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Slavoj Žižek Quotes
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Slavoj Žižek is a Slovenian continental philosopher. He is a professor at the Institute for Sociology and Philosophy at the University of Ljubljana and international director of the Birkbeck Institute for the Humanities of the University of London. He works in subjects including continental philosophy, political theory, cultural studies, psychoanalysis, film criticism, Marxism, Hegelianism and theology.

In 1989, Žižek published his first English text, The Sublime Object of Ideology, in which he departed from traditional Marxist theory to develop a materialist conception of ideology that drew heavily on Lacanian psychoanalysis and Hegelian idealism. His early theoretical work became increasingly eclectic and political in the 1990s, dealing frequently in the critical analysis of disparate forms of popular culture and making him a popular figure of the academic left. A critic of capitalism, neoliberalism and political correctness, Žižek calls himself a political radical, and his work has been characterized as challenging orthodoxies of both the political right and the social-liberal universities.Žižek's idiosyncratic style, popular academic works, frequent magazine op-eds, and critical assimilation of high and low culture have gained him international influence, controversy, criticism and a substantial audience outside academe. In 2012, Foreign Policy listed Žižek on its list of Top 100 Global Thinkers, calling him "a celebrity philosopher" while elsewhere he has been dubbed the "Elvis of cultural theory" and "the most dangerous philosopher in the West". Žižek's work was chronicled in a 2005 documentary film entitled Zizek! A scholarly journal, the International Journal of Žižek Studies, was founded to engage his work.

✵ 21. March 1949
Slavoj Žižek photo
Slavoj Žižek: 99 quotes29 likes

Slavoj Žižek Quotes

“All the proper balances of our daily life are disturbed, everything we do is colored by the underlying thought of "that."”

Slavoj Žižek book The Sublime Object of Ideology

33
The Sublime Object of Ideology (1989)

“A woman is not complimentary to a man, but she embodies his lack (which is why Lacan can say that a beautiful woman is a perfect incarnation of man's castration).”

Slavoj Žižek book The Sublime Object of Ideology

194
The Sublime Object of Ideology (1989)

“The Medium here is not the message, quite the opposite: the very medium that we use- the universal intersubjectivity of language-undermines the message.”

Slavoj Žižek

Source: Less Than Nothing (2012), Chapter One (The Drink Before), Vacillating The Semblances

“The criticism of ideology must therefore invert the linking of causality as perceived by the totalitarian gaze: far from being the positive cause of social antagonism, the Jew is just an embodiment of a certain blockage - of the impossibility which prevents the society from achieving its full identity as a closed, homogenous totality. Far from being the positive cause of social negativity, the Jew is a point at which social negativity as such assumes another formula of the basic procedure of the criticism of ideology, supplementing the one given above: to detect, in a given ideological edifice, the element which represents within it its own impossibility. Society is not prevented from achieving its full identity because of Jews: it is prevented by its own antagonistic nature, by its own immanent blockage, and it projects this internal negativity into the figure of the Jew. In other words, what is excluded from the Symbolic (from the frame of the corporalist socio-symbolic order) returns in the Real as a paranoid construction of the Jew.”

Slavoj Žižek book The Sublime Object of Ideology

143
The Sublime Object of Ideology (1989)

“Those who claim a natural link between capitalism and democracy are cheating with the facts in the same way the Catholic Church cheats when it presents itself as the "natural"advocate of democracy and human rights against the threat of totalitarianism - as if it were not the case that the Church accepted democracy only at the end of the nineteenth century, and even then with clenched teeth, as a desperate compromise, making it clear that it preferred monarchy, and that it was making a reluctant concession to new times.”

Slavoj Žižek

Source: First as Tragedy, Then as Farce (2009), Chapter One, Human, All Too Human

“As a Marxist, let me add: if anyone tells you Lacan is difficult, this is class propaganda by the enemy.”

