the Redeemer; he also arrives as the vanquisher of the Anti-christ. The only writer of history with the gift of setting alight the sparks of hope in the past, is the one who is convinced of this: that not even the dead will be safe from the enemy, if he is victorious. And this enemy has not ceased to be victorious.
As translated by Dennis Redmond (2001)
Theses on the Philosophy of History (1940)
Context: To articulate the past historically does not mean to recognize it ‘the way it really was’ (Ranke). It means to seize hold of a memory as it flashes up at a moment of danger. Historical materialism wishes to retain that image of the past which unexpectedly appears to man singled out by history at a moment of danger. The danger affects both the content of the tradition and its receivers. The same threat hangs over both: that of becoming a tool of the ruling classes. In every era the attempt must be made anew to wrest tradition away from a conformism that is about to overpower it. The Messiah comes not only as the redeemer, he comes as the subduer of Antichrist. Only that historian will have the gift of fanning the spark of hope in the past who is firmly convinced that even the dead will not be safe from the enemy if he wins. And this enemy has not ceased to be victorious.

Source: Ursprung des deutschen Trauerspiels [Origin of the German Mourning Play] (1925), p. 28

Zur Verknechtung der Sprache im Geschwätz tritt die Verknechtung der Dinge in der Narretei fast als deren unausbleibliche Folge.
"On Language as Such and on the Language of Man" (1916), translated by E. Jephcott, in Walter Benjamin: Selected Writings, Vol. 1 (1996), p. 72

VII, often misquoted as "History is written by the victors"
(1940)

The Life of Students (1915)

Protocols to the Experiments on Hashish, Opium and Mescaline http://www.wbenjamin.org/protocol1.html (1927-1934, English translation 1997)

"The Task of the Translator," translated by Harry Zohn

Protocols to the Experiments on Hashish, Opium and Mescaline (1927-1934)

Der Kapitalismus ist vermutlich der erste Fall eines nicht entsühnenden, sondern verschuldenden Kultus. ... Ein ungeheures Schuldbewußtsein das sich nicht zu entsühnen weiß, greift zum Kultus, um in ihm diese Schuld nicht zu sühnen, sondern universal zu machen, dem Bewußtsein sie einzuhämmern und endlich und vor allem den Gott selbst in diese Schuld einzubegreifen.
Translated by Chad Kautzer in The Frankfurt School on Religion: Key Writings by the Major Thinkers (2005), p. 259
Capitalism as Religion (1921)

Arcades Project (1927-1940)

Alle zweckmäßigen Lebenserscheinungen wie ihre Zweckmäßigkeit überhaupt sind letzten Endes zweckmäßig nicht für das Leben, sondern für den Ausdruck seines Wesens, für die Darstellung seiner Bedeutung.
The Task of the Translator (1920)

Source: (1940), VIII

"Experience" (1913) as translated by L. Spencer and S. Jost, in Walter Benjamin: Selected Writings, Vol. 1 (1996), pp. 4-5

Für die Romantiker und für die spekulative Philosophie bedeutete der Terminus kritisch: objektiv produktiv, schöpferisch aus Besonnenheit. Kritisch sein hieß die Erhebung des Denkens über alle Bindungen so weit treiben, daß gleichsam zauberisch aus der Einsicht in das Falsche der Bindungen die Erkenntnis der Wahrheit sich schwang.
The Concept of Criticism in German Romanticism (1919)

Arcades Project (1927-1940)

Source: Ursprung des deutschen Trauerspiels [Origin of the German Mourning Play] (1925), p. 53-54 (trans. John Osborne (London: Verso, 1977)