Ursula K. Le Guin: Trending quotes

“A child free from the guilt of ownership and the burden of economic competition will grow up with the will to do what needs doing and the capacity for joy in doing it. It is useless work that darkens the heart. The delight of the nursing mother, of the scholar, of the successful hunter, of the good cook, of the skillful maker, of anyone doing needed work and doing it well—this durable joy is perhaps the deepest source of human affection, and of sociality as a whole.”

Ursula K. Le Guin Hainish Cycle

Source: Hainish Cycle, (1974), Chapter 8 (p. 247)

Success , Heart , Joy , Cooking

“How could anybody think this man was sick? All right, so he had funny dreams. That was better than being plain mean and hateful, like about one quarter of the people she had ever met.”

Ursula K. Le Guin book The Lathe of Heaven

Source: The Lathe of Heaven (1971), Chapter 10 (Heather)

Hate , People , Dreams , Thinking

“To leave the reader free to decide what your work means, that’s the real art; it makes the work inexhaustible.”

Ursula K. Le Guin

"The magician" by Maya Jaggi in The Guardian (17 December 2005) http://books.guardian.co.uk/departments/childrenandteens/story/0,,1669112,00.html
Context: Sometimes one’s very angry and preaches, but I know that to clinch a point is to close it. To leave the reader free to decide what your work means, that’s the real art; it makes the work inexhaustible.

Art

“We are volcanoes. When we women offer our experience as our truth, as human truth, all the maps change. There are new mountains.”

Ursula K. Le Guin book Dancing at the Edge of the World

Bryn Mawr Commencement Address https://books.google.com/books?id=QK6TYg32CocC&pg=PA160 (1986), in Dancing at the Edge of the World (1997), p. 160

Truth , Mountain , Women , Change

“He did not know their songs, and only listened and was borne along on the music, until from up front there came sweeping back wave by wave down the great slow-moving river of people a tune he knew. He lifted his head high and sang it with them, in his own language as he had learned it: the Hymn of the Insurrection. It had been sung in these streets, in this same street, two hundred years ago, by these people, his people.”

Ursula K. Le Guin Hainish Cycle

Hainish Cycle, (1974)

People , Music , Learning

“We live in capitalism. Its power seems inescapable; so did the divine right of kings.”

Ursula K. Le Guin

National Book Awards, November 2014 https://www.newyorker.com/books/page-turner/national-book-awards-ursula-le-guin
Context: I think hard times are coming, when we will be wanting the voices of writers who can see alternatives to how we live now, and can see through our fear-stricken society and its obsessive technologies, to other ways of being. And even imagine some real grounds for hope. We will need writers who can remember freedom: poets, visionaries—the realists of a larger reality. Right now, I think we need writers who know the difference between production of a market commodity and the practice of an art. The profit motive is often in conflict with the aims of art. We live in capitalism. Its power seems inescapable; so did the divine right of kings. … Power can be resisted and changed by human beings; resistance and change often begin in art, and very often in our art—the art of words. I’ve had a long career and a good one, in good company, and here, at the end of it, I really don’t want to watch American literature get sold down the river.... The name of our beautiful reward is not profit. Its name is freedom.

“In innocence there is no strength against evil,” said Sparrowhawk, a little wryly. “But there is strength in it for good.”

Ursula K. Le Guin

Source: Earthsea Books, The Farthest Shore (1972), Chapter 8, "The Children of the Open Sea"

Evil

“To hear, one must be silent.”

Ursula K. Le Guin

Source: Earthsea Books, A Wizard of Earthsea (1968), Chapter 2 (Ogion)

“I talk about the gods, I am an atheist. But I am an artist too, and therefore a liar. Distrust everything I say. I am telling the truth.”

Ursula K. Le Guin

Introduction to The Left Hand of Darkness (1976)

Truth

“It may be in our sexuality that we are most easily enslaved, both men and women. It may be there, even as free men and women, that we find freedom hardest to keep. The politics of the flesh are the roots of power.”