Slavoj Žižek

Last remark in an interview for the CN8 show Nitebeat (2003) http://www.youtube.com/watch?v=KjEtmZZvGZA

“In the Critique of Cynical Reasoning, a great bestseller in Germany (Sloterdijk, 1983), Peter Sloterdijk puts forward the thesis that ideology's dominant mode of functioning is cynical which renders impossible - or, more precisely, vain - the classical critical-ideological procedure. The cynical subject is quite aware of the distance between the ideological mask and the social reality, but he none the less still insists upon the mask”

Slavoj Žižek book The Sublime Object of Ideology

Source: The Sublime Object of Ideology (1989), pp.29, "Cynicism as a Form of Ideology"

“Here we could use the distinction elaborated by Kovel's White Racism - between dominative and aversive racism. In Nazi ideology, all human races form a hierarchical, harmonious, whole (the 'destiny' of the Aryans at the top is to rule, while the Blacks, Chinese and others have to serve) a all races except the Jews: they have no proper place; their very identity is fake, it consists in trespassing the frontiers, in introducing unrest, antagonism, in destabilizing the social fabric. As such, Jews plot with other races and prevent them from putting up with their proper place - they function as a hidden Master aiming at world domination: they are a counter-image of the Aryans themselves, a kind of negative, perverted double; their is why they must be exterminated, while other races have only to occupy their proper place.”

Slavoj Žižek book The Sublime Object of Ideology

143
The Sublime Object of Ideology (1989)

“On Another Country "You are not a Communist because you understand Marx, you understand Marx because you are a Communist!" - that is to say, Judd understands Marx because he presupposes in advance, that Marx is the bearer of knowledge enabling access to the truth of history, like the Christian believer who does not believe in Christ because he has been convinced by theological arguments but, on the contrary, is susceptible to theological arguments because he is already illuminated by the grace of belief.”

Slavoj Žižek book The Sublime Object of Ideology

41
The Sublime Object of Ideology (1989)

“Precisely as an enigma, the symptom, so to speak, announces its dissolution through interpretation: the aim of psychoanalysis is to re-establish the broken network of communication by allowing the patient to verbalize the meaning of his symptom: through this verbalization the symptom is automatically dissolved. This, then is the basic point: in its very construction, the symptom implies the field of the big Other as consistent, complete, because its very function is an appeal to the Other which contains its meaning.”

Slavoj Žižek book The Sublime Object of Ideology

79
The Sublime Object of Ideology (1989)

“Symptoms are meaningless traces, their meaning is not discovered, excavated from the hidden depth of the past, but constructed retroactively - the analysis produces the truth; that is, the signifying frame which gives their symptoms their symbolic place and meaning. As soon as we enter the symbolic order, the past is always present in the form of historical tradition and the meaning of these traces is not given; it changes continually with the transformations of the signifier's network. Every historical rupture, every advent of a new master-signifier, changers retroactively the meaning of all tradition, restructures the narration of the past, and makes it readable in another, new way.”

Slavoj Žižek book The Sublime Object of Ideology

58
The Sublime Object of Ideology (1989)

“The analysis achieves its end when the patient is able to recognize, in the Real of his symptom, the only support of his being. That is how we must read Frued's 'wo we war, soll ich werden:' you, the subject, must identify yourself with the place where your symptom already was; in its pathological particularity you must recognize the element which gives consistency to your being.”

Slavoj Žižek book The Sublime Object of Ideology

81
The Sublime Object of Ideology (1989)

“If we merely wait for the appropriate moment we will never live to see it, because this [appropriate moment] cannot arrive without the subjective conditions of the maturity of the revolutionary force being fulfilled - it can only arrive after a series of failed attempts.”

Slavoj Žižek book The Sublime Object of Ideology

62
The Sublime Object of Ideology (1989)

“Subject - (1) a person subject to political rule; (2) a free agent, instigator of its activity - subjects can realize themselves as free agents only by means of redoubling themselves as, only in so far as they project, transpose the pure form of their freedom into the very heart of the substance opposed to them; into the person of the subject-monarch as head of state.”

Slavoj Žižek book The Sublime Object of Ideology

261
The Sublime Object of Ideology (1989)

“In this precise sense, Kant was "the inventor of the philosophical history of philosophy": there are necessary stages in the development of philosophy, that is, one cannot directly get at the truth, one cannot begin wit it, philosophy necessarily began with metaphysical illusions. The path from illusion to its critical denunciation is the very core of philosophy, which means that successful ("true") philosophy is no longer defined by its truthful explanation of the totality of being, but by successfully accounting for the illusions, that is, by explaining not only why illusions are illusions, but also why they are structurally necessary, unavoidable, and not just accidents.”

