Slavoj Žižek: Evening

Slavoj Žižek is Slovene philosopher. Explore interesting quotes on evening.
Slavoj Žižek: 198 quotes29 likes

“Love is what makes sex more than masturbation. If there is no love even if you are really with a partner you masturbate with a partner.”

Slavoj Žižek

Interview in HARDtalk, BBC World Service (12 January 2010)

“What is at stake here is precisely the problem of the fulfillment of desire: when we encounter in reality an object which has all the properties of the fantasized object of desire, we are nevertheless necessarily somewhat disappointed; we experience a certain this is not it; it becomes evident that the finally found real object is not the reference of desire even though it possesses all the required properties.”

Slavoj Žižek book The Sublime Object of Ideology

106
The Sublime Object of Ideology (1989)

“The symptom is not only a cyphered message, it is at the same time a way for the subject to organize his enjoyment - that is why, even after the completed interpretation, the subject is not prepared to renounce his symptom.”

Slavoj Žižek book The Sublime Object of Ideology

80
The Sublime Object of Ideology (1989)

“First, [the bourgeoisie] must recognize his own impotence, his incapacity to believe in a sense of history, even if his reason leans towards the truth, the passions and prejudices produced by his class position, prevent him from accepting it. So he should not exert himself with proving the truth of the historical mission of the working class; rather, he should learn to subdue his petty bourgeois passions and prejudices. He should take lessions from those who were once as important as he is now, but are ready to risk all for the revolutionary Cause.”

Slavoj Žižek book The Sublime Object of Ideology

38
The Sublime Object of Ideology (1989)

“…crazy, tasteless even, as it may sound, the problem with Hitler was that he was not violent enough, that his violence was not 'essential' enough…”

Slavoj Žižek

In Defense of Lost Causes (2008)

“Canned laughter: After some supposedly funny or witty remark you can hear the laughter and applause included in the soundtrack of the show itself - here we have the exact counterpart of the Chorus in classical tragedy; it is here that we have to look for 'living Antiquity.' That is to say, why this laughter? The first possible answer - that it serves to remind us when to laugh - is interesting enough, because it implies the paradox that laughter is a matter of duty and not of some spontaneous feeling; but this answer is not sufficient because we do not usually laugh. The only correct answer would be that the Other - embodied in the television set - is relieving us even of our duty to laugh - is instead laughing for us. So even if, tired from a hard days stupid work, all evening we did nothing but gaze drowsily into the television screen, we can say afterwards that objectively, through the medium of the other, we had a really good time.”

Slavoj Žižek book The Sublime Object of Ideology

33
The Sublime Object of Ideology (1989)

“There is a somewhat analogous situation with regard to the heterosexual seduction procedure in our Politically Correct times: the two sets, the set of PC behaviour and the set of seduction, do not actually intersect anywhere; that is, there is no seduction which is not in a way an "incorrect" intrusion or harassment — at some point, one has to expose oneself and "make a pass." So does this mean that every seduction is incorrect harassment through and through? No, and that is the catch: when you make a pass, you expose yourself to the Other (the potential partner), and she decides retroactively, by her reaction, whether what you have just done was harassment or a successful act of seduction — and there is no way to tell in advance what her reaction will be. This is why assertive women often despise "weak" men — because they fear to expose themselves, to take the necessary risk. And perhaps this is even more true in our PC times: are not PC prohibitions rules which, in one way or another, are to be violated in the seduction process? Is not the seducer’s art to accomplish this violation properly — so that afterwards, by its acceptance, its harassing aspect will be retroactively cancelled?”

Slavoj Žižek

The Fragile Absolute: or, why is the Christian legacy worth fighting for? (London: Verso, 2000, ), p. 111.

““I hate students,” [Zizek] said, “they are (as all people) mostly stupid and boring.
In a recent interview at this year’s Zizek Conference in Ohio, Zizek talked about his personal life before delving into his thoughts on teaching. “I hate giving classes,” Zizek said, citing office hours and grading papers as his two biggest peeves. “I did teach a class here [at the University of Cincinnati] and all of the grading was pure bluff,” he continues. “I even told students at the New School for example… if you don’t give me any of your shitty papers, you get an A. If you give me a paper I may read it and not like it and you can get a lower grade.” He received no papers that semester. But it’s office hours that are the main reason he does not want to teach.
“I can’t imagine a worse experience than some idiot comes there and starts to ask you questions, which is still tolerable. The problem is that here in the United States students tend to be so open that sooner or later, if you’re kind to them, they even start to ask you personal questions [about] private problems… What should I tell them?”
“I don’t care,” he continued. “Kill yourself. It’s not my problem,””

Slavoj Žižek

As quoted by Eugene Wolters, " Professor of the Year: 'If You Don't Give Me Any of Your Shitty Papers You Get an A http://www.critical-theory.com/professor-of-the-year-if-you-dont-give-me-any-of-your-shitty-papers-you-get-an-a/'", Critical-Theory.com, May 26 2014; square brackets and lack of accent marks as in orginal

“Father, why is the sky blue?' - the child is not really interested in the sky as such; the real stake of the question is to expose father's impotence, his helplessness in the face of the hard fact, to present the whole chain of reasons leading to it. The blue of the sky thus becomes not only the father's problem, but in a way even his fault. The sky is blue, and you're just staring at it like an idiot incapable of doing anything about it!”

Slavoj Žižek book The Sublime Object of Ideology

203
The Sublime Object of Ideology (1989)

“It is more satisfying to sacrifice oneself for the poor victim than to enable the other to overcome their victim status and perhaps become even more successful than ourselves”

Slavoj Žižek book Living in the End Times

Living in the End Times (2010)

“Those who claim a natural link between capitalism and democracy are cheating with the facts in the same way the Catholic Church cheats when it presents itself as the "natural"advocate of democracy and human rights against the threat of totalitarianism - as if it were not the case that the Church accepted democracy only at the end of the nineteenth century, and even then with clenched teeth, as a desperate compromise, making it clear that it preferred monarchy, and that it was making a reluctant concession to new times.”

Slavoj Žižek

Source: First as Tragedy, Then as Farce (2009), Chapter One, Human, All Too Human

“Think about the strangeness of today's situation. Thirty, forty years ago, we were still debating about what the future will be: communist, fascist, capitalist, whatever. Today, nobody even debates these issues. We all silently accept global capitalism is here to stay. On the other hand, we are obsessed with cosmic catastrophes: the whole life on earth disintegrating, because of some virus, because of an asteroid hitting the earth, and so on. So the paradox is, that it's much easier to imagine the end of all life on earth than a much more modest radical change in capitalism.”

Slavoj Žižek

Žižek! (2005); as Žižek notes on p. 1 of Mapping Ideology (1994), the observation that it is easier to imagine the end of the earth than the end of capitalism was originally made by Fredric Jameson.

“In his seminar on The Ethic of Psychoanalysis, Lacan speaks of the role of the Chorus in classical tragedy: we, the spectators, came to the theatre worried, full of everyday problems, unable to adjust without reserve to the problems of the play, that is to feel the required fears and compassions - but not problem, there is a chorus, who feels the sorrow and the compassion instead of us - or, more precisely, we feel the required emotions through the medium of the chorus: 'You are then relieved of all worries, even if you do not feel anything, the Chorus will do so in your place.”

Slavoj Žižek book The Sublime Object of Ideology

32; quote from Lacan's Le séminaire, livre VII : L'éthique de la psychanalyse, 295
The Sublime Object of Ideology (1989)

“Even the dead will not be safe from the enemy if he wins.”

Slavoj Žižek book The Sublime Object of Ideology

161
The Sublime Object of Ideology (1989)