Ursula K. Le Guin book Four Ways to Forgiveness

"A Woman's Liberation", p. 158; first published in Asimov's (1995)
Four Ways to Forgiveness (1995)

Women , Men , Freedom

“Love doesn't just sit there, like a stone; it has to be made, like bread, remade all the time, made new.”

Ursula K. Le Guin book The Lathe of Heaven

Source: The Lathe of Heaven (Smrtonosné sny)

“Highdrake said that to make love is to unmake power.”

Ursula K. Le Guin

“The Finder” (p. 59)
Earthsea Books, Tales from Earthsea (2001)

Love , Making love

“A profound love between two people involves, after all, the power and chance of doing profound hurt.”

Ursula K. Le Guin Hainish Cycle

Source: Hainish Cycle, The Left Hand of Darkness (1969), Chapter 18 “On the Ice” (p. 249)

Love , People , Chance , Hurt

“No truth can make another truth untrue. All knowledge is a part of the whole knowledge”

Ursula K. Le Guin book Four Ways to Forgiveness

"A Man of the People", p. 140
Four Ways to Forgiveness (1995)
Context: “Lines and colors made with earth on earth may hold knowledge in them. All knowledge is local, all truth is partial,” Havzhiva said with an easy, colloquial dignity that he knew was an imitation of his mother, the Heir of the Sun, talking to foreign merchants. “No truth can make another truth untrue. All knowledge is a part of the whole knowledge. A true line, a true color. Once you have seen the larger patttern, you cannot go back to seeing the part as the whole."

Truth , Knowledge , Parting

“We don’t live in order to die, we live in order to live.”

Ursula K. Le Guin

in an interview http://www.viceland.com/int/v15n12/htdocs/ursula-k-le-guin-440.php?country=uk in Vice Magazine.
Context: Belief in heaven and hell is a big deal in Judaism, Christianity, and Islam, and some forms of doctrinaire Buddhism. For the rest of us it’s simply meaningless. We don’t live in order to die, we live in order to live.

“From that time forth he believed that the wise man is one who never sets himself apart from other living things, whether they have speech or not, and in later years he strove long to learn what can be learned, in silence, from the eyes of animals, the flight of birds, the great slow gestures of trees.”

Ursula K. Le Guin

Source: Earthsea Books, A Wizard of Earthsea (1968), Chapter 5

Bird , Tree , Silence , Learning

“I believe that maturity is not an outgrowing, but a growing up: that an adult is not a dead child, but a child who survived. I believe that all the best faculties of a mature human being exist in the child, and that if these faculties are encouraged in youth they will act well and wisely in the adult, but that if they are repressed and denied in the child they will stunt and cripple the adult personality. And finally, I believe that one of the most deeply human, and humane, of these faculties is the power of imagination: so that it is our pleasant duty … to encourage that faculty of imagination in our children, to encourage it to grow freely, to flourish like the green bay tree, by giving it the best, absolutely the best and purest, nourishment that it can absorb.”

Ursula K. Le Guin book The Language of the Night

And never under any circumstances, to squelch it, or sneer at it, or imply that it is childish, or unmanly, or untrue.
"Why Are Americans Afraid of Dragons?" https://books.google.com/books?id=ksOjjuy3issC&pg=PA44, in The Language of the Night (1979), p. 44

Tree , Imagination , Dead , Personality

“My imagination makes me human and makes me a fool; it gives me all the world, and exiles me from it.”

Ursula K. Le Guin

"The Creatures on My Mind" in Unlocking the Air and Other Stories (1996), p. 65

World , Fools , Imagination

“You can go home again, the General Temporal Theory asserts, so long as you understand that home is a place where you have never been.”

Ursula K. Le Guin Hainish Cycle

Source: Hainish Cycle, (1974), Chapter 2 (p. 55)

Home , Understanding

“The artist deals in what cannot be said in words. The artist whose medium is fiction does this in words.”

Ursula K. Le Guin

Introduction to The Left Hand of Darkness (1976)
Context: The artist deals in what cannot be said in words. The artist whose medium is fiction does this in words. The novelist says in words what cannot be said in words.