Slavoj Žižek

Introduction
Less Than Nothing (2012)

“Dreams are nothing other than a particular form of thinking, made possible by the conditions of the state of sleep. it is the dream-work which creates that form, and it alone is the essence of dreaming - the explanation of its peculiar nature.”

Slavoj Žižek book The Sublime Object of Ideology

7
The Sublime Object of Ideology (1989)

“Think about the strangeness of today's situation. Thirty, forty years ago, we were still debating about what the future will be: communist, fascist, capitalist, whatever. Today, nobody even debates these issues. We all silently accept global capitalism is here to stay. On the other hand, we are obsessed with cosmic catastrophes: the whole life on earth disintegrating, because of some virus, because of an asteroid hitting the earth, and so on. So the paradox is, that it's much easier to imagine the end of all life on earth than a much more modest radical change in capitalism.”

Slavoj Žižek

Žižek! (2005); as Žižek notes on p. 1 of Mapping Ideology (1994), the observation that it is easier to imagine the end of the earth than the end of capitalism was originally made by Fredric Jameson.

“[A] paradox arises at the level of the subject's relationship to the community to which he belongs: the situation of the forced choice consists in the fact that the subject must freely choose the community to which he already belongs, independent of his choice - he must choose what is already given to him… The subject who thinks he can avoid this paradox and really have a free choice is a psychotic subject, one who retains a kind of distance from the symbolic order - who is not really caught in the signifying network. The totalitarian subject is closer to this psychotic position: the proof would be the status of the enemy in totalitarian distance (the Jew in Fascism, the traitor in Stalinism) - precisely the subject supposed to have made a free choice and to have freely chosen the wrong side. This is also the basic paradox of love: not only of one's country, but also of a woman or a man. If I am directly ordered to love a woman, it is clear that this does not work: in a way, love must be free. But on the other hand, if I proceed as if I really have a free choice, if I start to look around and say to myself 'Let's choose which of these women I will fall in love with,' it is clear that this also does not work, that it is not real love. The paradox of love is that it is a free choice, but a choice which never arrives in the present - it is always already made …I can only state retroactively that I've already chosen … [Stated by Kant], 'Wickedness does not simply depend upon circumstances but is an integral part of his eternal nature.”

Slavoj Žižek book The Sublime Object of Ideology

In other words, wickedness appears to be something which is irreducibly given: the person in question can never change it, outgrow it via his ultimate moral development.
186-187
The Sublime Object of Ideology (1989)

“The source of totalitarianism is a dogmatic attachment to the official word: the lack of laughter, of ironic detachment. An excessive commitment to Good may in itself become the greatest Evil: real Evil is any kind of fanatical dogmatism, especially exerted in the name of supreme Good… Consider only Mozart's Don Giovanni at the end of the opera, when he is confronted with the following choice: if he confesses his sins, he can still achieve salvation; if he persists, he will be damned forever. From this viewpoint of the pleasure principle, the proper thing to do would be to renounce his past, but he does not, he persists in his Evil, although he knows that by persisting he will be damned forever. Paradoxically, with his final choice of Evil, he acquires the status of an ethical hero - that is, of someone who is guided by fundamental principles beyond the pleasure principle and not just by the search for pleasure or material gain.”

Slavoj Žižek book The Sublime Object of Ideology

23
The Sublime Object of Ideology (1989)

“The present book is thus neither The Complete Idiot's Guide to Hegel, nor is it yet another university textbook on Hegel (which is for morons, of course) it is something like The Imbecile's Guide to Hegel-Hegel for those whose IQ is somewhere close to their bodily temperature (in Celsius), as the insult goes.”

Slavoj Žižek

Introduction
Less Than Nothing (2012)

“The wreck of the Titanic functions as a sublime object: a positive, material object elevated to the status of the impossible Thing. And perhaps all the effort to articulate the metaphysical meaning of the Titanic is nothing but an attempt to escape this terrifying impact of the Thing, an attempt to domesticate the Ting by reducing it to its symbolic status, by providing it with a meaning. We usually say that the fascinating presence of a Thing obscures its meaning; here, the opposite is true: the meaning obscures the terrifying impact of its presence.”

Slavoj Žižek book The Sublime Object of Ideology

77
The Sublime Object of Ideology (1989)

“In his seminar on The Ethic of Psychoanalysis, Lacan speaks of the role of the Chorus in classical tragedy: we, the spectators, came to the theatre worried, full of everyday problems, unable to adjust without reserve to the problems of the play, that is to feel the required fears and compassions - but not problem, there is a chorus, who feels the sorrow and the compassion instead of us - or, more precisely, we feel the required emotions through the medium of the chorus: 'You are then relieved of all worries, even if you do not feel anything, the Chorus will do so in your place.”

Slavoj Žižek book The Sublime Object of Ideology

32; quote from Lacan's Le séminaire, livre VII : L'éthique de la psychanalyse, 295
The Sublime Object of Ideology (1989)

“With Lenin it was always a substantial commitment. I always have a certain admiration for people who are aware that somebody has to do the job. What I hate about these liberal, pseudo-left, beautiful soul academics is that they are doing what they are doing fully aware that somebody else will do the job for them.”

Slavoj Žižek

Conversations with Žižek by Slavoj Žižek and Glyn Daly (Cambridge: Polity Press, 2004), p. 50

“Even the dead will not be safe from the enemy if he wins.”

Slavoj Žižek book The Sublime Object of Ideology

161
The Sublime Object of Ideology (1989)

“The original question of desire is not directly 'What do I want?', but 'What do others want from me? What do they see in me? What am I to others?”

Slavoj Žižek

Source: The Plague of Fantasies (1997), Chapter One: The Seven Veils of Fantasy, p.9

“The famous MacGuffin, the Hitchockian object, the pure pretext whose sole role is to set the story in motion but which is in itself nothing at all - the only significance of the MacGuffin lies in the fact that it has some significance for the characters - that it must seem to be of vital importance to them… - that's a MacGuffin, a pure nothing which is non the less efficient… what Lacan calls object petit a: a pure void which functions as the object cause of desire.”

Slavoj Žižek book The Sublime Object of Ideology

183
The Sublime Object of Ideology (1989)

“As Bertolt Brecht puts in his Threepenny Opera: What is the robbery of a bank compared to the foundation of a new bank?”

Slavoj Žižek book The Sublime Object of Ideology

26
The Sublime Object of Ideology (1989)

“Memento mori should be read: don't forget to die.”

Slavoj Žižek book The Sublime Object of Ideology

148
The Sublime Object of Ideology (1989)

“Daly: In a sense, would you say that the age of biogenetics/cyberspace is the age of philosophy?
Žižek: Yes, and the age of philosophy in the sense again that we are confronted more and more often with philosophical problems at an everyday level. It is not that you withdraw from daily life into a world of philosophical contemplation. On the contrary, you cannot find your way around daily life itself without answering certain philosophical questions. It is a unique time when everyone is, in a way, forced to be some kind of philosopher.”

Slavoj Žižek

Conversations with Žižek by Slavoj Žižek and Glyn Daly (Cambridge: Polity Press, 2004), p. 54

“The force of universalism is in you Basques, not in the Spanish state”

Slavoj Žižek

Interview in ARGIA (27 June 2010) https://www.dropbox.com/s/cihuwrieedr8s1j/44101916-LAPIKO-TXOSTENAK-ZIZEK.pdf

“Confucius was not so much a philosopher as a proto-ideologist: what interested him was not metaphysical Truths but rather a harmonious social order within which individuals could lead happy and ethical lives. He was the first to outline clearly what could lead happy and ethical lives. He was the first to outline clearly what one is tempted to call the elementary scene of ideology, its zero-level, which consists in asserting the (nameless) authority of some substantial Tradition.”

Slavoj Žižek book Living in the End Times

Source: Living in the End Times (2010), Chapter One: Denial: The Liberal Utopia

“Symbolic castration - the final moment of analysis is reached when the subject is ready to accept this fundamental loss, to consent to symbolic castration as a price to be paid for access to his desire.”

Slavoj Žižek book The Sublime Object of Ideology

147
The Sublime Object of Ideology (1989)

“Few thinkers illustrate the contradictions of contemporary capitalism better than the Slovenian philosopher and cultural theorist Slavoj Žižek.”

Slavoj Žižek

John Gray, "The Violent Visions of Slavoj Žižek". The Guardian, July 12, 2012

“In short, what the sensitive liberals want is a thus try to deprive the French Revolution of its status as the founding event of modern democracy, relegating it to a historical anomaly: there was a historical necessity to assert the modern principles of personal freedom, etc.”

Slavoj Žižek

Robespierre: Virtue and Terror (2007)